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Free to Dance: The African-American Presence in Modern Dance was a three-part television documentary co-produced by the American Dance Festival and the John F. Kennedy Center for the Performing Arts in association with Thirteen/WNET New York. The series aired on PBS' Great Performances: Dance in America in 2001. It chronicled the role of African-American choreographers and dancers in the development of modern dance as an American art form. The collection includes film, video, sound recordings, oral histories, interview transcripts, business records, photographs, clippings, and research materials created or collected during the production of the three-part television documentary Free to Dance.

August Kenneth Pye (1931-1994) was twice Chancellor of Duke University (1970-1971 and 1976-1982). In addition to the chancellorship, he was Dean of the School of Law (1968-1970), University Counsel (1971-1974), Acting Dean of the School of Law (1973), Dean of the School of Law (1973-1977), Director of the Center for International Studies (1982-1984), and Samuel Fox Mordecai Professor of Law (1982-1987). Collection includes memoranda, correspondence, published materials, reports, printed matter, clippings and other materials generated by the Office of the Chancellor during Pye's two terms as Chancellor (1970-1971 and 1976-1982). There are also correspondence, speeches, printed matter, and subject files collected by Pye from 1968 to 1976 as Dean of the School of Law, Chancellor, and University Counsel.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. JWT maintained an office in Detroit from 1909-1920 and reopened it in 1944. Collection includes videocassettes, CDs and DVDs of advertisements, speeches, presentations, historical campaign compilations; awards submissions, training materials and other materials. Companies represented include American Red Cross, Burger King, Delta Sigma Phi, Ford, Goodyear, Ogilvy & Mather, United Way, White Castle, and Young & Rubicam. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

John Tate Lanning (1902-1976) was a historian, colonial Latin America scholar, and Duke University Professor of History. This collection includes correspondence, manuscript materials, committee notes, student papers, newsletters, conference materials, curriculum materials, travel diaries, interview transcriptions, and field research notes. Major subjects include the Duke University Department of History, Duke University Research Council, Hispanic American Historical Review, Latin American library resources, student and teaching of Latin American history, research in the social sciences, and Latin American colleges and universities. English.

Locus, the Magazine of the Science Fiction & Fantasy Field, was co-founded by Charles N. Brown (1937-2009), Ed Meskys (1936-), and Dave Vanderwerf (1944-) in New York in 1968. It first began as a science-fiction and fantasy one-sheet news fanzine that was created to help the Boston Science Fiction Group win its 1971 Worldcon bid. Vanderwerf left after issue #4, and Meskys after #11. Charles Brown remained as editor until his death in 2009. The Locus Archives include names files for more than 800 people, many of whom are writers, editors, or publishers. The files contain correspondence, clippings, obituaries, and writings, the bulk of which relate to American writers, though there are several files kept on writers and fans from across the world, including China, Japan, and Russia. Much of the correspondence is about publishing news, corrections, and deaths in the science-fiction, fantasy, and horror community. There are several well-known correspondents including: Poul Anderson, Isaac Asimov, Jim Baen, Ian and Betty Ballantine, Algis Budrys, Octavia E. Butler, Arthur C. Clarke, L. Sprague de Camp, Harlan Ellison, Robert Heinlein, Ursula K. Le Guin, Dean Koontz, Andre Alice Norton, James Tiptree, Jr. (Alice Sheldon), and Gene Wolfe.

Collection consists of over 1100 black-and-white and color exhibit prints representing the work of over 50 South African photographers who documented conditions during and after apartheid, from about the 1940s to 2013, with most dating after 1960. Arranged in five series representing projects curated by documentary photographers Alex Harris, Paul Weinberg, and others: Beyond the Barricades, The Cordoned Heart, Then and Now, Underexposed, and The Other Camera. There is also a series of work by Jeeva Rajgopaul, and a series of Staffrider digital materials. Set in rural and urban South Africa, the images portray political rallies; protests; forced removals; funerals; social gatherings such as dances and concerts; work and domestic life; the life of the elderly, the migrants, and the impoverished; and labor organizing and strikes. There are many portraits of individuals of all races and classes, well-known activists and politicians, as well as countless ordinary South African citizens. Many of the photographers were members of Afrapix, a collective photography agency engaged in documenting the anti-apartheid struggle. There is a small amount of printed material, as well as a selection of digital image files and a digital audio file of an exhibit talk. Acquired as part of the Archive of Documentary Arts at Duke University.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936. The Educational Services Division was primarily responsible for producing consumer education materials especially for children and young adults. The Educational Services Division records include: Board reports; classroom teaching plans; correspondence and memoranda; governmental and non-governmental agency reports and publications; and other printed materials. The collection also includes materials relating to some of the Division directors (Charlotte Braecher, David Schoenfeld, James Mendenhall) as well as Consumer Union's National Educational Advisory Committee which oversaw the Division's activities. Projects involving a variety of media (print, television, internet) include Best Buy Gifts; the Buy Me That! series; Captive Kids; HBO specials; Penny Power; Selling America's Kids; and Zillions/Zillions TV. Organizations represented in the collection include Channel One; Consumer Education Materials Project; Job Corps; Lincoln High School; and the U.S. Office of Economic Opportunity. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints, negatives, slides, and CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography. Duke Photography is a department of the Office of Public Affairs and Government Relations. Chris Hildreth is the current director; the department also includes assistant director Les Todd and six other staff photographers.

The Jewish Heritage Foundation of North Carolina records span the years 1750 to 2014 and document the origins and daily operations of the organization, which preserves and presents the history of the Jewish people of North Carolina through public programming, exhibits, and other projects. The collection includes documents and digital material related to the planning, funding, and carrying out of various exhibits, events and projects, especially the multimedia program "Down Home: Jewish Life in North Carolina." Also present are primary and secondary research materials collected by JHFNC historian Leonard Rogoff related to the history and culture of Jews in North Carolina and southern Jewish identity. Types of materials in the collection include financial statements, meeting minutes, correspondence, reports, typescripts, newsletters, marketing materials, photographs, research notes, and audiovisual material. Digital materials include photographs, administrative and promotional materials, and project design materials.

El Pueblo Inc. is a non-profit organization based in Raleigh, NC that serves and supports the Latin American community of North Carolina through advocacy work, programs in Latino culture, health, public safety, and youth leadership. This collection contains photographs and other media documenting their events, relevant newspaper clippings collected by the organization, and administrative files related to the management and operation of the organization. Acquired as part of the Human Rights Archive.