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Kenneth J. Arrow papers, 1921-2017

142 Linear Feet (97 boxes) 13.2 Gigabytes
Abstract Or Scope
Kenneth Arrow (1921-2017) was a Nobel Prize winner and the Joan Kenney Professor of Economics and Professor of Operations Research, Emeritus at Stanford University. This collection consists of his correspondence, research, writings, and other materials documenting his political and personal interests, as well as his collaborations and professional affiliations across the fields of economics, mathematics, public policy, and international relations. It forms part of the Economists' Papers Archive.
1 result in this collection

Don Patinkin papers, 1870-1995

120 Linear Feet (80 boxes.)
Abstract Or Scope
Don Patinkin (1922-1995) was a professor emeritus of economics and former president of Universiṭah ha-ʻIvrit bi-Yerushalayim (Hebrew University). This collection documents his professional life through his correspondence, writings, research, and professional and faculty activities. It forms part of the Economists' Papers Archive.
1 result in this collection

McCann-Erickson Audiovisual collection, 1980s-1990s and undated

75 Linear Feet 3000 Items
Abstract Or Scope
McCann-Erickson, founded in 1930 from the merger of Alfred Erickson's and Harry McCann's agencies, is one of the largest advertising agencies in the United States. It is part of the Interpublic Group. The McCann-Erickson Audiovisual Collection spans the 1980s and 1990s and consists of over 700 videocassette tapes of commercials for domestic, international and global advertising campaigns. Also included are tapes of competitor commercials; interviews with agency and industry leaders and marketing specialists; and presentations. Advertisers include: Apple computer; Bayer; Benson & Hedges; Buick; Calvin Klein; Camel (R.J. Reynolds); Coca-Cola; Del Monte; Exxon; Heineken; Kodak; Levi Strauss; Nestlé; Oxo; and Suntory. The bulk of materials consist of advertisements for campaigns in the United States, but Brazil, Japan and Germany are also heavily represented, as are commercials for Europe-wide campaigns. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
1 result in this collection

Peter Goin photographs, 1987-2006 and undated

8.0 Linear Feet (8 boxes)
Abstract Or Scope
Collection consists of photographs by Peter Goin on the theme of the interactions and the connections between people and the natural world, and the way people manage, perceive, and represent "nature." The images depict altered and artificial landscapes featuring beaches, canals, farm fields, rivers, prescribed burns and reforestation sites, zoos, an abandoned town, and other places. They were shot in various locations, predominantly in North and South Carolina and Virginia, but also in Alabama, Georgia, central Florida, Arizona, California, Tennessee, and Nevada. The project resulted in a book, Humanature (1996) and an exhibit. Image formats include 16x20 inch exhibit-quality color prints, accompanied by negatives, black-and-white work prints, and book illustration prints. Research, correspondence, and other publication materials are also included in the collection. Acquired as part of the Archive of Documentary Arts, Duke University.
1 result in this collection

Rick Lang photographs of Florida and other Southern states, 1985-2016

12 Linear Feet (13 boxes) 6.0 Gigabytes (1 thumbdrive)
Abstract Or Scope
Rick Lang was a photographer and faculty member at the Creadlé School of Art, Winter Park, Florida. Collection comprises 229 black-and-white photographs documenting the American South, particularly Florida and Louisiana, with an emphasis on roadside advertising and signs, small businesses, and weathered buildings. There are also a few images from New Mexico and Arizona. Print sizes range from 11x14 to 20x24 inches. Accompanying the prints are 104 digital image files and one pdf, over 3000 negatives, and 258 contact sheets. In addition there are print materials chiefly associated with Lang's solo and group exhibits, including three photobooks, and condolences sent upon his passing in 2013. Acquired as part of the Archive of Documentary Arts at Duke University.
1 result in this collection

Gene Federico papers, 1918-2003 and undated bulk 1951-1991

20.5 Linear Feet 3800 Items
Abstract Or Scope

The Gene Federico Papers span the years 1918-2003, with the bulk of the collection dating 1951-1991. The collection documents Federico's sixty years as a pioneering leader in advertising and graphic design, and contains materials from a variety of formats, including correspondence, writings, advertisements proofs and clippings, graphic design and printed materials, posters, sketches/sketchbooks, photographs, negatives, and videotapes. In addition to limited personal and biographical material, the collection primarily documents Federico's creative output as a graphic designer, art director, and advertising executive at agencies including Grey Advertising, Doyle Dane Bernbach, Douglas D. Simon, Benton & Bowles, Warwick & Legler, and as a principal at Lord Geller Federico Einstein; the collection has limited material relating to the specific agencies for which he worked. The collection also documents Federico's extensive freelance and exhibition work throughout his career (most notably the "Love of Apples" and "24-Page Book" designs), in addition to his later consulting work for Brouillard Communications. Client advertisements and graphic design materials compose the majority of the collection. Significant clients represented include: Christian Dior; Elektra Records; Elizabeth Arden; Goldman Sachs; IBM; L'Aiglon Apparel; Lady Pepperell; Napier; The New Yorker; and Woman's Day. Though an art director throughout most of his career, Federico contributed significantly to the graphic design and typographical components of advertising. Through clear and innovative integration of design and typographical components, Federico pioneered the use of visual puns in advertisements, and emphasized clarity of message over design complexity. The collection will be of particular value to researchers interested in developments in print advertising and typographical design since World War II. The collection is organized into six series which focus on Federico's contributions to advertising and graphic design: Professional Files, Personal Files, Graphic Design, Advertising Campaigns, Photographs and Negatives, and Videocassettes.

3 results in this collection

Jim Kobs papers, 1954-2015 and undated

40.0 Linear Feet
Abstract Or Scope
Direct marketing and advertising executive based primarily in Chicago, Ill. Jim Kobs papers include: correspondence, mail order catalogs, mailings, print advertisements and advertising designs, research reports, slides and photographs and audiovisual materials (audiocassettes, videocassettes, 16mm film, DVD) that document Kobs' career in direct, database and catalog marketing. Companies and institutions represented include: Amoco, AT&T, Bankers Life, Boys and Girls Clubs of Chicago, DHL, Direct Mail Advertising Association (DMAA), Direct Mail Marketing Association (DMMA), Direct Marketing Association (DMA), Encyclopedia Britannica, Gander Mountain, General Electric, General Mills, Hewlett-Packard, Honeywell, Mayo Clinic, Montgomery Ward, Playboy, Prudential, Scott Paper, Tupperware, U.S. Navy recruiting, Wayside Gardens and Xerox. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
1 result in this collection

Ladyslipper, Inc. records, 1965-2011 and undated

190.5 Linear Feet (127 boxes)
Abstract Or Scope
Ladyslipper Music is a North Carolina non-profit organization which has been involved in many facets of women's music since 1976. Their mission is to heighten public awareness of the achievements of women artists and musicians, and to expand the scope and availability of musical and literary recordings by women. This collection documents the history, activities, and output of this organization.
2 results in this collection

Olive Pierce photographs, 1960-2014

26.5 Linear Feet (13 boxes; 1 oversize folder)
Abstract Or Scope
Olive Pierce (1925-2016) was a documentary photographer based in Massachusetts and Maine. The collection comprises several hundred black-and-white photographic prints taken by Pierce over her long career. The earliest images (1960s) feature landscapes and individuals in Maine, a subject Pierce returned to throughout her life. Other subjects include: political protests in Cambridge, Massachusetts and life in the Jefferson Park neighborhood in Cambridge during the 1970s; high school students in Cambridge (1980s); the lives of Iraqi children in war zones in 1999 and 2003, and protests in the U.S. against that war. Also included are print publications featuring Pierce's photographs; publicity for exhibits and lectures; Pierce's 1987 guide to teaching photography; a video on DVD and audio lecture about her work; some correspondence; unpublished book mock-ups and a memoir/diary; a self-published illustrated partial memoir (2014); approximately 2557 film negatives; and about 40 slides featuring images of her early life and family. Acquired by the Archive of Documentary Arts at Duke University.
1 result in this collection

J. Walter Thompson Company. New business records, 1924-2014

96.0 Linear Feet
Abstract Or Scope
Founded in 1864, the J. Walter Thompson Company (JWT) is one of the largest and oldest enduring advertising companies in the United States. The J. Walter Thompson Company (JWT) New Business Records span the years 1924-2006, with the bulk of materials spanning 1980-1989. The collection combines the records of the New Business Departments of JWT's major U.S. offices: New York, Chicago, Detroit, Atlanta, and San Francisco, and includes presentations, memoranda, case histories, market research, and profiles of companies, industries, market segments, products and product categories. Topics addressed include the youth market, financial services marketing, food and grocery marketing, feminine hygiene and other personal products, and product branding. The collection includes photographs, audiocassettes, videocassettes, DVDs. Over 300 companies are represented in the collection, including Alitalia, Baskin-Robbins, Bell Atlantic, Circuit City, Eastern Airlines, Eyelab, Frito-Lay, Goodyear, Häagen-Dazs, HBO, Hyatt Hotels, IBM, Johnson & Johnson, Kodak, Kraft, Miller Beer, Morgan Stanley, Nabisco, Nestlé, Prudential, Schering-Plough, and the U.S. Navy. Many of the companies represented in the collection subsequently became clients of JWT, so there is some correlation between this collection and the JWT Account Files collection. Acquired as part of the John W. Hartman Center for Sales, Advertising, & Marketing History.
2 results in this collection