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Olive Pierce (1925-2016) was a documentary photographer based in Massachusetts and Maine. The collection comprises several hundred black-and-white photographic prints taken by Pierce over her long career. The earliest images (1960s) feature landscapes and individuals in Maine, a subject Pierce returned to throughout her life. Other subjects include: political protests in Cambridge, Massachusetts and life in the Jefferson Park neighborhood in Cambridge during the 1970s; high school students in Cambridge (1980s); the lives of Iraqi children in war zones in 1999 and 2003, and protests in the U.S. against that war. Also included are print publications featuring Pierce's photographs; publicity for exhibits and lectures; Pierce's 1987 guide to teaching photography; a video on DVD and audio lecture about her work; some correspondence; unpublished book mock-ups and a memoir/diary; a self-published illustrated partial memoir (2014); approximately 2557 film negatives; and about 40 slides featuring images of her early life and family. Acquired by the Archive of Documentary Arts at Duke University.

The British Patent Office was established in 1852 to analyze, approve, and record patent applications and patent rights. It operated as a division of the Department of Trade and Industry. In 2007 the name changed to the Intellectual Property Office. Collection consists of patent applications received by the British patent office between 1887 and 1904 which appear to have been removed from bound volumes such as "Patents for Inventions." Each application included an attestation from the applicant; a description of the design and function of the innovation; and usually a set of drawings for any mechanisms involved. The bulk of applications originated in Great Britain, but applications were also submitted by American, Australian, Belgian, French, German, and Swedish inventors. Applications address a range of advertising applications (direct mail, newspaper, outdoor, point of sale, postal stationery, retail, matchbooks and other specialty and novelty items, vending machines) that involve innovations relating to display boards and cases; lettering and typography; lighting and projected images; shop window fixtures; and sign construction. Inventors and patent clerks represented in the collection include Alfred Boult; Arnold Fraenkel; Elihu Thomson; Emanuel Spitzer; Frederick Rawson; Frederick Vine; John Frederick Marshall; Levi Yaggy; Richard Henry Brunton; and William Phillips Thompson. Several women inventors are also represented: Allison Bell Lennox; Emily Hand; Florence Chinnery; Josepha Schielle; and Sarah Jane Rollason. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History and the Kevin P. Reilly Sr. Outdoor Advertising Archives.

The J. Walter Thompson Company (JWT), founded in 1864, is one of the oldest and largest enduring advertising agencies in the United States. Edward G. Wilson was an executive with JWT from 1930 until his retirement in 1971, and held the positions of General Counsel, Executive Vice-President and Secretary of the Company. The Edward G. Wilson Papers span the period 1906-1991 and includes clippings, correspondence, inter-office memoranda, reports, writings, speeches and personal diaries that highlight Wilson's 40 year career (1930-1971) as an executive with the J. Walter Thompson Company (JWT). The bulk of materials fall between 1946 and 1971, and covers the period from Wilson's return to JWT following military service in World War II until his retirement. As General Counsel and head of JWT's Legal Department, Wilson oversaw contractual relations pertaining primarily to the sponsorship of radio and television programs for a number of clients--including DeBeers Consolidated Mines, Ltd., the Eastman Kodak Company, the Ford Motor Company, the Scott Paper Company and Unilever. The collection reveals JWT's relationships with radio and television personalities--such as Fred Allen and Edgar Bergen--and professional organizations including the Radio Writers Guild and the Television Writers of America. In addition, materials in the collection touch on the anti-communist movement and blacklisting within the U.S. entertainment industry of the 1950s--involving personalities such as Jean Muir and John Henry Faulk, among others. The collection also includes records from a number of JWT international offices, with heavier representation from offices in London; Bombay (Mumbai), India; and Johannesburg, South Africa, along with records kept by some of Wilson's predecessors, such as Donald Foote and Sam Meek, and the South African advertising executive and politician James Hamilton Russell.

Walter H. Smith donated this collection of Beat Literature. The majority relates to the career and life of Allen Ginsberg, a founding member of the Beat Generation. Other writers represented include Anne Waldman, Diane di Prima, and Anselm Hollo. Accessions (2009-0113) and (2009-0130) (200 items; 3.5 lin. ft.; dated 1959-2003) include books, compilations, journals, magazines, and other publications with works by and about Allen Ginsberg. Also included are posters and broadsides advertising events, readings, or publications by Ginsberg; many of these are signed. Accession (2010-0098) (25 items; 0.6 lin. ft.; dated 1950-2009) includes writings and some correspondence from Diane di Prima, Anselm Hollo, and Anne Waldman; also includes some Allen Ginsberg materials. Accession (2011-0045) (27 items; 1.5 lin. ft.; dated 1963-2007) includes pamphlets and publications by Gary Snyder.

The Washington Office on Latin America (WOLA) is an international human rights advocacy organization headquartered in Washington D.C. It partners with local organizations in Latin America and the Caribbean to raise awareness of human rights abuses in the region and to influence the foreign policy agenda of the United States government. The WOLA records span 1968-2023, with most materials dating from 1980-2009. Contains research and project files on nearly every country in Latin America, administration records, clippings, correspondence, printed material, audiovisual materials, and other assorted materials related to the work of WOLA. Major subjects include political and government issues such as coup d'etats, dictatorships, elections, human rights abuses, and policy; economic topics such as aid, development, labor and poverty; documentation and advocacy related to human rights cases such as violence, forced disappearances, and truth and reconciliation; security issues and police reform, including demilitarizing police, the School of Americas, and violence against women; drug policies; Hurricane Mitch; advocacy training for other NGOs and lobbying work; and various events and conferences in which these topics are discussed. Additional topics include the role and influence of the United States throughout Latin America by means of government and economic policy, military actions, and human rights work. Acquired by the Human Rights Archive.

Jack Faust Matlock was US Ambassador to the Soviet Union from 1987-1991. This collection includes materials from him and his wife, photographer Rebecca Matlock, dating largely from the 1940s through the mid-2010s. The bulk of items relates to their work for the US Foreign Service; they were officially stationed in Washington, Moscow, Prague, Accra, Dar es Salaam, and Zanzibar and traveled extensively throughout the world. Jack Matlock was a key figure in the Ronald Reagan administration and participated in almost every US-USSR summit from the 1970s until his retirement in 1991. Also present in the collection are diaries, writings, memoranda, reports, clippings, interviews, photographs, event files, audiovisual materials, and other documents regarding the Matlocks' career, travels, interests, family life, and scholarship.

Feminist and author. The Sallie Bingham Papers provide rich documentation of the personal life, literary development, and philanthropic activities of Sallie Bingham, feminist and writer. The papers, dated 1900-2011, with the bulk of the materials dating from the 1940s to 2011, are comprised of correspondence, speeches, writings, subject files, personal papers, diaries and notebooks, legal and financial papers, audiovisual recordings, and photographic media. Included also are some records of The Kentucky Foundation for Women, a philanthropic organization founded by Bingham; The American Voice, a literary journal founded by Bingham and published under the auspices of The Kentucky Foundation for Women; and Santa Fe Stages, a regional theater founded by Bingham. Arranged into the following series: Audiovisual Materials, Correspondence, Diaries and Notebooks, Kentucky Foundation for Women, Legal and Financial, Miscellaneous, Photographs, Poetry, Santa Fe Stages, Speeches, Subject Files, Writings, and Oversize Material, with the Writings, Diaries and Notebooks, and Correspondence Series composing the bulk of the collection. Multiple additions have been added since the collection was processed; these are represented at the end of this finding aid.

The Carolina Justice Policy Center (CJPC) was a nonprofit organization founded in 1975 under the name Prison and Jail Project in Durham, North Carolina, whose primary mission was criminal justice reform in North Carolina. The collection comprises CJPC's office files and records documenting its staff and activities over the span of four decades, as well as the work of other local, regional, and national organizations. The records include correspondence, including exchanges with inmates and attorneys; meeting agendas and minutes; operational files; court records and case files; research files; books, articles, reports, and clippings; some photographs; a few born-digital items; and analog audio recordings, films, and videos. Includes a group of materials on Velma Barfield, executed in 1984. Topics include criminal justice and sentencing reform; the death penalty; prison conditions and construction; juveniles and women in the court and prison systems; prison-related statistics; alternatives to incarceration; racial justice; violence prevention; and rehabilitative programs. Acquired as part of the Human Rights Archive at Duke University.