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Martin Shubik (1926-2018) was the Seymour H. Knox Professor Emeritus of Mathematical Institutional Economics at Yale University. This collection primarily documents his professional life through his correspondence, writings, research, and professional and faculty activities. It forms part of the Economists' Papers Archive.

The Latino/a Studies in the Global South program at Duke University was formally created in 2008. The program offers an undergraduate certificate and promotes interdisciplinary research, teaching, and study related to Latino and Latina communities, particularly in the U.S. South and the Global South. The Latino/a Studies in the Global South Records include the files of the Executive Director of the program from 2008-2016.

Duke University Retirees Outreach was founded in 1997 to provide volunteer opportunities to Duke retirees and their partners and operated until 2021. DURO members developed volunteer programs like the Backpack Program and the Lakewood Garden project at Lakewood Elementary School. The collection, spanning 1997 to 2021, consists of administrative and financial records, correspondence, and materials related to projects and events.

Established under a large Ford Foundation grant in 1964, the Committee on International Studies oversaw the distribution of the grant money and other sources of income to various departmental and area programs having to do with international scholarship. Spanning from 1962 to 1978, the records contain details of the committee and various subcommittee's activities during that time.

Earl Dotter is a documentarian, photojournalist, and labor activist based in Maryland. Dotter's great-grandfather, Charles G. A. Thamm, also worked as a photographer in Pennsylvania and was employed by the Landreth Seed Catalog Company. This collection contains photographs in various formats - including negatives and prints - created by Thamm and his family in the 1890s and early 1900s. It also contains digital surrogate images of Thamm's work, adjusted by Dotter.

Collection assembled by Lisa Unger Baskin containing printed ephemera, receipts, manuscripts, handbills, catalogs, decorative trade cards, prospectuses, circulars, political campaign materials, and other advertisements from the United Kingdom, Western Europe, and the United States. The bulk of the collection's materials advertise businesses or services offered by women, including millinery, fancy goods, hair work, tea, painting, teaching, music, bricklaying, gardening, dressmaking, apothecaries, and a clairvoyant. Also includes calling cards and bookplates with women's names, and assorted ephemera relating to women's pay, income, or work, including a pensioner's card for a firefighter's widow and a pamphlet about life insurance for women.

Martha Olds Adams is an American writer and poet. Her works center primarily on the areas of feminist theology, female spirituality and social justice. The Martha O. Adams papers contain her poetry collections and other writings; correspondence and ephemera related to her publications, workshops and speaking engagements, as well as documentation of her research and activist work.

Will Grossman was a 20th century documentary photographer based in Durham, North Carolina. The 80 black-and-white images in the collection chiefly document Durham County and the city of Durham in the 1970s. There are also 488 negatives, as well as a set of 16 inkjet exhibition prints and an exhibit poster from 2006. Grossman's subjects include barns and rural landscapes; houses and churches; tobacco warehouses, a cigarette factory, and other industrial buildings; tobacco workers and other portraits of individuals, including many African Americans; scenes along the Eno River; and the Durham County Fair. A few images are from Orange County, N.C. Acquired as part of the Archive of Documentary Arts at Duke University.

The Full Frame Documentary Film Festival is the largest film festival in the United States entirely devoted to documentary film. Originally the DoubleTake Documentary Film Festival, it is an international event dedicated to the theatrical exhibition of non-fiction cinema, held annually since 1998 in downtown Durham, North Carolina. Typically, more than 100 films are screened, along with discussions, panels, and workshops fostering conversation between filmmakers, film professionals and the public. The Full Frame Archive was created in 2007, as a partnership between Duke University and Full Frame. The Full Frame Archive Film Collection comprises preservation masters of documentary films that won awards at the Full Frame Film Festival between 1998 and 2012. Formats include 35mm film, 16mm film, Digital Betacam cassette, HDCAM cassette, Betacam SP cassette, and DVD. In addition, there is a complete set of festival program books. The films vary widely in topic and style, with a predominant emphasis on human rights issues; all of the films deal with social issues in one way or another. The collection is organized chronologically, by festival year, and acquisitions are ongoing.

Stephen Cannada Harward served on the Durham City School Board for 12 years in the 1960s and 1970s. During this time, the Durham city and county school districts were desegregated following a series of court mandates beginning in 1963. The collection contains memos, bulletins, reports, evaluations, minutes, agendas, educational and administrative guides and handbooks, court documents, financial statements and budgets, correspondence, clippings, printed materials, and maps pertaining to the activity of the Durham City School Board. The papers span the years 1949-1975 and document the daily workings of the Durham City School Board chiefly between the years 1963 and 1975, with a special focus on the process of desegregation during that time. It contains no personal papers of Stephen C. Harward.