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The Gene Federico Papers span the years 1918-2003, with the bulk of the collection dating 1951-1991. The collection documents Federico's sixty years as a pioneering leader in advertising and graphic design, and contains materials from a variety of formats, including correspondence, writings, advertisements proofs and clippings, graphic design and printed materials, posters, sketches/sketchbooks, photographs, negatives, and videotapes. In addition to limited personal and biographical material, the collection primarily documents Federico's creative output as a graphic designer, art director, and advertising executive at agencies including Grey Advertising, Doyle Dane Bernbach, Douglas D. Simon, Benton & Bowles, Warwick & Legler, and as a principal at Lord Geller Federico Einstein; the collection has limited material relating to the specific agencies for which he worked. The collection also documents Federico's extensive freelance and exhibition work throughout his career (most notably the "Love of Apples" and "24-Page Book" designs), in addition to his later consulting work for Brouillard Communications. Client advertisements and graphic design materials compose the majority of the collection. Significant clients represented include: Christian Dior; Elektra Records; Elizabeth Arden; Goldman Sachs; IBM; L'Aiglon Apparel; Lady Pepperell; Napier; The New Yorker; and Woman's Day. Though an art director throughout most of his career, Federico contributed significantly to the graphic design and typographical components of advertising. Through clear and innovative integration of design and typographical components, Federico pioneered the use of visual puns in advertisements, and emphasized clarity of message over design complexity. The collection will be of particular value to researchers interested in developments in print advertising and typographical design since World War II. The collection is organized into six series which focus on Federico's contributions to advertising and graphic design: Professional Files, Personal Files, Graphic Design, Advertising Campaigns, Photographs and Negatives, and Videocassettes.

The papers of Benjamin Franklin Fisher IV, an American literature scholar, editor, and teacher, span the years 1963 to 2001, with the bulk dated from 1963 to 2001. The Fisher Papers consist of correspondence and printed materials that primarily document Fisher's and his Duke University advisors' educational and career trajectories. These materials also provide insight into various scholars' recent contributions to Poe studies, as well as information on the general activities of, and Fisher's leadership roles in, several of the professional organizations of which Fisher was a member. These organizations especially include those devoted to the study of Edgar Allan Poe.

The papers of the lawyer and educator William Righter Fisher and the journalist Mary Wager Fisher consist primarily of correspondence, but also include photographs (several of them tintypes and cartes-de-visite), financial papers, diaries, clippings, printed material, and writings and speeches. Among correspondents are many journalists, physicians, educators, and other notable figures of the late nineteenth century including Lucy Abbott, Mercy Baker, Jennie Chapin, Mary L. Booth, W.S. Burke, James Gowdy Clark, M.E. Dodge, Weston Flint, P. Girard, S. D. Harris, Albert Leffingwell, Henry C. Olney, W. Trickett, George Boyer Vashon, and Frank J. Webb. The collection also includes letters from James B. Hazelton of the First Regiment, New York Artillery. Hazelton's letters describe battles and political events of the Civil War, including Lincoln's re-election campaign and the anti-draft riots. The papers are particularly rich in documentation of women in medicine and women's medical education in the second half of the nineteenth century; the Freedmen's schools in the Reconstruction South; the movement for women's rights; and friendship among American women in the late Victorian era.