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Founded in 1998, the Center for Justice and Accountability (CJA) is a non-profit organization that primarily utilizes civil litigation against perpetrators of international human rights abuses. The CJA records span the dates 1945-2015, with most materials dating from 1972-2015, and consist of extensive case files, amicus briefs, research materials, a small amount of press clippings, CJA newsletters and annual reports, and audiovisual materials and electronic records related to cases or to research. Attorneys who frequently appear in case file materials include: Matthew Eisenbrandt, Shawn Roberts, and Joshua Sondheimer. Acquired as part of the Human Rights Archive at Duke University.

Eleanor "Elly" Elliott was a women's rights activist, a board member of NOW's Legal Defense and Education Fund, a Barnard College Board Member, served on the National Advisory Council on Women's Educational Programs and was an editor at Vogue magazine. These materials consist of personal papers from the Elliott family and administrative files from Elliott's work in various women's rights organizations and philanthropic activities. It also includes photographs, scrapbooks and some audio/visual materials.

Franco Modigliani (1918-2003) was a Nobel Prize winner and Institute Professor Emeritus (of economics) at the Massachusetts Institute of Technology. This collection primarily documents his professional life through his correspondence, writings and speeches, professional activities, and teaching. It forms part of the Economists' Papers Archive.

Michael McVaugh is professor emeritus of history at the University of North Carolina at Chapel Hill. Collection comprises his research, interviews, and preparation for the book, The Elusive Science, coauthored with Seymour Mauskopf, regarding the research of J. B. Rhine and the Parapsychology Laboratory at Duke University. Interview and research subjects include Hans Bender, Knight Dunlap, Hudson Hoagland, John L. Kennedy, Brian Mackenzie, Gardner Murphy, Harry Price, Gertrude Schmeidler, Ernest Taves, Raymond Willoughby, Dael Wolfle, and George Zirkle.

Duke University Professor of History. Materials and recordings used in preparation for Mauskopf's book, The Elusive Science, and other research on the history of parapsychology and psychical research. Also includes articles by Mauskopf and other historians, scientists, and psychologists.

Collection contains records pertaining to the operation and activities of the Department of History and its faculty at Duke University, 1932-[ongoing]. Materials present include administrative files from the Office of the Chair, Director of Graduate Studies, and Director of Undergraduate Studies: correspondence, memoranda, departmental meeting minutes, budget and course material, committee files, and various subject files. The records also include course papers, inactive faculty files, Nixon Library material, and external review files. University Archives staff must be consulted in order to determine the extent of access restrictions.

Collection reflects career of Louis H. Roddis in the general field of energy with emphasis on policy and strategic issues. Topics include electric power, gas resources, petroleum, water power, energy conservation, the energy crisis of the 1970s, nuclear power, and alternative energy sources. Primarily documented in the collection are developments with nuclear power and within the nuclear industry including materials related to the Chernobyl and Three Mile Island accidents. The collection also reflects Roddis' participation in a variety of public service, charitable, industrial, and trade organizations.

The African Americans in Film collection includes ephemeral materials, especially posters and pressbooks, promoting and advertising motion pictures featuring Black actors, directors, and production companies.

Terence Mitchell is a collector and expert on collectible cigarette cards. This collection contains a wide assortment of trading cards, collectible silks and fabrics, pins, and tobacco cartons and packs acquired by Mitchell. Most date to the early twentieth century.

Collection includes print advertisements, accessories and merchandise catalogs, collector newsletters, direct mailings, cigarette and tobacco labels and packaging, point of sale displays, sheet music, memorabilia and collectibles, tobacco tins, smoking and smoking cessation paraphernalia, juvenile and adult literature, research reports and articles on smoking and health and other printed materials, along with audio and video cassettes and optical discs. Materials primarily relate to smoking, tobacco use and prevention in the United States but some international examples are also present. Materials also relate to the tobacco industry in North Carolina. Companies represented include Alfred Dunhill, American Cancer Society, American Legacy Foundation, American Lung Association, American Tobacco Company, Brown & Williamson, Liggett & Myers, National Cancer Institute, National Institutes of Health (NIH), Philip Morris, R.J. Reynolds, Tobacco Institute, U.S. Surgeon General and Zippo. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Minnie Bruce Pratt was born in Selma, Alabama in 1946 and raised in nearby Centreville. She received a bachelor's degree in English from the University of Alabama in Tuscaloosa and a doctorate in English Literature from the University of North Carolina at Chapel Hill. An award-winning poet, Pratt has published collections of both poetry and essays. Pratt began teaching and grass roots organizing in North Carolina in the 1970s, and has continued her work as a professor and activist through 2008, the time of this writing. Pratt frequently makes speaking appearances at conferences and universities across the United States. Pratt has two sons, Ransom Weaver and Ben Weaver, from her marriage (1966-1975). As of 2008, Pratt resides with longtime partner, transgender activist and author Leslie Feinberg. The collection dates primarily between 1975 and 2005 and focuses on women's studies, sexual and gender identity, sexuality, and Pratt's fight against racism, sexism, imperialism and other forms of intolerance. A Writing Series comprises drafts, proofs, and galleys related to Pratt's major works through 2003, as well as materials related to shorter pieces by Pratt, reviews, print interviews, materials related to Pratt's editorial work, and personal journals. The series also contains materials pertaining to the outside funding from grants and speaking appearances that Pratt obtained to support herself as a writer. Major works represented are Pratt's poetry and essay collections The Sound of One Fork, We Say We Love Each Other, Crime Against Nature, Rebellion: Essays 1980-1991, S/HE, Walking Back Up Depot Street, and The Dirt She Ate. Other series in the collection are Correspondence; Family, consisting of early correspondence, mementos, photographs, and genealogical information; Activism, files of newspaper clippings, fliers, and correspondence related to Pratt's grass roots organizing; Teaching, Financial, Photographs, Audiovisual Material, Printed Material, and Ephemera. Notable correspondents include Mumia Abu-Jamal, Dorothy Allison, Judith Arcana, Elly Bulkin, Chrystos, Holly Hughes, Audre Lorde, Adrienne Rich, and Mab Segrest.

Direct marketing and advertising executive based primarily in Chicago, Ill. Jim Kobs papers include: correspondence, mail order catalogs, mailings, print advertisements and advertising designs, research reports, slides and photographs and audiovisual materials (audiocassettes, videocassettes, 16mm film, DVD) that document Kobs' career in direct, database and catalog marketing. Companies and institutions represented include: Amoco, AT&T, Bankers Life, Boys and Girls Clubs of Chicago, DHL, Direct Mail Advertising Association (DMAA), Direct Mail Marketing Association (DMMA), Direct Marketing Association (DMA), Encyclopedia Britannica, Gander Mountain, General Electric, General Mills, Hewlett-Packard, Honeywell, Mayo Clinic, Montgomery Ward, Playboy, Prudential, Scott Paper, Tupperware, U.S. Navy recruiting, Wayside Gardens and Xerox. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Eric M. and Carol L. Meyers are professors in Duke University's Department of Religion. Throughout their careers, they have conducted archeological digs in relation to their interest in biblical and Judaic studies. The collection contains extensive materials related to several major excavations the pair conducted in Israel from the 1970s to the 1990s. The materials in the collection include binders and notebooks of field notes, charts, maps, and records; notecards; photographs (including slides, prints, and negatives), almost all black-and-white; a few audiovisual items; clippings; some administrative and correspondence files; coins; and drawings of sites and artifacts. There are many electronic files, some of which represent items not present in the collection. Topics include 20th century archaeology and practices; the Sepphoris, Meiron, Khirbet Shema, Nabratein, and Gush Halav excavation sites in Israel, including maps and photographs of the sites; Jewish and Arabic artifacts such as coins and pottery; other ancient artifacts; and religious and biblical studies as they relate to archaeology.

Freewater Films is a student-run programming committee within the Duke University Union (DUU) responsible for both screening and producing films. Film exhibitions have included weekly and summer series, as well as special event screenings featuring particular directors, actors, or genres. As a film production resource, Freewater has provided grants of film stock, equipment, processing, lab work, and technical instruction to members of the Duke community. The collection includes paper records and various film and tape elements produced by Duke students in the making of their original films. Formats include 35mm film, 16mm film, 8mm film, Betacam SP cassettes, audio cassettes, VHS cassettes, DAT tapes, as well as DVDs. The collection also includes some paper documentation associated with particular films, as well as publicity materials and subject files. Film topics include North Carolina environmental issues, poverty in Durham, political rallies, faculty interviews, campus construction, and student performances. Also included are fictional films on psychological, philosophical, or romantic themes, which feature familiar campus locations such as Perkins Library, the Duke Gardens, the Chapel, or the Duke Hospital. The collection also includes compilation tapes of entries from the annual Hal Kammerer Film Competition, as well as film experiments undertaken during Freewater film workshops. The collection is organized chronologically, then alphabetically by film title. In cases where the creators had grouped multiple reels of a particular film into a small box or a can, these groupings were denoted as reel 1-3 of 3, etc. Where available, synposes written on film cans were summarized and included in this finding aid. The majority of these synposes were written by Freewater Productions participant Benjamin Epps.

David B. McCall was an advertising executive and humanitarian. He was the originator of the idea for the children's educational television series Schoolhouse Rock. The David B. McCall Papers span the years 1939-1999, with the bulk documenting the years 1980-1994, and are comprised of clippings, correspondence, business reports, photographs, scrapbooks, speeches and writings, videocassettes, audio tapes and phonograph records. In particular, three main areas of McCall's career are represented: as an advertising executive and partner in agencies such as Young & Rubicam, Ogilvy Benson & Mather, McCaffrey & McCall, David J. Mahoney, Inc., the Sawyer Miller Group, and Shepardson Stern and Kaminsky; as a corporate director for the Hunter Fan Company, Save the Children, and two local radio broadcasting corporations, among others; and as a humanitarian involved with organizations such as the Committee for the Support of Roe v. Wade, CARE, and Refugees International. In addition, there is a substantial body of McCall's speeches and writings that reflect both the wide range of his professional and personal interests and commitments as well as his status as a public intellectual in high demand, as well as a number of files containing correspondence, clippings and articles concerning David Ogilvy, McCall's mentor in advertising. Major advertising campaigns represented in this collection include Mercedes Benz of North America, North American Philips, Life magazine, the American Can Company, Lever Brothers Company, and the Zippo Manufacturing Company, along with public relations work for such clients as the National Football League, Puerto Rico Telephone Company (PRTC), and the Regional Bell Operating Companies. Major humanitarian issues documented in the collection include the Unsell protest movement against the war in Vietnam, tobacco advertising aimed at children, land mine removal, refugee welfare, and support of abortion rights. McCall was also involved in political campaigns for a number of notable candidates, such as John Lindsay (New York), Harvey Gannt (North Carolina), George Kevarian (Massachusetts), Ramón Mitra (Philippines) and Mario Vargas Llosa (Peru). While McCall is recognized as the originator of the idea behind the popular children's educational television series Schoolhouse Rock!, the collection contains very little documentation concerning that project apart from a copy of the original soundtrack.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936. Collection includes: black-and-white and color photographic prints; contact sheets; cartoons and line art; graphic designs; magazine page layout art and designs; posters; slides; and other visual materials. Images depict products and product testing methods photographed for inclusion in Consumer Reports' magazines and other consumer education and protection publications; office, library and testing facilities in Mt. Vernon and Yonkers, N.Y.; staff and Board of Directors members; and corporate events. Posters include Consumer Reports anniversary events; speaking engagements; and post-World War II consumer advocacy messages from organizations in England and India. Cartoonists and illustrators represented include Art Glazer, Bob Bugg, Bob Engelhart, Gary Larson, Joseph Farris, Joseph Mirachi, Marty Norman, Richard Guindon, Roy Doty, and Tom Bloom. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Eve Kosofsky Sedgwick (1950-2009) was a literary critic, teacher, artist, and poet. She is best remembered as one of the founders of the field of queer theory. Her work on sexuality influences our continuted understanding of contemporary culture. This collection contains materials that document her scholarly career, her visual art, and her personal life. It includes drafts and copies of her published and unpublished works, her correspondence, research files, and teaching materials, as well as her visual artwork, and some documentation of her personal life, particularly her experience living with breast cancer. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The records of the documentary project Indivisible: Stories of American Community span the dates 1988-2002. Through documentary photographs and oral histories, project records, videos, and other materials, the collection documents the social conditions in twelve American communities as well as the history of the project, which explored civil activism, struggle, and change in the following locations: the North Pacific Coast of Alaska; Ithaca, N.Y.; San Francisco, California; Navajo Nation, Arizona and New Mexico; Eau Claire, South Carolina; Delray Beach, Florida; Western North Carolina; Stony Brook, N.Y.; San Juan, Texas; Chicago, Illinois; Philadelphia, Pennsylvania; and the Yaak Valley, Montana. The photographers are Dawoud Bey, Bill Burke, Debbie Fleming Caffery, Lucy Capehart, Lynn Davis, Terry Evans, Lauren Greenfield, Joan Liftin, Reagan Louie, Danny Lyon, Sylvia Plachy, and Eli Reed. The project was sponsored by the Center for Documentary Studies of Duke University and the Center for Creative Photography at the University of Arizona, and co-directed by Tom Rankin and Trudi Stack. Acquired as part of the Archive of Documentary Arts at Duke University.

In response to Robin Morgan's book, Sisterhood is Global, the Sisterhood is Global Institute was founded in 1984 with Karen Berry as its first director. Its purpose was to mobilize international support on women's rights issues and educate various communities around the world on women's rights and human rights issues. The records of the Sisterhood is Global Institute (SIGI) span the years from 1965 to 2005, with the bulk of the material ranging from 1980 to 2002. Materials such as correspondence, administrative files, publications drafts, manuals, newsletters, flyers, photographs, videos, and sound recordings provide a record of the work and the organizational structure of SIGI from its inception to its present activities at the beginning of the 21st century. The documents in the collection illustrate SIGI's efforts to discuss, debate, and act on a variety of women's issues around the world, including voting rights and political representation; reproductive rights; violence against women; education for women; and the socio-economic status of women.

Bill Communications, Inc., a subsidiary of Dutch publisher VNU Business Publications, is a business-to-business publisher and organizer of trade shows. Sales and Marketing Management is one of their main trade journals. The Bill Communications Sales and Marketing Management Vertical Files cover the years 1960-1994, with the bulk of the material dating 1975-1985. Topics include advertising, black middle class, finance, food industry, hiring, legal perspectives, management, marketing, media, packaging, product trends, real estate market, research, the Robinson-Patman Act, salesmen and salesmanship, research, telephone industry, training, women consumers, youth market and youth alcohol use, and zip codes. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.