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Spanish Advertising broadsides (Auca and Alelujas), 1938-1985 and undated

3 Linear Feet
Abstract Or Scope
An auca is a graphic format popular in Spain and especially in the region of Catalonia around Barcelona. The genre dates at least to the 17th century but was banned during the 18th century before experiencing a renewal during the 19th and later the 20th centuries as a uniquely Catalonian form of expression. It takes the form of a cartoon or a comic strip, typically with 48 blocks of image and text, although some may have less. An auca is generally produced as a single sheet, but occasionally a booklet form is used. The captions tend to have some sort of consistent rhyme to assist with the flow and storytelling. Many times the term "auca" appears in the title, but another term, "aleluya," is used, apparently interchangeably. Some sources indicate that the aleluya originated in Castile and originally included religious elements that were shed over time. The aucas found in this collection are focused primarily on advertising a range of products, businesses, services or entertainments such as films, but also present are public service announcements for topics such as safety, health or the National Lottery. A common format is to relate some sort of tangential or episodic story and end by directly promoting the product or company of choice. Narratives tend to focus on everyday events that most families would be able to at least partially relate to. Many involve nuclear families and the day-to-day trials that they may go through. Common themes involve food, gender roles, entertainment, education, family, race and hygiene. Companies represented in the materials include GAMA, Philips, Procter & Gamble, Puig, and Unilever. Items in this collection appear in both Spanish and Catalan. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
1 result in this collection

23. Tío Nelo. Historia de Tío Nelo--The story of Uncle Nelo, Undated

Harry L. and Mary K. Dalton collection, 1695-1955 and undated

80.5 Linear Feet approx. 11,160 Items
Abstract Or Scope
Harry L. and Mary K. Dalton collected art, rare books, and manuscripts, and made many contributions to art museums and libraries, most notably the Duke University Library, the Mint Museum, and the library of the University of North Carolina at Charlotte. The Dalton Collection is comprised of sub-collections acquired by Harry L. and Mary K. Dalton.
1 result in this collection

Pickens, Andrew papers, 1801-1827

W. Eugene Smith Reference CD collection, 1946-1971

50 Linear Feet
Abstract Or Scope
The W. Eugene Smith Reference Reference CD Collection includes 5,087 compact discs containing audio originally recorded to quarter-inch open reel tape by photographer W. Eugene Smith. Smith recorded the bulk of the 1,740 reels represented in this collection between 1957 and 1971, while living in the "Jazz Loft" at 821 Sixth Avenue in New York City. The original tapes are housed in the W. Eugene Smith Collection at the University of Arizona's Center for Creative Photography.
3 results in this collection

Reel 0573, undated

Reel 0519, 1963 February

Reel 1321, 1965 March 14

The Memory Project Oral History collection | 民间记忆计划口述史, 2009-2016

3799 Gigabytes
Abstract Or Scope
The Memory Project Oral History collection comprises digital video recordings and written supporting documentation of interviews spanning 2009 to 2016. The interviews were conducted by filmmakers associated with the Work Station, a film studio run by Wu Wenguang in Caochangdi, Beijing, China. Memory Project interviews were conducted with Chinese people about mid-20th century rural life, primarily experiences during the Great Famine (1958-1961), but also the Land Reform and Collectivization (1949-1953), the Great Leap Forward (1958-1960), the Four Cleanups Movement (1964), and the Cultural Revolution (1966-1976). Wu's studio in suburban Beijing, known as the Work Station, is the home for this project. More than 150 young filmmakers have joined the project, and since 2010 they have visited 246 villages in 20 provinces and interviewed more than 1,100 elderly villagers. These filmmakers, many of whom returned to their families' rural hometowns, developed new intergenerational relationships with elderly relatives. During the process of interviewing the villagers, they reconciled the official history taught in schools with each family's experiences.
Top 3 results in this collection — view all 12

Huang Yujiao | 黄玉娇, 2011

Tang Chaogao | 唐超告, 2010

Liu Yuzhen | 刘玉珍, 2010

Martin Shubik papers, 1938-2022, bulk 1944-2018

211 Linear Feet (166 record cartons, eight document boxes, two oversize folders, and one electronic records box.) 0.2 Gigabytes (One set.)
Abstract Or Scope
Martin Shubik (1926-2018) was the Seymour H. Knox Professor Emeritus of Mathematical Institutional Economics at Yale University. This collection primarily documents his professional life through his correspondence, writings, research, and professional and faculty activities. It forms part of the Economists' Papers Archive.
2 results in this collection

Research and Notes, 1950-2013

Martin Shubik papers, 1938-2022, bulk 1944-2018 211 Linear Feet (166 record cartons, eight document boxes, two oversize folders, and one electronic records box.) 0.2 Gigabytes (One set.)

Full Frame Archive collection, 1998-2017

55.5 Linear Feet
Abstract Or Scope
The Full Frame Documentary Film Festival is the largest film festival in the United States entirely devoted to documentary film. Originally the DoubleTake Documentary Film Festival, it is an international event dedicated to the theatrical exhibition of non-fiction cinema, held annually since 1998 in downtown Durham, North Carolina. Typically, more than 100 films are screened, along with discussions, panels, and workshops fostering conversation between filmmakers, film professionals and the public. The Full Frame Archive was created in 2007, as a partnership between Duke University and Full Frame. The Full Frame Archive Film Collection comprises preservation masters of documentary films that won awards at the Full Frame Film Festival between 1998 and 2012. Formats include 35mm film, 16mm film, Digital Betacam cassette, HDCAM cassette, Betacam SP cassette, and DVD. In addition, there is a complete set of festival program books. The films vary widely in topic and style, with a predominant emphasis on human rights issues; all of the films deal with social issues in one way or another. The collection is organized chronologically, by festival year, and acquisitions are ongoing.
Top 3 results in this collection — view all 4

Sir! No Sir! (2005)

Uganda Rising (2006)

The Devil Came on Horseback (2007)

Josiah William Bailey papers, 1833-1967, bulk 1900-1946

270 Linear Feet (539 boxes) Approximately 422,400 itemss
Abstract Or Scope
The collection houses the personal and professional papers of Josiah William Bailey (1873-1946), Baptist layman, Raleigh attorney, and United States Senator. Chiefly consists of correspondence and print material, as well as smaller amounts of financial records, clippings, volumes, broadsides, photographs, and memorabilia dating from 1833 through 1967, with most items dating from 1900 through 1946. The collection documents Bailey's family, personal, religious, and professional life. Generally, papers prior to Bailey's election to the U.S. Senate in 1931 reflect North Carolina's legal, political, religious, agricultural, social, and economic issues. After 1931, material chiefly pertains to national affairs. Significant topics include: state and national elections and campaigns in the 1920s and 1930s; national defense and the military; veterans; the effects of the Depression on southern states and the U.S. economy and society in general; labor issues; Prohibition; the court system; taxation; the development of the Blue Ridge Parkway and other parks; agriculture in the Southern States; and the New Deal of the Roosevelt Administration. Legal papers offer a sample of case files from Bailey's law office, including a 1920s case involving W.V. Guerard of the Klu Klux Klan. Outgoing personal correspondence contains many references to national and regional issues as well as personal exchanges.
1 result in this collection

Agricultural Correspondence Subseries, 1930-1946

International Monitor Institute records, 1986-2011

530 Linear Feet 8.3 Gigabytes
Abstract Or Scope
The non-profit agency International Monitor Institute (IMI) operated between 1993 and 2003, primarily to assist international war-crimes tribunals by collecting, indexing and organizing visual evidence of violations of international human rights law. The International Monitor Institute Records span the dates 1986-2006, and primarily comprise audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations around the world. Countries represented include: Burma (Myanmar), Bosnia and Hercegovina, Cambodia, Kuwait, Rwanda, Sierra Leone, and Thailand. Includes master and use copies of approximately 6000 videocassettes and 100 audio tapes and audiocassettes. The video and audio material is indexed by an extensive database developed by IMI which includes keywords, air dates, segment producer, segment title, and in some cases, transcripts and stills from the video. There are also many photographs and slides taken in the same regions, depicting destruction in areas of conflict, forced labor, refugees and refugee camps, and protests. The majority of the photos were taken on the Burma/Thai border, in Bosnia and Hercegovina, and refugee camps in Rwanda. Finally, there are extensive organizational records, including an extensive database of the audiovisual components. Acquired as part of the Human Rights Archive.
1 result in this collection

RTLM 50 Sony HF 60 (1 copy of Side A and 1 copy of Side B

Five Farms: Stories From American Farm Families photographs and oral histories, 2008-2011

1.0 Linear Feet (2 boxes; 50 color photographic prints) 61.8 Gigabytes 50 prints; 940 electronic files
Abstract Or Scope
The Center for Documentary Studies is a center at Duke University established for the study of the documentary process. The color photographs and oral histories in the Five Farms: Stories From American Farm Families collection form part of a multimedia project carried out under the auspices of the Center for Documentary Studies. Beginning in March 2008, photographers Alix Lowrey Blair, Andrew Lewis, Tom Rankin, Elena Rue, and Steve Schapiro, along with audio specialists Ben Adler, Rob Dillard, Camille Lacapa, Susannah Lee, and John Biewen, each visited an American farm and documented the farm families' experiences over the course of a year. The locations for the Five Farms series are: a family farm on the Hopi Reservation in northeastern Arizona; an organic farm in California's Capay Valley; a dairy farm in western Massachusetts; a diversified farm in central Iowa; and an African American-owned hog farm in eastern North Carolina. Details on each farm are found in the series descriptions in this collection guide. Acquired by the Archive of Documentary Arts at Duke University.
1 result in this collection

Arizona

Massie family papers, 1766-1920s

3.0 Linear Feet (3 boxes and 1 oversize folder.)
Abstract Or Scope
The William Massie family owned several plantations in Virginia in the 18th and 19th centuries, and owned several hundred enslaved people during this time. This collection contains the papers and records of several members and generations of the Massie family, based at the Pharsalia plantation in Nelson County, Virginia. Family members represented include Thomas Massie; his children, including Thomas Massie Jr. and William Massie; William Massie's widow, Maria Massie, who inherited Pharsalia; as well as several grandchildren, including Martha, Hope, Florence, and Bland Massie. The bulk of the material in the collection dates from William Massie's ownership and management of Pharsalia, including the purchases and labor of dozens of enslaved men, women, and children in the mid-1800s. The collection also includes detailed agricultural and financial accounts, weather logs, land surveys and plots, a plantation ledger, and family and business correspondence.
1 result in this collection

Papers, 1840-1849