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Frank Baker (1910-1999) was a faculty member at Duke University in history, an expert on Wesleyan Methodism, and a rare book and manuscripts collector. The Frank Baker Collection of Wesleyana and British Methodism, 1536-1996 and undated, comprises correspondence, writings, local histories, printed items, engravings, and many other manuscript materials that date from the earliest years of Methodism to its worldwide expansion up to the 20th century. The collection includes the correspondence of two of the most important founders of Methodism, John and Charles Wesley, as well as correspondence from members of the Wesley family. Collection also includes correspondence from many of the key figures in 18th and 19th century history of British Methodism: Joseph Benson, Jabez Bunting, Adam Clarke, Thomas Coke, James Everett, John Fletcher, Mary (Bosanquet) Fletcher, Selina Hastings, Countess of Huntingdon, Elizabeth (Ritchie) Mortimer, George Osborn, Hester Ann Rogers, Richard Tabraham, and Thomas Wride. Other materials include church records and registers, account books, autograph albums, broadsides (notices), circular letters, engravings, maps, sermons, scrapbooks, photographs, and memorabilia. Topics covered by the materials include the life and training of Methodist clergy; the religious life of women; biography and portraiture of Methodists; spirituality; Protestantism in art; and the debate between Arminianism and Calvinism in the early church. Organizational history in the collection covers several branches of the 18th and 19th century church, including Wesleyan Methodism, Primitive Methodism, missions, and missionary societies.

Collection contains personal and professional papers of Claudia Horwitz, a Chapel Hill spiritual activist, author, and founder of Stone Circles.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936. Collection includes: black-and-white and color photographic prints; contact sheets; cartoons and line art; graphic designs; magazine page layout art and designs; posters; slides; and other visual materials. Images depict products and product testing methods photographed for inclusion in Consumer Reports' magazines and other consumer education and protection publications; office, library and testing facilities in Mt. Vernon and Yonkers, N.Y.; staff and Board of Directors members; and corporate events. Posters include Consumer Reports anniversary events; speaking engagements; and post-World War II consumer advocacy messages from organizations in England and India. Cartoonists and illustrators represented include Art Glazer, Bob Bugg, Bob Engelhart, Gary Larson, Joseph Farris, Joseph Mirachi, Marty Norman, Richard Guindon, Roy Doty, and Tom Bloom. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

In response to Robin Morgan's book, Sisterhood is Global, the Sisterhood is Global Institute was founded in 1984 with Karen Berry as its first director. Its purpose was to mobilize international support on women's rights issues and educate various communities around the world on women's rights and human rights issues. The records of the Sisterhood is Global Institute (SIGI) span the years from 1965 to 2005, with the bulk of the material ranging from 1980 to 2002. Materials such as correspondence, administrative files, publications drafts, manuals, newsletters, flyers, photographs, videos, and sound recordings provide a record of the work and the organizational structure of SIGI from its inception to its present activities at the beginning of the 21st century. The documents in the collection illustrate SIGI's efforts to discuss, debate, and act on a variety of women's issues around the world, including voting rights and political representation; reproductive rights; violence against women; education for women; and the socio-economic status of women.

Melanie Morrison is an author, speaker, pastor, social justice educator, and lesbian feminist anti-racist activist. The Melanie Morrison papers reflect her ministerial career as well as the life and works of her mother Eleanor Shelton Morrison and the non-profit they co-created, the Leaven Center, which offers social justice workshops and retreats. The collection contains correspondence, writings, research/reference materials, photographs, and other documents related to the careers of the two women and the activities and organization of the Leaven Center. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

New York-based advertising agency formed in 1985 by the merger of the Benton & Bowles and D'Arcy-MacManus and Masius advertising agencies. In 2002 the agency closed upon acquisition by French company Publicis. Collection includes memoranda; correspondence; reports; corporate publications; marketing research reports; manuals; employee reference material; press releases; a press book; speeches; clippings; photographs and negatives in color and black-and-white; films, video and sound recordings, and DVDs; book manuscripts; financial papers; and a scrapbook. The collection documents the history of Benton & Bowles advertising; the merger of the D'Arcy MacManus Masius and Benton & Bowles companies; the early careers of William Benton and Atherton W. Hobler; employee training, recruitment, and management; corporate publications; and marketing research. Clients represented include the Procter & Gamble Company, General Foods Corporation, Allied Chemical Corporation, Avco Corporation, Colgate Palmolive Co., Florida Citrus Commission, International Business Machines Corporation, and West Point Pepperell. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Center for Multicultural Affairs began as the Office of Black Affairs in 1969 to address the needs of the African American student population at Duke University. As the Center for Multicultural Affairs, the department's mission is to foster a welcoming environment, support all students in becoming engaged members of the Duke community, and to promote community engagement. The collection contains a variety of administrative materials, including reports, correspondence, minutes and programs, documenting the directives and activities of the Office of Black Affairs, the Office of Minority Affairs, the Office of Intercultural Affairs, and the Center for Multicultural Affairs. Also included are materials pertaining to the Summer Transitional Program, which was established in 1969 and managed by the Office of Minority Affairs.

Media Services (also referred to as Duke Studios) provided broadcast quality media production services to all parts of the Duke University community. Its services included video and audio production and post-production (including event documentation), project design, production equipment rentals, tape duplication, custom CDs and DVDs, and computer graphics and animation. Collection includes audio and video recordings of campus events, programming produced for various university offices and departments, and musical recordings. Campus events include basketball, football, the inaugurations of presidents Richard Brodhead, Keith Brodie, and Nannerl Keohane, dedication of the Doris Duke Memorial, the retirement and funeral of Terry Sanford, events related to September 11, 2001, a remembrance of Benjamin N. Duke, and commencement ceremonies. Authors, scholars, and other notable people represented include John Hope Franklin, Jesse Jackson, Reynolds Price, Ronald Reagan, Elie Wiesel, Billy Graham, C. D. Wright, Gerald Barrax, Elizabeth Cox, Tim McLaurin, Eric Meyers, Orrin Pilkey, and Alex Roland. Musical recordings include the Duke University Concert Band, Dan Locklair, and 1980s rock band the X-Teens.

Edwin L. and Terry A. Murray, brothers residing in Durham, North Carolina, have been collectors of comic books and other pulp culture for forty years. Collection includes role-playing game boxed sets, miniatures, card sets, role-play game magazines and literature, campaign guides, modules, and rule books.

North Carolinians Against Racist and Religious Violence (NCARRV) was an activist group based in Durham, NC from 1983-1997 that worked to document hate crimes and hate groups including white supremacists, assist victims, raise awareness, and influence public policy across the state, and these records document their work. Collection includes founding documents, bylaws, meeting files, board meeting documents, photographs, audiovisual materials, administrative materials, grants and grant applications, incident reports, publications, subject and extensive newspaper clippings on racist violence and white supremacy movements in North Carolina.

The collection consists of one expense account book kept by a shopkeeper in or near Port Deposit, Cecil County, Maryland. Chronological entries from March 1850 to February 1863 record the date, description, and amount for each personal and business expenditure of the shopkeeper, who appears to have sold medicine and paint. Business related entries include freight bills, license fees, corporation taxes, payments for services performed at the shop, expenses in Baltimore and Philadelphia, regular purchases from wholesale druggists such as Canby & Hatch and Wilson & Merritt, and frequent checks drawn on Cecil Bank. Other firms frequently mentioned include Hugh Bolton & Co., Geo. D. Wetherill & Co., and Clark & Jones. Also listed are purchases of food including flour, butter, potatoes, apples, peaches, chicken, beef, mackerel, and brandy; purchases of non-food items including wood, seeds, matches, candles, books, and journals; expenses for his wife and children; payments for services performed at the house; and contributions to the Colonization Society, missionary organizations, the local Methodist church, and Reverend Henry Colelazer. In addition to the itemized entries, the account book contains two tabular sections that together record the daily total for nearly every week from March 18, 1850, to August 10, 1863. Overall, 122 filled and 5 partially used manuscript pages reflect the life of an educated and civic-minded rural shopkeeper in Maryland during the mid-1800s.

The Full Frame Documentary Film Festival is the largest film festival in the United States entirely devoted to documentary film. Originally the DoubleTake Documentary Film Festival, it is an international event dedicated to the theatrical exhibition of non-fiction cinema, held annually since 1998 in downtown Durham, North Carolina. Typically, more than 100 films are screened, along with discussions, panels, and workshops fostering conversation between filmmakers, film professionals and the public. The Full Frame Archive was created in 2007, as a partnership between Duke University and Full Frame. The Full Frame Archive Film Collection comprises preservation masters of documentary films that won awards at the Full Frame Film Festival between 1998 and 2012. Formats include 35mm film, 16mm film, Digital Betacam cassette, HDCAM cassette, Betacam SP cassette, and DVD. In addition, there is a complete set of festival program books. The films vary widely in topic and style, with a predominant emphasis on human rights issues; all of the films deal with social issues in one way or another. The collection is organized chronologically, by festival year, and acquisitions are ongoing.

The University Archives Web Archives Collection was compiled by University Archives staff beginning in 2010. The majority of the collection are Duke University-affiliated sites, either built on domains owned by the University or on external platforms by affiliated offices, departments, or organizations. Website snapshots include those of administrative offices, academic departments, athletic teams, public relations offices, publications, and student organizations. Also included are some websites related to individual faculty, controversies involving Duke community members, and web content related to student activism.

As of 2005, the Nicholas School of the Environment and Earth Sciences at Duke University offers two master's degree programs: Master of Environmental Management (MEM) and Master of Forestry (MF). Both degree programs require students complete a master's project that presents an in-depth or quantitative analysis of a problem related to the students' particular focus area. Collection contains printed, bound master's projects. Materials range in date 1933-2005. Master's Projects for 2005 are held in the Nicholas School office. English.

Robert L. Lawrence (1919-2004) was an American film and television producer during the second half of the twentieth century. He was primarily based in New York City with offices and studios in Hollywood, Toronto, and Paris. Collection includes correspondence, memos, press releases, newspaper and magazine clippings, legal agreements, financial documents and statements, scripts, production documentation, audiovisual material (audio and film reels, videocassettes), black-and-white and color photographs and slides, and other materials that document Lawrence's career as a producer in the American, Canadian, and international motion picture and television industries. Papers include Lawrence's work on documentaries, newsreels, commercials, animated films, and domestic and international motion films. Included are materials related to Lawrence's direct marketing concept called Cable Catalogue and his foray into the food industry with La Vie Products, Inc., a company created for the manufacture and distribution of sourdough bread and other foodstuff. Collection documents Lawrence's education at the United States Military Academy at West Point and military service in the Fifth Army during World War II, as well as his service to the Directors Guild of America as chair of several committees, West Point Assembly of Graduates, and West Point Society of New York. Companies and individuals represented include RKO Pathé (a division of RKO Pictures), Jerry Fairbanks Productions, National Association of Investment Companies, Marvel, Stan Lee, Jim Henson, and Frederick, I. Ordway. Advertising agencies represented include D'Arcy Advertising Company, Foote, Cone & Belding, Inc, Campbell-Ewald, Young & Rubicam, Batton, Barton, Durstine & Osborn, Inc. Other companies represented include General Electric, RCA Records, General Motors, General Foods Corporation, Colgate-Palmolive-Peat, Noxzema, Revlon, Inc. and Clairol. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Center for Documentary Studies at Duke University teaches, engages in, and presents documentary work grounded in collaborative partnerships and extended fieldwork that uses photography, film/video, audio, and narrative writing to capture and convey contemporary memory, life, and culture. The collection includes work created by students enrolled in documentary studies courses at Duke University in Durham, North Carolina, and the University of North Carolina at Chapel Hill (UNC), sponsored by the Center for Documentary Studies at Duke. Acquired as part of the Archive of Documentary Arts at Duke University.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States.

Founded in 1864, the J. Walter Thompson Company (JWT) was one of the oldest and largest advertising agencies in the United States. It was headquartered in New York. In 2023 the agency was absorbed into marketing and communications firm VML. The Chicago Office opened in 1891 and closed in 2009; its Information Center served as a corporate library and center for reference information. Collection consists of clippings obtained from a selection of regional and nationally distributed magazines and newspapers, representing print advertising campaigns of JWT client's competitors. Major product categories include air and railroad travel; car rentals; food; hotels and resorts; household appliances and furnishings; toiletries; tourism; and transportation services. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Reverend Dr. J. Alfred Smith, Sr. is a Black minister who served as Senior Pastor at Allen Temple Baptist Church in Oakland, CA for several decades. He also taught for many years at the American Baptist Seminary of the West (now Berkeley School of Theology). This collection contains recorded and written sermons, teaching materials, event files, and other papers that document Smith's pastoral and teaching career. Materials in the collection document Smith's work to bridge denominational, ethnic, racial, and socioeconomic divides in California and throughout the United States. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Approximately 2000 individual zines and nearly 800 titles, most self-published by women and girls 1985-2000. Most were produced in the United States, a few come from Canada and other countries. In-house database with subject access available. Subjects include feminism, riot grrrl, body image and consciousness, sexual abuse, music, mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, and erotica. The collection includes four audiocassette tapes and one VHS tape. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Superintendent of schools in Anderson, S.C.; author. The collection contains largely correspondence concerning the publication of McCants' writings.

Richard Feldman is a self-described amateur historian of the NSDAP/AO and other American neo-Nazi groups. This collection consists of printed extremist literature he acquired in the late 1990s and early 2000s, largely produced by American Nazi groups, right-wing white supremacists, and Christian nationalist publishers. The collection's content is largely anti-Semitic, racist, Christian nationalist, and pro-Nazi, dating from the 1970s through the late 1990s. Some exceptions include a small number of pamphlets printed by the Revolutionary Communist Party or Nation of Islam-affiliated groups. Acquired as part of the Human Rights Archive (Duke University).

Elbert Russell served as a Quaker historian, author, minister, and Dean of the Divinity School at Duke University from 1928 until 1941. Personal and professional papers contain correspondence, manuscript materials, sermons, articles and short writings, and clippings. Major subjects include Duke University Divinity School, study and teaching of the Bible, history of Quakerism, study and teaching of Quakerism, fellowship, study and teaching of pacifism, and sermons. Materials range in date from 1893-1968. English.

The Washington Office on Latin America (WOLA) is an international human rights advocacy organization headquartered in Washington D.C. It partners with local organizations in Latin America and the Caribbean to raise awareness of human rights abuses in the region and to influence the foreign policy agenda of the United States government. The WOLA records span 1968-2023, with most materials dating from 1980-2009. Contains research and project files on nearly every country in Latin America, administration records, clippings, correspondence, printed material, audiovisual materials, and other assorted materials related to the work of WOLA. Major subjects include political and government issues such as coup d'etats, dictatorships, elections, human rights abuses, and policy; economic topics such as aid, development, labor and poverty; documentation and advocacy related to human rights cases such as violence, forced disappearances, and truth and reconciliation; security issues and police reform, including demilitarizing police, the School of Americas, and violence against women; drug policies; Hurricane Mitch; advocacy training for other NGOs and lobbying work; and various events and conferences in which these topics are discussed. Additional topics include the role and influence of the United States throughout Latin America by means of government and economic policy, military actions, and human rights work. Acquired by the Human Rights Archive.

The Triangle Universities Nuclear Laboratory (TUNL) is a collaborative laboratory operated on the campus of Duke University. The Triangle Universities Nuclear Laboratory records include progress reports and archived websites.

The Tobacco Collection contains material assembled by library staff related to the manufacturing, sale, and use of tobacco in the United States, particularly in North Carolina and Virginia. There are also items referring to tobacco cultivation and processing. Printed advertising predominates, but the contents also include items that are not paper products. Typical paper-based items include cigarette and cigar advertising trade cards of W. Duke, Sons & Co., Lorillard, Liggett and Myers, John Player and Sons, and various other American and British companies; tobacco advertisements by Krueger and Brown of N.Y.; and souvenir tobacco albums published by Allen & Ginter. Other forms of advertising in the collection include broadsides, pamphlets, books, leaflets, letters, envelopes, cigar and cigarette boxes and labels, cans, a plate, wrappers, labels, and catalogs. Images include birds, animals, battle scenes, and persons, including a series on "African Types."

Steve Roden is an American sound and visual artist, and was the 2014 Barbaralee Diamonstein-Spielvogel Visiting Artist in Residency at the Rubenstein Library. His collection contains prints, video, and sound files created as a result of his residency.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Collection includes correspondence, bills, approvals and releases, lists of stockholders, estimates, wage cards, legal files (lawsuits, judgments, claims), insurance documents and other printed materials. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Methodist Student Center was constructed in 1957 to serve the spiritual and social life of the then 1,250 Methodist students attending Duke. The materials in the collection include two serials The Crusader and Methodist Student Movement, as well as, clippings, programs, brochures, reports and other printed material. The collection ranges in date from 1947-2000 with the bulk items dating 1954-1966.

Collection consists of photography created by Celeste and Reggie Hodges while living in Sembehu and Shenge, Sierra Leone, as Peace Corps volunteers in the 1960s and 1970s. Formats include negatives, prints, slides, and digital scans; all image titles and subjects have been applied by the Hodges. Images depict village life, social and religious customs, agriculture and fishing practices, medical care and treatment, textiles and art, schooling and children's life, and portraits of people. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Youth Document Durham and Durham Works were programs sponsored by Duke University and the Center for Documentary Studies that brought together young people ages 12–16 from diverse Durham communities to document their lives, local history, and contemporary social issues through photography, oral history, and narrative writing. The Youth Document Durham and Durham Works project records span the years 1995-2008 and document the process of training young people in Durham, North Carolina schools to use photography and other arts, oral histories, and writing to record the history and members of their communities and the local issues affecting the students' lives. Many of the students are African American or Hispanic and their topics often highlight social conditions and race relations in African American and Hispanic communities in Durham neighborhoods and in a few other locations, including South Carolina. Topics explored by participants, both interviewers and interviewees, include crime, food cultures, jobs and education, music, racism, technology, teen violence, work cultures, and tobacco cultivation and its social context. The bulk of the collection is made up of hundreds of oral interviews conducted by junior high and high school students with community members, documented through audiocassette recordings, photographs, writings, and some transcripts, but there are also many program publications, project curricula, and administrative records for the program from its beginnings through 2008. There is also a database created by Center for Documentary Studies staff that records the complete information for each interview, including descriptive notes on certain interviews. This data also contains restricted information. For access to this database, please consult with a reference archivist. Acquired as part of the Archive of Documentary Arts at Duke University.