Since the 1960s, and particularly after the Stonewall uprising of 1969, the modern women's rights and lesbian, gay, bisexual, and transgender rights movements (LGBT) have produced their own magazines, journals, newspapers, and newsletters as a strategy for unifying and galvanizing their constituencies. These periodicals served to inform movement activists about pertinent actions, news stories, and cultural trends unreported by the mainstream media. The Women's and Lesbian, Gay, Bisexual, and Transgender (LGBT) Periodicals Collection comprises individual issues of periodicals produced by or reporting on organizations involved in the women's rights and lesbian, gay, bisexual, and transgender rights movements of the late twentieth century and early twenty-first century. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection comprises individual issues of periodicals produced by or reporting on organizations involved in the women's rights and lesbian, gay, bisexual, and transgender rights movements (LGBT) of the late twentieth century and early twenty-first century. A wide variety of periodical genres are represented here, including literary and art journals, newspapers, organizational newsletters, and popular culture magazines. The periodicals in this collection were donated by individuals, purchased, or separated from manuscript collections. Manuscript collections held by the David M. Rubenstein Rare Book & Manuscript Library from which periodicals were separated are the Catherine Nicholson Papers; the Dan Kirsch Papers; the Kate Millett Papers; the Irene Peslikis Papers; the Minnie Bruce Pratt Papers; the Margaret McFadden Papers; and the Charis Books and More-Charis Circle Records. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Manufacturing firm founded in 1893 in Durham, N.C. that produced machinery for the packaging industry. Collection includes articles, brochures, clippings, correspondence, memorabilia, newsletters, photographs and other materials. Materials touch on business acquisition, company events, employee policies, retirements, staff promotions, stock and other issues. Individuals and companies represented in the collection include ACMA, Emhart, John Thomas Dalton, John L. Moorhead, Rexham, Richard Harvey Wright, Richard Harvey Wright II, and Sperry Rand.

Collection includes articles, brochures, clippings, correspondence, memorabilia, newsletters, photographs and other materials. Materials touch on business acquisition, company events, employee policies, retirements, staff promotions, stock and other issues. Individuals and companies represented in the collection include ACMA, Emhart, John Thomas Dalton, John L. Moorhead, Rexham, Richard Harvey Wright, Richard Harvey Wright II, and Sperry Rand.

Camilo J. Vergara is a documentary photographer, focusing on the evolution of urban spaces. Collection of color prints from Vergara's 2009 National Building Museum exhibit Storefront Churches, with photographs of urban churches, pasters, and murals from cities around the United States. This exhibit was part of a larger collection featured in Vergara's book, How the Other Half Worships.

Collection consists of 85 color prints, ranging in size from 11x14 inches to 20x24 inches, as well as two 30x30 color transparencies. These images were all part of the National Building Museum's 2009 Vergara exhibit, "Storefront Churches," and many are also featured in his recent book, How the Other Half Worships (2005).

Subjects include urban churches in cities throughout the United States, in particular New York City and its neighborhoods (such as Harlem, Brooklyn, and the Bronx), Detroit, Chicago, Los Angeles, Gary, and Camden. Vergara's photographs vary in what part of each church is highlighted: some are simply the church's exterior, offering a glimpse of the neighborhood and condition of the building; other images are taken inside the church, whether it be an abandoned sanctuary or an active praise service. The collection also contains, to a lesser extent, photographs of religious and spiritually-inspired murals and artwork from different urban environments; cemeteries and outdoor worship spaces; and some portraits of different pastors and preachers, including street preachers. Most of the churches represented in the collection are Pentecostal, Baptist, or some other branch of Evangelical Protestant Christianity.

The collection documents the evolution of church structures, such as the series of rephotography of a Chicago building that evolved from the Holy Raiders Revival Church in 1981 to the Mt. Zion Missionary Baptist Church in 2009. Vergara rephotographed the building six times during that period, and each time the building's facade and surroundings had changed significantly. Vergara's photographs also offer one-time glimpses of abandoned and decaying buildings, as well as documentation of reclaimed and re-used urban structures, such as the former Kentucky Fried Chicken restaurant that is now a worship center in Newark.

Anne Noggle (1922-2005), aviator, photographer, author, and educator, traveled to Moscow from 1990-1992 to conduct more than seventy interviews and to photograph former Soviet airwomen who served during World War II as pilots, gunners, bombardiers, navigators, and flight crews. The 36 black-and-white portraits in this collection show the women seated and standing, most in a studio setting; they are in civilian clothing and many are wearing their wartime medals and military insignia. The gelatin silver photographs were printed by Noggle and measure 20x24 (8), 16x20 (6), and 11x14 (22) inches. Almost all appear in her book A Dance with Death: Soviet Airwomen in World War II, published in 1994, also held by the library. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection consists of 36 black-and-white photographic portraits taken by photographer Anne Noggle of former Soviet airwomen who served during World War II as combat pilots, gunners, bombardiers, navigators, and flight crews. The women are seated and standing, most in a studio setting; they are dressed in civilian clothing and many are wearing their wartime medals and military insignia. The gelatin silver photographs were printed by Noggle and are sized 20x24 (8), 16x20 (6), and 11x14 (22) inches. Almost all the images appear in her book A Dance with Death: Soviet Airwomen in World War II, published in 1994, and also held by the library.

From the Texas A&M Press website for the book: "The women who tell their stories here began the war mostly as inexperienced girls — many of them teenagers. In support of their homeland, they volunteered to serve as bomber and fighter pilots, navigator-bombardiers, gunners, and support crews. Flying against the Luftwaffe, they saw many of their friends — as well as many of their foes — fall to earth in flames. Their three combat Air Force regiments fought as many as one thousand missions during the war... equally courageous were the women's efforts to show the Red Army that they were entirely adequate to the great role they sought. For even though Stalin had decreed equality for both sexes, the women had to grapple initially with deep distrust from male pilots and Red Army officers, against whom they eventually prevailed."

Jesse Pyrant Andrews is an American photographer based in rural southern Virginia. Collection comprises 291 black-and-white photographs and 46 oral history interviews by photographer Jesse Pyrant Andrews, documenting rural and small-town life in the Piedmont region of Virginia and North Carolina. Major themes center on the landscapes and people of the region; tobacco cultivation; the lives of farmers, war veterans, small business owners, and laid-off workers; local architecture and historic sites; traditional crafts and music; and new patterns of economics and society in rural Virginia. Andrews's Veterans Project has become a larger focus over the years; it now comprises over 30 portraits and associated audio interviews, chiefly with veterans of the Vietnam and Gulf Wars. Additional projects include materials related to the Carter-Wooding families of southern Virginia; views from an Amtrak train; views of an historic plantation home, Mountainview; and street scenes and portraits taken in New York City, California, and Massachusetts. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises 291 black-and-white photographs and 46 oral history recordings by Jesse Pyrant Andrews documenting rural and small-town life in the Piedmont plateau of central southern Virginia and northern North Carolina. Most of the images are portraits of local people, along with scenes from homesteads, small towns, farms, and grave sites. Major themes include tobacco cultivation; the lives of farmers, migrant workers, war veterans, small business owners, and laid-off textile workers; regional architecture; historic sites; and traditional activities such as music-making, constructing handmade firearms, and working with leather. Together, the images and interviews speak to significant changes in this rural Piedmont region's cultures and economies as it has transitioned into the 20th and then the 21st centuries.

In the Veterans Project series, Andrews documents through portraits and in-depth audio interviews the experiences of U.S. military veterans, primarily in the Vietnam and Gulf Wars, but also in World War II. The series includes a Vietnam War veteran's manuscript memoir and a tribute essay to one veteran, written by Andrews. Some of these resources may contain disturbing content.

The Carter-Wooding Project, also comprising photographs and several oral histories, documents two Halifax County, Virginia families, the Carters and the Woodings, and their rural property dating back to an 18th-century Huguenot land grant. This project forms part of the Portraits series in this collection. Interior and exterior shots of a former plantation, "Mountain View," in Tightsqueeze, Virginia (sold at auction in 2020) are featured in the series Life At Large.

Photographs from the series 13-Month Crop, documenting tobacco farming, were featured in a solo exhibit of Andrews' work hosted by the Rubenstein Library at Duke University in 2002.

Portraits and oral histories in the Burlington Mills series document the experiences of former southern Virginia textile workers.

Another series documents a trip on an Amtrak train. Rounding out the collection are images of street life and people in New York City, California, and Massachusetts, and a few of patterns in plants and ice.

Most of the photographs are accompanied by captions written by the photographer, commenting on the individuals, their life experiences, and aspects of local culture and society. Captions for the Veterans series include biographies as well as historical details related to several wars in which the U.S. was involved.

A large selection of photographs from the Andrews collection has been digitized and is available on the Duke Digital Collections website; links to this content are included in this inventory for corresponding prints.

Short subject film whose sequence of still images encapsulates the evolution of medical knowledge and practices from Neolithic times to the 20th century. The style is sixties psychedelic, with fast-moving sequences and vivid colors. The still images consist of historical scenes, procedures, and individuals significant to the history of medicine, chiefly Western, but there are a few images from Eastern practices. The only sound is music from "Mass in F Minor" by the Electric Prunes rock group (1968). Produced by staff in the Audio Visual Resources at the School of Medicine at Wake Forest University for educational purposes as well as for photographic research. Although the original 16 mm film is restricted, digital copies are available for viewing. Acquired as part of the History of Medicine Collections at Duke University.

Short subject film whose sequence of still images encapsulates the evolution of medical knowledge and practices from Neolithic times to the 20th century. The style is sixties psychedelic, with fast-moving sequences and vivid colors. The still images consist of historical scenes, procedures, and individuals significant to the history of medicine, chiefly Western, but there are a few images from Eastern practices. The only sound is music from "Mass in F Minor" by the Electric Prunes rock group (1968). Produced by staff in the Audio Visual Resources at the School of Medicine at Wake Forest University for educational purposes as well as for photographic research. Although the original 16 mm film is restricted, there are digital use copies for viewing. Acquired as part of the History of Medicine Collections at Duke University.

Kenneth Hubbard is an avid collector of United States campaign memorabilia. The Kenneth Hubbard Collection of Presidential Campaign Ephemera consists of printed and artifactural memorabilia from assorted presidential campaigns, dating largely from the late nineteenth century through the present. Items are chiefly relating to the Democratic and Republican political parties, with some materials from the U.S. Socialist Party and the Prohibitionist Party. The majority of the collection consists of buttons, pins, and campaign literature such as pamphlets, newsletters, flyers, and platforms. Arranged by year and candidate name.

The Kenneth Hubbard Collection of Presidential Campaign Ephemera consists of printed and artifactual memorabilia from assorted United States presidential campaigns, dating largely from the late nineteenth century through the present. Items are chiefly relating to the Democratic and Republican political parties, with some materials from the U.S. Socialist Party and the Prohibitionist Party. The majority of the collection consists of buttons, pins, and campaign literature such as pamphlets, newsletters, flyers, and platforms. There are also speech transcripts from appearances by John F. Kennedy and Adlai Stevenson during their presidential campaigns.

Sketch maps from the Civil War period representing geographic areas in Virginia, Tennessee, Kentucky, North Carolina, South Carolina, Mississippi, Alabama, Louisiana, and one unidentified location. These maps chiefly depict roads, waterways, mountain ranges, fortifications, counties, cities, and towns. There are two battlefield maps present, including Bull Run (Va., 1861; a Confederate map) and Spring Hill (Tenn., 1864). Most maps are unsigned; however, there are maps drawn by A. M. Thornton, Barbette Sims, and Edward Fontaine, as well as Confederate Army engineers A. B. DeSaulles and Jeremy F. Gilmer. Primarily drawn in ink on paper or linen cloth. Sizes of maps vary between 24 x 20 cm. and 63 x 60 cm.

William Henry Jackson (1843-1942), was one of the earliest and most important American photographers. From 1869 to 1878 he was official photographer for the U.S. Geological Survey of the Territories. Collection includes 130 photographs and albumen prints, almost all of which Jackson made while employed by the Survey. States represented are Colorado, Idaho, Montana, Utah, and Wyoming. Photographs are organized in several series by year from 1869 to 1874. Other important photographs include both a series and an album of the area now know as Yellowstone National Park; some of Jackson's photographs were shown to Congress prior to their vote to establish it as the first national park.

William Henry Jackson (1843-1942), photographer, artist, and explorer had a long and distinguished career as one of America's earliest and most important photographers, and to this day he has remained one of the best known of the western expeditionary photographers. During the years 1869-1878, Jackson was the official photographer for the U.S. Geological Survey of the Territories conducted by Ferdinand Vandiveer Hayden. This collection includes 130 photographs, albumen prints, almost all of which Jackson made while employed by the Survey. Of these 130 photographs, 68 are unbound, and 62 are bound into an album. The states represented in the collection are Colorado, Idaho, Montana, Utah, and Wyoming. The photographs form a number of series: 1869 Series (3), 1870 Series (20),1871 Series (5), 1872 Series (1), 1873 Series (3), 1874 Series (18), Yellowstone National Park Series (2), Indians Series (11), Not Identified in the Catalogue Series (5), and Album: Photographic Views Of the Yellow Stone National Park Series (62). The photographs of the area now known as Yellowstone National Park may have in part led to the foundation of the of park. A selection of Jackson's photographs were shown to Congress prior to their vote to establish Yellowstone the first National Park.

The series of 1869-1873 are described in: William Henry Jackson, Descriptive Catalogue of the Photographs of the United States Geological Survey of the Territories, for the Years 1869 to 1873, Inclusive, U.S. Geological Survey of the Territories, Miscellaneous Publications, No. 5 (Washington: G.P.O., 1874). The information folders contain copies of the pertinent pages from the Catalogue. The unbound photographs are listed below with abbreviated descriptions. They are arranged first by series and then numerically within each series. The photographs supplied original numbers but not titles, so the Catalogue provided the titles used below. The images for the Series 1869-1872 vary from 4-7 inches x 7-9 inches mounted on 11 x 14 in boards. The images for Series 1873 are approximately 8 or 9 x 13 inches mounted upon 16 x 20 inch boards. The particulars of the unbound and bound photographs from Yellowstone National Park are given with their listings below.

Each photograph bears an original number and title. These titles are listed below within quotation marks. The descriptive catalogue contains fuller descriptions.

Collection is a set of postcards (including photograph postcards) from late 19th and 20th century Turkey, depicting scenes and people in İzmir (Smyrna), Turkey. The first folder of postcards have been individually numbered. The subsequent folders list the postcards by titles that are either on the postcards and/or were supplied by the dealer who sold the postcards to the library. The postcards are described in English, French, and Turkish.

Collection consists of individual postcards and photographs of İzmir (Smyrna), dating from the late 1800s through the 1960s. Some postcards are blank; others have been mailed and contain correspondence most often in French, Greek, or Ottoman-Turkish. Images depicted vary but include markets, mosques, streets and houses, harbor scenes, piers, monuments, ruins, the clock tower. A subset of images depicts the Great Fire of 1922 from the Greco-Turkish War, Greek refugees fleeing by boat, and a floating corpse. There are images of both people and methods of transportation.

Desmond Frances Anderson was Lt. Col. of the 1st Battalion East Yorkshire Regiment in 1927, serving in China and India until 1930. The Desmond F. Anderson diaries comprise 4 volumes (approximately 650 pages) of corrected typescript, accompanied by maps, sketches, postcards, photo postcards, and a few printed items tipped in, all detailing Anderson's service in China and India between 1927 and 1930.

The Desmond F. Anderson diaries comprise 4 volumes (approximately 650 pages) of corrected typescript, accompanied by maps, sketches, postcards, photo postcards, and a few printed items tipped in, all detailing Anderson's service in China and India between 1927 and 1930. Entries are marked by date and location; locations include mainly Tientsin, China, and Lucknow, India, although there are also entries for travel to and from other locations. The majority of entries are written by Desmond, with a few by his wife, Hope. Anderson also quotes her letters. Anderson routinely records his regimental duties, including office work, discipline, planning tactical exercises and trainings, promotion exercises, and reconnaissance. He then describes his freetime activities, including sports, dining, excursions, and entertaining visitors. Anderson comments at length on Westerners and their views of the Chinese and Indians.

Family active in Louisburg, Franklin Co., N.C. and also in Nash Co., N.C. Correspondence, accounts, diary (1869), bills, deeds, wills, legal documents, and other papers (largely 1829-1897). The bulk of the collection relates to Thomas A. Person and his family, and includes letters written from Harrison Co., Tex., and New Orleans (ca. 1850s); student letters from various North Carolina schools (1835-1860); letters of Confederate soldiers concerning military life; and family and business letters with Civil War reminiscences. The early material mostly concerns Thomas A. Person's father, Presley Carter Person, of Louisburg, N.C., and the settlement of his estate. Later material concerns patent medicines manufactured by a member of the family. Other correspondents and names mentioned include W. P. Montgomery, Harriett Person Perry, Levin Perry, Theophilus Perry, Jesse H. H. Person, Joseph Arrington Person, M. P. Person, and Willie Mangum Person. Addition comprises primarily land deeds and surveys, other deeds of sale, receipts, personal wills, and other financial information. Also includes personal correspondence and memory books. An 1834 deed of gift to John W. Harris from P. C. Person includes five named slaves, one gray horse, 12 head of cattle, and 12 head of sheep. An 1808-1864 ledger book of Presley Person includes Person family genealogy and names and birth dates of his slaves and of the slaves owned by his son, Thomas A. Person. Other names mentioned include Matthew Culpepper, Arthur W. Person, Prudence Person, and W. M. Person.

Correspondence, accounts, diary (1869), bills, deeds, wills, legal documents, and other papers (largely 1829-1897). The bulk of the collection relates to Thomas A. Person and his family, and includes letters written from Harrison Co., Tex., and New Orleans (ca. 1850s); student letters from various North Carolina schools (1835-1860); letters of Confederate soldiers concerning military life; and family and business letters with Civil War reminiscences. The early material mostly concerns Thomas A. Person's father, Presley Carter Person, of Louisburg, N.C., and the settlement of his estate. Later material concerns patent medicines manufactured by a member of the family. Other correspondents and names mentioned include W. P. Montgomery, Harriett Person Perry, Levin Perry, Theophilus Perry, Jesse H. H. Person, Joseph Arrington Person, M. P. Person, and Willie Mangum Person.

Addition (05-110) (200 items, 1.7 lin. ft.; dated 1754-1971 and undated) comprises primarily land deeds and surveys, other deeds of sale, receipts, personal wills, and other financial information. Also includes personal correspondence and memory books. An 1834 deed of gift to John W. Harris from P. C. Person includes five named slaves, one gray horse, 12 head of cattle, and 12 head of sheep. An 1808-1864 ledger book of Presley Person includes Person family genealogy and names and birth dates of his slaves and of the slaves owned by his son, Thomas A. Person. Other names mentioned include Matthew Culpepper, Arthur W. Person, Prudence Person, and W. M. Person.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States.

Consists primarily of clippings obtained from a selection of nationally distributed magazines and newspapers, representing print advertising campaigns of JWT client competitors, although some of JWT's own clients are represented, such as Ford and Kraft. Major product categories include clothing, business services, food and beverages, cosmetics and perfumes, over-the-counter medications, household appliances, automobiles, aircraft and airlines, cruise ships, and hotels and resorts. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Records of the Reviewers Club, a women's club in Durham, N.C.

Collection includes constitutions, standing rules, directories and rosters of members and officers, programs, minutes (1922-2010), correspondence, an article on history of the society, published in 1952, and scrapbooks containing assorted items, including clippings, photographs, and letters.

Ann Lovett is an artist who teaches at the State University of New York at New Paltz. This collection documents her artistic and academic career with a focus on her work in the book arts.

The collection contains materials documenting Lovett's artistic and academic career, including artists' book production materials and photographs.

Dale B.J. Randall (1929-2016) taught in the Duke English Dept. from 1957-1999 and in the Drama Program from 1991-1999. The collection includes material related to both the English Dept. and the Drama Program as well as Randall's scholarly research. Types of material include correspondence, flyers, programs, clippings, and articles. The collection ranges in date from 1940 through the 2010s.

The largest part of the collection contains research material pertaining to Lord North, Joseph Conrad and Warrington Dawson, about whom Randall was writing books. His research files include xerox copies, slides, illustrations and microfilm. There are materials from Randall's time in the Dept. of English, particularly the controversy which occurred in the late 1980s-early 1990s. The controversy boiled down to a debate between traditionalists and revisionists. It made national headlines at the time, and Randall refers to it as "The Troubles." There are also syllabi, examination questions, and non-graded student papers. Additionally, the collection contains material from Randall's time as Chair of the Drama Program and includes correspondence, programs, flyers, and clippings.

Randall's papers also include a copy of the written sexual harassment complaint a student made against an English professor in 1981. This folder is restricted for 70 years.

Both University Archives and Special Collections received material from Professor Randall. The accessions have been merged into the finding aid presented here.

Collection contains personal and professional papers of Claudia Horwitz, a Chapel Hill spiritual activist, author, and founder of Stone Circles.

Collection includes, but is not limited to writings, research and subject files, project files, talks/speeches, and files documenting group work.

Raging Grannies is an activist organization that promotes peace, justice and social and economic equality by raising consciousness through song and satire. They also aim to challenge stereotypical assumptions about advocacy and aging. This collection contains materials documenting the Triangle chapter of the Raging Grannies in North Carolina from 1998-2015.

The Triangle Raging Grannies records consist of photographs, newspaper clippings, protest song lyrics, member lists, flyers and other paraphernalia related to the activities of the organization around the Triangle area of North Carolina.

Consists predominantly of circuit plans from the Methodist Church (Great Britain) and the earlier churches that merged to form it in 1907 and 1932: the Wesleyan Methodist Church, the Primitive Methodist Church, the United Methodist Free Churches, and the United Methodist Church (Great Britain). These circuit plans, collected by Frank Baker, document the history, growth, and organization of the itinerancy, established by John Wesley in the early years of the church when Methodism began to spread into the rural areas of England. The plans feature detailed schedules of where the itinerant preachers, known as circuit riders, were to appear and preach each week.

The Frank Baker Collection of Methodist Circuit Plans, 1777-1984 and undated, consists predominantly of circuit plans from the Methodist Church (Great Britain) and the earlier churches that merged to form it in 1907 and 1932: the Wesleyan Methodist Church, the Primitive Methodist Church, the United Methodist Free Churches, and the United Methodist Church (Great Britain). These plans document the history, growth, and organization of the itinerancy, established by John Wesley in the early years of the church when Methodism began to spread into the rural areas of England. The circuit plans feature detailed schedules of where the itinerant preachers, known as circuit riders, were to appear and preach each week.

Items in the 19th Century and Overseas Circuits Series were donated in the 1970s and were organized at the item level and encapsulated in the early 1980s. Items were numbered in the order in which they were encapsulated, which bears no relationship to alphabetical order or circuit organization. They are currently boxed in numerical order in three boxes with the following number ranges: Box 1: items 1-240; Box 2, items 241-390; Box 3: items 391-527. Items in the 20th Century Series, numbering around 800 to 1000 items, were donated in the late 1980s and are organized to the folder level.

The United States Army, also referred to as the Northern, Union, or Federal army, fought against the Confederate States Army during the American Civil War. This collection was assembled by Rubenstein Library out of miscellaneous and disparate archival and manuscript collections, including: U.S. Army units and regimental records, inventories, and orders; as assorted letters and correspondence from various Army soldiers and officers; maps, letterheads, and blank forms, all created or produced during the Civil War era. Many materials relate to troop movements; inventories of supplies, equipment, troops, and food; enlistment, pay, and service histories of various members of the U.S. Army; activities of particular regiments; action or battles against the Confederacy; examples of personal letters to and from soldiers' family members; reports and summaries of war conditions in Southern territories (poverty and hunger in Southern towns, destruction and seizure of property, and the difficult circumstances facing newly-freed Black populations); and other assorted bureaucratic and administrative Army records.

This collection consists of many U.S. Army-related manuscript and archival materials, all dating from the American Civil War and its aftermath. Many of the materials relate to Union army activities in occupied Southern states, and include some official records from the Department of North Carolina, Department of the Tennessee, and Army of the Tennessee; regimental histories, orders, and other assorted materials from the 9th Maine Infantry, the 19th New York Cavalry (New York Dragoons), 93rd Pennsylvania Infantry, 1st Connecticut Artillery, and other miscellaneous army orders and reports; unsorted travel passes, personal and official letters to and from various Union officers and enlisted men, legal papers, affidavits, and loyalty oaths; inventories of supplies, ordnances, and attendance; some handmade maps of Civil War battlefields, including Petersburg; and a collection of Civil War-era letterhead and printed emblems.

Many materials relate to troop movements; inventories of supplies, equipment, troops, and food; enlistment, pay, and service histories of various members of the U.S. Army; activities of particular regiments; action or battles against the Confederacy; examples of personal letters to and from soldiers' family members; reports and summaries of war conditions in Southern territories (poverty and hunger in Southern towns, destruction and seizure of property, and the difficult circumstances facing newly-freed Black populations); and other assorted bureaucratic and administrative Army records. There are some references to refugees, widows, and enslaved people in the correspondence and in some of the company records and affidavits. The correspondence relays different soldiers' personal experiences and opinions of war, political and military battle news, and family updates.

St. Joseph African Methodist Episcopal Church was founded in Durham, N.C. in 1869. The church fan collection consists of 16 fans distributed to congregation members. Fans depict on one side devotional and pastoral scenes; on the other side are religious and promotional messages from various Durham, N.C. African American-owned businesses. Businesses represented include automotive repair shops, bakeries, flower shops, funeral parlors, grocery stores and laundry services. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The church fan collection consists of 16 fans distributed to congregation members. Fans depict on one side devotional and pastoral scenes; on the other side are religious and promotional messages from various Durham, N.C. African American-owned businesses. Businesses represented include automotive repair shops, bakeries, flower shops, funeral parlors, grocery stores and laundry services.

Collection consists of postcards, with photographs or printed images of tombs, worship places, and cemetery monuments from locations across the Middle East region, including Egypt, Libya, Morocco, Iran, Palestine, Iraq, and India. Some images of Christian, Judaic, and Muslim holy and religious sites.

This collection includes 39 photographic prints comprising the series Aunties, by Nadia Sablin, the 2014 CDS/Honickman First Book Prize in Photography Award Winner. Aunties is a series of photographs detailing the lives of two unmarried sisters living in a Russian village.

Sablin's description: "Aunties is a series of photographs detailing the lives of two unmarried sisters living in a Russian village. Alevtina and Ludmila are in their seventies, but carry on the traditional way of life, chopping wood for heating the house, bringing water from the well, and making their own clothes. Vegetables they harvest in the fall and berries they gather in the summer supplement the meager pensions on which the elderly subsist in Russia. My photographs of them are a meditation on aging, family and a sense of belonging. The house in which the sisters live was built by their father, the rugs woven by their mother. They contribute to the home as well, with new wallpapers, hand-sewn curtains, quilts and lace. Folded handwritten recipes contain seeds for planting, or rolled up balls of stray hair. Their environment is as much a character as they are themselves."

The collection consists of 39 13"x19" color photographs printed on Epson Exhibition Fiber Paper.

This collection includes 23 photographic prints comprising the series Where We Live: A North Carolina Portrait. Photographs taken by Jennifer Jacklin Stratton throughout the state of North Carolina in 2014-2015.

Includes prints from Stratton's participation in the Where We Live project, inspired by Alex Harris's 1971-1972 North Carolina work. Collection contains 23 color photographs printed on Hahnemuhle “13 x 19” 320g Fine Art Pearl Photo Rag. The first 12 prints were intended for inclusion in the spring 2016 Where We Live: A Portrait of North Carolina exhibition at the Rubenstein Gallery. North Carolina counties represented include Halifax, Robeson, Sampson, Nash, and Cumberland. Stratton included the following text about her work:

"What we call the beginning is often the end. To make an end is to make a beginning. The end is where we start. -- T.S. Eliot In making these photographs I immersed myself in Alex Harris' original 1971-72 North Carolina work, and embraced his instinct to roam widely and to engage the people he met with his camera. At first this comprised of a lot of wandering through places I had never been and getting to know people along the way. It also included choosing the unpredictability of working with a 1960s medium format camera lacking a light meter and focusing mechanism – all attempts to sense what has changed in the past forty four years and what still lingers – both in photography and in the landscape. Since 1971, there are many more people, like myself, who now call North Carolina home. Between 2000 and 2010 alone, North Carolina gained almost 1.5 million residents. As I began to photograph, I kept stumbling across the statistic that the state has more factory-farmed hogs (10.1 million) than people (9.5 million). I wondered how has this significant population growth of both livestock and people impacted environmental resources, waste disposal and energy consumption throughout the state? I wanted to explore making photographs of something difficult to see: our biological need to live in a place with access to drinkable water, breathable air, healthy soil, an impulse that ultimately connects us all. In North Carolina there is a strong historical correlation between poverty and environmental degradation. In the late 1970’s midnight dumpers deliberately dripped PCBs in fourteen counties along more than two hundred miles of highway, leading to protests in Warren County that made national news. In 2014, I followed much the same route as this highway by photographing along the proposed path for the planned Atlantic Coast Pipeline project. I found several of the counties on this route have previous histories of environmental injustice. By photographing some of the people who live in these counties under daily environmental threats such as refuse dumping, expanding landfills, industrial animal farms, and coal ash, I sought to make personal and visible the complexities of shifting state-wide developments. Long-time residents continue to endure the emptying of downtowns and homes while bearing witness to the physical degradation of the air, water, and land around them. In this corridor of environmental injustice and socioeconmic disparities, the sustainability of family life for future generations is in question.

There is loss in the landscape, but also change and growth. I do not think it is possible to put into words all that I have gained bonding to place and people through making this work. This was an opportunity to engage with the diverse perspectives that exist within a singular place. As I entered neighborhoods a stranger with my camera, I was welcomed far more than I was turned away. I found my purpose in making these photographs was as Robert Adams writes, 'to try to be coherent about the intuition and hope' I had found."

This accession continues to document Julia Penelope's life as a lesbian and feminist activist and academic. Materials include correspondence and financial records; lecture notes and writings by Penelope dealing with subjects that include linguistics, lesbian communities, lesbian separatists, and coming out; subject files; and book reviews of works by Penelope and others. Acquired as part of the Sallie Bingham Center for Women's History and Culture. For information on earlier accessions, please consult the Duke Library online catalog.

Professional organization founded in 2002 by David Hessekiel to promote business-nonprofit collaboration and corporate sponsorship of social service campaigns. Halo Awards were established in 2003 to celebrate notable cause marketing campaigns.le endeavors by businesses.

Collection spans 2002-2012 and includes correspondence, entry forms, audiovisual materials, artifacts, written reports and other materials that document businesses entering the awards competitions for social service and humanitarian projects. Companies and charities represented include the American Cancer Society, American Red Cross, Boys and Girls Clubs, Children's Miracle Network, Ford, Kohl's, Komen Breast Cancer Foundation/Komen for the Cure, Macy's, Procter & Gamble, Target and Toys for Tots. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The collection consists of printed materials and ephemera documenting the 2018 presidential election and 2019 municipality elections in Turkey. Represented in the collection are the major parties, including the Justice and Development Party (AKP), Peoples' Democratic Party (HDP), Republican People's Party (CHP), Nationalist Movement Party (MDP), Felicity Party (Saadet), Patriotic Party (Vatan), and Iyi Party (Iyi). Materials are in Turkish.

The collection consists of printed materials and ephemera documenting the 2018 presidential election and the 2019 municipal election in Turkey. Represented in the collection are the major parties, including the Justice and Development Party (AKP), Peoples' Democratic Party (HDP), Republican People's Party (CHP), Nationalist Movement Party (MDP), Felicity Party (Saadet), Patriotic Party (Vatan), and Iyi Party (Iyi). Materials are in Turkish.

The Syria Ministry of Health is the government agency in Syria responsible for the health of the population, including raising awareness of health issues. The Syria Ministry of Health posters includes 14 posters related to COVID-19 dangers and prevention.

The Syria Ministry of Health posters consists of 14 posters regarding the COVID-19 pandemic. Posters promote the use of face masks, hand-washing, and protecting oneself and others, as well as advise on COVID-19 symptoms. Many of the posters include the seal of the Ministry of Health as well as a url for the World Health Organization's site on COVID-19.

Sarah Wood was the co-owner of GERLL Press, a zine distro based in Chicago, Ill., in the early to mid-1990s. The collection consists of about 150 zines self-published by women and girls, largely in the United States. Subjects include feminism, the riot grrrl movement, body image and consciousness, women's health, women athletes, sexual abuse, television and film, poetry and short stories, rock music and punk music, violence against women, sexual identity, homosexuality, and bisexuality. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The collection consists of about 150 zines self-published by women and girls, largely in the United States. Many of these zines come directly from the GERLL Press inventory, or were submitted to Wood and Curry by their authors to be considered for sale through the distro. Subjects include feminism, the riot grrrl movement, body image and consciousness, women's health, women athletes, sexual abuse, television and film, poetry and short stories, rock music and punk music, violence against women, sexual identity, homosexuality, and bisexuality. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. Essington was an executive with JWT's Detroit Office.

Collection spans 1985-2015 and includes correspondence, research and planning reports and photographs that primarily document Essington's career as a specialist in marketing and advertising planning on the Ford account for JWT's Detroit office. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Center for Documentary Studies opened in January 1990 and is an outgrowth of and replacement for the Center for Documentary Photography (1980-1990). The Center combines traditions of documentary photography and film, writing, oral history, and scholarly analysis in seeking to capture life experiences. The 25 Under 25 project showcases twenty-five of America's most promising photographers, all twenty-five years old or younger. This collection contains 21 prints from an exhibit celebrating the project's initial publication, 25 Under 25: Up-And-Coming American Photographers, a Lyndhurst Book published by powerHouse and the Center for Documentary Studies in 2003.

The 25 Under 25 Photographs collection includes 21 images from an exhibit produced by the Center for Documentary Studies in 2003. The images are all taken from volume 1 of 25 Under 25: Up-and-Coming American Photographers, a 2003 Lyndhurst book published by the Center for Documentary Studies and powerHouse Books.

The exhibit prints are only a small portion of the photographs published in the book. 21 of the 25 photographers are represented in the collection, most with one print. The photographers and the titles of their projects are listed below in the collection's Description. Dates of photographs are unknown. Acquired as part of the Archive of Documentary Arts (Duke University).

The African Americans in Film collection includes ephemeral materials, especially posters and pressbooks, promoting and advertising motion pictures featuring Black actors, directors, and production companies.

The African Americans in Film collection includes ephemeral materials promoting and advertising motion pictures featuring Black actors, directors, and production companies. Materials in this collection include press books, posters, promotional booklets, campaign books, advertising manuals, programs, lobby cards, and other formats. The films documented include silent films, Blaxploitation films, blockbuster action films, musicals, documentaries, and dramas, from smaller Black owned and operated companies to major studio productions. Actors frequently featured in films documented here include Sidney Poitier, Dorothy Dandridge, Pam Grier, Jim Brown, Brock Peters, Fred Williamson, Ruby Dee, Brenda Sykes, Sammie Davis Jr., James Earl Jones, and many others.

Description often includes the format of the material and/or one or more of the Black stars featured in the film. Some description provided by George Robert Minkoff Inc., the dealer from whom part of the collection was purchased, is provided in quotes. Some of that description may have originated from the books Blacks in American films and television: an encyclopedia. and Toms, coons, mulattoes, mammies, and bucks: an interpretive history of Blacks in American films., both by Donald Bogle. The majority of the materials are from the United States, but a few items were created by or for audiences in other countries such as Japan, Denmark, France, Germany, and the United Kingdom, and are noted as such.

Chevrolet is a division of General Motors Corporation, founded in 1911 in Detroit, Mich. Collection consists of nine pamphlets addressed to Chevrolet sales personnel. Topics include closing sales, new product features, prospective buyer resistance, sales incentive programs, and seasonal selling. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of nine pamphlets addressed to Chevrolet sales personnel. Topics include closing sales, new product features, prospective buyer resistance, sales incentive programs, and seasonal selling.

Richard W. Pollay was Professor and Curator of the History of Advertising Archives at the Sauder School of Business, University of British Columbia. Collection includes audiovisual materials in multiple formats (audio and video cassettes, optical discs), clippings of articles and advertisements, pamphlets and other printed material, artifacts and ephemera (including apparel, cups, luggage, playing cards, promotional gifts and samples of tobacco packaging and candy cigarettes), photographs and slides, research reports, corporate documents, depositions and transcripts of court case testimony and other litigation-related materials. Topics include tobacco advertising and deceptive advertising practices; package labeling and health claims; cigarette marketing; manipulation of tar and nicotine levels; "light" and menthol cigarettes; lung cancer and other smoking-related health issues; smoking cessation and anti-smoking initiatives in the United States, Canada and internationally; tobacco industry manufacturing and marketing practices; smoking initiation and teenage and young adult smoking; and marketing of tobacco products to women and minorities. Companies represented include American Tobacco, British American Tobacco, Brown & Williamson, Imperial Tobacco, Liggett & Myers, Lorillard, Philip Morris (later Altria), R.J. Reynolds/RJR Nabisco and the Tobacco Institute. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection includes audiovisual materials in multiple formats (audio and video cassettes, optical discs), clippings of articles and advertisements, pamphlets and other printed material, artifacts and ephemera (including apparel, cups, luggage, playing cards, promotional gifts and samples of tobacco packaging and candy cigarettes), photographs and slides, research reports, corporate documents, depositions and transcripts of court case testimony and other litigation-related materials. Topics include tobacco advertising and deceptive advertising practices; package labeling and health claims; cigarette marketing; manipulation of tar and nicotine levels; "light" and menthol cigarettes; lung cancer and other smoking-related health issues; smoking cessation and anti-smoking initiatives in the United States, Canada and internationally; tobacco industry manufacturing and marketing practices; smoking initiation and teenage and young adult smoking; and marketing of tobacco products to women and minorities. Companies represented include American Tobacco, British American Tobacco, Brown & Williamson, Imperial Tobacco, Liggett & Myers, Lorillard, Philip Morris (later Altria), R.J. Reynolds/RJR Nabisco and the Tobacco Institute. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Stephen Row Bradley and his son William Czar Bradley were lawyers who, as residents of Westminster, Vermont, served in the U.S. Senate and House of Representatives respectively. Later Stephen moved to Walpole, New Hampshire. Many prominent New Englanders corresponded with them about Federalist, Republican, and Democratic politics, patronage, and legal and personal matters. Stephen's son-in-law, Samuel Griswold Goodrich ("Peter Parley") was his most frequent correspondent. Other subjects of the correspondence include the Vermont militia, relations between the U.S. and Tripoli, attitudes toward the War of 1812, surveying of the northeastern boundary between the U.S. and Canada, General Lafayette's visit to Thomas Jefferson in 1824, John Quincy Adams, Henry Clay, and Andrew Jackson.

Collection contains programs from 1386 operas attended around the world from 1951-2003 by Drs. Charles and Shirley Weiss.

Collection consists of 1386 opera programs collected from around the world by Charles and Shirley Weiss between 1951 and 2003. The programs are also detailed in a spreadsheet, documenting performance, date, location, performers, and other notable information about each program.

The spreadsheet is available at: https://duke.box.com/v/weissoperas-spreadsheet

The opera programs included represent a range of performances including classic, contemporary, and lesser-known operas. Venues are from around the world.

Abel Beach Nichols (1796/7-1868) was a merchant, farmer, slave owner and dealer from Bedford County, Virginia. The collection includes a small account book A. B. (Abel Beach) Nichols used to record financial transactions that occurred in Alabama from 1835 to 1836. Nine pages contain handwriting and several pages near the front and back of the book have been removed. Of particular interest are two pages with the heading, A list of the sales of negroes in the State of Alabama in 1835 & 1836, followed by a tabular listing of the number of slaves, their names, from whom purchased, cost, date, to whom sold, time, and amount. In all, Nichols bought and sold 42 slaves for a profit of $21,430.58. Headings such as A list of bonds bought in Alabama ... and Bond on ... in Alabama for articles sold are found on subsequent pages. Also included in the collection are two letters addressed to A. B. Nichols. The 1846 letter, from Pollard Hopkins & Co., describes efforts regarding the sell or hire of Nichols' slave, Henry, and the writer's intention to buy Henry a horse and dray, thereby giving him the means to eventually buy his freedom. The 1850 letter, from Henry, respectfully explains arrangements for acquiring the title to himself.

The collection includes a small account book that A. B. (Abel Beach) Nichols used to record financial transactions that occurred in Alabama from 1835 to 1836. Nine pages contain handwriting and several pages near the front and back of the book have been removed. Of particular interest are two pages with the heading, "A list of the sales of negroes in the State of Alabama in 1835 & 1836," followed by a tabular listing of the number of slaves, their names, from whom purchased, cost, date, to whom sold, time, and amount. In all, Nichols bought and sold 42 slaves for a profit of $21,430.58. Headings such as "A list of bonds bought in Alabama ..." and "Bond on ... in Alabama for articles sold" are found on subsequent pages. Also included in the collection are two letters addressed to A. B. Nichols. The 1846 letter, from Pollard Hopkins & Co., describes efforts regarding the sell or hire of Nichols' slave, Henry, and the "writer's" intention to buy Henry a horse and dray, thereby giving him the means to eventually buy his freedom. The 1850 letter, from Henry, respectfully explains arrangements for acquiring the title to himself.

The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Ailecia Ruscin is a writer, activist, and scholar from San Antonio, Texas and Auburn, Alabama. She is the author or co-author of the zines provo-CAT-ive and alabama grrrl (published from 1997-2000).

The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection of incarceration and anarchist publications produced by South Chicago ABC Zine Distro. Collection consists of 103 zines and drawings which include works most notably by Mumia Abu-Jamal, Sundiata Acoli, Ashanti Alston Omowali, David Gilbert and his son, Chesa Boudin, Kevin "Rashid" Johnson, Dennis Kyne, Anthony Rayson, Bobby Sands, Sean Swain, and Harold H. Thompson.

The Incarceration Zine Collection covers 1995 to 2007. Contents are almost exclusively produced by the South Chicago ABC Zine Distro publishing group, led by Anthony Rayson. A significant portion of this collection include essays by Rayson. The collection is predominately zines, most of which are written by Anarchists. Additional items are ABC Zine Distro catalogues and a few pieces of inmate art.

Most zines are original creations, though some pieces are reproduced texts by other authors. These works include Anarchist Morality by Peter Kroptokin, chapter 1 of Black Panther Party (Reconsidered) edited by Charles E. Jones, and The Diary of Bobby Sands.

Zines include republished pieces of famous inmates, including poetry and writings by Weather Underground member David Gilbert and political prisoners Mumia Abu-Jamal and Harold H. Thompson. Some pieces have an international focus, covering topics such as Vietnam, the Russian Revolution, and the El Mozote massacre. Domestic issues covered include race in the prison system, the resurgence of the Black Panther Party, revolutionary organizing in prison, Native American rights, and growth of the prison-industrial system.

Noted authors in this collection in Mumia Abu-Jamal, Sundiata Acoli, David Gilbert, Kevin "Rashid" Johnson, Dennis Kyne, Ashanti Alston Omowali, Anthony Rayson, Bobby Sands, Sean Swain, and Harold H. Thompson.

Acquired as part of the Human Rights Archive (Duke University).

Network of independent abortion providers, allies, and individuals; founded through the merge of the National Coalition of Abortion Providers and the Abortion Conversation Project. Collection includes founding documents, newsletters, and promotional and printed materials from the Abortion Care Network. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection includes founding documents, newsletters, and promotional materials from the Abortion Care Network, with items dating from 2007 to 2010 and undated. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Abortion Conversation Project was founded in 2000 to create strategies to challenge the stigma surrounding abortion. ACP was originally conceived as the 501(c)(3) sister to the National Coalition for Abortion Providers, a lobbying and trade organization for independent abortion providers. In July 2008, both organizations joined forces to form the Abortion Care Network. General administrative, financial, programmatic, and educational records; correspondence; founding documents; records of the board of directors; and files from Peg Johnston, co-founder of the Abortion Conversation Project. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection includes general administrative, financial, programmatic, and educational records; correspondence; founding documents; records of the board of directors; and files from Peg Johnston, co-founder of the Abortion Conversation Project. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Anne Baker was an abortion counselor, serving as the Director of Counseling at the Hope Clinic for Women in Granite City, Illinois for the majority of her career. The Anne Baker papers consist of informational pamphlets, handouts, forms, workshop evaluations, personal writings, newspaper clippings, photographs, correspondence, VCRs, DVDs, cassettes, buttons, and sweatshirts.

The Anne Baker papers contains documentation of Baker's personal life and of her professional role as the Director of Counseling at the Hope Clinic of Granite City, Illinois. They include materials from workshops and trainings she gave, secondary literature about abortion counseling, correspondence, materials from different protests that she and other Hope Clinic staff attended, personal notes, histories of the Hope Clinic, and newspaper clippings from the kidnapping of Dr. Hector Zevallos and his wife Jean Rosalie Zevallos.

John Hope Franklin was a historian specializing in Southern and African American history. The papers document his entire career as well as his personal life and political interests: his prolific writings on African American and Southern history; his role as a mentor and colleague, including his time as professor at Duke University; his role in associations such as Phi Beta Kappa, the American Historical Association, the Association for the Study of African American Life and History, and others; his participation in the civil rights movement, including his work with the NAACP Legal and Educational Defense Fund, the U.S. Commission on Civil Rights, and Justice Thurgood Marshall; and his engagement with numerous civic, community, and educational organizations such as the Board of Foreign Scholarships and Fisk University's Board of Trustees. There is also a significant amount of material from Franklin's work on President Clinton's Advisory Board for the President's Initiative on Race in 1997 and 1998. Items in the collection include files of correspondence in original order; research sources and notes; writings by and about Franklin; materials relating to family history; papers and diaries of other family members, including his father, and wife, Aurelia; printed material; event folders; many informal and publicity photographs; video and sound recordings; and awards and other memorabilia. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

The John Hope Franklin papers document the whole of Franklin's professional career as a historian, as well as his personal life, early student years, and political interests. Collection materials include correspondence, research materials assembled by Franklin, writings by and about Franklin, drafts of writings, materials relating to family history, printed material, notebooks, information and multimedia packets, clippings, photographs, video and sound recordings, as well as a few artifacts. The collection was acquired as part of the John Hope Franklin Center for African and African American History and Culture.

The Academics series chronicles Franklin's career as a professor of history. It includes materials documenting his role as a mentor and advisor to numerous undergraduate and graduate students, his lecture notes and other classroom materials, and his administrative and committee work at various institutions, including Brooklyn College, University of Chicago, and Duke University. Portions of this series are restricted.

The series on the Advisory Board for the President's Initiative on Race contains items Franklin gathered during his work on President Clinton's race initiative, "One America in the 21st Century." The bulk of the series dates from the year-long work of the Advisory Board, from 1997 to 1998, and primarily comprises items sent to the Board for consideration in its work, meeting materials, publicity, and scholarly materials.

The videos and sound recordings in the Audiovisual series were created or assembled by John Hope Franklin. The series has been arranged into three subseries: ABPIR Materials, Recordings of Franklin, and Recordings of Others. Originals in the Audiovisual Materials Series are closed to use. Use copies are available for some items. Please contact Research Services staff in advance before coming to use this series.

The Correspondence series is one of the largest series in the collection, and comprises personal and professional correspondence received and sent by Franklin throughout his adult life.

The Engagements series includes invitations, correspondence, programs, and itineraries related to Franklin's participation in scholarly, civic, and social events. These materials have been arranged chronologically.

Franklin's Honors and Awards series includes certificates and diplomas, as well as logistical and administrative documentation for many of the awards ceremonies. The series is divided into Honorary Degrees and General Awards, both sorted in chronological order.

The Personal and Family Materials series contains the earliest items in the collection, with materials from Franklin's parents and grandparents. It includes files documenting Franklin's life and interests outside of his scholarship and public service. Materials are arranged by family member, with Franklin's wife, Aurelia, and his father, Buck Colbert Franklin, heavily represented. Also contains papers related to Theodore Currier, Franklin's mentor; John Hope eventually served as an executor of his estate.

The Research, Biographical, and Subject Files series contains newspaper clippings, subject files, travel guides, and photocopies of Franklin's FBI file. Also contains publicity and newspaper coverage of Franklin's many interviews and public appearances throughout the twentieth century.

The large Service series includes files acquired through Franklin's government, professional, and community service with various organizations and projects. Materials range from the early 1950s through the 2000s and are arranged alphabetically by organization or project name.

Franklin's prolific writing career is documented in the Writings series, which includes materials on his many books, articles, speeches, book reviews, essays, interviews, and other works, many unpublished. A portion of this series is restricted; please contact the Rubenstein Library for more information.

The Writings by Others series documents the ongoing relationship Franklin had with other authors and historians. It includes correspondence, drafts, and printed materials. Files are arranged alphabetically by author.

Lithography company founded in Cincinnati, Ohio, in about 1847. The Strobridge Lithographing Company Advertisements span the years 1910 through 1954, documenting much of the company's printed poster advertising work from that era. All images are black and white. The core of the collection, the Image Files Series, consists of around 1000 8x10 photographs ("A" images) of advertising designs, and a similar number of smaller printed cards (approx. 5x7 to 5x8, "B" images) of outdoor advertisement designs. The images are accompanied by three different Access Files to be used to browse the collection. These files are in the form of image photocopies ( "job tickets" ) and catalog cards. Most images are of poster (billboard or transit card) designs, but there are also some photographs of tabletop display advertising, window cards and other point-of-purchase displays. The collection documents advertising during a time when transportation was changing in America, and the automobile was gaining in popularity. Billboards began to replace smaller posters, accommodating a more mobile public. It was then that Strobridge turned from its emphasis on circus and theater posters (not represented in the collection) to billboard ads for mass-produced products. Many different products are featured, but perhaps the two most prominent and well-represented campaigns are those for Camel cigarettes and Palmolive soaps. The images form a valuable reference collection of advertising designs, relevant for researchers from a variety of disciplines including commercial artwork, advertising history and design, and popular culture. The collection documents outdoor advertising design during the first part of the twentieth century for what were mostly national brands. Numerous examples are from the era of hand-drawn and painted designs, often signed by artists including Norman Rockwell, Howard Scott, and Dr. Seuss (see his designs for the product Flit). Rarely, an artist is listed on the back of the image. Later designs from the 1940s and 1950s include photographic images, often peppered with celebrity likenesses including John Wayne, Maureen O'Hara, and Charlton Heston. Many of the celebrity advertisements promoted tobacco products. Some designs are clearly war-era, such as advertisements depicting a 1943 female factory worker, or one from Schlitz (1942) mentioning war bonds.

The Strobridge Lithographing Company Advertisements span the years 1910 through 1954, documenting much of the company's printed poster advertising work from that era. All images are black and white. The core of the collection, the Image Files Series, consists of around 1000 8x10 photographs ("A" images) of advertising designs, and a similar number of smaller printed cards (approx. 5x7 to 5x8, "B" images) of outdoor advertisement designs. The images are accompanied by three different Access Files to be used to browse the collection. These files are in the form of image photocopies ("job tickets") and catalog cards. Most images are of poster (billboard or transit card) designs, but there are also some photographs of tabletop display advertising, window cards and other point-of-purchase displays. The collection documents advertising during a time when transportation was changing in America, and the automobile was gaining in popularity. Billboards began to replace smaller posters, accommodating a more mobile public. It was then that Strobridge turned from its emphasis on circus and theater posters (not represented in the collection) to billboard ads for mass-produced products. Many different products are featured, but perhaps the two most prominent and well-represented campaigns are those for Camel cigarettes and Palmolive soaps. The images form a valuable reference collection of advertising designs, relevant for researchers from a variety of disciplines including commercial artwork, advertising history and design, and popular culture.

The collection documents outdoor advertising design during the first part of the twentieth century for what were mostly national brands. Numerous examples are from the era of hand-drawn and painted designs, often signed by artists including Norman Rockwell, Howard Scott, and Dr. Seuss (see his designs for the product Flit). Rarely, an artist is listed on the back of the image. Later designs from the 1940s and 1950s include photographic images, often peppered with celebrity likenesses including John Wayne, Maureen O'Hara, and Charlton Heston. Many of the celebrity advertisements promoted tobacco products. Some designs are clearly war-era, such as advertisements depicting a 1943 female factory worker, or one from Schlitz (1942) mentioning war bonds.

The first series, the Access Files, can be used to browse the collection and narrow a search for an individual advertisement before moving on to the Image Files themselves. Items in the Image Files are labeled with an "A" or a "B" indication. The "A" group holds the larger 8x10 photographs and the "B" group contains smaller images (primarily 5x7 and 5x8) printed on cards. There is some duplication between the "A" and "B" groups. The "A" images contain advertisements from the 1910s through the 1950s, and the "B" advertisements were created mainly in the 1920s and 1930s. All point-of-purchase advertising is in the "A" group. There is often indication of the size poster the design was made into (e.g. 24-sheet), a design or perhaps job number (e.g. Camel No. 93), and a title (e.g. "Perfect" for a Camel advertisement with the text "Perfect Taste"). Most designs are presumed to have been created and published by Strobridge, but there are some images stamped "W. J. Rankin Corp." Some images show billboards as they were posted; some of these show the nameplate of the outdoor advertising company that owned the billboard structures.

The name of the collection is seen on folders and sometimes elsewhere as the "Strobridge Lithography Company," but the materials themselves as well as other documentation reveal the name to be "Strobridge Lithographing Company" at the time when most of this collection was created. Almost all advertisements are in English, presumably for posting in the U.S., but a few, such as Spur cigarette advertisements, are in Spanish.

Related collections in the David M. Rubenstein Rare Book & Manuscript Library include a number of other outdoor advertising collections, such as the Outdoor Advertising Slide Library, the John Paver Papers, the John Browning Papers, the Duplex Advertising Co. Records, the H.E. Fisk Collection of War Effort Mobilization Campaigns, the Outdoor Advertising Association of America Records, the Outdoor Advertising Poster Design Collection, the Garrett Orr Papers, the R.C. Maxwell Company Records, the Howard Scott Papers, and the John E. Brennan Outdoor Advertising Survey Reports. There are also numerous published items from the era of this collection which provide even more context for the designs.

Primarily professional papers documenting Hanna's research for the Social Science Research Committee, the American Statistical Association, the Conference on Research in Income and Wealth, and other organizations; subjects include an analysis of census and manufacturing data, and the distribution of income and wealth. Other professional papers include general correspondence dated 1948 to 1956, and materials concerning Hanna's book, The Compilation of Manufacturing Statistics.

Background materials relating to Well's book about the Iran hostage crisis (1979-1981), 444 Days: the Hostages Remember, and a typed manuscript of the work. Includes 546 audiocassette tapes, 83 tape transcripts, and signed release waivers and consent forms of hostages. Wells interviewed 36 of the 53 hostages and included 27 in the book. (1-12-87)

The subject files, correspondence, and published materials in the James R. Hawkins Papers span from ca.1961-1980, chiefly 1971-1975, and document Hawkins' role in civic life in Durham, North Carolina and provide evidence of the issues and concerns facing the citizens of Durham in the 1970s. The subject files retain Hawkins' original folder titles and alphabetical organization and provide an overview of the programs Hawkins was involved with as mayor as well as a view of the general issues Hawkins encountered while mayor of Durham. The correspondence series is arranged alphabetically and chiefly consists of letters to Hawkins from the citizens of Durham voicing their concerns over such civic issues as development, traffic safety, taxes, and various political issues. The correspondence also contains copies of Hawkins' responses to the letters he received from the citizens of Durham. This collection would be of value for scholars studying the recent history of the south or for those wishing to gain a clearer picture of the functioning of city government in the recent past. This collection is open to researchers and has received a minimal level of processing.

Collection contains correspondence, lectures, writings, and course notes. There is testimony involving a union dispute. Some correspondence is divided by name of correspondent.

St. Philip's Episcopal Church was founded in 1878 in Durham, N.C. This collections contains vestry minutes, correspondence, minutes from various organizations within the church, rector's notes, church bulletins and programs, slides, photographs, financial records, appointment books, scrapbooks, clippings, canvass reports, auditor's reports, sermons, and printed materials. Also included are the records, notes, and correspondence related to parish historian Harold Parker's history of the church (published in 1997), as well as a complete file of the church's extant sermons (1912-1994) Parker compiled for another book. There are also five reels of microfilm containing copies of vestry minutes, marriage records, a church register, etc., organized by Mr. Parker into roughly chronological order and divided into sections by rectorship.

This collections contains vestry minutes, correspondence, minutes from various organizations within the church, rector's notes, church bulletins and programs, slides, photographs, financial records, appointment books, scrapbooks, clippings, canvass reports, auditor's reports, sermons, and printed materials. Also included are the records, notes, and correspondence related to parish historian Harold Parker's history of the church (published in 1997), as well as a complete file of the church's extant sermons (1912-1994) Parker compiled for another book. There are also five reels of microfilm containing copies of vestry minutes, marriage records, a church register, etc., organized by Mr. Parker into roughly chronological order and divided into sections by rectorship.

James Applewhite is a poet and professor emeritus of English at Duke University. The collection is comprised of manuscripts, drafts, and proofs of poems, as well as notes, correspondence, clippings, and printed materials (including serials and anthologies). The collection documents Applewhite's work as a poet and professor of English at Duke University, including his research about Wordsworth. Manuscripts in the collection include Lessons in Soaring: Poems, A History of the River: Poems, and River Writing: An Eno Journal.