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This collection of print materials, many of them rare and ephemeral, was assembled over many decades by Guido Mazzoni, an Italian Senator, Dante scholar, professor, and bibliophile. The approximately 49,648 pieces span the years 1572 through 1946, with the bulk dating from the mid-18th to the early 20th centuries. Topics range widely and include Italian politics, particularly the rise of Socialism and Fascism; Italian humanities, especially poetry, theater, and opera; Dante studies; patriotic writings, including some by Mussolini and others in his regime; and the history and context of both World Wars. Popular literary and cultural serials abound, many with writings by noted authors, including women writers. Given Mazzoni's background in academics, his friendships with publishers, and his residence in Padova and Firenze, many of the authors are Jewish. Many of the pieces were sent to Mazzoni from former students or colleagues and are inscribed to him. Mazzoni collected many rare pieces from the 17th, 18th, and 19th centuries; broadsides from Napoleonic, Medicean, and Borbonic Italian regions are numerous. Formats represented in the collection include: pamphlets, offprints, clippings, full-issue newspapers (many from the Piedmont), libretti, scores, manuscript items, small cards, periodicals, small volumes, political broadsides, epithalamia (pieces produced on the occasion of a wedding), and one handmade photo album. There are many illustrated publications, fine engravings, woodcuts, and items with map inserts. About 80 percent of the material is in the Italian language: other common languages include Latin, French, English, German. There are also some publications in Greek, Spanish, Catalan, Portuguese, and Eastern European languages.

Author and professor at the University of Florida. Published works include Edisto, A Woman Named Drown, Typical, Mrs. Hollingsworth's Men, and The Interrogative Mood: A Novel?. Collection includes writings and drafts of Powell's early novels, including Edisto and A Woman Named Drown, as well as essays, short stories, and articles for popular magazines and literary anthologies. Some of these appear in Typical, a collection of Powell's short stories. The collection also includes correspondence, publishing contracts, reviews, interviews, and travel files, many relating to the publication of Edisto.

James T. Powers was a well-known comic actor, songwriter, playwright, and vaudeville entertainer based in New York City. The materials in the collection cover the entirety of his career, from the 1880s to the 1930s, when he retired. There are also items relating to the acting career and family of his wife, Rachel Booth Powers. The materials are arranged into the following series: Correspondence, Financial and Legal Papers, Photographs and Other Images, Print Materials, Rachel Booth Powers Papers, Sheet Music, Volumes, and Other Writings. The collection contains over 260 images, including tintypes, several lithographs, gelatin silver photographs, and albumen prints, dating from approximately 1860 to the early 1940s. The rest of the collection includes scrapbooks, autograph albums, a diary by Rachel Booth Powers, many clippings, drafts of scripts and reminiscences, sheet music, notebooks, and other professional papers. Taken as a whole, the collection provides a rich look at the society and culture of vaudeville theater in New York City during Rachel and James T. Powers' careers.

Richard J. Powell is the John Spencer Bassett Professor of Art and Art History at Duke University, where he has taught since 1989. The Richard Powell Papers date from 1960 to 2011 and document Powell's career as a prominent scholar of African and Afro-American art and as professor of art history at Duke University. Materials originate from Powell's student years, travels, research, and work at various cultural institutions, including Duke University, the Smithsonian Museum of American Art, and the Washington Project for the Arts. There is extensive material on Powell's books, exhibitions, and other professional activities.

Reverend Doctor Jeanne Audrey Powers is a retired prominent activist clergywoman who was one of the first women to be ordained in the United Methodist Church. She is a longtime advocate for ecumenism and inclusiveness within the church. She was the highest-ranking UM church official to come out as gay in 1995. The collection contains materials documenting Reverend Doctor Powers’ personal and professional lives including correspondence, writings, family history, education, committee work, sermons, travels and activism.

Community and labor movement organizer in Durham, N.C.; chair of the Triangle Friends of the United Farm Workers; board member of the National Farm Worker Ministry; member of the Farmworker Ministry Commission, N.C. Council of Churches. Accession (2009-0279) (40,500 items; 54.0 lin. ft.; dated 1970-2006) includes Preiss's personal papers as well as organizational records from her role in the Triangle Friends of the United Farm Workers (TFUFW), the National Farmworker Ministry (NFWM), the Farmworker Ministry Commission, and the AFL-CIO's Farm Labor Organizing Committee (FLOC). Each of these organizations worked to improve the lives of farmworkers through unionizing, educating the public about the origins of food, and pressuring farms and companies through boycotts, petitions, and publicity. Includes materials from UFW campaigns and boycotts that Preiss helped organize in Durham, such as Campbell's, Gallo wines, Prime mushrooms, strawberries, California grapes, and Mt. Olive pickles. Includes publications and photographs from visits from labor organizers such as Cesar Chavez and Dolores Huerta. Also present are materials from labor issues such as pesticide use, migrant education, the H-2 Workers program, child labor, slavery, and farmworker health. Acquired as part of the Human Rights Archive.

Edward Prescott (1940-2022) was a Nobel Prize winner and a Regents Professor (of economics) at Arizona State University. This collection documents his professional life through his correspondence, writings, teaching, and professional activities. It was acquired as part of the Economists' Papers Archive.

Alfred Playfair Powelson (1851-1916) was a Methodist minister who served in Ohio and in Tacoma, Washington. Powelson founded and served as principal of the non-denominational Tacoma Academy (1889-1898) and later served as president of the College of the City of Tacoma (1898-1905). Collection includes 18 manuscript sermons of Methodist minister Alfred Playfair Powelson, dated 1883 to 1888. Each sermon is loosely tied with original string and three have printed cover sheets. Some sermons are title with only a book, chapter and verse, while Powelson supplied titles for others. Powelson often recorded the location and date that he preached each sermon. The bulk of the sermons in the collection were given at Woodbury, Conn. or Tacoma, Wash. Also included is Powelson's original minister's license from the State of Ohio, dated 1875.

Porter Advertising, founded in 1945, is an out-of-home advertising company based in Richmond, Indiana. Porter Advertising Billboard Sketches date between the 1950s and 1970s and document the company's poster designs for a wide range of businesses in the region around Richmond, Indiana. The collection includes rough and developed sketches; design drawings for specific businesses and campaigns; generic designs; and billboard mockups for local businesses such as car dealerships; banks and financial institutions; funeral homes; hospitals and clinics; motels; retail stores; restaurants; and others. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection consists of the personal and professional correspondence of James Hinton Pou, Sr., lawyer, politician, and land developer of Raleigh, North Carolina. Topics cover late 19th and early 20th century North Carolina politics and legal system, business and land development in North Carolina, the history of Raleigh, N.C. and Wake County, and the Pou-Bailey families.

Long-time employee of the North Carolina Rural Electrification Authority and resident of Raleigh, N.C. Chiefly clippings on rural electrification amassed by Price during his long employment with the North Carolina Rural Electrification Authority. Also includes correspondence; a typescript of The Story of a Mountain Missionary, Rev. James Floyd Fletcher, 1858-1946 by A. J. Fletcher of Raleigh; and a mimeographed copy of Rural Electrification in North Carolina by Joseph Deutsch (Chapel Hill, 1944).

Portland Advertising Federation was an advertising club formed in 1906 in Portland, Ore. Also known as PAF. Collection comprises seminar materials, including a manual (55 pgs) on the topic, a printed copy of the seminar's opening speech, and a copy of the its evaluation sheet. The seminar was intended to provide a global view of the advertising process. Manual curriculum topics include advertising in the American socio-economic system, scope and organization of the advertising business, the media planning process, the creative process, regulation of advertising, and public relations.

Chiefly genealogical materials gathered by Robert Price and others, mostly pertaining to the Price family. Includes genealogical charts, typescripts, and correspondence.

Quaker farmer, fruit-grower, and broom-maker from Frederick County, Virginia. The Mordecai Purcell papers span the years 1778-1901 and contain correspondence, bills, receipts, business and legal papers, and a ledger relating to Quaker farmer Mordecai Purcell, his brother, John Purcell, and the Cather family (John Purcell married Adaline J. Cather), living in Virginia.

Reynolds Price (1933-2011) was a novelist, short story writer, poet, dramatist, essayist, translator, and James B. Duke Professor of English at Duke University, where he taught creative writing and literature beginning in 1958. He was an alumnus of Duke and of Oxford University, which he attended on a Rhodes Scholarship. He received fellowships from the Guggenheim Foundation and the National Endowment for the Arts, and his books were nominated for the Pulitzer Prize and the National Book Award. The collection is comprised of correspondence, writings, serials, clippings, speeches, interviews, legal and financial papers, photographs, audiovisual materials, and digital materials reflecting Price's career and personal life. Personal and professional correspondence document his education at Duke University, especially his studies under William Blackburn; his period abroad as a Rhodes Scholar at Merton College, Oxford; and his literary work and interaction with other authors, including Stephen Spender, Eudora Welty, and Allan Gurganus. Writings include manuscripts, typescripts, proofs, outlines, and notes produced in the creation and publication of all his major works, including: A Long and Happy Life; Kate Vaiden; A Palpable God; Clear Pictures; A Whole New Life; The Collected Stories; The Collected Poems; A Letter to a Godchild; Ardent Spirits; The Good Priest's Son, and many other books, individual stories, poems, and essays.

Radio Haïti-Inter was Haiti's first and most prominent independent radio station from the early 1970s until 2003. Under the direction of Jean Léopold Dominique and Michèle Montas, Radio Haiti was a voice of social change and democracy, speaking out against oppression and impunity while advocating for human rights and celebrating Haitian culture and heritage. The Radio Haiti papers contain mainly the station's on-air scripts and research materials covering a wide variety of subjects. The Radio Haiti audio recordings are described in a separate collection guide.

Minnie Bruce Pratt was born in Selma, Alabama in 1946 and raised in nearby Centreville. She received a bachelor's degree in English from the University of Alabama in Tuscaloosa and a doctorate in English Literature from the University of North Carolina at Chapel Hill. An award-winning poet, Pratt has published collections of both poetry and essays. Pratt began teaching and grass roots organizing in North Carolina in the 1970s, and has continued her work as a professor and activist through 2008, the time of this writing. Pratt frequently makes speaking appearances at conferences and universities across the United States. Pratt has two sons, Ransom Weaver and Ben Weaver, from her marriage (1966-1975). As of 2008, Pratt resides with longtime partner, transgender activist and author Leslie Feinberg. The collection dates primarily between 1975 and 2005 and focuses on women's studies, sexual and gender identity, sexuality, and Pratt's fight against racism, sexism, imperialism and other forms of intolerance. A Writing Series comprises drafts, proofs, and galleys related to Pratt's major works through 2003, as well as materials related to shorter pieces by Pratt, reviews, print interviews, materials related to Pratt's editorial work, and personal journals. The series also contains materials pertaining to the outside funding from grants and speaking appearances that Pratt obtained to support herself as a writer. Major works represented are Pratt's poetry and essay collections The Sound of One Fork, We Say We Love Each Other, Crime Against Nature, Rebellion: Essays 1980-1991, S/HE, Walking Back Up Depot Street, and The Dirt She Ate. Other series in the collection are Correspondence; Family, consisting of early correspondence, mementos, photographs, and genealogical information; Activism, files of newspaper clippings, fliers, and correspondence related to Pratt's grass roots organizing; Teaching, Financial, Photographs, Audiovisual Material, Printed Material, and Ephemera. Notable correspondents include Mumia Abu-Jamal, Dorothy Allison, Judith Arcana, Elly Bulkin, Chrystos, Holly Hughes, Audre Lorde, Adrienne Rich, and Mab Segrest.

African American family originally from Virginia and North Carolina. Legal papers and correspondence relating to the Alexander Proctor family, tracing their history beginning as freedmen in Virginia and North Carolina, their 1840s resettlement in Warren County, Ohio, their emigration to Haiti in 1861 as part of the Redpath movement, and their eventual return to Kalamazoo, Michigan in 1866. The correspondence dates principally from the 1870s, is chiefly written by A.W. Proctor, one of Alexander Proctor's sons, and S.S. Hutchins, friend of Proctor's son, Isaac, and relates to family affairs, business, and other matters. S.S. Hutchins is identified in the Gould's St. Louis Directory (1874), 449, as Chief Clerk in the U.S. Army Engineer's Office. One letter from a friend to a family member mentions seeing Frederick Douglass at Wilberforce College in 1893. The legal records document the free status of the Proctors, various labor agreements, and migration papers, and include receipts and letters of introduction.

Supply sergeant with American Expeditionary Forces in World War I and native of Durham, N.C. Chiefly letters written by Pridgen while he was with Company M, 120th U.S. Infantry, 30th Division of American Expeditionary Forces during World War I. He was located at Camp Sevier, Greenville, S.C., and in France. Two of his notebooks read "Engineers Candidate School" and indicate he was trained in mining, field fortification, military bridges, and camouflage. They contain detailed penciled drawings which include dimensions. Collection also contains military papers, memorabilia, ephemera, and legal papers relating to Pridgen's automobile dealership.

Shawn Pridgen is a documentary photographer based in Brooklyn, New York whose photographic career began with the Black Lives Matter protests, which followed the violent deaths of African American citizens at the hands of law enforcement. In 2020 he received the Collection Award from the Archive of Documentary Arts at Duke University for this portfolio. Collection consists of fifteen photographic prints of images taken in 2020 at Black Lives Matter protests and rallies in New York City and Washington, D.C. by documentarian Shawn Michael Pridgen. Subjects include portraits of protesters, in some cases with Washington, D.C. monuments in the background; and images of police, crowds, marches, protest signs, city streets and other urban features. The black-and-white prints measure 11x14 inches (9) and 16x20 inches (6). Acquired as part of the Archive of Documentary Arts at Duke University.