This collection of print materials, many of them rare and ephemeral, was assembled over many decades by Guido Mazzoni, an Italian Senator, Dante scholar, professor, and bibliophile. The approximately 49,648 pieces span the years 1572 through 1946, with the bulk dating from the mid-18th to the early 20th centuries. Topics range widely and include Italian politics, particularly the rise of Socialism and Fascism; Italian humanities, especially poetry, theater, and opera; Dante studies; patriotic writings, including some by Mussolini and others in his regime; and the history and context of both World Wars. Popular literary and cultural serials abound, many with writings by noted authors, including women writers. Given Mazzoni's background in academics, his friendships with publishers, and his residence in Padova and Firenze, many of the authors are Jewish. Many of the pieces were sent to Mazzoni from former students or colleagues and are inscribed to him. Mazzoni collected many rare pieces from the 17th, 18th, and 19th centuries; broadsides from Napoleonic, Medicean, and Borbonic Italian regions are numerous. Formats represented in the collection include: pamphlets, offprints, clippings, full-issue newspapers (many from the Piedmont), libretti, scores, manuscript items, small cards, periodicals, small volumes, political broadsides, epithalamia (pieces produced on the occasion of a wedding), and one handmade photo album. There are many illustrated publications, fine engravings, woodcuts, and items with map inserts. About 80 percent of the material is in the Italian language: other common languages include Latin, French, English, German. There are also some publications in Greek, Spanish, Catalan, Portuguese, and Eastern European languages.
Edwin L. and Terry A. Murray, brothers residing in Durham, North Carolina, have been collectors of comic books and other pulp culture for forty years. Collection includes role-playing game boxed sets, miniatures, card sets, role-play game magazines and literature, campaign guides, modules, and rule books.
Drama critic, journalist, and author of works on American and European drama and on children's literature. Correspondence, research notes, literary drafts, scrapbooks, playbills, and photos, relating to Moses' career. Includes correspondence and research notes relating to Margaret Anglin, Sir James Matthew Barrie, Phillip Barry, Ethel Barrymore, Sarah Bernhardt, Billie Burke, Heinrich Conrad, Owen Davis, John Drinkwater, Edwin Forrest, James A. Herne, Henrik Ibsen, Sir Rabindranath Tagore, and other playwrights and actors prominent in the 19th and early 20th centuries; Moses' work as a reader for Thomas Y. Crowell Company and for Little, Brown and Company; and to the Ballet Russe, little theaters, entertaining troops at U. S. Army camps during World War I, Authors Club of New York, City College of New York, and Drama League of America. Correspondents include Winthrop Ames, Margaret Anglin, David Belasco, Henry Adams Bellows, May Friend Bennet, William Frederick Bigelow, Abbie Faarwell Brown, Richard Eugene Burton, Royal Jenkins Davis, William Crowell Edgar, John Erskine, William Clyde Fitch, Daniel Frohman, Hanniabal Hamlin Garland, Norman Bell Geddes, Harley Granville Granville-Barker, Hilary Abner Herbert, Hamilton Holt, Roland Holt, Henry Arthur Jones, Charles Rann Kennedy and his wife, Edith Wynne Matthison, Percy Mackaye, James Brander Matthews, Langdon Elwyn Mitchell, Arthur Huntington Nason, Eugene Gladstone O'Neill, Charles Fulton Cursler, William Lyon Phelps, Elmer Rice, Charles William Taussig, Augustus Thomas, Carl Van Doren, Eugene Walter, Kate Douglas (Smith) Wiggin, Percival Wilde, and Starke Young.
42.3 Linear Feet (121 boxes, three oversize folders, and one oversize tube.)
Abstract Or Scope
Oskar Morgenstern (1902-1977) was a Distinguished Professor in Game Theory and Mathematical Economics at New York University. This collection documents his professional life through his correspondence and diaries, writings, and research. It forms parts of the Economists' Papers Archive.
Collection includes 20 pieces of collected manuscript sheet music, circa 1830s-1900s. The scores, which cover multiple genres, were most likely copied by hand from other sources.
The collection documents the personal, political, and professional aspects of the life of an important feminist writer of the twentieth century. The largest group of materials consists of documentation on all of Morgan's significant written works: DEMON LOVER; DEPTH PERCEPTION; DRY YOUR SMILE; GOING TOO FAR; A HOT JANUARY; LADY OF THE BEASTS; SATURDAY'S CHILD; her well-known feminist anthologies, SISTERHOOD IS POWERFUL, SISTERHOOD IS GLOBAL and SISTERHOOD IS FOREVER; and other materials on her poems, articles, and other writings. In addition, Morgan's papers hold many items of correspondence with a wide range of individuals, including prominent activists and feminists as well as family members and close friends. There is also a significant amount of correspondence and other material that documents Morgan's role as founder of the Sisterhood is Global Institute, and records related to her role as editor and writer for MS. magazine.
Stephen Moore (1734-1799) was a merchant and slaveholding landowner from Person County, North Carolina. This collection contains papers from him and several Moore family members, particularly children Phillips Moore and Ann Moore, documenting Moore family activities, accounts, and property in Québec, Canada; West Point, N.Y.; and Orange and Caswell (now Person) Counties, N.C., largely dating between the 1760s and 1860s.
Manufacturer of cotton, wool, and synthetic fabrics, originally located in Mooresville, NC. Correspondence, minutes of meetings of stockholders and of directors, audit reports, financial statements, stock records, and general and subsidiary account books of a Mooresville, N.C., manufacturer of cotton, wool, and synthetic fabrics, draperies, upholstery, toweling, and wearing apparel, which was absorbed by Burlington Industries in 1955.
"Pee Wee" (Numa Smith) Moore (born Raleigh, N.C., 5 March 1928; died Raleigh, N.C., 13 April 2009) was a professional jazz saxophonist, who performed and recorded with musicians including Louis Jordan, Illinois Jacquet, James Moody, Dizzy Gillespie, and Mary Lou Williams. The Pee Wee Moore Papers contain materials created and collected by Moore from throughout his career as a jazz saxophonist, including photographs, newspapaer clippings and other paper materials, as well as audio and moving image recordings of concerts, rehearsals, and oral history interviews.
Clippings include newspaper articles about Moore's life and career as a jazz musician. One folder is devoted entirely to clippings related to Moore's time performing with Louis Jordan, and another folder contains photocopies of materials from a notebook of personal contacts compiled by Moore. This series also includes several programs from Moore's performances in the Raleigh, NC area during the 1990s along with programs from Moore's commencement ceremony at Wake Technical Institute and programs from Moore's funeral. One folder primarily contains manuscript drafts of jazz lead sheets presumably written by Moore along with a small amount of published music by other composers. Miscellaneous items include Moore's certificates from Wake Technical Institute, documents concerning the repairs of Moore's home in Raleigh, NC, a calendar featuring Moore on the cover, and the plaque from Moore's funeral.