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Richard Feldman is a self-described amateur historian of the NSDAP/AO and other American neo-Nazi groups. This collection consists of printed extremist literature he acquired in the late 1990s and early 2000s, largely produced by American Nazi groups, right-wing white supremacists, and Christian nationalist publishers. The collection's content is largely anti-Semitic, racist, Christian nationalist, and pro-Nazi, dating from the 1970s through the late 1990s. Some exceptions include a small number of pamphlets printed by the Revolutionary Communist Party or Nation of Islam-affiliated groups. Acquired as part of the Human Rights Archive (Duke University).

Superintendent of schools in Anderson, S.C.; author. The collection contains largely correspondence concerning the publication of McCants' writings.

Approximately 2000 individual zines and nearly 800 titles, most self-published by women and girls 1985-2000. Most were produced in the United States, a few come from Canada and other countries. In-house database with subject access available. Subjects include feminism, riot grrrl, body image and consciousness, sexual abuse, music, mental illness, film, poetry, rock and punk music, comics, violence against women, sexual identity, homosexuality and bisexuality, and erotica. The collection includes four audiocassette tapes and one VHS tape. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Reverend Dr. J. Alfred Smith, Sr. is a Black minister who served as Senior Pastor at Allen Temple Baptist Church in Oakland, CA for several decades. He also taught for many years at the American Baptist Seminary of the West (now Berkeley School of Theology). This collection contains recorded and written sermons, teaching materials, event files, and other papers that document Smith's pastoral and teaching career. Materials in the collection document Smith's work to bridge denominational, ethnic, racial, and socioeconomic divides in California and throughout the United States. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Jesse Pyrant Andrews is an American photographer based in rural southern Virginia. Collection comprises 310 black-and-white photographs and 50 oral history interviews by photographer Jesse Pyrant Andrews, documenting rural and small-town life in the Piedmont region of Virginia and North Carolina. Major themes center on the landscapes and people of the region; tobacco cultivation; the lives of farmers, war veterans, small business owners, and laid-off workers; local architecture and historic sites; traditional crafts and music; and new patterns of economics and society in rural Virginia. Andrews's Veterans Project has become a larger focus over the years; it now comprises over 30 portraits and associated audio interviews, chiefly with veterans of the Vietnam and Gulf Wars. Additional projects include materials related to the Carter-Wooding families of southern Virginia; views from an Amtrak train; views of an historic plantation home, Mountainview; and street scenes and portraits taken in New York City, California, and Massachusetts. Acquired as part of the Archive of Documentary Arts at Duke University.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States.

Allan Troxler (1947-2025) was an artist, author, and dance instructor from Durham, N.C. Troxler's collection consists of his artwork, family history, and writings, as well as the archives of his lifelong partner, Carl Wittman. Carl Wittman's archives include his diaries, letters, and writings on civil rights and gay liberation. The collection also contains materials documenting the Durham (N.C.) arts scene, English country dance, AIDS in the gay community, and Troxler's collection of materials from Catherine Nicholson.

The Center for Documentary Studies at Duke University teaches, engages in, and presents documentary work grounded in collaborative partnerships and extended fieldwork that uses photography, film/video, audio, and narrative writing to capture and convey contemporary memory, life, and culture. The collection includes work created by students enrolled in documentary studies courses at Duke University in Durham, North Carolina, and the University of North Carolina at Chapel Hill (UNC), sponsored by the Center for Documentary Studies at Duke. Acquired as part of the Archive of Documentary Arts at Duke University.

Robert L. Lawrence (1919-2004) was an American film and television producer during the second half of the twentieth century. He was primarily based in New York City with offices and studios in Hollywood, Toronto, and Paris. Collection includes correspondence, memos, press releases, newspaper and magazine clippings, legal agreements, financial documents and statements, scripts, production documentation, audiovisual material (audio and film reels, videocassettes), black-and-white and color photographs and slides, and other materials that document Lawrence's career as a producer in the American, Canadian, and international motion picture and television industries. Papers include Lawrence's work on documentaries, newsreels, commercials, animated films, and domestic and international motion films. Included are materials related to Lawrence's direct marketing concept called Cable Catalogue and his foray into the food industry with La Vie Products, Inc., a company created for the manufacture and distribution of sourdough bread and other foodstuff. Collection documents Lawrence's education at the United States Military Academy at West Point and military service in the Fifth Army during World War II, as well as his service to the Directors Guild of America as chair of several committees, West Point Assembly of Graduates, and West Point Society of New York. Companies and individuals represented include RKO Pathé (a division of RKO Pictures), Jerry Fairbanks Productions, National Association of Investment Companies, Marvel, Stan Lee, Jim Henson, and Frederick, I. Ordway. Advertising agencies represented include D'Arcy Advertising Company, Foote, Cone & Belding, Inc, Campbell-Ewald, Young & Rubicam, Batton, Barton, Durstine & Osborn, Inc. Other companies represented include General Electric, RCA Records, General Motors, General Foods Corporation, Colgate-Palmolive-Peat, Noxzema, Revlon, Inc. and Clairol. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.