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The photographs and papers of documentarian Rob Amberg span the years 1975-2009. The gelatin silver prints and pigmented inkjet color prints in the collection represent three bodies of work: The New Road: I-26 and the Footprints of Progress; The Sodom Laurel Album; and The Vanishing Culture of Agriculture. Amberg focuses primarily on the social life and customs of the rural South, especially in the mountains of his home state of North Carolina. Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century. Amberg's papers account for the rest of the collection and are organized into five series: Correspondence, Printed Materials, Subject Files, and Writings and Research, and Audio. Acquired as part of the Archives of Documentary Arts at Duke University.

Martha Olds Adams is an American writer and poet. Her works center primarily on the areas of feminist theology, female spirituality and social justice. The Martha O. Adams papers contain her poetry collections and other writings; correspondence and ephemera related to her publications, workshops and speaking engagements, as well as documentation of her research and activist work.

Advertising executive and former Chairman of D'Arcy Masius Benton & Bowles agency, headquartered in New York. Collection includes correspondence, corporate reports, clippings, speeches and videocassettes. Companies represented include Benton & Bowles, D'Arcy MacManus Masius, D'Arcy Masius Benton & Bowles, Burger King, Duke University, Fuqua School of Business, General Motors, Hardee's, Kal Kan and Procter & Gamble. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Earl Dotter is a documentarian, photojournalist, and labor activist based in Maryland. Dotter's great-grandfather, Charles G. A. Thamm, also worked as a photographer in Pennsylvania and was employed by the Landreth Seed Catalog Company. This collection contains photographs in various formats - including negatives and prints - created by Thamm and his family in the 1890s and early 1900s. It also contains digital surrogate images of Thamm's work, adjusted by Dotter.

The SPLC Intelligence Project Collection includes printed materials, serials, organizational literature, pamphlets, clippings, catalogs, fliers, and correspondence from a variety of groups monitored by the SPLC and its contacts between the 1980s and 2010. Included within the collection are many groups falling within the SPLC Klanwatch and Militia Watch projects. Organizations represented in this collection typically promoted anti-semitic, white supremacist, racist, separatist, or anti-Communist views and policies. Other organizations promoted Second Amendment rights, right-wing Christian and American nationalism, Y2K and survivalist preparations, and the rise of the Confederacy. SPLC's interests expanded across the political spectrum to include both right-wing and left-wing extremist literature.

Collection assembled by Lisa Unger Baskin containing printed ephemera, receipts, manuscripts, handbills, catalogs, decorative trade cards, prospectuses, circulars, political campaign materials, and other advertisements from the United Kingdom, Western Europe, and the United States. The bulk of the collection's materials advertise businesses or services offered by women, including millinery, fancy goods, hair work, tea, painting, teaching, music, bricklaying, gardening, dressmaking, apothecaries, and a clairvoyant. Also includes calling cards and bookplates with women's names, and assorted ephemera relating to women's pay, income, or work, including a pensioner's card for a firefighter's widow and a pamphlet about life insurance for women.

Will Grossman was a 20th century documentary photographer based in Durham, North Carolina. The 80 black-and-white images in the collection chiefly document Durham County and the city of Durham in the 1970s. There are also 488 negatives, as well as a set of 16 inkjet exhibition prints and an exhibit poster from 2006. Grossman's subjects include barns and rural landscapes; houses and churches; tobacco warehouses, a cigarette factory, and other industrial buildings; tobacco workers and other portraits of individuals, including many African Americans; scenes along the Eno River; and the Durham County Fair. A few images are from Orange County, N.C. Acquired as part of the Archive of Documentary Arts at Duke University.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The JWT San Francisco office was opened in 1923. The JWT San Francisco Office Records span the years 1959-1999, and includes advertising proofs, commercial artwork, print schedules, marketing plans, manuals, company history materials, correspondence, Creative Library catalogs and audiovisual materials (audio cassettes, VHS video cassettes and videotapes). Also included are the papers of Harry A. Lee, a JWT executive involved in the development of JWT's Pacific Rim business during the 1960s. Companies represented in the collection include California Raisin Advisory Board, Dean Witter, Ferry-Morse Seed Company, Labatt's, Morris Plan, and Schlage. JWT offices touched on in the collection include New York, Manila (Philippines) and Tokyo (Japan). Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Lawyer and U.S. Representative from North Carolina. Correspondence, legal documents, and other papers (chiefly 1850-1870 and 1912-1937) of John Humphrey Small; of his father-in-law, Col. Rufus W. Wharton, lawyer and planter; and of Col. David M. Carter, lawyer, planter, businessman, and court official, of Fairfield, N.C. Small's papers form the bulk of the collection and concern his North Carolina agricultural interests, his legal practice, his activities in Congress, river and harbor improvements, the Intracoastal Waterway, patronage, Southern financial conditions, U.S. and North Carolina politics, World War I labor problems, and the 1929 Depression. The papers before 1850 are mainly deeds, family papers, and legal documents. Wharton's and Carter's papers relate largely to the legal profession and to their agricultural interests.

The Falcon Lair residence was purchased by Doris Duke in April, 1953 primarily for use on her occasional visits to California and for use while she was in transit to or from her residence in Honolulu. Compared to her other estates, the residence was not large, however, being located in the hills above Benedict Canyon overlooking Beverly Hills, it served as a retreat from public life. Soon after the home was purchased, Doris Duke hired Tony Duquette to supervise the entire redecoration and remodeling of Falcon Lair. The home was renovated again in the mid-1970s. Miss Duke lived at Falcon Lair until her death in 1993, and in 1998 the property was sold by the Doris Duke Charitable Foundation. The collection is arranged into two series: Administrative Records and Architectural Records. It spans the years 1937 to 1999, beginning with the purchase and interior renovation of the home and ending with maintenance and general upkeep of the home after Doris Duke's death in 1993. The collection primarily documents the expenses and daily operations of renovating, running, and maintaining the Falcon Lair residence, and includes invoices and receipts for services and repairs, correspondence, memoranda, and telegrams relating to routine matters of the residence, expenses, and photo inventories of furniture, fixtures, and other household items. A majority of the architectural records detail alterations and additions to the Falcon Lair residence.