Feminist and author. The Sallie Bingham Papers provide rich documentation of the personal life, literary development, and philanthropic activities of Sallie Bingham, feminist and writer. The papers, dated 1900-2011, with the bulk of the materials dating from the 1940s to 2011, are comprised of correspondence, speeches, writings, subject files, personal papers, diaries and notebooks, legal and financial papers, audiovisual recordings, and photographic media. Included also are some records of The Kentucky Foundation for Women, a philanthropic organization founded by Bingham; The American Voice, a literary journal founded by Bingham and published under the auspices of The Kentucky Foundation for Women; and Santa Fe Stages, a regional theater founded by Bingham. Arranged into the following series: Audiovisual Materials, Correspondence, Diaries and Notebooks, Kentucky Foundation for Women, Legal and Financial, Miscellaneous, Photographs, Poetry, Santa Fe Stages, Speeches, Subject Files, Writings, and Oversize Material, with the Writings, Diaries and Notebooks, and Correspondence Series composing the bulk of the collection. Multiple additions have been added since the collection was processed; these are represented at the end of this finding aid.
Bingham's diaries document her daily activities, reflections on life, and contain some seed ideas for stories. Her notebooks function as workbooks for her writings and include poems, ideas for stories, outlines for plays, and character sketches - all in various stages of development.
Abstract Or Scope
Bingham's diaries document her daily activities, reflections on life, and contain some seed ideas for stories. Her notebooks function as workbooks for her writings and include poems, ideas for stories, outlines for plays, and character sketches - all in various stages of development. Arranged by format (diary or notebook) and then chronologically.
Dr. Charles Rudolph "Chuck" Davis or Baba Chuck (1937-2017) was an African American dancer, choreographer, and founder of the African American Dance Ensemble, the Chuck Davis Dance Company, and the annual DanceAfrica Festival. Collection includes correspondence, paper based records, printed materials, teaching materials, programs, posters, publications, newspaper clippings, conference materials, notebooks, photographs, negatives, slides, super 8 film, videotapes, artwork, and various other types of memorabilia.
In response to Robin Morgan's book, Sisterhood is Global, the Sisterhood is Global Institute was founded in 1984 with Karen Berry as its first director. Its purpose was to mobilize international support on women's rights issues and educate various communities around the world on women's rights and human rights issues. The records of the Sisterhood is Global Institute (SIGI) span the years from 1965 to 2005, with the bulk of the material ranging from 1980 to 2002. Materials such as correspondence, administrative files, publications drafts, manuals, newsletters, flyers, photographs, videos, and sound recordings provide a record of the work and the organizational structure of SIGI from its inception to its present activities at the beginning of the 21st century. The documents in the collection illustrate SIGI's efforts to discuss, debate, and act on a variety of women's issues around the world, including voting rights and political representation; reproductive rights; violence against women; education for women; and the socio-economic status of women.
As of 2005, the Nicholas School of the Environment and Earth Sciences at Duke University offers two master's degree programs: Master of Environmental Management (MEM) and Master of Forestry (MF). Both degree programs require students complete a master's project that presents an in-depth or quantitative analysis of a problem related to the students' particular focus area. Collection contains printed, bound master's projects. Materials range in date 1933-2005. Master's Projects for 2005 are held in the Nicholas School office. English.
The Methodist Student Center was constructed in 1957 to serve the spiritual and social life of the then 1,250 Methodist students attending Duke. The materials in the collection include two serials The Crusader and Methodist Student Movement, as well as, clippings, programs, brochures, reports and other printed material. The collection ranges in date from 1947-2000 with the bulk items dating 1954-1966.
The Research Council, also called the University Council on Research, was established at Duke University in 1934, to support faculty research by providing professional travel funding, publication subvention, and research grants. Until 1978, it prepared the annual bibliography of faculty publications (no longer published). The Research Council was later renamed the Arts & Sciences Committee on Faculty Research. The Research Council Records include reports, minutes, memoranda, correspondence, summaries, and faculty publications lists (1934-1976), pertaining to research projects and support for Duke University faculty. Materials range in date from 1925 to 1992. English.
The Tobacco Collection contains material assembled by library staff related to the manufacturing, sale, and use of tobacco in the United States, particularly in North Carolina and Virginia. There are also items referring to tobacco cultivation and processing. Printed advertising predominates, but the contents also include items that are not paper products. Typical paper-based items include cigarette and cigar advertising trade cards of W. Duke, Sons & Co., Lorillard, Liggett and Myers, John Player and Sons, and various other American and British companies; tobacco advertisements by Krueger and Brown of N.Y.; and souvenir tobacco albums published by Allen & Ginter. Other forms of advertising in the collection include broadsides, pamphlets, books, leaflets, letters, envelopes, cigar and cigarette boxes and labels, cans, a plate, wrappers, labels, and catalogs. Images include birds, animals, battle scenes, and persons, including a series on "African Types."
Kristine Stiles is the France Family Professor of Art, Art History & Visual Studies. Her main field of research is contemporary art with a focus on experimental practices, as well as representations of destruction, violence and trauma in art. The collection includes several different series, including Stiles' personal and family papers, projects and writings, correspondence, photographs, and an artist archive documenting her correspondence and relationships with hundreds of contemporary modern artists from around the world. This archive has been sorted by each artist's last name and includes such artists as Chris Burden, Lynn Hershman, Allan Kaprow, Gustav Metzger, John Latham, Jean-Jacques Lebel, Yoko Ono, Raphael Montañez Ortiz, Dan and Lia Perjovschi, Carolee Schneemann, Wolf Vostell and many more.
Advertising executive with several agencies including Leo Burnett and Campbell-Ewald, and a professor of advertising at Michigan State University. The collection documents Jones's primary career as an executive for several major advertising agencies, including Leo Burnett Company, Campbell-Ewald Company, D.P. Brother and Company, Wilding Advertising, and William R.Biggs/Gilmore Associates; and his second career as a professor of advertising at Michigan State University. Materials consist primarily of correspondence, memoranda, notes, reports, scripts, and audiovisual (including videocassettes) materials that document the development of print, radio, and television advertising campaigns for a wide variety of clients. The history and management of advertising companies in Chicago and Detroit, in Australia, and in Singapore is also represented. Major clients and campaigns documented include Chevrolet, the Florida Citrus Commission, General Motors Corporation, and Oldsmobile.
This collection consists of original and copy negatives taken by various sources over several decades. Most of the negatives were produced by the Office of News and Communication's News Bureau in the early years of Duke University and later by University Photography (upon its establishment).