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This collection consists of original and copy negatives taken by various sources over several decades. Most of the negatives were produced by the Office of News and Communication's News Bureau in the early years of Duke University and later by University Photography (upon its establishment).

Duke University Press publishes both scholarly books and journals, primarily in the humanities and social sciences. In its early years, preference was given to works published by faculty, graduate students and alumni and to works focused on southern states. The records of Duke University Press span from 1812-2019 and consist of correspondence, annual catalogs, advertisements, annual reports, Board minutes, contracts and agreements, book and journal reviews, financial records, marketing files, the records of former director Steve Cohn, and facsimiles of the Carlyle letters.

Reverend Dr. J. Alfred Smith, Sr. is a Black minister who served as Senior Pastor at Allen Temple Baptist Church in Oakland, CA for several decades. He also taught for many years at the American Baptist Seminary of the West (now Berkeley School of Theology). This collection contains recorded and written sermons, teaching materials, event files, and other papers that document Smith's pastoral and teaching career. Materials in the collection document Smith's work to bridge denominational, ethnic, racial, and socioeconomic divides in California and throughout the United States. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

The Center for Documentary Studies at Duke University teaches, engages in, and presents documentary work grounded in collaborative partnerships and extended fieldwork that uses photography, film/video, audio, and narrative writing to capture and convey contemporary memory, life, and culture. The collection includes work created by students enrolled in documentary studies courses at Duke University in Durham, North Carolina, and the University of North Carolina at Chapel Hill (UNC), sponsored by the Center for Documentary Studies at Duke. Acquired as part of the Archive of Documentary Arts at Duke University.

An auca is a graphic format popular in Spain and especially in the region of Catalonia around Barcelona. The genre dates at least to the 17th century but was banned during the 18th century before experiencing a renewal during the 19th and later the 20th centuries as a uniquely Catalonian form of expression. It takes the form of a cartoon or a comic strip, typically with 48 blocks of image and text, although some may have less. An auca is generally produced as a single sheet, but occasionally a booklet form is used. The captions tend to have some sort of consistent rhyme to assist with the flow and storytelling. Many times the term "auca" appears in the title, but another term, "aleluya," is used, apparently interchangeably. Some sources indicate that the aleluya originated in Castile and originally included religious elements that were shed over time. The aucas found in this collection are focused primarily on advertising a range of products, businesses, services or entertainments such as films, but also present are public service announcements for topics such as safety, health or the National Lottery. A common format is to relate some sort of tangential or episodic story and end by directly promoting the product or company of choice. Narratives tend to focus on everyday events that most families would be able to at least partially relate to. Many involve nuclear families and the day-to-day trials that they may go through. Common themes involve food, gender roles, entertainment, education, family, race and hygiene. Companies represented in the materials include GAMA, Philips, Procter & Gamble, Puig, and Unilever. Items in this collection appear in both Spanish and Catalan. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Stone Circles records contain materials documenting the history of the organization. These include press clippings, board meeting minutes. staff and financial information, program files, newsletters, event information, and correspondence.

The Tobacco Collection contains material assembled by library staff related to the manufacturing, sale, and use of tobacco in the United States, particularly in North Carolina and Virginia. There are also items referring to tobacco cultivation and processing. Printed advertising predominates, but the contents also include items that are not paper products. Typical paper-based items include cigarette and cigar advertising trade cards of W. Duke, Sons & Co., Lorillard, Liggett and Myers, John Player and Sons, and various other American and British companies; tobacco advertisements by Krueger and Brown of N.Y.; and souvenir tobacco albums published by Allen & Ginter. Other forms of advertising in the collection include broadsides, pamphlets, books, leaflets, letters, envelopes, cigar and cigarette boxes and labels, cans, a plate, wrappers, labels, and catalogs. Images include birds, animals, battle scenes, and persons, including a series on "African Types."

Duke Photography, formerly called Duke University Photography, was the official photographic service of Duke University. The Duke Photography Records include many of the original photographs taken by the service from the 1960s through the 2010s.

Advertising copy writer and artist who managed his own agency, Jean W. Yeager, Inc. based in Dallas, Tex. Later taught at several Waldorf Method institutions; director of the Anthroposophical Society in America. Collection spans the years 1959-2012 and includes correspondence, direct marketing printed materials, print advertisements and recordings of radio and television broadcast commercials and public service messages that document Yeager's career producing advertising primarily for companies based in Texas. Examples of Yeager's original art are also included. Formats include audio- and videocassettes, audio reels and 16mm films. Companies represented include 7-Eleven, Coca-Cola, Frito-Lay, Radio Shack, Republic Health Corporation, Schenley, Southland Corporation, and Sterling Optical. The collection also touches on Yeager's involvement with the Anthroposophical Society and related enterprises, including Waldorf Method schools such as the Kimberton Waldorf School in Detroit. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Youth Document Durham and Durham Works were programs sponsored by Duke University and the Center for Documentary Studies that brought together young people ages 12–16 from diverse Durham communities to document their lives, local history, and contemporary social issues through photography, oral history, and narrative writing. The Youth Document Durham and Durham Works project records span the years 1995-2008 and document the process of training young people in Durham, North Carolina schools to use photography and other arts, oral histories, and writing to record the history and members of their communities and the local issues affecting the students' lives. Many of the students are African American or Hispanic and their topics often highlight social conditions and race relations in African American and Hispanic communities in Durham neighborhoods and in a few other locations, including South Carolina. Topics explored by participants, both interviewers and interviewees, include crime, food cultures, jobs and education, music, racism, technology, teen violence, work cultures, and tobacco cultivation and its social context. The bulk of the collection is made up of hundreds of oral interviews conducted by junior high and high school students with community members, documented through audiocassette recordings, photographs, writings, and some transcripts, but there are also many program publications, project curricula, and administrative records for the program from its beginnings through 2008. There is also a database created by Center for Documentary Studies staff that records the complete information for each interview, including descriptive notes on certain interviews. This data also contains restricted information. For access to this database, please consult with a reference archivist. Acquired as part of the Archive of Documentary Arts at Duke University.