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This collection of print materials, many of them rare and ephemeral, was assembled over many decades by Guido Mazzoni, an Italian Senator, Dante scholar, professor, and bibliophile. The approximately 49,648 pieces span the years 1572 through 1946, with the bulk dating from the mid-18th to the early 20th centuries. Topics range widely and include Italian politics, particularly the rise of Socialism and Fascism; Italian humanities, especially poetry, theater, and opera; Dante studies; patriotic writings, including some by Mussolini and others in his regime; and the history and context of both World Wars. Popular literary and cultural serials abound, many with writings by noted authors, including women writers. Given Mazzoni's background in academics, his friendships with publishers, and his residence in Padova and Firenze, many of the authors are Jewish. Many of the pieces were sent to Mazzoni from former students or colleagues and are inscribed to him. Mazzoni collected many rare pieces from the 17th, 18th, and 19th centuries; broadsides from Napoleonic, Medicean, and Borbonic Italian regions are numerous. Formats represented in the collection include: pamphlets, offprints, clippings, full-issue newspapers (many from the Piedmont), libretti, scores, manuscript items, small cards, periodicals, small volumes, political broadsides, epithalamia (pieces produced on the occasion of a wedding), and one handmade photo album. There are many illustrated publications, fine engravings, woodcuts, and items with map inserts. About 80 percent of the material is in the Italian language: other common languages include Latin, French, English, German. There are also some publications in Greek, Spanish, Catalan, Portuguese, and Eastern European languages.

McCann-Erickson, founded in 1930 from the merger of Alfred Erickson's and Harry McCann's agencies, is one of the largest advertising agencies in the United States. It is part of the Interpublic Group. The McCann-Erickson Audiovisual Collection spans the 1980s and 1990s and consists of over 700 videocassette tapes of commercials for domestic, international and global advertising campaigns. Also included are tapes of competitor commercials; interviews with agency and industry leaders and marketing specialists; and presentations. Advertisers include: Apple computer; Bayer; Benson & Hedges; Buick; Calvin Klein; Camel (R.J. Reynolds); Coca-Cola; Del Monte; Exxon; Heineken; Kodak; Levi Strauss; Nestlé; Oxo; and Suntory. The bulk of materials consist of advertisements for campaigns in the United States, but Brazil, Japan and Germany are also heavily represented, as are commercials for Europe-wide campaigns. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The Iconographic Collection spans the years 1848-2005 with the bulk of materials dating between 1940 and 1985, and includes black-and-white and color photographs, negatives, slides, contact sheets, photograph albums, and microfiche. It is an artificial collection created to document the facilities, key events, advertising highlights and corporate culture of the J. Walter Thompson Company (JWT). Domestic and international offices are included, with the New York, Chicago and London offices being the most heavily represented. Key executives include James Walter Thompson, Stanley and Helen Landsdowne Resor, Don Johnston, Dan Seymour, Norm Strouse, and E.G. Wilson. Client advertising includes Ford, Kodak, Chesebrough-Pond's, Lever Brothers (Unilever), and Warner-Lambert. Notable photographers whose work appears in the collection include Fabian Bachrach, Ralph Bartholomew, Cecil Beaton, Louise Dahl-Wolfe, Philippe Halsman, Horst P. Horst, George Hurrell, Yousuf Karsh, Baron Adolf de Meyer, Bill Ray, Jean Raeburn, Edward Steichen, Thomas Veres, Brett Weston and Dorothy Wilding. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The United Methodist Church Records are comprised primarily of bound volumes of quarterly conference minutes that document the administrative life of church units (circuits, charges, and churches) in the N.C. Conference (1784-1974, bulk 1841-1919) and the Western N.C. Conference (1884-1962, bulk 1893-1932) of the Methodist Episcopal Church, South (MECS). Counties in N.C. represented in the collection include Alamance, Ashe, Bladen, Burke, Caswell, Catawba, Chatham, Cleveland, Dare, Davidson, Durham, Forsyth, Gates, New Hanover, Iredell, Lincoln, Perquimans, Randolph, Rowan, Yadkin, and Wake. However, this collection does not include complete runs of any set of bound minutes, correspondence, or other documentation for any N.C. county or district. There are also bound volumes of N.C. Conference, MECS, district conference minutes (1866-1939); financial, administrative, and legal records for the Board of Missions and Church Extension of the Western N.C. Conference, MECS (1909-1952); bound journals of annual conference meetings of the N.C. Conference, MECS (1838-1913); as well as some district, conference, and national records for non-N.C. conferences and for the MECS and the Methodist Episcopal Church (MEC). National records include correspondence and financial records from the American Mission in North Africa, MEC (1909-1952). Although the entire collection dates from 1784-1984, the bulk of the material dates from 1800-1940.

Marshall T. Meyer was an activist rabbi who worked in Argentina during the period of the Dirty War/El Proceso (mid 1970s to mid 1980s). The papers of Marshall T. Meyer span the years 1919-2004. The collection contains personal and professional correspondence from throughout Meyer's career as a religious leader and human rights activist; his published and unpublished writings and speeches; printed material collected by Meyer; Meyer's working and research files organized by geography, organizations, people, and subject; personal files, including appointment books, biographical material, papers from Meyer's school days, photographs, memorabilia, and material documenting his numerous engagements; audio tapes and cassettes of Meyer's services, interviews, lectures, and other events; and Betacam and VHS videocassette recordings of interviews and other public appearances by Meyer.

The McGraw-Hill Marketing Information Center was established in 1948 as a sales service for customers of the McGraw-Hill Publications Company. This large vertical file, developed by the McGraw-Hill Marketing Information Center, spans the years 1948 through 1991 and contains published articles, books, research studies, speech transcripts, and other materials on the subjects of marketing, sales, advertising, and corporate operations.

The collection documents the personal, political, and professional aspects of the life of an important feminist writer of the twentieth century. The largest group of materials consists of documentation on all of Morgan's significant written works: DEMON LOVER; DEPTH PERCEPTION; DRY YOUR SMILE; GOING TOO FAR; A HOT JANUARY; LADY OF THE BEASTS; SATURDAY'S CHILD; her well-known feminist anthologies, SISTERHOOD IS POWERFUL, SISTERHOOD IS GLOBAL and SISTERHOOD IS FOREVER; and other materials on her poems, articles, and other writings. In addition, Morgan's papers hold many items of correspondence with a wide range of individuals, including prominent activists and feminists as well as family members and close friends. There is also a significant amount of correspondence and other material that documents Morgan's role as founder of the Sisterhood is Global Institute, and records related to her role as editor and writer for MS. magazine.

Lionel McKenzie (1919-2010) was the Wilson Professor of Economics, Emeritus at the University of Rochester (after beginning his career at Duke University). This collection primarily documents his professional life through his correspondence, writings, research, teaching, and professional activities. It forms part of the Economists' Papers Archive.

Gerald M. Meier (1923-2011) was the Konosuke Matsushita Professor of International Economics and Policy Analysis, Emeritus at Stanford University. This collection documents his professional life through his correspondence, writings and speeches, and research. It forms parts of the Economists' Papers Archive.

Collection documents in great detail the histories of the McKeen and Duren families, particularly of Silas, Phebe, and Philena McKeen. Topics of note documented through correpondence, diaries and journals, other peronal papers, printed material, and images include: religious thought and institutions in New England; the education of women and the careers of female educators; photography throughout the 19th century; the Civil War and its effects on New England society; westward migration patterns; social life in Massachusetts and Vermont; family relations in the 19th century; 19th century New England women writers and their activities; and New England genealogy. There are also many clippings in the scrapbooks debating the abolition of slavery, many written by minister Silas McKeen. The photographs series is large and offers many fine examples of 19th century portraiture and photographic processes, including ambrotypes, cyanotypes, daguerreotypes, tintypes, albumen prints, postcards, and early gelatin silver and platinum prints. The majority are portraits but there are also interiors of family rooms and images of educational institutions, especially Abbott Female Academy in Andover, Massachusetts (now Abbot Academy), whose principal over several decades was Philena McKeen. Three photograph albums round out the photograph series.