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The Salber Papers span the years 1937 to 1990, with the bulk of the papers dating from 1967 to 1990. The collection contains correspondence; financial papers; writings and speeches; clippings; photographs, many by Dominic D'Eustachio; reports; minutes; scrapbooks; training manuals; student papers; printed material; and lecture notes chiefly relating to Salber's publications, teaching career, and work as a community health physician. Publications highlighted include Caring and Curing(New York, N.Y., 1975) ; Don't Send Me Flowers When I'm Dead (Durham, N.C., 1983) , containing interviews with the rural elderly in Durham County, N.C.; and The Mind is Not the Heart(Durham, N.C., 1989) . Her work in the community health field is documented primarily in her writings, the papers about the Martha M. Eliot Family Health Center, and the Health Facilitator Program, which was administered through the Duke University Medical Center Department of Community and Family Medicine. Outgrowths of the Health Facilitator Program are featured in the information about the Health and Human Services Program of the General Baptist State Convention of North Carolina. Other topics include smoking research among young people, teacher and student relationships, and the financing of community health service projects. The collection contains few personal papers and little information about Salber prior to 1967. Explanatory notes by Salber scattered throughout the collection offer insights rarely available in manuscript collections.

The J. Walter Thompson Company. John F. Devine Papers span the years from 1952 to 1974 but primarily contain files from 1956 to 1970 documenting Devine's activities first as administrator of the Radio/Television Department (1954 to 1960) and then as a corporate executive in the New York office (1960 to 1970). As a whole, the collection provides a glimpse into media advertising operations during the period of transition from radio to television as the dominant medium for product-sponsored advertising and programming. In particular, the papers reveal Devine as an adept financial manager on the corporate level. As Department administrator, Devine was responsible for the development of television programming for specific clients, including Eastman Kodak Company (The Adventures of Ozzie and Harriet, Screen Directors Playhouse, and The Ed Sullivan Show), Ford Motor Company (Ford Theatre, Tennessee Ernie Ford, and Suspicion), Kraft Foods Company (Kraft Television Theatre), and Lever Brothers Company (The Lux Show Starring Rosemary Clooney and Lux Video Theatre), among others. Correspondence, memoranda, and reports indicate the rapid acceptance of television as the primary advertising medium and the concurrent development of specialized departments within JWT to serve the expanding needs of clients. The importance of market research to define product consumption patterns and to refine client advertising promotions is illustrated in research requests, correspondence, memoranda, and reports. The inception and growth of organized labor groups, including the American Federation of Musicians (AFM), American Federation of Radio and Television Artists (AFTRA), American Society of Composers, Authors, and Publishers (ASCAP), Screen Actors Guild (SAG), and Writers Guild of America (WGA), are also delineated in correspondence, memoranda, and reports. In addition to his employment at JWT, Devine was an advertising industry representative to negotiations between television networks and organized labor groups during the period from 1956 to 1960.

The papers of Colin Dawkins, a former Vice President of the J. Walter Thompson (JWT) advertising agency, span the years 1776 to 1986 with the bulk of the papers being dated between 1920 and 1981. The collection consists of Dawkins's research files, gathered for a proposed book on the history of the advertising business as it paralleled and was influenced by the growth and international development of JWT. These files contain correspondence, printed materials (including JWT newsletters), articles, clippings, speeches, writings, advertisements, reports, oral interview transcripts and cassette tapes. Clients represented in this collection include primarily the Ford Motor Company but also Kraft, Chesebrough-Ponds, Pan American, and Lever Brothers, and JWT executives represented include James Walter Thompson, Stanley Resor, Howard Kohl, Sam Meek, Helen Lansdowne Resor, Edward G. Wilson, Shirley Woodell, James Webb Young, and Dan Seymour. Much of the collection duplicates material found elsewhere in the extensive J. Walter Thompson Company Archives and many items are photocopies; however, the collection does contain unique material specifically in the Oral Interview Series and items thoughout the collection which Colin Dawkins collected.

Shuford's papers consist of 89 boxes of correspondence, reports, speeches, and memoranda from his office in Washington, 1952-1959. The collection is divided into four main categories according to the filing system used in the Congressman's office. Subjects, persons, and places appear throughout all categories.

The Gene Federico Papers span the years 1918-2003, with the bulk of the collection dating 1951-1991. The collection documents Federico's sixty years as a pioneering leader in advertising and graphic design, and contains materials from a variety of formats, including correspondence, writings, advertisements proofs and clippings, graphic design and printed materials, posters, sketches/sketchbooks, photographs, negatives, and videotapes. In addition to limited personal and biographical material, the collection primarily documents Federico's creative output as a graphic designer, art director, and advertising executive at agencies including Grey Advertising, Doyle Dane Bernbach, Douglas D. Simon, Benton & Bowles, Warwick & Legler, and as a principal at Lord Geller Federico Einstein; the collection has limited material relating to the specific agencies for which he worked. The collection also documents Federico's extensive freelance and exhibition work throughout his career (most notably the "Love of Apples" and "24-Page Book" designs), in addition to his later consulting work for Brouillard Communications. Client advertisements and graphic design materials compose the majority of the collection. Significant clients represented include: Christian Dior; Elektra Records; Elizabeth Arden; Goldman Sachs; IBM; L'Aiglon Apparel; Lady Pepperell; Napier; The New Yorker; and Woman's Day. Though an art director throughout most of his career, Federico contributed significantly to the graphic design and typographical components of advertising. Through clear and innovative integration of design and typographical components, Federico pioneered the use of visual puns in advertisements, and emphasized clarity of message over design complexity. The collection will be of particular value to researchers interested in developments in print advertising and typographical design since World War II. The collection is organized into six series which focus on Federico's contributions to advertising and graphic design: Professional Files, Personal Files, Graphic Design, Advertising Campaigns, Photographs and Negatives, and Videocassettes.

The United States Commission on Civil Rights North Carolina Advisory Committee Papers span the years 1949 to 1962, but fall chiefly in the period 1957 to 1962. They consist largely of correspondence, but also include reports, drafts of reports, minutes of meetings, and completed survey forms. Statistical charts and maps, transcripts of telephone interviews, signed affidavits, printed material which includes reports of other organizations, articles, brochures, and press releases, mailing lists, notes, and clippings are also included. The collection documents methods of data collection for social research that is directed to governmental policy change. The research particularly focuses on racial discrimination against and the civil rights of African Americans, and to a lesser extent Native Americans, in North Carolina. Most of the correspondence was generated from the office of Chairman McNeill Smith, and the collection therefore does not represent the work of other Committee members, except for their communications with Smith.

The Southeast Women's Employment Coalition Records (SWEC) span the period 1868 to 1991 with the bulk dating from 1981 to 1990. The multiracial, regional organization was founded chiefly to expand employment opportunities for women in the rural South. Correspondence, financial records, reports, printed material, personnel files, photographs, audiovisual material, writings, meeting minutes, and conference papers comprise the majority of the collection. Well documented are the Southeast Women's Employment Coalition's efforts: to provide leadership training for women; to encourage women to apply for nontraditional jobs, for example through its Women's Opportunity in Road Construction (WORC) Project; to promote women's employment in the tourism industry; to evaluate economic, social and political trends affecting women in the South such as child care, comparable worth, and nontraditional jobs for women; and to establish ties with other organizations seeking to improve women's economic status. Administrative concerns relating to the Southeast Women's Employment Coalition, including personnel, financial, and organizational issues are also well described. Represented extensively are their efforts to raise money from private foundations and businesses. Organizations highlighted in the collection include Public Affairs Research and Communications, Inc. and the Women's Technical Assistance Project. In general, information concerning these topics and organizations is scattered throughout the collection.

The Directory of Academic Administration Reference Collection contains campus directories for the administrative, departmental, and professional schools of Duke University from 1958-1998. These directories include listings for: University Administration; Arts and Science; Trinity College; School of Engineering; Divinity School; School of the Environment; Fuqua School of Business; and School of Law.

The papers of Peter Gilow, former advertising executive of the J. Walter Thompson Company, span the years 1960 to 1978, with the bulk of the material dating from 1962 to 1977. The papers document the development of the J. Walter Thompson Company's Frankfurt Office (J. Walter Thompson GmbH). Specifically covered are the developments in and transformation of German advertising since the end of World War II in television, radio, and print, the emergence of a European Market, attempts to coordinate efforts among all JWT European offices, and the establishment of public service advertising and organizations that represent advertising agencies in Germany. The papers consist of correspondence, telexes, memoranda, notes, reports, charts, scripts, clippings, and printed materials. Clients of the company represented in the collection include Brinkmann, Burger King, DeBeers, Dunlop, Findus, Ford, Intercontinental Hotels Corp., Kraft, Kellogg, Lever-Sunlicht, Maggi, Nestle, Pan American Airways, Warner-Lambert, and others. Correspondents include clients and executives from other JWT offices such as David Campbell-Harris, Constance B. Ivie, Don Johnston, Denis Lanigan, Jens von Leutzendorff, René Müller, Dan Seymour, Alex Späth, Thomas Sutton, Neil Walker, and Edward G. Wilson. Other correspondents are affiliated with Benton and Bowles, Franz Burda, Deltakos Division, GWA, Harbridge House Europe, Hax-Arbeitskreis, Heumann Werbegesellschaft, Managers' Meeting, Marketing Club, and Young and Rubicam. Approximately half of the collection is in English and the remainder is in German. The German language predominates in the Correspondence Series, the Organizations Series, the Memoranda Series, and the Account Poll Series; however, the English language predominates in the Other JWT Offices Series, the Meetings Series, the Annual Management Series, and the Manager's Monthly Assessment Series.