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Founded in 1864, the J. Walter Thompson Company (JWT) is one of the largest and oldest enduring advertising agencies in the United States. Harry Clark was an advertising executive who served as Director of JWT's Frankfurt Office and eventually of JWT's New York Office; Managing Director of Landsdowne Advertising, a JWT subsidiary; and co-founder of Smith Clark Associates, a consulting firm based in Princeton, N.J. The Harry Clark Papers cover the years 1945-1992, with the bulk of materials dating from the 1970s, the period during which Clark served as Director of the JWT Frankfurt Office, and during 1984-1986, when he served as Director of JWT in New York. The collection primarily consists of correspondence, administrative forms, presentations, speeches, meeting files, proofs, and financial reports, with extensive records from the Frankfurt Office. Companies represented include Braun, Chevron, De Beers, Eastman Kodak Company, Kellogg Company, Pan American Airways, PepsiCo, Rustenburg Platinum Mines, and Unilever. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Denis Lanigan was an executive who managed JWT Offices in Frankfurt, London and New York before being named Vice Chairman and Chief Operating Officer. Collection includes correspondence and memoranda, policy manuals and reports, account files and research reports that document Lanigan's career in JWT offices in Frankfurt and New York. Companies represented include Chevron, Kellogg, Kodak, Kraft, Nestle, Pepsi, R.J. Reynolds and Unilever. Acquired as part of the John. W. Hartman Center for Sales, Advertising & Marketing History.

Douglas MacKinnon was a radio program director, businessman, and music aficionado. The collection includes materials from MacKinnon's many ventures in music and radio, including his work at Harvard University, his leadership at the WQXR radio station in New York, his service in the U.S. Army during World War II, his work with Radio Free Europe, his writings for Opera News, and numerous other interests and pursuits. Also present are MacKinnon's diaries, datebooks, personal correspondence, and autobiographical writings.

As of 2005, the Nicholas School of the Environment and Earth Sciences at Duke University offers two master's degree programs: Master of Environmental Management (MEM) and Master of Forestry (MF). Both degree programs require students complete a master's project that presents an in-depth or quantitative analysis of a problem related to the students' particular focus area. Collection contains printed, bound master's projects. Materials range in date 1933-2005. Master's Projects for 2005 are held in the Nicholas School office. English.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The Legal Department microfilmed talent consents and releases collection consist of release forms and consent agreements between radio, screen and motion picture actors and actresses, models, producers and stage production staff to allow photographs, testimonials, mentions or other forms of likeness to be used in promotion of programming, advertising, contests and publications by JWT clients. The collection also includes photographs, memos and other correspondence. Releases and contracts include white, Latino and African American actors, as well as broadcast materials in French and Spanish for national and international programming. Correspondence covers a number of topics including guardian consents for underage talent; name and marital status changes; refusals of consent; and death notices. Client organizations represented in the collection include Chesebrough-Pond's, Ford, J.B. Williams, Lever Brothers, Kodak, New York Subways, and Standard Brands. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Douglass C. North (1920-2015) was a Nobel Prize winner the Spencer T. Olin Professor Emeritus in Arts and Sciences at Washington University in St. Louis. This collection documents his professional life through his correspondence, writings, and professional and faculty activities. It forms part of the Economists' Papers Archive.

Vincent Cianni is a documentary photographer and educator based in New York State. Project themes and subjects in this collection range widely: views of the city of Berlin, the destruction of the Berlin Wall and the reunification of Germany in 1990; mall culture and the social impacts of urban decay in Poughkeepsie, New York State, 1980s; wedding ceremonies and rituals of straight and transgender people, mid-1980s; Latino youth and in-line skating culture in the Williamsburg neighborhood of Brooklyn, New York, mid-1990s-2017; Cambodian kickboxing culture, 2004; the relationship between human story-telling, memory, and landscapes, 2000-2002; and gay pride marches and demonstrations in New York City, 1985-2019. An additional series offers a large set of oral histories of gay individuals in the U.S. military, 2010-2012. Acquired as part of the Archive of Documentary Arts at Duke University.

The Duke News Service informs the public and the university community about research, programs, and events at Duke. The collection consists of biographical files of Duke University faculty, staff, alumni, and others compiled by the News Service, as well as some photographic materials in separate folders. The files contain primarily clippings and also curricula vitae, photographs, and other printed materials. English.

This collection consists of original and copy negatives taken by various sources over several decades. Most of the negatives were produced by the Office of News and Communication's News Bureau in the early years of Duke University and later by University Photography (upon its establishment).

William Baumol (1922-2017) was the Harold Price Professor of Entrepreneurship, Emeritus at New York University and Professor Emeritus of Economics at Princeton University. This collection primarily documents his professional life through his correspondence, writings, research, and professional and faculty activities. It forms part of the Economists' Papers Archive.

Abraham Joshua Heschel was an internationally known scholar, author, activist, and theologian. He was born in Warsaw, Poland into a distinguished family of Hasidic rebbes, and studied philosophy in Berlin, Germany. In 1938 he was deported from Frankfurt to Warsaw where he escaped to London just before the Nazi invasion. After a brief time in London he immigrated to the United States, first teaching at the Hebrew Union College and then at the Jewish Theological Seminary of America where he taught as Professor of Ethics and Mysticism until his death in 1972. In addition to his active participation in social justice issues and his interfaith work, Heschel was also a scholar and religious thinker who made significant contributions to Jewish studies. As a philosopher of religion, his goal was to make the spiritual insights of Judaism understandable and over the course of his lifetime influenced generations of Jews and non-Jews. The Abraham Joshua Heschel Papers span the years 1880 to 1998 and document Abraham Joshua Heschel's personal, academic, and public life. Items in this collection include correspondence, writings by and about Heschel, typescripts, clippings, printed material, and a small amount of photographs and artifacts. The materials in the collection provide insight to Heschel's identity as a spiritual leader and how this role was inextricably connected to his personal and professional life. The collection is organized into the following series: Audio, Correspondence, Personal and Family Materials, Public Activity, Restricted, and Writings.

The German broadsides collection spans the years 1870-1990, with the majority of items dating from the 1920s. Broadsides (single-sided announcements and texts) predominate, but there are also several diplomas, leaflets, handbills, campaign publications, political brochures, propaganda posters, and other ephemera documenting the political, economic, and social conditions in Germany, Eastern Europe, Russia, and China, particularly during the Weimar Republic. Many of the broadsides relate to elections during the 1920s and the legacy of World War I as well as the political implications of women's suffrage during that time. Political parties represented include the Socialist Party, the Communist Party, the German Democratic Party, and the German National People's Party, as well as several smaller parties. The majority come from cities across Germany, with Leipzig and Berlin strongly represented. Additional materials include Allied propaganda leaflets and Holocaust exhibition posters, as well as materials relating to the assassination of German Foreign Minister Walther Rathenau in 1922, and several diplomas, 1870-1924 relating to the Von Baudissin family. Closely related to the German Newspaper Clippings Collection.

The collection consists of 552 zines, collected by the donor between 1994 and 2001. The collection focuses on personal zines by women, politics, the punk music scene, social justice activism, and riot grrrl. Many of the zines are accompanied by correspondence with the donor. Ailecia Ruscin is a writer, activist, and scholar from San Antonio, Texas and Auburn, Alabama. She is the author or co-author of the zines provo-CAT-ive and alabama grrrl (published from 1997-2000).

Arielle Greenberg is a poet, editor, and assistant professor in the English department at Columbia College, Chicago, Ill. This collection consists of 367 zines dated from 1973 to 1995, likely collected by the donor from 1992-1995. The collection primarily includes personal zines by women (though some are by men) that focus on the riot grrrl scene, feminism, punk music, and progressive political causes. Many of the zines include correspondence from the authors. The collection also includes personal correspondence and correspondence from zine authors between 1987 and 1995, with the bulk dating from 1993 to 1995.

The Robert A. Hill Collection covers the period of 1800 to 2014 and documents Hill's research, writing, and publications about Marcus Garvey's life and work and the founding of the Universal Negro Improvement Association (UNIA), as well as Hill's many other projects. Items in the collection include research material assembled by Hill, writings by and about Garvey, manuscripts, correspondence, printed material, clippings, microfilm, photographs, video and sound recordings, and objects. Series 1-4 contain the production papers of the Marcus Garvey Papers Project: American Volumes (AM), African Volumes (AF), Caribbean Volumes (CA), and Project Administration (PA). Hill's other projects and writings are included in Series 5-6 as Other Works by Robert A. Hill (OW) and Hill Personal (HP). The remaining Series 7-10 consists of Microfilm (MF), Primary Sources (PS), Research (RE), and the unprocessed Jamaica (J). The collection was acquired by the John Hope Franklin Research Center in 2015.

Collection includes advertisements, games, sheet music, serial illustrations, and other caricatures of African Americans predominately dating from the late 1800s through the mid-1900s.

The Outdoor Advertising Association of America (OAAA) is the largest professional organization for the out of home media industry in North America. It was formed in 1925 through the merger of the Painted Outdoor Advertising Association and the Poster Advertising Association. In 2019 the name changed to the Out of Home Advertising Association of America. It is headquartered in Washington, D.C. The collection documents the operations and activities of the OAAA, the primary professional organization for the outdoor advertising industry in the U.S. The collection also includes materials pertaining to the OAAA's predecessor organizations such as the Poster Advertising Association, Associated Bill Posters, the Painted Outdoor Advertising Association, and the International Bill Poster's Association of North America. Outdoor advertising companies and organizations represented in this collection include: AC Nielsen; Advertising Council; Advertising Federation of America; American Association of Advertising Agencies; American Automobile Association; Association of National Advertisers; Daniel Starch; Foster and Kleiser; General Federation of Women's Clubs; General Outdoor; Institute of Outdoor Advertising (IOA); National Outdoor Advertising Bureau (NOAB); National Safety Council; R.C. Maxwell; Simmons Market Research; Traffic Audit Bureau (now Geopath); United Advertising; University of Notre Dame; War Advertising Council; and Wilbur Smith. There is some information on the international outdoor industry as well, especially Canada and the England/U.K. The collection includes correspondence, directories, published materials (such as technical and periodic reports, newsletters and bylaws), membership records, texts of speeches, articles and clippings, minutes of association meetings, and industry publications. Topics include advertising and highway zoning law; energy policy; traffic safety; and public service messages including propaganda support for wartime activities.

Dr. Jim D. Hunt was a Professor of Ethics and Religion at Shaw University in Raleigh, NC for almost 30 years. He studied the philosophy of Mohandas K. Gandhi and published several authoritative books on Gandhi, satyagraha, civil rights and peace. The Jim Hunt Papers span the years 1950s-2000s and document Hunt's academic career as a Professor of Religion and his personal life as an activist for social changes. Items in the collection include research materials, correspondence, writings by and about Dr. Hunt, manuscripts, clippings, printed materials, notebooks, information and multimedia packets, photographs, slides, videos and sound recordings, as well as a few artifacts.

The South Asian Pamphlets Collection spans the years 1920-2005, with the bulk of the material dating from the 1950s to the 1990s, and with only a few items from the 1910s-1940s. It is arranged by country. Topics commonly covered in each country series include but are not limited to agriculture, arts, defense, economic development, education, ethnic or cultural conflict, industry and commerce, international relations, politics and government, population issues, religion and philosophy, rural development, tourism, and the status of women. While the majority of the pamphlets were published by organizations and agencies and do not list individual authors' names, there are also pamphlets with individual authors listed.

ARLIS/SE was founded in 1974 as a chapter within the Southern Region of the Art Libraries Society of North America. The collection includes chapter correspondence, bylaws, annual reports, membership lists, photographs, conference materials, LoPresti Awards (for excellence in art publication), and financial records. Scattered throughout are materials and correspondence related to the national organization. There are 20 electronic files on one floppy disk that have been migrated to the electronic records server. There are 20 black-and-white photographs and two transparencies.

The Duke University Office of Cultural Affairs was created in 1969 as part of the Division of Student Affairs and existed until 1993, when, as part of a reorganization of the Division, it was superceded by the Office of University Life. The Office of Cultural Affairs Records, 1931-2002 (bulk 1958-2002), consist of budgets and financial reports; calendars; contracts; correspondence; meeting minutes; printed materials; black-and-white, color, and 35mm photographs; and videocassettes, audiocassettes, and digital audio tapes. Materials primarily span the years of the OCA's official existence, 1969-1993, but also contain earlier materials about its first director, Ella Fountain Pratt, and later records created by the Office of University Life. Arranged in five series: Subject Files, which provide a broad overview of the OCA's activities, including early correspondence between Duke University and the American Dance Festival, which moved to Duke in 1977; the Chamber Arts Society, a group that promoted chamber music performance in Durham and surrounding areas; the Duke Artists Series, a concert series that began in 1930 and came under the oversight of OCA upon its creation in 1969; the Summer Session, programming for which also became one of the OCA's primary responsibilities; and the Triangle Dance Guild, a group independent of Duke that coordinated with the OCA to promote dance performance on campus and in Durham and surrounding areas from 1976-1984.

Duke University Press publishes both scholarly books and journals, primarily in the humanities and social sciences. In its early years, preference was given to works published by faculty, graduate students and alumni and to works focused on southern states. The records of Duke University Press span from 1812-2019 and consist of correspondence, annual catalogs, advertisements, annual reports, Board minutes, contracts and agreements, book and journal reviews, financial records, marketing files, the records of former director Steve Cohn, and facsimiles of the Carlyle letters.

Elizabeth McMahan (1924-2009) was an entomologist (termite biology), psychologist, cartoonist, writer of children's books, and ocean traveler. Collection contains materials documenting McMahan's personal and professional life, including correspondence, writings, and photographs. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

John K. Hillers was an important early American photographer and one of the first to photograph the Grand Canyon and the high plateaus of central and southern Utah. Collection contains albumen photographs spanning the years 1871-1889. Most of them are landscapes made in Utah, but there are also landscapes from California and several photographs of Native Americans made in New Mexico. The photographs are organized into six series.

Contains the personal and professional papers of Robert Hilliard Woody, a professor of history at Duke University from 1929 to 1970. Types of materials include correspondence, manuscripts, short writings, vitae, certificates, diplomas, committee reports, printed material, photographs, 8 mm films, and VHS tapes. Major subjects include Robert H. Woody, the Civil War, the South, South Carolina, North Carolina, reconstruction, republicans, southern newspapers, biographies, mountain culture, folklore, history instruction, Duke University, the Duke University history department, and the George Washington Flowers Collection of Southern Americana. Major correspondents appearing in the collection include: William Preston Few, Francis B. Simkins, William K. Boyd, William T. Laprade, Francis Warrenton Dawson, Stanly Godbold, Jr., Arthur Hollis Edens, Paul M. Gross, Stanley Godbold, the Southern Historical Association, and the Historical Society of North Carolina. Some materials are restricted. Materials range in date from 1927 to 1985. English.

Batya Weinbaum is a Jewish American artist, musician, poet, author, editor and professor. In addition to founding and editing the interdisciplinary feminist journal Femspec, she has published 17 books and more than 250 articles, poems, essays and reviews. She has made contributions to the fields of multiculturalism, women's studies, sexuality studies and education. The collection documents her personal and professional history, containing materials related to Weinbaum's writing and research, including drafts of her books, materials related to the journal Femspec, and several decades of journals and sketchbooks.

The Radical and Labor Pamphlets Collection (1896-1977) includes pamphlets and other ephemeral publications relating to communism, socialism and other left-wing movements, labor organizations, trade unions, feminism and the women's movement, and Black power. There are some additional pamphlets related to anti-communist movements and some examples of Soviet propaganda.

Collection of color slides and black-and-white negatives with images taken by an unidentified photographer during travels in Europe and the United States, with a focus on cities and historical sites in Greece, London, Paris, and Italy. Almost all the slides are of landscapes or tourist sites, but there are a few images with people in them. The black-and-white nitrate negatives contain many images of individuals, both adults and children, perhaps family members, chiefly taken in the United States in the 1930s; there are also shots taken in Florence, Torcello, and Venice, Italy. Original captions are in German.

The J. Walter Thompson Company (JWT), founded in 1864, is one of the oldest and largest enduring advertising agencies in the United States. The J. Walter Thompson Company Biographical Information collection includes articles, clippings, press releases, internal memoranda and other printed materials that pertain to the lives and careers of over 3,000 managers, executives and staff members of JWT. Extensive files exist for some notable JWT executives, including Don Johnston, Helen and Stanley Resor, Norman Strouse, James Walter Thompson, and James Webb Young.

Approximately 2000 individual zines and nearly 800 titles, most self-published by women and girls 1985-2000. Most were produced in the United States, a few come from Canada and other countries. In-house database with subject access available. Subjects include feminism, riot grrrl, body image and consciousness, sexual abuse, music, mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, and erotica. The collection includes four audiocassette tapes and one VHS tape. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

The papers of Phyllis Chesler are divided into the following series: Writings, Custody Speakout Project, Women and Health Organizations, Personal and Professional Papers, International Committee for Women of the Wall, On the Issues, Chronic Fatigue Syndrome, Accession 2003-0246, and Electronic records. Chesler's Writings are separated into subseries by titles of her published works, and comprise the bulk of the collection. These papers include research files, interviews, and chapter drafts for her books Women and Madness; Women, Money and Power; About Men; Mothers on Trial; and Sacred Bond. The detailed research files in the Writings Series also contain audio tapes and selected transcripts of interviews conducted by Chesler in conjunction with her research on women and mental health, women's history, child custody (particularly the "Baby M" case involving the lawsuit between Mary Beth Whitehead and William Stern and baby Melissa Stern), and feminist concerns. The Writings Series includes Chesler's miscellaneous writings and provides insight into her personal and professional life through correspondence, manuscripts and notes surrounding each work as well as clippings and records documenting her feminist activism. Among the major correspondents are Carolyn Shaw Bell, Sheila Kaplan, Kate Millett, Tillie Olsen, Grace Paley, Adrienne Rich, Donna Shalala, Susan Sontag, and Gloria Steinem.

Bates Worldwide advertising agency (Bates) was established in 1940 by former executives of the Benton & Bowles agency. It grew to become one of the largest agencies in the U.S. until its demise in 2003. Bates began as a simple proprietorship, but as the company grew its organizational structure took on different forms: a partnership, then a corporation before becoming a publicly traded transnational entity, and finally becoming a subsidiary in a global holding company. From the 1970s on, Bates' growth and international expansion was fueled by a long series of mergers, partnerships and acquisitions that continued until the company was itself acquired, first by the Saatchi & Saatchi and later by the WPP Group. Materials in the collection relate to Bates' permutations into a variety of corporate entities, including Ted Bates & Co., Ted Bates, Inc., Backer Spielvogel Bates, and Bates Worldwide, Inc., along with its subsidiaries (such as Campbell-Mithun and Kobs and Draft) and parent organizations (Cordiant Communications Group, Saatchi & Saatchi). Thus, the collection provides a window into the larger corporate culture of mergers, consolidations, acquisitions and takeovers that led to the formation of giant transnational advertising conglomerates and marked a profound shift in the landscape of the advertising industry during the late 20th century. The Bates Worldwide, Inc. Records spans the years 1934-2003 and includes correspondence, corporate policy manuals, photographs, publications, graphic designs, print advertisements, electronic records and videocassettes that document the activities of this major global advertising agency over the course of its corporate life. Bates built its early reputation as an advertising agency with a particular talent for promoting pharmaceutical products (Carter's Pills, Anacin analgesics) and common household goods (Mars candies, Wonder bread, Palmolive soap, Colgate dental cream). Advertising policies developed around a philosophy Bates called the Unique Selling Proposition (USP), which informed an imperative to identify and promote a single, unique and compelling reason for consumers to use any given product or service. As the company grew into a global business, USP evolved into more complex forms, including the Bates Brand Wheel. Major clients included Brown & Williamson Tobacco Co., Carter-Wallace Corporation, Hyundai America, the Joint Recruiting Advertising Program of the combined U.S. Armed Services, M&M/Mars Inc., Miller Brewing Company, Pfizer, the U.S. Navy and Wendy's International. There is also some information on the company's founder, Ted Bates, as well as on Rosser Reeves, Bates' first copy writer and the chief architect of the USP concept.

Paul Davidson (born 1930, died 2024) is the J. Fred Holly Chair of Excellence Emeritus at the University of Tennessee, Knoxville. This collection documents his professional life through his correspondence. It forms parts of the Economists' Papers Archive.

George P. Garrett (1929-2008) was a poet, editor, author, and professor of English. The papers of George P. Garrett span the years 1929 to 2000 with the bulk of the material being dated between 1960 and 1990. The papers were initially collected and assembled by author, bibliographer, and publisher Stuart T. Wright. Wright published a number of Garrett's works at his Palaemon Press and also assembled the Stuart Wright Bibliographic Collection of George Garrett (see related materials held by the Rubenstein Library). Additional materials were received by the Library directly from George Garrett. The papers document Garrett's literary career as an author of novels, short stories, poetry, and dramatic works (including filmscripts) and the tremendous influence he had as an English professor and an editor on an entire generation of writers, particularly in the South. Correspondence with numerous authors, publishers, and educators offers much information about the history of 20th-century Southern literature, publishing, and literary education. The collection is divided into the Writings Series (with subseries of Writings by Garrett, Writings Edited by Garrett, Writings by Others, and Proofs); the Correspondence Series (with 5 subseries of alphabetically and chronologically arranged correspondence); the Audiovisual Material Series; the Miscellaneous Papers Series; and several series of additions.

Nell Irvin Painter is a scholar, teacher, and writer in 19th- and 20th-century American and African American history who has been a faculty member of Harvard, Princeton, and the Universities of North Carolina and Pennsylvania. Collection spans the years 1793-2019, with the bulk of the material dating between 1876 and 2007, and contains correspondence, research notes, photocopies of original documents, manuscripts, publication proofs, syllabi, department memoranda, records of her speaking engagements, photographs, personal journals, papers, and photographs, many varying audiovisual formats, and computer diskettes. Also contains extensive file series related to the research and writing of five of her major books: Exodusters: Black Migration to Kansas after Reconstruction; The Narrative of Hosea Hudson: His Life as a Negro Communist in the South; Standing at Armageddon: The United States, 1877-1919; Sojourner Truth, A Life, A Symbol; and Creating Black Americans: African-American History and its Meanings, 1619 to the Present.

Paul Samuelson (1915-2009) was a Nobel Prize winner and an Institute Professor Emeritus (of economics) at the Massachusetts Institute of Technology. This collection documents his professional life through his correspondence, writings and speeches, and professional and faculty activies. It was acquired as part of the Economists' Papers Archive.

The Jewish Heritage Foundation of North Carolina (JHFNC) is an independent organization dedicated to preserving and presenting the history of the Jewish people of North Carolina, and transferred its archives, including these materials, to the Rubenstein Library in 2014. Since 2019, the organization has been known as Jewish Heritage North Carolina (JHNC). This collection consists of historical material created or collected by Jewish individuals, families, and social and religious organizations of North Carolina, and donated to the JHFNC. Types of material include scrapbooks, certificates, pamphlets, catalogs, correspondence, photographs, World War II-era Nazi weapons and military paraphernalia collected by Jewish American soldiers, and other artifacts and manuscript materials.

Assembled by the staff of the Duke University Medical Library, the History of Medicine Picture File holds thousands of small and large images organized into series for individuals, places, and subjects related to the history of medicine and medical practice. The great majority portray notable physicians, scientists, naturalists, philosophers, and other individuals with important links to medicine. Places featured include hospitals and other institutions of medicine, and scenes in specific locations related to events in medical history. The subject categories cover many topics, with the largest groups including advertising, anatomy, caricatures, cartoons, pediatrics, physicians, and surgery. Predominant formats are engravings, lithographs, print materials (such as posters, clippings, and postcards), and many modern photographic reproductions of older works; there are also albumen photographs, negatives, slide reproductions, and other image formats found throughout the files. Forms part of the History of Medicine Collections at Duke University.

The non-profit agency International Monitor Institute (IMI) operated between 1993 and 2003, primarily to assist international war-crimes tribunals by collecting, indexing and organizing visual evidence of violations of international human rights law. The International Monitor Institute Records span the dates 1986-2006, and primarily comprise audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations around the world. Countries represented include: Burma (Myanmar), Bosnia and Hercegovina, Cambodia, Kuwait, Rwanda, Sierra Leone, and Thailand. Includes master and use copies of approximately 6000 videocassettes and 100 audio tapes and audiocassettes. The video and audio material is indexed by an extensive database developed by IMI which includes keywords, air dates, segment producer, segment title, and in some cases, transcripts and stills from the video. There are also many photographs and slides taken in the same regions, depicting destruction in areas of conflict, forced labor, refugees and refugee camps, and protests. The majority of the photos were taken on the Burma/Thai border, in Bosnia and Hercegovina, and refugee camps in Rwanda. Finally, there are extensive organizational records, including an extensive database of the audiovisual components. Acquired as part of the Human Rights Archive.

Free to Dance: The African-American Presence in Modern Dance was a three-part television documentary co-produced by the American Dance Festival and the John F. Kennedy Center for the Performing Arts in association with Thirteen/WNET New York. The series aired on PBS' Great Performances: Dance in America in 2001. It chronicled the role of African-American choreographers and dancers in the development of modern dance as an American art form. The collection includes film, video, sound recordings, oral histories, interview transcripts, business records, photographs, clippings, and research materials created or collected during the production of the three-part television documentary Free to Dance.

August Kenneth Pye (1931-1994) was twice Chancellor of Duke University (1970-1971 and 1976-1982). In addition to the chancellorship, he was Dean of the School of Law (1968-1970), University Counsel (1971-1974), Acting Dean of the School of Law (1973), Dean of the School of Law (1973-1977), Director of the Center for International Studies (1982-1984), and Samuel Fox Mordecai Professor of Law (1982-1987). Collection includes memoranda, correspondence, published materials, reports, printed matter, clippings and other materials generated by the Office of the Chancellor during Pye's two terms as Chancellor (1970-1971 and 1976-1982). There are also correspondence, speeches, printed matter, and subject files collected by Pye from 1968 to 1976 as Dean of the School of Law, Chancellor, and University Counsel.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. JWT maintained an office in Detroit from 1909-1920 and reopened it in 1944. Collection includes videocassettes, CDs and DVDs of advertisements, speeches, presentations, historical campaign compilations; awards submissions, training materials and other materials. Companies represented include American Red Cross, Burger King, Delta Sigma Phi, Ford, Goodyear, Ogilvy & Mather, United Way, White Castle, and Young & Rubicam. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

John Tate Lanning (1902-1976) was a historian, colonial Latin America scholar, and Duke University Professor of History. This collection includes correspondence, manuscript materials, committee notes, student papers, newsletters, conference materials, curriculum materials, travel diaries, interview transcriptions, and field research notes. Major subjects include the Duke University Department of History, Duke University Research Council, Hispanic American Historical Review, Latin American library resources, student and teaching of Latin American history, research in the social sciences, and Latin American colleges and universities. English.

Locus, the Magazine of the Science Fiction & Fantasy Field, was co-founded by Charles N. Brown (1937-2009), Ed Meskys (1936-), and Dave Vanderwerf (1944-) in New York in 1968. It first began as a science-fiction and fantasy one-sheet news fanzine that was created to help the Boston Science Fiction Group win its 1971 Worldcon bid. Vanderwerf left after issue #4, and Meskys after #11. Charles Brown remained as editor until his death in 2009. The Locus Archives include names files for more than 800 people, many of whom are writers, editors, or publishers. The files contain correspondence, clippings, obituaries, and writings, the bulk of which relate to American writers, though there are several files kept on writers and fans from across the world, including China, Japan, and Russia. Much of the correspondence is about publishing news, corrections, and deaths in the science-fiction, fantasy, and horror community. There are several well-known correspondents including: Poul Anderson, Isaac Asimov, Jim Baen, Ian and Betty Ballantine, Algis Budrys, Octavia E. Butler, Arthur C. Clarke, L. Sprague de Camp, Harlan Ellison, Robert Heinlein, Ursula K. Le Guin, Dean Koontz, Andre Alice Norton, James Tiptree, Jr. (Alice Sheldon), and Gene Wolfe.

Collection consists of over 1100 black-and-white and color exhibit prints representing the work of over 50 South African photographers who documented conditions during and after apartheid, from about the 1940s to 2013, with most dating after 1960. Arranged in five series representing projects curated by documentary photographers Alex Harris, Paul Weinberg, and others: Beyond the Barricades, The Cordoned Heart, Then and Now, Underexposed, and The Other Camera. There is also a series of work by Jeeva Rajgopaul, and a series of Staffrider digital materials. Set in rural and urban South Africa, the images portray political rallies; protests; forced removals; funerals; social gatherings such as dances and concerts; work and domestic life; the life of the elderly, the migrants, and the impoverished; and labor organizing and strikes. There are many portraits of individuals of all races and classes, well-known activists and politicians, as well as countless ordinary South African citizens. Many of the photographers were members of Afrapix, a collective photography agency engaged in documenting the anti-apartheid struggle. There is a small amount of printed material, as well as a selection of digital image files and a digital audio file of an exhibit talk. Acquired as part of the Archive of Documentary Arts at Duke University.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936. The Educational Services Division was primarily responsible for producing consumer education materials especially for children and young adults. The Educational Services Division records include: Board reports; classroom teaching plans; correspondence and memoranda; governmental and non-governmental agency reports and publications; and other printed materials. The collection also includes materials relating to some of the Division directors (Charlotte Braecher, David Schoenfeld, James Mendenhall) as well as Consumer Union's National Educational Advisory Committee which oversaw the Division's activities. Projects involving a variety of media (print, television, internet) include Best Buy Gifts; the Buy Me That! series; Captive Kids; HBO specials; Penny Power; Selling America's Kids; and Zillions/Zillions TV. Organizations represented in the collection include Channel One; Consumer Education Materials Project; Job Corps; Lincoln High School; and the U.S. Office of Economic Opportunity. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The majority of images in the collection are faculty and staff portraits taken by Duke Photography staff; a few pictures of students or of other individuals not affiliated with Duke are included. The collection contains photographic prints, negatives, slides, and CDs of digital files. Most of the items are undated but appear to be from the 1980s through around 2000. Most items include a job number assigned by Duke Photography. Duke Photography is a department of the Office of Public Affairs and Government Relations. Chris Hildreth is the current director; the department also includes assistant director Les Todd and six other staff photographers.

The Jewish Heritage Foundation of North Carolina records span the years 1750 to 2014 and document the origins and daily operations of the organization, which preserves and presents the history of the Jewish people of North Carolina through public programming, exhibits, and other projects. The collection includes documents and digital material related to the planning, funding, and carrying out of various exhibits, events and projects, especially the multimedia program "Down Home: Jewish Life in North Carolina." Also present are primary and secondary research materials collected by JHFNC historian Leonard Rogoff related to the history and culture of Jews in North Carolina and southern Jewish identity. Types of materials in the collection include financial statements, meeting minutes, correspondence, reports, typescripts, newsletters, marketing materials, photographs, research notes, and audiovisual material. Digital materials include photographs, administrative and promotional materials, and project design materials.

El Pueblo Inc. is a non-profit organization based in Raleigh, NC that serves and supports the Latin American community of North Carolina through advocacy work, programs in Latino culture, health, public safety, and youth leadership. This collection contains photographs and other media documenting their events, relevant newspaper clippings collected by the organization, and administrative files related to the management and operation of the organization. Acquired as part of the Human Rights Archive.