Calvin Bryce Hoover (1897-1974) was an economist, a scholar, and a leader in public service. A member of the Duke faculty from 1925 until his retirement in 1966, Hoover served as chairman of the Department of Economics from 1937-1957, and Dean of the Graduate School from 1938-1948. Hoover is widely accepted as the founder of the field of comparative economics. Materials include correspondence, departmental files, reports, photographs, sound recordings, books, articles, clippings, scrapbooks, date books, and other printed materials. Major subjects of the collection are the economic conditions in the Soviet Union, Germany, and the United States in the 20th century; the administration of an academic department during wartime; Soviet economic policy; Soviet politics and government; the formation of New Deal agricultural policies in the South; and the Office of Strategic Services. English, German, and Russian.

The Calvin Bryce Hoover papers span the years 1922-1970, with the bulk falling between 1929 and 1968. The collection is arranged into nine series: Correspondence; Writings; Academic Materials; Professional Associations; Government Service; Subject Files; Audio-Visual Material; Personal; and Printed Material. The collection includes correspondence, departmental files, reports, photographs, sound recordings, books, articles, clippings, scrapbooks, date books, and other printed materials.

The first series, Correspondence, contains mostly academic or professional correspondence. The correspondence is arranged alphabetically, except for Box 27 which contains correspondence from or about the National Planning Association. It is important to note that Hoover tended to file his correspondence by subject, rather than by correspondent. As such, a file labeled "John Doe" may not necessarily contain correspondence written by "John Doe," but may include correspondence about "John Doe."

The second series, Writings, includes copies of Hoover's publications, unpublished material, addresses, drafts, notes, publication agreements, and correspondence. The third series, Academic Material, includes departmental files, course files, and other materials associated largely with Hoover's work at Duke University. The series includes material about the Economics Dept., professors, courses taught by Hoover, correspondence, theses, and other files. The fourth series, Professional Associations, includes files on the American Economic Association, the Southern Economic Association, and the Ford Foundation.

The fifth series, Government Service, includes general subject files, files on war agencies, the Committee for Economic Development, and the Council on Foreign Relations, the Economic Cooperation Administration, and correspondence. The sixth series, Subject Files, includes general topical files. The seventh series, Audio-Visual Material, includes photographs and audio reels. The eighth series, Personal, includes Hoover's personal school papers, souvenirs, and personal papers belonging to Hoover's wife, Faith.

The ninth series, Printed Material, includes publications not authored by Hoover. There are a fair number of these in German and Russian.

This collection contains materials that would lend itself to many areas of research interests. Of note is the material pertaining to the Office of Strategic Services (O.S.S.) which offers a unique picture of the work of the O.S.S. in Scandinavia, the Chief of Mission in Stockholm, Hoover's administrative style and means of controlling this operation, his philosophy of intelligence, and many day to day details of the profession of espionage.

Other topics of interest include the administration of an academic department during wartime, Soviet economic data and collection techniques of the 1930s, the formation of New Deal agricultural policies, and the development of the American foreign aid program.

Hans Horst Meyer was a pharmacologist and scientist on the faculty of the University of Vienna in the early 20th century. The papers are mostly in German, and consist of Meyer's professional correspondence; diplomas and awards; a few professional writings; an autograph book with signatures and correspondence of notable scientists and others; genealogical papers relating to his attempts in the late 1930s to document his family's ancestry; several volumes, including a family Bible and a diary of his son Arthur's first six years of life; and professional and personal photographs. There are two photographs of neurosurgeon Harvey Cushing (Boston), inscribed to Meyer (1914 and 1929), and a sketch by Cushing. There are a few letters from family members, one of which describes in detail the correspondent's experience in Poland during the invasion of that country by the Germans, and his or her return to Germany. An addition to the collection consists of a few letters, photographs, negatives, and other memorabilia relating to Meyer's son, Arthur W. Meyer, personal physician to Boris III, King of Bulgaria, and Arthur's son Horst, who became a physicist at Duke University. The Hans Horst Meyer papers form part of the History of Medicine Collections at Duke University.

The papers, mostly in German, document pharmacologist and scientist Hans Horst Meyer's career and personal life, and consist of personal and professional correspondence; written pieces; genealogical documents; diplomas, medals, and awards; a Bible and other assorted volumes; professional and personal photographs; and an autograph album.

The certificates and medals were received by Meyer between 1901 and 1937, and come from a variety of international scientific organizations, such as the New York Academy of Medicine, the Royal Society of Physicians in Budapest, and the Swedish Royal Academy of Sciences. Meyer also received the German Order of the Red Eagle and honorary citizenship of the city of Vienna. Also included is a small group of letters and printed materials relating to honors received by Meyer, as well as a reprint of Meyer's chapter in the Handbuch der experimentellen Pharmakologie.

Of note are two portrait photographs of pioneer neurosurgeon Harvey Cushing (1914 and 1929), both inscribed to Hans Horst Meyer, and a warm letter from Cushing to Meyer's son Arthur, a physician. A sketch of a spongioblast, attributed to Cushing, rounds out this group.

The personal papers include a group of official documents, identity and voting cards, and correspondence with parishes and German officials, attesting to Meyer's efforts from about 1938 to 1939 to document his family's religious heritage and obtain a new German identity card, possibly in order to leave the country. Meyer died in Vienna in 1939 while his application was still under review. Also among the personal papers are a few letters from family members, one of which, dated October 6, 1939, describes in detail the correspondent's experience in Poland during the invasion of that country by the Germans, and his or her return to Germany.

Meyer's personal papers are accompanied by a German bible, a volume of poetry and quotations, and a journal in which Meyer recorded his son Arthur's first six years of life. There are also photographs of Hans Horst Meyer with various family members: his wife Doris, shortly after marriage, his sons Arthur and Kurt, his daughter-in-law Lotte, and grandchildren.

The autograph album contains 147 autographs and letters of well-known and lesser-known Germans, most of whom lived in the 19th century. Included are a letter each from Johann Wolfgang von Goethe, Johann Christoph Friedrich von Schiller, and Clara Schumann, a postcard from Johannes Brahms, and the autographs of many individuals, including Henrik Ibsen and Charles Dickens.

An addition to the collection consists of personal memorabilia, including photographs, glass slides, and a few letters, relating to Hans Horst Meyer's son Arthur, and his close relationship as personal physician to Boris III, King of Bulgaria, until Arthur's suicide in 1933. The letters are addressed to (Johannes) Horst Meyer, Arthur's small son, who eventually became a physicist, emigrated to the U.S., and joined the faculty of Duke University.

With the exception of the autograph album, originally in the holdings of the Rubenstein Library general collections, the Meyer papers were acquired as part of the History of Medicine Collections at Duke University.

German writer and intellect who escaped a Nazi concentration camp and immigrated to New York in 1937. Collection consists of correspondence between Borchardt and several friends, including several news clippings and photographs. Subjects discussed include the emergence of Nazi Germany under Hitler and the origins and consequences of World War II. The remainder of the collection consists of literary manuscripts, drafts, and notes from Borchardt's writings, as well as some correspondence and newspaper clippings. Many of the materials are not in order and are in poor condition. Writings are in German and English.

The original collection consists of correspondence between Borchardt and several friends, including several news clippings and photographs. Subjects discussed include the emergence of Nazi Germany under Hitler and the origins and consequences of World War II. They despise Hitler's tactics, expressed dismay with British Prime Minister Neville Chamberlain's policy of appeasement, and criticized Hitler's deal with Russia's Stalin (i.e. the German-Russian Non-Aggression Pact of 1939). The collection also makes reference to German playwright Bertolt Brecht, whose views of war the correspondents agreed with.

The accession (2008-0158) appears to consist largely of literary manuscripts, drafts, and notes from Borchardt's writings, as well as some correspondence and newspaper clippings. Many of the materials are not in order and are in poor condition. Writings are in German and English. This addition is unprocessed.

Collection contains materials Few gathered as a student in Germany, and materials relating to his US Army service in WWII. There are guidebooks, newspapers, postcards, Nazi propaganda chiefly from Germany ( 1938), and materials from other parts of Europe. Papers concerning Few's military service include a memo from the War Dept., and items related to Adjutant General's School.

The Nazi Nuremberg Rally Newsreel, 1933, consists of one black-and-white, silent, 31-minute Agfa newsreel print documenting the Fifth Party Congress of the Nazi Party, Nuremberg, August 30-September 3, 1933.

The Newsreel of the Fifth Party Congress of the Nazi Party, 1933, consists of one 16mm, black-and-white, silent, 31-minute Agfa newsreel print documenting the 1933 Nuremberg Rally, August 30-September 3, 1933. Also known as the "Rally of Victory," the 1933 rally at Nuremberg is notable in several respects. It was the first Nazi rally following Hitler's rise to Chancellor earlier that year; it was the first featuring Albert Speer's designs for the Zeppelinfeld stadium; it was the first of the rallies filmed by Leni Riefenstahl, for Der Sieg des Glaubens (Victory of Faith); and it was the final rally before the Nazi leadership purge known as the Night of the Long Knives (June 30-July2, 1934), whose victims included Ernst Roehm. Roehm, the chief of staff of the Stormabteilung, is featured extensively, alongside Hitler, Hermann Goering, Rudolf Hess, Joseph Goebbels and other Nazi leadership, in this newsreel and in Der Sieg des Glaubens. Due to Roehm's presence in Riefenstahl's film, only one copy of Der Sieg des Glaubens has survived -- the others were destroyed on Adolf Hitler's orders following the purge. While Der Sieg des Glaubens used footage shot by Riefenstahl (who created the stylistically advanced propaganda landmark, Triumph of the Will, the next year) as well as newsreel sources similar to this Agfa newsreel, there is little if any overlap between the Agfa newsreel and Riefenstahl's 61-minute film, or between a similar 5-minute newsreel from 1933, Der Deutsche Reichstag zu Nuernberg.

The newsreel is available for viewing on YouTube: http://youtu.be/sZrk0YAAg94

Retired professor of history at Morgan State University, scholar of the history of African Americans in the motion picture industry, prolific author of books and articles on the subject, and script writer. The papers of Thomas Cripps date from 1839 to 2009, and are arranged into three divisions: films, photographic stills of African American actors and productions, and professional papers, the largest group. Taken as a whole, the films, movie stills, research files, and publication files document Cripps's investigations into representations of racial and ethnic stereotypes in popular culture, particularly in film, but also touch on other issues such as gender in popular culture, portrayal of race in Nazi Germany, and the social dimensions of African American life in the U.S. during the 20th century. Other materials stem from college-level courses taught by Cripps on these same topics, and include many of the visual resources he used in his classes. Acquired as part of the Archive of Documentary Arts at Duke University.

The Thomas Cripps collection dates from approximately 1839 to 2009, with the bulk of the materials dating from 1940-2009, and is arranged into three main divisions: films, photographic stills of African American actors and productions, and professional papers, which is the largest group of the three (closed pending processing). The materials as a whole can be used to study a variety of themes and subjects: racial or ethnic stereotypes in popular culture (chiefly African American, but also Jewish, Irish, and Asian); American and European television culture, broadcasting, and advertising; African American artists; African American film-makers, most notably Oscar Micheaux; U.S. political and social events in the 20th century, including the Depression and the Civil Rights Movement; educational institutions for African Americans; and the teaching of African American history in U.S. higher education. There are significant research materials on Nazi Germany propaganda and the portrayal of race in the party's films.

The thirty-seven films found in the Films Series consist of film shorts, clips from feature films, newsreels, "Soundies," and television commercials, and were collected by Cripps for their portrayals of African Americans, performance by African Americans, or production by African Americans from the turn of the century into the late 1960s 1970s. He also collected filmic materials reflecting other racial and ethnic stereotypes, as seen in the Ethnic Films reel. There are viewing copies for all films.

The Still Photographs Series consists of hundreds of publicity stills and other images taken from U.S. and British feature films featuring African American actors from the silent film era through the 1970s. Many entries, which have been retained from the original envelope labels, carry titles from individual films, but other prints were arranged by Cripps into topical categories such as "Black Athletes," "Jungle Pix," "Silent Films," and "Exotic Primitives."

Cripps's professional papers, a very large group, are closed to access pending processing. They are currently loosely arranged into these series: Correspondence, Dissertation and Research, Morgan State University, Other Papers and AV Materials, Subject Files, and Writings. Beyond the topics discussed above, the materials also document grant proposals written by Cripps; his early dissertation work; coursework in a variety of settings; and his many publication projects.

Acquired as part of the Archive of Documentary Arts at Duke University.