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Douglas M. Knight, born in 1921, served as president of Duke University from 1963 to 1969. Knight was educated at Yale and served as president of Lawrence University prior to becoming president of Duke. After leaving Duke in 1969, he worked as an industry executive at several firms. Records include correspondence, memoranda, proposals, surveys, reports, writings and speeches, minutes, audio-visual media, honorary citations, clippings, and printed matter. Major subjects include the administration of Duke University, the planning of a new art museum, university development, Duke's Fifth Decade Campaign and fundraising, the Duke Board of Trustees, Knight's inauguration, the School of Engineering, the School of Law, the School of Forestry, the Graduate School of Business, student protest, African-American students at Duke, the takeover of the Allen Building by members of the Afro-American Society, and student rights. Major correspondents include R. Taylor Cole, E.R. Latty, Lath Meriam, Mary Duke Biddle Trent Semans, R. Philip Hanes, Nancy Hanks, R. Patrick Ransom, George V. Allen, Charles B. Wade, Henry Rauch, Edwin L. Jones, Wright Tisdale, Les Brown, Ellen Huckabee Gobbel, Mark Pinsky, Graddon Rowlands, and Floyd B. McKissick.

Braxton Craven (1822-1882) served as an administrator and educator during the nineteenth century evolution of Trinity College (Randolph County, N.C.). Craven was Principal of Union Institute (1842-1851), President of Normal College (1851-1859), and President of Trinity College (1859-1863, 1866-1882). In addition, Craven actively participated in the Methodist Episcopal Church, South and the Order of the Masons in North Carolina. Collection includes correspondence, sermons and addresses, diaries, legal and financial papers, teaching materials, subject files, and photographs and portraits of Braxton Craven. Correspondents include John Wesley Alspaugh, Charles Force Deems, David Lowry Swain, David Settle Reid, Henry Toole Clark, and Calvin H. Wiley. Subjects include the Methodist Episcopal Church, college financial affairs, and the activities of the Trinity Guard, a unit of student-soldiers that Craven formed during the Civil War. English.

Collection consists of 19th century albumen photographs taken by commercial photographer Samuel Bourne and other partners as they traveled to sites in modern-day India, Bangladesh, Pakistan, and Burma. Of the 646 prints in the collection, 200 are mounted in three large bound commercial photograph albums, while the remaining 446 are single, loose prints; all were published by the firm Bourne & Shepherd. The majority of the prints range in size from roughly 6x9 to 10x12 inches. Subjects include the vast landscapes of nothern India; landmarks such as temples, rivers and canals, monuments, mountain hostels, and European-built cathedrals and civic structures; rural scenes from villages and tea plantations; and scenes from the cities of Delhi, Bombay (Mumbai), and Calcutta (Kolkata). There are also several dozen ethnic portraits of native inhabitants and group portraits of English officials and Indian counterparts. A number of images have been attributed to Bourne's partners Charles Shepherd and Colin Murray.

The photographs of Cedric N. Chatterley span the years 1983-2013, and were created throughout his career as a documentary photographer, beginning with his MFA thesis project on religious experience in the U.S. The photographs are primarily black-and-white prints ranging in size from 8x10 to 18x24 inches. The most prominent themes in Chatterley's work are labor, community, and religious expression. He has photographed chicken slaughterhouse workers in Maine; Cambodian immigrants in North Carolina; David "Honeyboy" Edwards and other Southern blues musicians in Mississippi and on tour; a substance abusers' rehabilitation community in Durham, N.C.; tornado survivors in South Dakota; an abandoned religious theme park in Connecticut; and sheep rancher Judith Fae "Pachy" Burns in Montana. Some of his documentary work also includes oral history interviews. There are also several recordings of interviews with Chatterley, where he speaks about his work as a documentary photographer, and a book by Barbara Lau containing his photographs of Cambodian immigrants. Acquired as part of the Archive of Documentary Arts at Duke University.

Outdoor advertising firm founded as Naegele Outdoor Advertising in 1935 in Minneapolis, Minn. Renamed Fairway Outdoor 1991 and currently headquartered in Duncan, S.C. Includes billboard, painted display and poster designs, slides, photographs, printed materials and VHS videocassettes that document billboard locations, work in progress, corporate events, hurricane and storm damage and other aspects of the outdoor advertising industry. Many poster designs depict advertising for local North Carolina businesses. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The JWT 35mm Microfilm Proofs collection spans the years 1906-1960 and consists primarily of images of print advertisements and proofs taken from proof books and portfolios of domestic and foreign JWT offices. Clients include Ballantine's, B.F. Goodrich, Butterick, Corning, Crowell Publishing, Davey Tree Surgeons, General Cigar, General Motors, Guinness, Horlicks, J.B. Williams, Jergens, Johns-Manville, Nash, Northam Warren, Pennsylvania RR, RCA, Sharp & Dohme, Shell, Standard Brands, Sun Maid, Swift, Sylvania, United Airlines, Ward Baking, and Welch's Grape Juice. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Allan Troxler (1947-2025) was an artist, author, and dance instructor from Durham, N.C. Troxler's collection consists of his artwork, family history, and writings, as well as the archives of his lifelong partner, Carl Wittman. Carl Wittman's archives include his diaries, letters, and writings on civil rights and gay liberation. The collection also contains materials documenting the Durham (N.C.) arts scene, English country dance, AIDS in the gay community, and Troxler's collection of materials from Catherine Nicholson.

The J. Walter Thompson Company (JWT), founded in 1864, is one of the oldest and largest enduring advertising agencies in the world. It opened its first international office in London in 1899, and by 1930 the agency had established offices in some 30 countries. At present, JWT manages offices or partnership arrangements in approximately 90 countries. The J. Walter Thompson Company (JWT) International Advertisements Collection spans the years 1900-2004 and consists primarily of print advertisements, along with some transparencies, photocopies of advertising, and other collateral material that document some of JWT's international advertising campaigns through the 20th century. Clients include a variety of local, national and multinational commercial firms, as well as government institutions and public service organizations. The holdings of the collection are uneven, with the bulk of the advertisements dating from the mid-1960s up to about 1990. There are limited early advertisements from Chesebrough-Pond's, General Motors, and other clients dating from the late 1920s and early 1930s in print and on microfilm from the various offices established during those years. There are almost no international advertisements from roughly 1933 to the middle of the 1950s. The United Kingdom, the British Commonwealth countries, and Latin America account for most of the advertisements from the mid-1950s to the late 1970s. While the holdings since about 1980 are much larger than earlier holdings, they are by no means complete, and vary substantially from office to office. Key multinational clients represented in the collection include Chesebrough-Pond's, Eastman Kodak, Ford, General Motors, Kraft, IBM, Pepsi, R.J. Reynolds, and Unilever. English translations of foreign-language advertisements are often provided by JWT's Asian and Pacific Offices. European and Latin American Offices provided translations far less frequently. Advertisements for members of the British Commonwealth are generally available in English only or in both English and the local language. Spanish-language advertisements produced by JWT offices in the United States, intended for the domestic Spanish-speaking population as well as for Latin America, may be found in the J. Walter Thompson Company Domestic Advertisements Collection.

The American Association of Advertising Agencies, founded in 1917, is the primary advertising industry trade organization. Collection includes correspondence, annual corporate and stockholder reports for member agencies, meeting minutes and speeches, biographical summaries, a subject file, and videotapes that document selected activities and functions of the organization. The collection has been compiled from a number of accessions received over time, and so does not represent a comprehensive archive of the AAAA. Certain aspects of AAAA activities, however, are well represented, including a set of card files that document the professional careers of AAAA members over a 50-year period, and subject files that focus on Federal Trade Commission (FTC), Federal Communications Commission (FCC) and the Food and Drug Administration (FDA) investigations into complaints lodged against advertisers and advertising claims produced in a variety of media, with a particular emphasis on the ways that products were advertised during and in conjunction with children's television programming. Other topics touched on include advertising self-regulation, antitrust issues, advertising laws, and deceptive and ethical practices in marketing and advertising. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Reproductive Health Ephemera Collection consists of pamphlets, flyers, brochures, booklets, bumper stickers and other items that document the work of organizations concerned with women's reproductive health and reproductive rights, largely in the United States and United Kingdom, from early birth control efforts by Margaret Sanger through mid-century abortion-rights groups like NARAL and Planned Parenthood. Collection contains items from both pro-choice and pro-life organizations. Also includes advertisements and information about products related to birth control, family planning, and ideas of vaginal hygiene (such as diaphragms, suppositories, and douching products). Acquired as part of the Sallie Bingham Center for Women's History and Culture, the History of Medicine Collections, and the John W. Hartman Center for Sales, Advertising & Marketing History.