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North Carolina short-line railroad company established in 1896 and still in operation as of 2008. Correspondence, accounts, financial reports, ledgers, memoranda, publications, and other records (chiefly 1918-1960), of a short-line railway operating between Sanford and Lillington, N.C., in Lee and Harnett counties. Includes communications from the American Short Line Railroad Association and the Association of American Railroads.

Collection of fine art print and graphic design projects by Horse & Buggy Press in Durham, North Carolina, commissioned chiefly by non-profit organizations, small firms, individual authors and artists, and community events organizers. Formats include catalogs, broadsides, posters, newsletters, pamphlets and brochures, programs, and jacket and packaging designs for six audio and film recordings. Smaller projects include exhibit and book announcements, business cards, invitations, and menus for local restaurants. Chiefly consists of letterpress work, but there are also examples of offset and digitally printed items. Many projects involved the work of other artists and designers, and many were printed in limited editions. Content often includes poetry, prose excerpts, and quotes. Books and zines printed by Horse & Buggy Press have been separated from this collection and individually described for the Duke University Libraries catalog.

Contains memoranda, correspondence, budgets, reports, agreements, financial information, organizational records and other printed matter from the Office of the Vice President for Business and Finance. Records concern Duke University, its various academic departments, organizations, and benefactors, including the Medical Center. These records were created by Vice President for Business and Finance Gerhard Henricksen (1962-1966) and his successor Charles B. Huestis (1966-1985), and provide a detailed account of the university's financial status. Major topics include the university's relationship with the Duke Endowment and Local Unions 77 and 465, Medical Center construction;, university properties, physical plant, and facilities renovations, national professional organizations, several university committees, the Board of Trustees, the Duke University Athletic Association, WDBS campus radio station, the Duke Vigil, Duke University Marine Lab, Huestis' personal interests and affiliations, and the departments of the Business and Finance Division (including Housing, Data Processing and the Computation Center, Accounting, Dining Halls, Personnel, Materials Support, Safety and Traffic, TelCom, and Utilities), and the University Architect. Major correspondents include University Architect, University Council, Business Manager, Corporate and University Controllers, Terry Sanford, William G. Anlyan, A. Kenneth Pye, Richard L. Jackson, J. Peyton Fuller, John Adcock. English.

Salem (Essex Co.), Mass., writer and photographer, specializing in colonial American architecture. Collection contains photographs that Cousins made; the vast majority of them were taken of Salem, Mass. They are albumen prints, most in good or excellent condition. The subjects are primarily houses, churches, and public buildings of Salem, exterior and interior shots.

The mission of The Fuqua School of Business is to provide the highest quality education for business and academic leaders, and promote the advancement of the understanding and practice of management through research. Collection includes annual reports, business associates, files on administrators, material on MBA programs, promotional materials, practicum papers, and other files.

Collection consists of 49 color inkjet prints from the documentary project "Test of Faith" by photographer Lauren Pond. The images are approximately 20x14 inches in size and are unmatted. Between 2011 and 2016, Pond documented the life, death, and West Virginian family of Pentecostal pastor and serpent handler, Mack Wolford, of the Full Gospel Apostolic House of the Lord Jesus in Matoaka, West Virginia. The series includes images of Wolford's death in his family home after he was bitten by the venomous snake. Acquired as part of the Archive of Documentary Arts at Duke University.

Free to Dance: The African-American Presence in Modern Dance was a three-part television documentary co-produced by the American Dance Festival and the John F. Kennedy Center for the Performing Arts in association with Thirteen/WNET New York. The series aired on PBS' Great Performances: Dance in America in 2001. It chronicled the role of African-American choreographers and dancers in the development of modern dance as an American art form. The collection includes film, video, sound recordings, oral histories, interview transcripts, business records, photographs, clippings, and research materials created or collected during the production of the three-part television documentary Free to Dance.

Olive Pierce (1925-2016) was a documentary photographer based in Massachusetts and Maine. The collection comprises several hundred black-and-white photographic prints taken by Pierce over her long career. The earliest images (1960s) feature landscapes and individuals in Maine, a subject Pierce returned to throughout her life. Other subjects include: political protests in Cambridge, Massachusetts and life in the Jefferson Park neighborhood in Cambridge during the 1970s; high school students in Cambridge (1980s); the lives of Iraqi children in war zones in 1999 and 2003, and protests in the U.S. against that war. Also included are print publications featuring Pierce's photographs; publicity for exhibits and lectures; Pierce's 1987 guide to teaching photography; a video on DVD and audio lecture about her work; some correspondence; unpublished book mock-ups and a memoir/diary; a self-published illustrated partial memoir (2014); approximately 2557 film negatives; and about 40 slides featuring images of her early life and family. Acquired by the Archive of Documentary Arts at Duke University.