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Kristine Stiles is the France Family Professor of Art, Art History & Visual Studies. Her main field of research is contemporary art with a focus on experimental practices, as well as representations of destruction, violence and trauma in art. The collection includes several different series, including Stiles' personal and family papers, projects and writings, correspondence, photographs, and an artist archive documenting her correspondence and relationships with hundreds of contemporary modern artists from around the world. This archive has been sorted by each artist's last name and includes such artists as Chris Burden, Lynn Hershman, Allan Kaprow, Gustav Metzger, John Latham, Jean-Jacques Lebel, Yoko Ono, Raphael Montañez Ortiz, Dan and Lia Perjovschi, Carolee Schneemann, Wolf Vostell and many more.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the largest and oldest enduring advertising companies in the United States. The J. Walter Thompson Company (JWT) New Business Records span the years 1924-2006, with the bulk of materials spanning 1980-1989. The collection combines the records of the New Business Departments of JWT's major U.S. offices: New York, Chicago, Detroit, Atlanta, and San Francisco, and includes presentations, memoranda, case histories, market research, and profiles of companies, industries, market segments, products and product categories. Topics addressed include the youth market, financial services marketing, food and grocery marketing, feminine hygiene and other personal products, and product branding. The collection includes photographs, audiocassettes, videocassettes, DVDs. Over 300 companies are represented in the collection, including Alitalia, Baskin-Robbins, Bell Atlantic, Circuit City, Eastern Airlines, Eyelab, Frito-Lay, Goodyear, Häagen-Dazs, HBO, Hyatt Hotels, IBM, Johnson & Johnson, Kodak, Kraft, Miller Beer, Morgan Stanley, Nabisco, Nestlé, Prudential, Schering-Plough, and the U.S. Navy. Many of the companies represented in the collection subsequently became clients of JWT, so there is some correlation between this collection and the JWT Account Files collection. Acquired as part of the John W. Hartman Center for Sales, Advertising, & Marketing History.

Elaine Katz is a collector of books and ephemera. This collection was created by Katz and contains more than 800 cards documenting numerous women's businesses and professions during the late nineteenth and early twentieth centuries including millinery, dressmaking, and fancy work, as well as many other types of businesses and work. Acquired as part of the Sallie Bingham Center for Women's History and Culture and the John W. Hartman Center for Sales, Advertising & Marketing History.

Zen Buddhist teacher and author of "The Three Pillars of Zen." Born in New Haven, Connecticut, Kapleau was a chief court reporter for the Nuremberg Trials and also covered the Tokyo War Crimes Trials. While in Japan for the trials, he met and was influenced by D.T. Suzuki and other Zen practitioners, which led him to become a serious student of Zen in Japan. Eventually, he returned to the United States and founded the Rochester Zen Center (New York) in 1966. Most of the papers relate to Kapleau's role as a Zen teacher, to his writings, and to personal concerns such as his health and Parkinson's disease. Some of Kapleau's notes are written in shorthand, and there are some materials in Japanese. The recorded teishos (dharma talks) were mainly recorded during sesshin (retreats) and span 30 years. According to the tape labels, there are various speakers including Kapleau, Toni Packer, and Bodhin Kjolhede (all of whom led the Rochester Zen Center at different times).

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Collection includes correspondence, track listings, transcriptions, and other printed materials, audio and video cassettes (Betacam SP, VHS and Umatic), DAT, optical media (CDs, DVDs. etc.), 16mm film reels, phonograph records, and computer media. JWT management events documented in the collection include Cannes and Effies Awards submissions, Epcot, Executive Committee, Worldwide Creative Council, speeches and presentations by top managers as well as interviews undertaken as part of an oral history project at JWT. Offices represented include North America, Europe, Great Britain, India, Asia and Latin America. Main companies include California Lottery, Chase & Sanborn, Chevron, Del Taco, Diageo, Diamond Trading Company (DeBeers), Domino's, Ford, HSBC, Jenny Craig, JetBlue, Kaiser Permanente, Kimberly-Clark, Kodak, Kraft, Lipton, Macy's, Mexicana Airlines, Standard Brands, Trailways, Warner-Lambert, Weight Watchers and Wyeth. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Consists of correspondence, office files, memoranda, notes, client files and some advertisements, reports, charts, reprints, schedules, scripts, printed material, and calendars. The collection documents advertising history, especially television and the management of client accounts; the development of television shows and other aspects of television programming, including the selection of actors and audience profiles; advertising clients' account histories; the corporate administration of the J. Walter Thompson Company; and the career of Dan Seymour. There is limited material about Seymour prior to his employment by the J. Walter Thompson Company in 1955 or after his retirement from it in 1974. Clients of the company represented in the collection include Eastman Kodak Company, Ford Motor Company, Kraft Foods Company, Lever Brothers Company, and Liggett & Myers Tobacco Company. There is considerable overlap in the content of the series in this collection.

Duke University commemorated its hundredth anniversary in 2024. This collection contains photographs, video recordings, publications, programs, promotional material, ephemera, and reports related to Duke University centennial celebrations.

The Gardens were a gift from Mary Duke Biddle in honor of her mother, Sarah P. Duke (Mrs. Benjamin N.). Construction began in 1932 and the site was open to the public in 1934. Ellen Shipman (1869-1950) designed the plans for both the construction and the plantings for the new gardens. Collection contains materials pertaining to the origins and activities of the Sarah P. Duke Gardens including planting plans, calendars, correspondence, feasibility studies, annual reports, a card catalog of plantings, and publicity. Materials in the collection date from 1926-2012.

The Falcon Lair residence was purchased by Doris Duke in April, 1953 primarily for use on her occasional visits to California and for use while she was in transit to or from her residence in Honolulu. Compared to her other estates, the residence was not large, however, being located in the hills above Benedict Canyon overlooking Beverly Hills, it served as a retreat from public life. Soon after the home was purchased, Doris Duke hired Tony Duquette to supervise the entire redecoration and remodeling of Falcon Lair. The home was renovated again in the mid-1970s. Miss Duke lived at Falcon Lair until her death in 1993, and in 1998 the property was sold by the Doris Duke Charitable Foundation. The collection is arranged into two series: Administrative Records and Architectural Records. It spans the years 1937 to 1999, beginning with the purchase and interior renovation of the home and ending with maintenance and general upkeep of the home after Doris Duke's death in 1993. The collection primarily documents the expenses and daily operations of renovating, running, and maintaining the Falcon Lair residence, and includes invoices and receipts for services and repairs, correspondence, memoranda, and telegrams relating to routine matters of the residence, expenses, and photo inventories of furniture, fixtures, and other household items. A majority of the architectural records detail alterations and additions to the Falcon Lair residence.

On October 15, 1958 the Duke Gardens Foundation was incorporated with the purpose of "developing thereon agricultural, botanical & horticultural exhibits for the purpose of scientific experiments and of public inspection, instruction, education & enjoyment." Over the period of six years, Doris Duke was personally involved in the physical design of the Indoor Display Gardens, in which various gardens were carefully designed, planned, and developed from the point of view of authenticity. The gardens were opened to the public in 1964, and included 11 unique gardens for visitors to enjoy. Doris Duke continued her involvement with her gardens throughout her life, bringing designers with her to modify them during the summer season when they were closed to tourists. The Duke Gardens Foundation was officially dissolved November 13, 2001 and the gardens closed to the public in 2008. The collection documents the lifecycle of the Duke Gardens Foundation, beginning with the inception of the Duke Gardens Foundation and the design and creation of the various indoor display gardens that comprised Duke Gardens, including the associated purchases of plants and bulbs. The materials follow the daily operations of Duke Gardens, including modifications and general upkeep of the gardens, visitor and tour information, and operations of the Foundation itself. The materials end with the general management of Duke Gardens after Doris Duke's death in 1993 and the final dissolution of the Foundation in 2001. Materials include correspondence, inventories, specifications for various architectural projects at Duke Gardens, invoices and vouchers for repairs and reconstruction to the greenhouses, surveys and reports, financial ledgers, and a multitude of both black and white and color photographs and slides of the different gardens.