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Collection reflects career of Louis H. Roddis in the general field of energy with emphasis on policy and strategic issues. Topics include electric power, gas resources, petroleum, water power, energy conservation, the energy crisis of the 1970s, nuclear power, and alternative energy sources. Primarily documented in the collection are developments with nuclear power and within the nuclear industry including materials related to the Chernobyl and Three Mile Island accidents. The collection also reflects Roddis' participation in a variety of public service, charitable, industrial, and trade organizations.

The African Americans in Film collection includes ephemeral materials, especially posters and pressbooks, promoting and advertising motion pictures featuring Black actors, directors, and production companies.

Terence Mitchell is a collector and expert on collectible cigarette cards. This collection contains a wide assortment of trading cards, collectible silks and fabrics, pins, and tobacco cartons and packs acquired by Mitchell. Most date to the early twentieth century.

Collection includes print advertisements, accessories and merchandise catalogs, collector newsletters, direct mailings, cigarette and tobacco labels and packaging, point of sale displays, sheet music, memorabilia and collectibles, tobacco tins, smoking and smoking cessation paraphernalia, juvenile and adult literature, research reports and articles on smoking and health and other printed materials, along with audio and video cassettes and optical discs. Materials primarily relate to smoking, tobacco use and prevention in the United States but some international examples are also present. Materials also relate to the tobacco industry in North Carolina. Companies represented include Alfred Dunhill, American Cancer Society, American Legacy Foundation, American Lung Association, American Tobacco Company, Brown & Williamson, Liggett & Myers, National Cancer Institute, National Institutes of Health (NIH), Philip Morris, R.J. Reynolds, Tobacco Institute, U.S. Surgeon General and Zippo. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Minnie Bruce Pratt was born in Selma, Alabama in 1946 and raised in nearby Centreville. She received a bachelor's degree in English from the University of Alabama in Tuscaloosa and a doctorate in English Literature from the University of North Carolina at Chapel Hill. An award-winning poet, Pratt has published collections of both poetry and essays. Pratt began teaching and grass roots organizing in North Carolina in the 1970s, and has continued her work as a professor and activist through 2008, the time of this writing. Pratt frequently makes speaking appearances at conferences and universities across the United States. Pratt has two sons, Ransom Weaver and Ben Weaver, from her marriage (1966-1975). As of 2008, Pratt resides with longtime partner, transgender activist and author Leslie Feinberg. The collection dates primarily between 1975 and 2005 and focuses on women's studies, sexual and gender identity, sexuality, and Pratt's fight against racism, sexism, imperialism and other forms of intolerance. A Writing Series comprises drafts, proofs, and galleys related to Pratt's major works through 2003, as well as materials related to shorter pieces by Pratt, reviews, print interviews, materials related to Pratt's editorial work, and personal journals. The series also contains materials pertaining to the outside funding from grants and speaking appearances that Pratt obtained to support herself as a writer. Major works represented are Pratt's poetry and essay collections The Sound of One Fork, We Say We Love Each Other, Crime Against Nature, Rebellion: Essays 1980-1991, S/HE, Walking Back Up Depot Street, and The Dirt She Ate. Other series in the collection are Correspondence; Family, consisting of early correspondence, mementos, photographs, and genealogical information; Activism, files of newspaper clippings, fliers, and correspondence related to Pratt's grass roots organizing; Teaching, Financial, Photographs, Audiovisual Material, Printed Material, and Ephemera. Notable correspondents include Mumia Abu-Jamal, Dorothy Allison, Judith Arcana, Elly Bulkin, Chrystos, Holly Hughes, Audre Lorde, Adrienne Rich, and Mab Segrest.

Direct marketing and advertising executive based primarily in Chicago, Ill. Jim Kobs papers include: correspondence, mail order catalogs, mailings, print advertisements and advertising designs, research reports, slides and photographs and audiovisual materials (audiocassettes, videocassettes, 16mm film, DVD) that document Kobs' career in direct, database and catalog marketing. Companies and institutions represented include: Amoco, AT&T, Bankers Life, Boys and Girls Clubs of Chicago, DHL, Direct Mail Advertising Association (DMAA), Direct Mail Marketing Association (DMMA), Direct Marketing Association (DMA), Encyclopedia Britannica, Gander Mountain, General Electric, General Mills, Hewlett-Packard, Honeywell, Mayo Clinic, Montgomery Ward, Playboy, Prudential, Scott Paper, Tupperware, U.S. Navy recruiting, Wayside Gardens and Xerox. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Freewater Films is a student-run programming committee within the Duke University Union (DUU) responsible for both screening and producing films. Film exhibitions have included weekly and summer series, as well as special event screenings featuring particular directors, actors, or genres. As a film production resource, Freewater has provided grants of film stock, equipment, processing, lab work, and technical instruction to members of the Duke community. The collection includes paper records and various film and tape elements produced by Duke students in the making of their original films. Formats include 35mm film, 16mm film, 8mm film, Betacam SP cassettes, audio cassettes, VHS cassettes, DAT tapes, as well as DVDs. The collection also includes some paper documentation associated with particular films, as well as publicity materials and subject files. Film topics include North Carolina environmental issues, poverty in Durham, political rallies, faculty interviews, campus construction, and student performances. Also included are fictional films on psychological, philosophical, or romantic themes, which feature familiar campus locations such as Perkins Library, the Duke Gardens, the Chapel, or the Duke Hospital. The collection also includes compilation tapes of entries from the annual Hal Kammerer Film Competition, as well as film experiments undertaken during Freewater film workshops. The collection is organized chronologically, then alphabetically by film title. In cases where the creators had grouped multiple reels of a particular film into a small box or a can, these groupings were denoted as reel 1-3 of 3, etc. Where available, synposes written on film cans were summarized and included in this finding aid. The majority of these synposes were written by Freewater Productions participant Benjamin Epps.

David B. McCall was an advertising executive and humanitarian. He was the originator of the idea for the children's educational television series Schoolhouse Rock. The David B. McCall Papers span the years 1939-1999, with the bulk documenting the years 1980-1994, and are comprised of clippings, correspondence, business reports, photographs, scrapbooks, speeches and writings, videocassettes, audio tapes and phonograph records. In particular, three main areas of McCall's career are represented: as an advertising executive and partner in agencies such as Young & Rubicam, Ogilvy Benson & Mather, McCaffrey & McCall, David J. Mahoney, Inc., the Sawyer Miller Group, and Shepardson Stern and Kaminsky; as a corporate director for the Hunter Fan Company, Save the Children, and two local radio broadcasting corporations, among others; and as a humanitarian involved with organizations such as the Committee for the Support of Roe v. Wade, CARE, and Refugees International. In addition, there is a substantial body of McCall's speeches and writings that reflect both the wide range of his professional and personal interests and commitments as well as his status as a public intellectual in high demand, as well as a number of files containing correspondence, clippings and articles concerning David Ogilvy, McCall's mentor in advertising. Major advertising campaigns represented in this collection include Mercedes Benz of North America, North American Philips, Life magazine, the American Can Company, Lever Brothers Company, and the Zippo Manufacturing Company, along with public relations work for such clients as the National Football League, Puerto Rico Telephone Company (PRTC), and the Regional Bell Operating Companies. Major humanitarian issues documented in the collection include the Unsell protest movement against the war in Vietnam, tobacco advertising aimed at children, land mine removal, refugee welfare, and support of abortion rights. McCall was also involved in political campaigns for a number of notable candidates, such as John Lindsay (New York), Harvey Gannt (North Carolina), George Kevarian (Massachusetts), Ramón Mitra (Philippines) and Mario Vargas Llosa (Peru). While McCall is recognized as the originator of the idea behind the popular children's educational television series Schoolhouse Rock!, the collection contains very little documentation concerning that project apart from a copy of the original soundtrack.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936. Collection includes: black-and-white and color photographic prints; contact sheets; cartoons and line art; graphic designs; magazine page layout art and designs; posters; slides; and other visual materials. Images depict products and product testing methods photographed for inclusion in Consumer Reports' magazines and other consumer education and protection publications; office, library and testing facilities in Mt. Vernon and Yonkers, N.Y.; staff and Board of Directors members; and corporate events. Posters include Consumer Reports anniversary events; speaking engagements; and post-World War II consumer advocacy messages from organizations in England and India. Cartoonists and illustrators represented include Art Glazer, Bob Bugg, Bob Engelhart, Gary Larson, Joseph Farris, Joseph Mirachi, Marty Norman, Richard Guindon, Roy Doty, and Tom Bloom. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Eve Kosofsky Sedgwick (1950-2009) was a literary critic, teacher, artist, and poet. She is best remembered as one of the founders of the field of queer theory. Her work on sexuality influences our continuted understanding of contemporary culture. This collection contains materials that document her scholarly career, her visual art, and her personal life. It includes drafts and copies of her published and unpublished works, her correspondence, research files, and teaching materials, as well as her visual artwork, and some documentation of her personal life, particularly her experience living with breast cancer. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The records of the documentary project Indivisible: Stories of American Community span the dates 1988-2002. Through documentary photographs and oral histories, project records, videos, and other materials, the collection documents the social conditions in twelve American communities as well as the history of the project, which explored civil activism, struggle, and change in the following locations: the North Pacific Coast of Alaska; Ithaca, N.Y.; San Francisco, California; Navajo Nation, Arizona and New Mexico; Eau Claire, South Carolina; Delray Beach, Florida; Western North Carolina; Stony Brook, N.Y.; San Juan, Texas; Chicago, Illinois; Philadelphia, Pennsylvania; and the Yaak Valley, Montana. The photographers are Dawoud Bey, Bill Burke, Debbie Fleming Caffery, Lucy Capehart, Lynn Davis, Terry Evans, Lauren Greenfield, Joan Liftin, Reagan Louie, Danny Lyon, Sylvia Plachy, and Eli Reed. The project was sponsored by the Center for Documentary Studies of Duke University and the Center for Creative Photography at the University of Arizona, and co-directed by Tom Rankin and Trudi Stack. Acquired as part of the Archive of Documentary Arts at Duke University.

In response to Robin Morgan's book, Sisterhood is Global, the Sisterhood is Global Institute was founded in 1984 with Karen Berry as its first director. Its purpose was to mobilize international support on women's rights issues and educate various communities around the world on women's rights and human rights issues. The records of the Sisterhood is Global Institute (SIGI) span the years from 1965 to 2005, with the bulk of the material ranging from 1980 to 2002. Materials such as correspondence, administrative files, publications drafts, manuals, newsletters, flyers, photographs, videos, and sound recordings provide a record of the work and the organizational structure of SIGI from its inception to its present activities at the beginning of the 21st century. The documents in the collection illustrate SIGI's efforts to discuss, debate, and act on a variety of women's issues around the world, including voting rights and political representation; reproductive rights; violence against women; education for women; and the socio-economic status of women.

Bill Communications, Inc., a subsidiary of Dutch publisher VNU Business Publications, is a business-to-business publisher and organizer of trade shows. Sales and Marketing Management is one of their main trade journals. The Bill Communications Sales and Marketing Management Vertical Files cover the years 1960-1994, with the bulk of the material dating 1975-1985. Topics include advertising, black middle class, finance, food industry, hiring, legal perspectives, management, marketing, media, packaging, product trends, real estate market, research, the Robinson-Patman Act, salesmen and salesmanship, research, telephone industry, training, women consumers, youth market and youth alcohol use, and zip codes. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

David Price is a political science professor at Duke University, and Democratic congressman from North Carolina's Fourth District since 1987 (re-elected in 2006). The David Price Papers (1960-2006) document the scholarly and political career of David Eugene Price, including his days as a graduate student in the 1960s, his tenure as a political science professor and Democratic Party staff member, and, finally, his years as a Democratic congressman from North Carolina's Fourth District. Records from Price's political headquarters contain thousands of original documents, handwritten and computer-generated; printed materials such as legislative bills and campaign publicity; and a variety of audiovisual materials, including photographs, some slides, many videos, and audio recordings. The collection is especially rich for researchers interested in the American political party system, the work and life of legislators, North Carolina history and government, the North Carolina Democratic and Republican parties, the U.S. Congress, its committee structure, the Hunt Commission, and the broader legislative process. Other materials document political campaigns, notably David Price's own congressional campaigns and Albert Gore's senatorial campaign of 1970-1971.

The Alliance for Audited Media (AAM) is a research firm that provides data services to the advertising and publishing industries. It is headquartered in Arlington Heights, Ill. The collection consists of over 500 16mm microfilm reels of archived printed reports produced by the AAM for subscribing newspapers and publications distributed primarily in the United States and Canada. The reports depict circulation data in a variety of contexts, including coupon distribution, geographical penetration, interactive media, market coverage, trends, and Zip Code analyses. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Advertising Council is a nonprofit organization, founded in 1942 and based in New York, N.Y., that produces and distributes public service messages and advertising. Collection includes annual reports; newsletters; correspondence; status reports; scripts; audiovisual materials; press releases and other materials relating to the administrative operations of the Advertising Council and its involvement in public service advertising campaigns. Campaigns include U.S. Savings Bonds, United Service Organizations (USO), food policies and other wartime activities; American Economic System and other Cold War-era programs; American Red Cross; child abuse and child nutrition and fitness promotions; equal opportunity; fair housing; Religion in American Life; Smokey Bear and other fire prevention campaigns; and the war on poverty. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Treasurer is an officer of the University whose duties have included supervision of contracts, relations with the Duke Endowment, and management of the Bursar's Office, student loans, and investments. The position of Treasurer is established by the By-laws of the University. In 1995, the Treasurer's post was taken up by the chief financial and administrative officer, the Executive Vice President. The bulk of the collection consists of correspondence to and from individuals who served the University as Treasurer and the subject files they created while in office, including grants and contracts but also ledger and account books. The collection ranges in date from 1893-ongoing.

The United Methodist Church Records are comprised primarily of bound volumes of quarterly conference minutes that document the administrative life of church units (circuits, charges, and churches) in the N.C. Conference (1784-1974, bulk 1841-1919) and the Western N.C. Conference (1884-1962, bulk 1893-1932) of the Methodist Episcopal Church, South (MECS). Counties in N.C. represented in the collection include Alamance, Ashe, Bladen, Burke, Caswell, Catawba, Chatham, Cleveland, Dare, Davidson, Durham, Forsyth, Gates, New Hanover, Iredell, Lincoln, Perquimans, Randolph, Rowan, Yadkin, and Wake. However, this collection does not include complete runs of any set of bound minutes, correspondence, or other documentation for any N.C. county or district. There are also bound volumes of N.C. Conference, MECS, district conference minutes (1866-1939); financial, administrative, and legal records for the Board of Missions and Church Extension of the Western N.C. Conference, MECS (1909-1952); bound journals of annual conference meetings of the N.C. Conference, MECS (1838-1913); as well as some district, conference, and national records for non-N.C. conferences and for the MECS and the Methodist Episcopal Church (MEC). National records include correspondence and financial records from the American Mission in North Africa, MEC (1909-1952). Although the entire collection dates from 1784-1984, the bulk of the material dates from 1800-1940.

Camilo J. Vergara is a documentary photographer, focusing on the evolution of urban spaces. Collection of color prints from Vergara's 2009 National Building Museum exhibit Storefront Churches, with photographs of urban churches, pasters, and murals from cities around the United States. This exhibit was part of a larger collection featured in Vergara's book, How the Other Half Worships.