Looking at Appalachia photographs collection, 2014

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Summary

Creator:
May, Roger, 1975-
Abstract:
These 75 black-and-white (11) and color (64) exhibit photographs were selected from 297 images collected online from the crowdsourced project, "Looking at Appalachia," directed by documentarian Roger May. They were taken by 51 photographers from a wide range of backgrounds and aesthetics, from a hobbyist retired coal miner to a young photojournalist working regularly for The New York Times. States represented include: Alabama, Georgia, Kentucky, Maryland, Mississippi, North Carolina, New York, Ohio, Pennsylvania, South Carolina, Tennessee, Virginia, and West Virginia. Subjects include portraits of people, rural landscapes, and farm and town life, with social events predominating. Sizes range from 14x23 to 16x20 inches, along with several 3.25 x 4.25 inch prints. Acquired by the Archive of Documentary Arts at Duke University.
Extent:
3 Linear Feet (2 oversize boxes)
Language:
Materials are in English.
Collection ID:
RL.11036

Background

Scope and content:

In 1964, President Lyndon Johnson declared an unconditional war on poverty in the United States, and nowhere was this war more photographed than Appalachia. A quick Google image search of “war on poverty” will yield several photographs of President Johnson on the porch of the Fletcher family home in Inez, Kentucky. Many of the War on Poverty photographs, whether intentional or not, became a visual definition of Appalachia. These images have often drawn from the poorest areas and people to gain support for the intended cause, but unjustly came to represent the entirety of the region while simultaneously perpetuating stereotypes.

In an attempt to explore the diversity of Appalachia and establish a visual counter point, the 75 prints in this exhibition collection look at Appalachia fifty years after the declaration of the War on Poverty.

In 2014, the Looking at Appalachia project received more than 2,000 submissions from a 420-county area from southern New York to northeast Mississippi. These submissions resulted in 297 photographs being selected for the online archive. Out of these, a selection of 75 images were chosen for a traveling exhibit, and were digitally printed, 11 in black-and-white, and 64 in color. They were taken by 51 photographers from a wide range of backgrounds and aesthetics, from a hobbyist retired coal miner to a young photojournalist working regularly for The New York Times. Subjects include portraits of people of all ages and backgrounds, rural landscapes, and farm and town life, with social events predominating. Sizes range from 14x23 to 16x20 inches; there are also several 3.25 x 4.25 inch prints.

The prints were first exhibited at the Spartanburg County Public Libraries Headquarters in Spartanburg, South Carolina, May 16-June 26, 2015, and traveled to approximately ten locations in 2015/2016.

Acquired by the Archive of Documentary Arts at Duke University.

Biographical / historical:

The "Looking at Appalachia" project was launched in February 2014 and is directed by Roger May. The advisory board members are Rob Amberg, Pete Brook, John Edwin Mason, Joy Salyers, and Elaine McMillion Sheldon. The editorial board is comprised of Aaron Blum, Chris Fowler, Kate Fowler, Pat Jarrett, Megan King, Raymond Thompson, Jr., and Susan Worsham.

Roger May is an Appalachian American photographer currently living in Raleigh, North Carolina. He was born in the Tug River Valley, located on the West Virginia and Kentucky state line, in the heart of what is commonly known as Hatfield and McCoy country. He served in the Army for seven years. His photographs and essays have been published in National Geographic, The Oxford American, The Guardian, THE WEEK, The Bitter Southerner, Appalachian Heritage, and others.

The exhibit images are the work of 51 photographers. Please refer to the project’s website for links to individual photographer biographies. Featured artists: Dobree Adams, Rob Amberg, Elle Olivia Andersen, Nathan Armes, Mike Baker, Josh Birnbaum, Cordis Bishop, Aaron Blum, Brett Carlsen, Micah Cash, Matthew Conboy, Katie Currid, George Etheredge, Gloria Baker Feinstein, Wes Frazer, Amanda Greene, Justin Hamel, Mary Hamilton, Ashley Hoffman, Chris Jackson, Pat Jarrett, Rebecca Kiger, Megan King, John Edwin May, Roger May, Michael McCraw, Maddie McGarvey, Rachel Molenda, Andrea Morales, Pat Owens, Nic Persinger, Alan Pittman, Lauren Pond, Jared Ragland, Tamara Reynolds, Jake Reinhart, Dennis Savage, Joseph Oliver Shay, Michael Sherwin, Stephen Speranza, Melissa Stallard, Ryan Stone, Bob Tankersley, Kristian Thacker, Mark Trent, Pang Tubhirun, Dave Wharton, Meg Wilson, Sean Wysong, Rachel Yoke, and Joshua Yospyn.

Acquisition information:
Collection was acquired as a purchase by the David M. Rubenstein Rare Book Manuscript Library in 2015.
Processing information:

Processed by Meghan Lyon, 2015

Accession(s) represented in this collection guide: 2015-0071

Physical location:
For current information on the location of these materials, please consult the Library's online catalog.
Physical facet:
75 prints
Dimensions:
14x23 to 16x20 inches
Rules or conventions:
Describing Archives: A Content Standard

Subjects

Click on terms below to find related finding aids on this site. For other related materials in the Duke University Libraries, search for these terms in the Catalog.

Subjects:
Documentary Photography -- Southern States
Documentary photographers -- United States
Black-and-white photographs
Format:
Inkjet prints
Color photographs
Names:
Archive of Documentary Arts (Duke University)
Amberg, Rob
Places:
Appalachian region -- Pictorial works
Appalachian region -- Social life and customs

Contents

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Using These Materials Links:

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Restrictions:

Collection is open for research.

Researchers must register and agree to copyright and privacy laws before using this collection.

All or portions of this collection may be housed off-site in Duke University's Library Service Center. There may be a 48-hour delay in obtaining these materials.

Please contact Research Services staff before visiting the David M. Rubenstein Rare Book & Manuscript Library to use this collection.

Terms of access:

Permission from the project director, Roger May, is required for any individual publication and commercial use of this collection.

The copyright interests in this collection have not been transferred to Duke University. For more information, consult the copyright section of the Regulations and Procedures of the David M. Rubenstein Rare Book & Manuscript Library.

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Preferred citation:

[Identification of item], Looking at Appalachia Photographs Collection, David M. Rubenstein Rare Book & Manuscript Library, Duke University.