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The Tobacco Collection contains material assembled by library staff related to the manufacturing, sale, and use of tobacco in the United States, particularly in North Carolina and Virginia. There are also items referring to tobacco cultivation and processing. Printed advertising predominates, but the contents also include items that are not paper products. Typical paper-based items include cigarette and cigar advertising trade cards of W. Duke, Sons & Co., Lorillard, Liggett and Myers, John Player and Sons, and various other American and British companies; tobacco advertisements by Krueger and Brown of N.Y.; and souvenir tobacco albums published by Allen & Ginter. Other forms of advertising in the collection include broadsides, pamphlets, books, leaflets, letters, envelopes, cigar and cigarette boxes and labels, cans, a plate, wrappers, labels, and catalogs. Images include birds, animals, battle scenes, and persons, including a series on "African Types."

Duke Photography, formerly called Duke University Photography, was the official photographic service of Duke University. The Duke Photography Records include many of the original photographs taken by the service from the 1960s through the 2010s.

Advertising copy writer and artist who managed his own agency, Jean W. Yeager, Inc. based in Dallas, Tex. Later taught at several Waldorf Method institutions; director of the Anthroposophical Society in America. Collection spans the years 1959-2012 and includes correspondence, direct marketing printed materials, print advertisements and recordings of radio and television broadcast commercials and public service messages that document Yeager's career producing advertising primarily for companies based in Texas. Examples of Yeager's original art are also included. Formats include audio- and videocassettes, audio reels and 16mm films. Companies represented include 7-Eleven, Coca-Cola, Frito-Lay, Radio Shack, Republic Health Corporation, Schenley, Southland Corporation, and Sterling Optical. The collection also touches on Yeager's involvement with the Anthroposophical Society and related enterprises, including Waldorf Method schools such as the Kimberton Waldorf School in Detroit. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Youth Document Durham and Durham Works were programs sponsored by Duke University and the Center for Documentary Studies that brought together young people ages 12–16 from diverse Durham communities to document their lives, local history, and contemporary social issues through photography, oral history, and narrative writing. The Youth Document Durham and Durham Works project records span the years 1995-2008 and document the process of training young people in Durham, North Carolina schools to use photography and other arts, oral histories, and writing to record the history and members of their communities and the local issues affecting the students' lives. Many of the students are African American or Hispanic and their topics often highlight social conditions and race relations in African American and Hispanic communities in Durham neighborhoods and in a few other locations, including South Carolina. Topics explored by participants, both interviewers and interviewees, include crime, food cultures, jobs and education, music, racism, technology, teen violence, work cultures, and tobacco cultivation and its social context. The bulk of the collection is made up of hundreds of oral interviews conducted by junior high and high school students with community members, documented through audiocassette recordings, photographs, writings, and some transcripts, but there are also many program publications, project curricula, and administrative records for the program from its beginnings through 2008. There is also a database created by Center for Documentary Studies staff that records the complete information for each interview, including descriptive notes on certain interviews. This data also contains restricted information. For access to this database, please consult with a reference archivist. Acquired as part of the Archive of Documentary Arts at Duke University.

As of 2005, the Nicholas School of the Environment and Earth Sciences at Duke University offers two master's degree programs: Master of Environmental Management (MEM) and Master of Forestry (MF). Both degree programs require students complete a master's project that presents an in-depth or quantitative analysis of a problem related to the students' particular focus area. Collection contains printed, bound master's projects. Materials range in date 1933-2005. Master's Projects for 2005 are held in the Nicholas School office. English.

The Methodist Student Center was constructed in 1957 to serve the spiritual and social life of the then 1,250 Methodist students attending Duke. The materials in the collection include two serials The Crusader and Methodist Student Movement, as well as, clippings, programs, brochures, reports and other printed material. The collection ranges in date from 1947-2000 with the bulk items dating 1954-1966.

Media Services (also referred to as Duke Studios) provided broadcast quality media production services to all parts of the Duke University community. Its services included video and audio production and post-production (including event documentation), project design, production equipment rentals, tape duplication, custom CDs and DVDs, and computer graphics and animation. Collection includes audio and video recordings of campus events, programming produced for various university offices and departments, and musical recordings. Campus events include basketball, football, the inaugurations of presidents Richard Brodhead, Keith Brodie, and Nannerl Keohane, dedication of the Doris Duke Memorial, the retirement and funeral of Terry Sanford, events related to September 11, 2001, a remembrance of Benjamin N. Duke, and commencement ceremonies. Authors, scholars, and other notable people represented include John Hope Franklin, Jesse Jackson, Reynolds Price, Ronald Reagan, Elie Wiesel, Billy Graham, C. D. Wright, Gerald Barrax, Elizabeth Cox, Tim McLaurin, Eric Meyers, Orrin Pilkey, and Alex Roland. Musical recordings include the Duke University Concert Band, Dan Locklair, and 1980s rock band the X-Teens.

Allan Troxler (1947-2025) was an artist, author, and dance instructor from Durham, N.C. Troxler's collection consists of his artwork, family history, and writings, as well as the archives of his lifelong partner, Carl Wittman. Carl Wittman's archives include his diaries, letters, and writings on civil rights and gay liberation. The collection also contains materials documenting the Durham (N.C.) arts scene, English country dance, AIDS in the gay community, and Troxler's collection of materials from Catherine Nicholson.

The Center for Multicultural Affairs began as the Office of Black Affairs in 1969 to address the needs of the African American student population at Duke University. As the Center for Multicultural Affairs, the department's mission is to foster a welcoming environment, support all students in becoming engaged members of the Duke community, and to promote community engagement. The collection contains a variety of administrative materials, including reports, correspondence, minutes and programs, documenting the directives and activities of the Office of Black Affairs, the Office of Minority Affairs, the Office of Intercultural Affairs, and the Center for Multicultural Affairs. Also included are materials pertaining to the Summer Transitional Program, which was established in 1969 and managed by the Office of Minority Affairs.

Kristine Stiles is the France Family Professor of Art, Art History & Visual Studies at Duke University. Her main field of research is contemporary art with a focus on experimental practices, as well as representations of destruction, violence, and trauma in art. The collection includes Stiles' personal and family papers; materials documenting her study of art and artists, particularly contemporary and modern artists; writings, talks, projects, and teaching files; and other materials including correspondence, photographs, and audiovisual items. Together, the materials in this collection document Stiles' study and teaching of art and art history; her scholarly interests in violence, destruction, and trauma in art; her relationships with artists around the world; and her personal life. Artists represented in this collection include Chris Burden, Lynn Hershman, Allan Kaprow, Gustav Metzger, John Latham, Jean-Jacques Lebel, Yoko Ono, Raphael Montañez Ortiz, Dan and Lia Perjovschi, Carolee Schneemann, Wolf Vostell, and many more.

Feminist and author. The Sallie Bingham Papers provide rich documentation of the personal life, literary development, and philanthropic activities of Sallie Bingham, feminist and writer. The papers, dated 1900-2011, with the bulk of the materials dating from the 1940s to 2011, are comprised of correspondence, speeches, writings, subject files, personal papers, diaries and notebooks, legal and financial papers, audiovisual recordings, and photographic media. Included also are some records of The Kentucky Foundation for Women, a philanthropic organization founded by Bingham; The American Voice, a literary journal founded by Bingham and published under the auspices of The Kentucky Foundation for Women; and Santa Fe Stages, a regional theater founded by Bingham. Arranged into the following series: Audiovisual Materials, Correspondence, Diaries and Notebooks, Kentucky Foundation for Women, Legal and Financial, Miscellaneous, Photographs, Poetry, Santa Fe Stages, Speeches, Subject Files, Writings, and Oversize Material, with the Writings, Diaries and Notebooks, and Correspondence Series composing the bulk of the collection. Multiple additions have been added since the collection was processed; these are represented at the end of this finding aid.

Will Grossman was a 20th century documentary photographer based in Durham, North Carolina. The 80 black-and-white images in the collection chiefly document Durham County and the city of Durham in the 1970s. There are also 488 negatives, as well as a set of 16 inkjet exhibition prints and an exhibit poster from 2006. Grossman's subjects include barns and rural landscapes; houses and churches; tobacco warehouses, a cigarette factory, and other industrial buildings; tobacco workers and other portraits of individuals, including many African Americans; scenes along the Eno River; and the Durham County Fair. A few images are from Orange County, N.C. Acquired as part of the Archive of Documentary Arts at Duke University.

The Full Frame Documentary Film Festival is the largest film festival in the United States entirely devoted to documentary film. Originally the DoubleTake Documentary Film Festival, it is an international event dedicated to the theatrical exhibition of non-fiction cinema, held annually since 1998 in downtown Durham, North Carolina. Typically, more than 100 films are screened, along with discussions, panels, and workshops fostering conversation between filmmakers, film professionals and the public. The Full Frame Archive was created in 2007, as a partnership between Duke University and Full Frame. The Full Frame Archive Film Collection comprises preservation masters of documentary films that won awards at the Full Frame Film Festival between 1998 and 2012. Formats include 35mm film, 16mm film, Digital Betacam cassette, HDCAM cassette, Betacam SP cassette, and DVD. In addition, there is a complete set of festival program books. The films vary widely in topic and style, with a predominant emphasis on human rights issues; all of the films deal with social issues in one way or another. The collection is organized chronologically, by festival year, and acquisitions are ongoing.

Stephen Cannada Harward served on the Durham City School Board for 12 years in the 1960s and 1970s. During this time, the Durham city and county school districts were desegregated following a series of court mandates beginning in 1963. The collection contains memos, bulletins, reports, evaluations, minutes, agendas, educational and administrative guides and handbooks, court documents, financial statements and budgets, correspondence, clippings, printed materials, and maps pertaining to the activity of the Durham City School Board. The papers span the years 1949-1975 and document the daily workings of the Durham City School Board chiefly between the years 1963 and 1975, with a special focus on the process of desegregation during that time. It contains no personal papers of Stephen C. Harward.

The photographs and papers of documentarian Rob Amberg span the years 1975-2009. The gelatin silver prints and pigmented inkjet color prints in the collection represent three bodies of work: The New Road: I-26 and the Footprints of Progress; The Sodom Laurel Album; and The Vanishing Culture of Agriculture. Amberg focuses primarily on the social life and customs of the rural South, especially in the mountains of his home state of North Carolina. Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century. Amberg's papers account for the rest of the collection and are organized into five series: Correspondence, Printed Materials, Subject Files, and Writings and Research, and Audio. Acquired as part of the Archives of Documentary Arts at Duke University.

Jesse Pyrant Andrews is an American photographer based in rural southern Virginia. Collection comprises 310 black-and-white photographs and 50 oral history interviews by photographer Jesse Pyrant Andrews, documenting rural and small-town life in the Piedmont region of Virginia and North Carolina. Major themes center on the landscapes and people of the region; tobacco cultivation; the lives of farmers, war veterans, small business owners, and laid-off workers; local architecture and historic sites; traditional crafts and music; and new patterns of economics and society in rural Virginia. Andrews's Veterans Project has become a larger focus over the years; it now comprises over 30 portraits and associated audio interviews, chiefly with veterans of the Vietnam and Gulf Wars. Additional projects include materials related to the Carter-Wooding families of southern Virginia; views from an Amtrak train; views of an historic plantation home, Mountainview; and street scenes and portraits taken in New York City, California, and Massachusetts. Acquired as part of the Archive of Documentary Arts at Duke University.

Kenneth Arrow (1921-2017) was a Nobel Prize winner and the Joan Kenney Professor of Economics and Professor of Operations Research, Emeritus at Stanford University. This collection consists of his correspondence, research, writings, and other materials documenting his political and personal interests, as well as his collaborations and professional affiliations across the fields of economics, mathematics, public policy, and international relations. It forms part of the Economists' Papers Archive.

The collection houses the personal and professional papers of Josiah William Bailey (1873-1946), Baptist layman, Raleigh attorney, and United States Senator. Chiefly consists of correspondence and print material, as well as smaller amounts of financial records, clippings, volumes, broadsides, photographs, and memorabilia dating from 1833 through 1967, with most items dating from 1900 through 1946. The collection documents Bailey's family, personal, religious, and professional life. Generally, papers prior to Bailey's election to the U.S. Senate in 1931 reflect North Carolina's legal, political, religious, agricultural, social, and economic issues. After 1931, material chiefly pertains to national affairs. Significant topics include: state and national elections and campaigns in the 1920s and 1930s; national defense and the military; veterans; the effects of the Depression on southern states and the U.S. economy and society in general; labor issues; Prohibition; the court system; taxation; the development of the Blue Ridge Parkway and other parks; agriculture in the Southern States; and the New Deal of the Roosevelt Administration. Legal papers offer a sample of case files from Bailey's law office, including a 1920s case involving W.V. Guerard of the Klu Klux Klan. Outgoing personal correspondence contains many references to national and regional issues as well as personal exchanges.

New York-based advertising agency formed in 1985 by the merger of the Benton & Bowles and D'Arcy-MacManus and Masius advertising agencies. In 2002 the agency closed upon acquisition by French company Publicis. Collection includes memoranda; correspondence; reports; corporate publications; marketing research reports; manuals; employee reference material; press releases; a press book; speeches; clippings; photographs and negatives in color and black-and-white; films, video and sound recordings, and DVDs; book manuscripts; financial papers; and a scrapbook. The collection documents the history of Benton & Bowles advertising; the merger of the D'Arcy MacManus Masius and Benton & Bowles companies; the early careers of William Benton and Atherton W. Hobler; employee training, recruitment, and management; corporate publications; and marketing research. Clients represented include the Procter & Gamble Company, General Foods Corporation, Allied Chemical Corporation, Avco Corporation, Colgate Palmolive Co., Florida Citrus Commission, International Business Machines Corporation, and West Point Pepperell. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.