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The collection contains correspondence and other papers relating to Mrs. Barton's activities in the Protestant Episcopal Church in her home town of Winchester, Va., and on the state level. There are also letters from her husband, Robert Thomas Barton, lawyer and state politician, discussing political matters in Virginia, the stationing of troops along the Mexican border during Woodrow Wilson's first administration, and Wilson's election campaign of 1916. Other correspondents include Philip Alexander Bruce, Lucian Carr, Robert Atkinson Gibson, and Marie Elizabeth Jeffries Hobart.

The James H. Pou Bailey Papers span the years 1901 to 1970 with the bulk of the papers dating from 1948 to 1965. The Law Practices: Clients Series (CLOSED), which contains papers relating to specific clients in his law practice, comprises the bulk of the collection. The papers also document Bailey's political interests and pursuit of political office, financial and legal matters pertaining to himself and family members, and his involvement in civic organizations. These concerns are documented by the Correspondence, Subject Files, Legal and Financial Papers, and Writings and Speeches Series. While the collection contains a few speeches to various organizations and civic groups, there are not as many as one might expect from a person who ran for the North Carolina State Senate three times and held the office for two terms (four years). Also, there are not many papers relating to his tenure as Judge of Superior Court from the 10th Judicial District.

Collection consists of original black and white prints (thirty-nine 11x14's and one 8x10) and original color prints (thirty-one 11x14's) taken by Bamberger documenting the closing of the White Furniture Company of Mebane, N.C. These are the original prints used in the production of the book Closing: The Life and Death of an American Factory (1998) by Bamberger and Cathy N. Davidson. There are also proofs, primarily 3x5 machine proofs and 8x10 proofs of images selected as firsts, alternates, and seconds for the book; and related materials. Also included is a dummy of the book.

The British-American Tobacco Company, Ltd., was established in 1902 by an agreement between the Imperial Tobacco Co. of Great Britain and its rivals, the American Tobacco Co. and its associates. These firms divided the world's market for manufactured tobacco products, and British-American took over trade with those territories not reserved to Imperial and American, that is, the export business everywhere outside Great Britain, Ireland, the Isle of Man, Cuba, and the U. S. and its overseas dependencies. Ownership of British-American was divided between its parent companies, American holding substantially two-thirds of the stock. The headquarters was located in London, England, and the office at 111 5th Ave. in New York City handled the purchase of leaf and manufacturing in the U. S.

The Richard Bausch Papers, 1965-1998, document the career of the American novelist and short story writer through personal and professional correspondence, manuscripts of published and unpublished works, and printed materials. The Correspondence Series begins in the 1960s with mainly personal letters, but by the 1970s begins to document Bausch's emergent writing career, including mention of his work on early short stories and his acceptance to the Iowa Writers' Workshop. From that point on several prominent American writers and literary figures appear, including frequent correspondence at various times with Charles Baxter, Frederick Busch, Richard Ford, George Garrett, Gordon Lish, William Maxwell, and C.K. Williams; Bausch's agent, Harriet Wasserman; and his twin brother, novelist Robert Bausch. Prominent though less frequent correspondents include Fred Chappell, Alan Gurganus, Barry Hannah, and Jean Thompson. The Writings Series documents the development of Bausch's novels and story collections and consists mainly of typescripts and various stages of proofs. Although most are fair copies or only moderately hand-corrected, the sheer number of versions documents the process of creation. Of special note in this regard are the novels Rebel Powers and Violence. Two smaller series, Printed Materials and Writings by Others, make up the remainder of the collection. Highlights of the latter series include a copy of Bob Balaban's screenplay for the Bausch novel, The Last Good Time, and typescripts of several early stories by Gurganus dating from the 1970s.

This collection documents the professional and creative life of writer and teacher Robert Bausch. Materials include handwritten, typed, and electronic (computerized) drafts of published and unpublished novels and essays, including The Gypsy Man, On the Way Home, Almighty Me, For God's Sake, and A Hole in the Earth; galleys and corrected proofs of his published novels; incoming andoutgoing correspondence--including copies of electronic mail--with writers, editors, readers,students, and family; a few typescripts of works by others; book and movie contracts and royalty statements; andaudiocassette tapes of Bausch's class discussions and readings by authorsGeorge Garrett, Bausch, and Bausch's twin brother Richard Bausch.