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This is a collection of zines made by the Duke University undergraduate students in the semester course of Comics and Zines: History, Theory, and Practice taught by Professor Bill Fick. It includes zines from the spring 2021-2024 semester courses.

Lara Langer Cohen is an Assistant Professor in the Department of English at Wayne State University in Detroit, Michigan. She started collecting zines, including trading zines and corresponding with Sarah Dyer, in the early 1990s. The collection consists of approximately 280 zine titles (some with multiple issues) collected by Cohen and several hundred pieces of correspondence addressed to her or to her zines, Runt and Oh Oh Cheri, dating from the 1990s. Acquired by the Sallie Bingham Center for Women's History and Culture.

Sally Tatnall is a self-described radical feminist and community and political activist from Cleveland Heights, Ohio. Her work centers on lesbian rights, feminism, women's spirituality, reproductive health, anti-racism, and back-to-the-land projects. The collection includes personal materials such as journals, correspondence and photographs, as well as documentation of Tatnall's activism, and printed materials including 1970s sex education pamphlets.

A collection of about 470 zines, mostly of the personal nature, mostly written by women, acquired during the period of the late 1990s to early 2000s.

The collection comprises 35 trans-inclusive zines gathered and distributed by the Transgender Oral History Project beginning in 2012, along with an informational folder for the project. The zines date from 1992-2013 or are undated. The majority feature single-issues, in only a few instances are there duplicate copies of an issue. Topics include the politics of patriarchy, sexuality, being queer; gender issues; developmental issues for adolescents and youths identifying as queer or trans; transitioning; instruction for children and allies, including use of pronouns; and the history of the Transgender Oral History Project.

Lisa Garmon, longtime resident of Chapel Hill, NC, was a multi-issue activist, organizing for women's rights, LGBT/queer rights, Latin American rights, and a defender of the environment. Collection contains personal/professional correspondence, subject files, and audiocassette and videocassette tapes of Lisa Garmon, writings and other materials related to the publication of the feminist zine HA!, and a zine collection. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The Internationalist Books and Community Center Records include materials documenting the organization and operation of the organization, particularly through its Board of Directors; lists of members and volunteers who staffed or supported the bookstore; advertisements and flyers, often handmade, created by store staff for events, sales, and other activities; Internationalist newsletters and drafts; zines and other printed materials collected and distributed by the bookstore; clippings and media coverage about Bob Sheldon and the organization; and other miscellaneous materials. Many of the materials documenting the activities of the Board of Directors were created and collected by Kelly Wooten, a Board member in the early 2000s.

Bill Brown is a filmmaker, photographer, and zinester from Lubbock, Texas. His films explore the landscapes of North America, including the United States–Mexico border, North Dakota missile silos, and the Trans-Canada Highway, and have been exhibited at film festivals and museums around the world. He received a BFA from Harvard in 1992 and a MFA from CalArts in 1997. Brown is the author of a zine called Dream Whip as well as a novel on the underground in L.A., Saugus to the Sea. In January 2013, Bill Brown donated his personal collection of zines, comprising 186 titles and almost 250 issues in total. Although Brown never actively collected zines, he was always eager to barter and trade with other zine makers. The resulting collection includes zines spanning from the mid-1990s to the early 2000s. The zines are arranged alphabetically by title.

Debbie Stoller, Marcelle Karp, and Laurie Henzel began producing Bust, a third-wave feminist women's magazine, in New York, N.Y., in 1993 as a photocopied zine. It subsequently grew into a women's lifestyle magazine, published quarterly. This collection documents the behind-the-scenes work required to put together Bust. Materials include issue production binders; layouts and copy-editing material; biographies of contributors; article submissions; column material (Girls, Fashions, The Shit, etc.); photographs; advertisement documentation; correspondence (letter and email); press coverage of BUST; promotional material; material related to the publication and promotion of the book The Bust Guide to the New Girl Order; and a variety of graphic items. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Gertrude Duby Blom (1901-1993) was a Swiss-born photographer, journalist, anthropologist, and environmental activist. Collection comprises 71 black-and-white exhibit photographs featuring images taken by Gertrude Duby Blom between 1941 and 1979 in the highland jungles of Lacandón and other areas and towns in the state of Chiapas, Mexico. The images document the cultural and ecological environments inhabited by indigenous Maya, predominantly the Lacandones; there are also images of Latino immigrants to the region, chiefly lumber industry workers and their families, and other townspeople in San Cristobal. Scenes from camps and towns portray mealtimes, hunting and gathering expeditions, agricultural customs, religious ceremonies, folk Catholicism and its rituals, classrooms, medical clinics, and street scenes. Later images attest to the destruction of native ecosystems and the rapidly changing culture of the indigenous peoples. The matted gelatin silver prints vary in size from 11x14 to 22x22 inches; there is also one 26x26 inch matted print. The accompanying exhibit and project records contain correspondence, notes, publicity, and other materials (1983-2004) documenting the collaboration between Alex Harris, documentary photographer from the Center for Documentary Studies at Duke University, Gertrude Blom, and individuals in Mexico and the U.S., which resulted in a major exhibit, "People of the forest: photographs of the Maya by Getrude Blom," launched in 1984, and the publication of "Gertrude Blom: bearing witness" (1984). Includes a 2015 audio interview conducted by Alex Harris with Blom's collaborator Barry Norris, who printed the photographs in this collection. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection comprises 464 original 4x6 inch color snapshots, 23 13x19 inch color inkjet exhibit prints; roll negatives; and text panels for the exhibit, "Photographs by Iraqi Civilians, 2004." The images are a result of a project, "Iraq From Within," coordinated by the North Carolina-based Daylight Community Arts Foundation, which encouraged Iraqi civilians to document through photographs and captions a point of view unavailable to the foreign press. The original color snapshots, taken by men and women chiefly in Baghdad and Fallujah, show families at home and in their neighborhoods, various workplaces, and scenes of wartime destruction. Taken as a whole, the collection conveys the impacts on men, women, and children of the 2003 U.S. invasion and occupation of Iraq. Acquired as part of the Archive of Documentary Arts at Duke University.

This collection documents the work of Ann Baker, an abortion rights and LGBTQ+ activist. The bulk of this material pertains to Baker's work collecting, documenting and disseminating information relating to the anti-abortion movement in the 1980s-1990s, in particular her work tracking Operation Rescue and other militant anti-abortion organizations. Baker's papers contain periodicals and other publications, correspondence, photographs, clippings and audiovisual materials, which document the anti-abortion movement and the pro-abortion movement's responses. Baker was in contact with organizers, clinics, abortion providers, as well as national anti-abortion and pro-abortion organizations. In her later years, Baker worked as an advocate for equality under the law for same sex couples. A resident of New Jersey, she was active in state and federal politics, and was involved in many local and national organizations promoting access to abortion and equality for LGBTQ+ couples. Baker passed away in 2016. This collection includes graphic images of fetuses and babies. In some cases, the presence of such materials has been noted at the folder level; however, not every instance was identified.

Stephanie Reinhart (1944-2002) began working at the American Dance Festival in 1977 as the Director of Planning and Development and became Co-Director with Charles L. Reinhart in 1993. While on the board Stephanie traveled to many countries to view dance and lecture on American modern dance and arts administration, and in 1993 she was awarded a Fulbright research grant to study modern dance in Argentina.

Lionel Stevenson was James B. Duke Professor of English at Duke University from 1955-1971. This collection contains artwork, canadiana, clippings, correspondence, course material, diaries, financial records, manuscripts, photographs, and scrapbooks regarding the life and work of Lionel Stevenson. The material ranges in date from 1808-1989, bulk from 1911-1974.

The Harper Theater Dance Festival Records (1965-1979) presented Chicago audiences with more than a decade of annual performance seasons from a variety of celebrated dance companies. Originating in 1965 as the brainchild of Bruce and Judith Sagan, proprietors of a series of local, neighborhood newspapers in Chicago, the Festival also served as an important milestone in American modern dance as the pilot program for the National Endowment for the Arts Residency Touring program. Favorite performers included Merce Cunningham, Alwin Nikolais, Paul Taylor, José Limón, and Murray Louis. The collection includes financial records, production requirements, clippings, correspondence, posters, programs, tickets, photos, negatives, 35 mm slides, video and audio reels, and several small objects.

The Biographical Reference Collection contains files of clippings, publications, biographical sketches, curriculum vitae, and other materials about the activities of Duke University administration, faculty, staff, and alumni, as well as other people connected or associated with the University, including members of the Duke family. These files were compiled from a variety of sources by University Archives staff for use in reference and research. English.

James Karales was an American photojournalist on staff at Look magazine. Collection houses the archive of photojournalist James Karales, active from the 1950s to the 1980s. The majority of the images in the collection originated from his work for Look magazine during the 1960s. Major projects document Rendville, Ohio, a coal mining town and one of the first racially integrated towns in Appalachia; the Vietnam War; New York's Lower East Side; Oregon logging; and the 1960s Civil Rights movement, including photographs of Martin Luther King, Jr. There may be racially mixed persons appearing in the Rendville series. Smaller projects document California, New Mexico, the Andrea Doria disaster, and other subjects. Formats in the collection include contact sheets, which serve as a thumbnail guide to almost all of the prints and negatives in the collection; black-and-white proof prints and finished prints in a range of sizes; original negatives (closed to research use); and over 1100 color slides. There are also print and biographical materials, some correspondence, and audiovisual materials. Acquired as part of the Archive of Documentary Arts at Duke University.

Teacher; foundation administrator and consultant. Correspondence, speeches, writings, clippings, and pictures, all related to the life and career of Robert Lester. Correspondence and clippings cover every facet of his career: teacher and superintendent of schools in Mayfield, Ky.; service in the Army in World War I, library, teaching, and administrative positions at Columbia University; his involvement with Duke University and with major fundraising organizations such as the Carnegie Corporation, and the Council of Southern Universities, where he was director of the Southern Fellowship Fund. One volume of memoranda from the Southern Fellowship Fund includes a 1966 proposal for faculty development among predominantly Afro-american colleges and universities. Lester's addresses and speeches chiefly concern education, philanthropy, and library issues. Collection also includes papers relating to other Lester family members, and to Lester's Chapel in Shelby County, Alabama.

The Behind the Veil: Documenting African-American Life in the Jim Crow South project was undertaken by Duke University's Center for Documentary Studies from 1990-2005. Its goal was to record and preserve African American experiences in the American South from the 1890s to the 1950s. Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The collection comprises over 1200 oral history interviews with associated transcripts and administrative files, several thousand historic and contemporary photographs, and project records, which include paper and electronic administrative files and audiovisual recordings. Oral histories were conducted in 19 locations, chiefly in the South; topics represented in these recordings include childhood, religion, education, politics, celebrations and other events, family histories, work histories and military service, and details about segregation and the effects of racism in the South. Acquired as part of the John Hope Franklin Research Center for African American History and Culture at Duke University.

Thirty-four audio WAV files made from source digital audio tapes of interviews, primarily with participants in the Mississippi Freedom Project, from volunteers to organization leaders.