Founded in 1864, the J. Walter Thompson Company (JWT) is one of the largest and oldest enduring advertising companies in the United States. The J. Walter Thompson Company (JWT) New Business Records span the years 1924-2006, with the bulk of materials spanning 1980-1989. The collection combines the records of the New Business Departments of JWT's major U.S. offices: New York, Chicago, Detroit, Atlanta, and San Francisco, and includes presentations, memoranda, case histories, market research, and profiles of companies, industries, market segments, products and product categories. Topics addressed include the youth market, financial services marketing, food and grocery marketing, feminine hygiene and other personal products, and product branding. The collection includes photographs, audiocassettes, videocassettes, DVDs. Over 300 companies are represented in the collection, including Alitalia, Baskin-Robbins, Bell Atlantic, Circuit City, Eastern Airlines, Eyelab, Frito-Lay, Goodyear, Häagen-Dazs, HBO, Hyatt Hotels, IBM, Johnson & Johnson, Kodak, Kraft, Miller Beer, Morgan Stanley, Nabisco, Nestlé, Prudential, Schering-Plough, and the U.S. Navy. Many of the companies represented in the collection subsequently became clients of JWT, so there is some correlation between this collection and the JWT Account Files collection. Acquired as part of the John W. Hartman Center for Sales, Advertising, & Marketing History.
Consists of correspondence, office files, memoranda, notes, client files and some advertisements, reports, charts, reprints, schedules, scripts, printed material, and calendars. The collection documents advertising history, especially television and the management of client accounts; the development of television shows and other aspects of television programming, including the selection of actors and audience profiles; advertising clients' account histories; the corporate administration of the J. Walter Thompson Company; and the career of Dan Seymour. There is limited material about Seymour prior to his employment by the J. Walter Thompson Company in 1955 or after his retirement from it in 1974. Clients of the company represented in the collection include Eastman Kodak Company, Ford Motor Company, Kraft Foods Company, Lever Brothers Company, and Liggett & Myers Tobacco Company. There is considerable overlap in the content of the series in this collection.
The Gardens were a gift from Mary Duke Biddle in honor of her mother, Sarah P. Duke (Mrs. Benjamin N.). Construction began in 1932 and the site was open to the public in 1934. Ellen Shipman (1869-1950) designed the plans for both the construction and the plantings for the new gardens. Collection contains materials pertaining to the origins and activities of the Sarah P. Duke Gardens including planting plans, calendars, correspondence, feasibility studies, annual reports, a card catalog of plantings, and publicity. Materials in the collection date from 1926-2012.
The Falcon Lair residence was purchased by Doris Duke in April, 1953 primarily for use on her occasional visits to California and for use while she was in transit to or from her residence in Honolulu. Compared to her other estates, the residence was not large, however, being located in the hills above Benedict Canyon overlooking Beverly Hills, it served as a retreat from public life. Soon after the home was purchased, Doris Duke hired Tony Duquette to supervise the entire redecoration and remodeling of Falcon Lair. The home was renovated again in the mid-1970s. Miss Duke lived at Falcon Lair until her death in 1993, and in 1998 the property was sold by the Doris Duke Charitable Foundation. The collection is arranged into two series: Administrative Records and Architectural Records. It spans the years 1937 to 1999, beginning with the purchase and interior renovation of the home and ending with maintenance and general upkeep of the home after Doris Duke's death in 1993. The collection primarily documents the expenses and daily operations of renovating, running, and maintaining the Falcon Lair residence, and includes invoices and receipts for services and repairs, correspondence, memoranda, and telegrams relating to routine matters of the residence, expenses, and photo inventories of furniture, fixtures, and other household items. A majority of the architectural records detail alterations and additions to the Falcon Lair residence.
On October 15, 1958 the Duke Gardens Foundation was incorporated with the purpose of "developing thereon agricultural, botanical & horticultural exhibits for the purpose of scientific experiments and of public inspection, instruction, education & enjoyment." Over the period of six years, Doris Duke was personally involved in the physical design of the Indoor Display Gardens, in which various gardens were carefully designed, planned, and developed from the point of view of authenticity. The gardens were opened to the public in 1964, and included 11 unique gardens for visitors to enjoy. Doris Duke continued her involvement with her gardens throughout her life, bringing designers with her to modify them during the summer season when they were closed to tourists. The Duke Gardens Foundation was officially dissolved November 13, 2001 and the gardens closed to the public in 2008. The collection documents the lifecycle of the Duke Gardens Foundation, beginning with the inception of the Duke Gardens Foundation and the design and creation of the various indoor display gardens that comprised Duke Gardens, including the associated purchases of plants and bulbs. The materials follow the daily operations of Duke Gardens, including modifications and general upkeep of the gardens, visitor and tour information, and operations of the Foundation itself. The materials end with the general management of Duke Gardens after Doris Duke's death in 1993 and the final dissolution of the Foundation in 2001. Materials include correspondence, inventories, specifications for various architectural projects at Duke Gardens, invoices and vouchers for repairs and reconstruction to the greenhouses, surveys and reports, financial ledgers, and a multitude of both black and white and color photographs and slides of the different gardens.
Frank Clyde Brown (1870-1943) served as Professor of English at Trinity College and Duke University, and as Comptroller and University Marshall of Duke University. He oversaw the initial construction of Duke University's West Campus and the renovation of East Campus. Brown also founded the North Carolina Folklore Society. The Frank C. Brown Papers contain correspondence, logs, diaries, reports, lantern slides, notebooks, clippings, a scrapbook, and other materials. While some papers relate to teaching and English department activities, the bulk of the collection concerns the construction of Duke University, including correspondence with the Horace Trumbauer architectural firm, builder and manufacturer information, construction progress reports, travel diaries of visits to other campuses, and records of James B. Duke's views on architecture and involvement in campus planning. English.
This collection consists of original and copy negatives taken by various sources over several decades. Most of the negatives were produced by the Office of News and Communication's News Bureau in the early years of Duke University and later by University Photography (upon its establishment).
The Center for Documentary Studies at Duke University teaches, engages in, and presents documentary work grounded in collaborative partnerships and extended fieldwork that uses photography, film/video, audio, and narrative writing to capture and convey contemporary memory, life, and culture. The collection includes work created by students enrolled in documentary studies courses at Duke University in Durham, North Carolina, and the University of North Carolina at Chapel Hill (UNC), sponsored by the Center for Documentary Studies at Duke. Acquired as part of the Archive of Documentary Arts at Duke University.
The Stone Circles records contain materials documenting the history of the organization. These include press clippings, board meeting minutes. staff and financial information, program files, newsletters, event information, and correspondence.
The Tobacco Collection contains material assembled by library staff related to the manufacturing, sale, and use of tobacco in the United States, particularly in North Carolina and Virginia. There are also items referring to tobacco cultivation and processing. Printed advertising predominates, but the contents also include items that are not paper products. Typical paper-based items include cigarette and cigar advertising trade cards of W. Duke, Sons & Co., Lorillard, Liggett and Myers, John Player and Sons, and various other American and British companies; tobacco advertisements by Krueger and Brown of N.Y.; and souvenir tobacco albums published by Allen & Ginter. Other forms of advertising in the collection include broadsides, pamphlets, books, leaflets, letters, envelopes, cigar and cigarette boxes and labels, cans, a plate, wrappers, labels, and catalogs. Images include birds, animals, battle scenes, and persons, including a series on "African Types."