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Author of travel books on the Near East. Married 8th Viscount Strangford in 1862. Chiefly a journal of 141 pages (1859 Apr. 10-1860 July 7) describing a trip to Turkey and Lebanon, Apr.-Sept. 1859, and to Greece, May-July 1860. Beginning in Smyrna, Viscountess Strangford travelled to Rhodes, Mersin, Tripoli, Beirut, Baalbek, Athens, Attica, Pentelicus, Constantinople, and Belgrade. She described the locales, social life and customs of the Lebanese, a Druze wedding, and fighting between the Druzes and Christians. Included are drawings and other sheets laid in, including one in French, possibly by Marius Fontane. Also includes an albumen print of Viscountess Strangford.

Mary McCornack Thompson was an American Presbyterian missionary who spent over forty years (1889-1932) traveling and teaching in South Africa and Rhodesia. The collection contains diaries, and a few letters. Main subjects are missionary life and travel in Africa. Materials range in date between 1887-1962.

"Stewardess" aboard the ship; resident of Grimsby[?], England Collection comprises a manuscript journal and log book (59 pgs+ blanks) authored by Thompson while on a voyage between England and Jamaica from March 25 to April 28, 1935. However, the journal actually closes with a description of her train trip home on April 29. Includes Thompson's 33 black-and-white photographs, 2 telegrams she received from a Captain Greenhill, her certificate of discharge, and an Irish sweepstakes ticket for the Derby syndicate (dated June 5) that she purchased during the voyage. In addition, Thompson copied into the journal a 3-pg informational article on bananas, written by H.C. Bower, and kept a record of the ship's log for the trip. The S.S. Tetela was a cargo and occasional passenger ship that belonged to the banana-importing firm Elders & Fyffes, a wholly owned subsidiary of the United Fruit Company.

Edward Alston Thorne was a white Confederate Army ordnance officer from Littleton, N.C. Collection comprises business and personal correspondence, legal documents, and other papers relating to Thorne's service in the Confederate Army (mainly in Virginia and North Carolina), his farming operations, and his activity as tax assessor of Halifax County.

The Dance Program Performance Films are a video record of the performances put on by the Duke Dance Program from 1990-2012.

Collection comprises correspondence, blueprints, proposals relating to construction or the improvement of sewage and wastewater treatment systems. Includes substantial amounts of material on the sewage treatment system for Winston-Salem and Durham, North Carolina. Other North Carolina localities and clients documented in the collection are Burlington Mills, Claremont, Cooleemee, Cothran, Cramertown, Dallas, Erwin Mills, Fairbanks Morse Company, Mooresville, Mebane, North Wilkesboro, and Wake Forest.

The Women's Guild of Arts was founded in England in 1907 by textile designer and jeweller May Morris, and grew to about 60 members. The organization offered female artists an alternative to the Art Workers' Guild, the artists' association established in 1884 to encourage excellence in the fine and applied arts, and from which women were excluded until the 1960s. Collection comprises primarily 81 letters from 29 members of the Women's Guild of Arts between 1902 and 1949. There are 7 additional documents, including draft resolutions, certificates, lists, and notes.

John Willis created these six composite color images to articulate and consider the connections between photographic portraits taken by the Khmer Rouge of young people in Tuol Sleng prison in Phnom Penh, where an estimated 14,000-20,000 victims were executed from about 1975-1979, and images of deteriorating mural frescoes at the Emperor's Palace, also in Phnom Penh. The portraits are said to be of prison workers, and were exhibited in 2008 at the prison, now a genocide museum. Five of the historical photographs are portraits; the sixth shows a group of what appears to be Khmer Rouge soldiers in uniform. The photographer's images show that the original photographs on exhibit were defaced with graffiti and other marks by visitors to the museum. The neglected Emperor's Palace frescoes, whose images flank the victim's portraits in Willis' work, depict scenes from the Cambodian epic poem, the Reamker, which speaks to human issues of love, revenge, loyalty, and trust. The color inkjet prints were created from 2009 to 2011. Acquired as part of the Archive of Documentary Arts at Duke University.

May be the author Eliza Wilson (Mrs. Robert Wilson) of Kirkdale, Liverpool, England. Entries describe the social life and travel of a British woman living in India with General Craigie, his wife, and daughters. They left England in November 1854, traveled by ship with stops in Egypt, and arrived in Madras in January 1855. The group lived in Madras but journeyed to other cities in southern India, including Bangalore, Mysore, and Vellore. There are references to the Sepoy Rebellion, 1856-1858, before Wilson departed India in 1860.

Collection contains objects and ephemera relating to the women's suffrage movement in the United Kingdom and United States in the late nineteenth and early twentieth century. Various pro- and anti-suffrage perspectives are represented. The items include banners, textiles, buttons, pins, and badges, along with other related handbills and printed materials.

Assembled by the staff of the Duke University Medical Library, the History of Medicine Picture File holds thousands of small and large images organized into series for individuals, places, and subjects related to the history of medicine and medical practice. The great majority portray notable physicians, scientists, naturalists, philosophers, and other individuals with important links to medicine. Places featured include hospitals and other institutions of medicine, and scenes in specific locations related to events in medical history. The subject categories cover many topics, with the largest groups including advertising, anatomy, caricatures, cartoons, pediatrics, physicians, and surgery. Predominant formats are engravings, lithographs, print materials (such as posters, clippings, and postcards), and many modern photographic reproductions of older works; there are also albumen photographs, negatives, slide reproductions, and other image formats found throughout the files. Forms part of the History of Medicine Collections at Duke University.

The Mary Lou Williams Center for Black Culture was established in 1983 to share information about Africana and African-American culture with both the Duke and Durham communities. The collection contains materials regarding the general origins, development, and oversight of the Mary Lou Williams Center, as well as files related to programming hosted by, or sponsored by the Center. There are also a small number of files, mostly course materials, related to Leon Latimer Dunkley, Jr., who was the director of the Mary Lou Williams Center for Black Culture from 1999-2005.

The Office of New Student Programs provides programs and resources to new student populations at Duke University. Collection includes files relating to the First-Year Advisory Counselor (FAC) program.

Duke KAjok, or KAjok, is a Korean American student group founded in September 2022. Students created the organization with the goal of bringing together Korean American members of the university to create a sense of community and a welcoming environment. The collection contains certificates awarded to KAjok from the Center for Multicultural Affairs and a KAjok baseball cap.

Nathan Ockman was born on December 29, 1926 in New York City. As a child in the 1930s, he was brought by his parents to an event that featured pioneering choreographers in modern dance, among them Anna Sokolow and Sophie Maslow. Though he received no formal dance training himself, this childhood exposure to modern dance sparked a lifelong passion for dance spectatorship. The collection contains the dance-related memorabilia (circa 1949-2006) saved by Nathan Ockman. Materials include performance programs and newspaper clippings, which are arranged chronologically. Many of the materials are annotated by Mr. Ockman.

Patricia Edison Powers Jones (1924-2011) was born in Waterbury, CT. Jones attended Bennington College, graduating in 1946 with a BA in Social Science. She moved to Chapel Hill, NC, in 1957. Powers was an avid supporter of American Dance Festival until her death in 2011. Collection includes photographs, programs, clippings, books, and musical and choreographic scores.

The Students of the Caribbean Association (SOCA) began in 1991 and was reorganized after a two-year break in 2003. The mission of the group is to provide a space for the Duke community to celebrate and learn about Caribbean culture. This collection contains photographs of the events hosted by the Students of the Caribbean Association.

Stephanie Reinhart (1944-2002) began working at the American Dance Festival in 1977 as the Director of Planning and Development and became Co-Director with Charles L. Reinhart in 1993. While on the board Stephanie traveled to many countries to view dance and lecture on American modern dance and arts administration, and in 1993 she was awarded a Fulbright research grant to study modern dance in Argentina.

The Student Photograph Album is a scrapbook of 100 black and white photographs, by an unidentified photographer, of students and scenes at Duke University and in North Carolina as well as images of Virginia, Niagara Falls, and unidentified locations. Many images have captions and identifying information and appear to all date between 1934-1936.

In March 2001, students formed the group, Duke Student Movement, to protest racism and exclusion on Duke's campus. Student protests were sparked by the publication of a paid advertisement that argued against slavery reparations in the Chronicle. This scrapbook contains clippings, photographs, and Duke Student Movement papers documenting student activism and responses from alumni, faculty, and administration to these events.