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The Salber Papers span the years 1937 to 1990, with the bulk of the papers dating from 1967 to 1990. The collection contains correspondence; financial papers; writings and speeches; clippings; photographs, many by Dominic D'Eustachio; reports; minutes; scrapbooks; training manuals; student papers; printed material; and lecture notes chiefly relating to Salber's publications, teaching career, and work as a community health physician. Publications highlighted include Caring and Curing(New York, N.Y., 1975) ; Don't Send Me Flowers When I'm Dead (Durham, N.C., 1983) , containing interviews with the rural elderly in Durham County, N.C.; and The Mind is Not the Heart(Durham, N.C., 1989) . Her work in the community health field is documented primarily in her writings, the papers about the Martha M. Eliot Family Health Center, and the Health Facilitator Program, which was administered through the Duke University Medical Center Department of Community and Family Medicine. Outgrowths of the Health Facilitator Program are featured in the information about the Health and Human Services Program of the General Baptist State Convention of North Carolina. Other topics include smoking research among young people, teacher and student relationships, and the financing of community health service projects. The collection contains few personal papers and little information about Salber prior to 1967. Explanatory notes by Salber scattered throughout the collection offer insights rarely available in manuscript collections.

The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

The Paul-G. Siebel Papers contain correspondence, memoranda, speeches, and other documents spanning the years 1968 to 1975. The bulk of the material in the collection dates from Siebel's tenure as Geschäftsführer (General Manager) of J.Walter Thompson's Frankfurt Office from 1969 through 1975. The Siebel Papers mostly concern relations with the advertising industry. As media director of JWT Frankfurt (a position he held simultaneously with that of Geschäftsführer), Siebel corresponded with members of the industry as well as the media; as JWT Frankfurt's representative to organizations such as the GWA (Gesellschaft der Werbeagenturen [Association of Advertising Agencies]), he attended meetings within the industry and discussed a variety of advertising and political subjects. Other topics documented in the collection include media planning, account direction, production of advertisements, and business management JWT Frankfurt. The Organizations Series, relating to Siebel's participation in advertising groups, comprises one-half of the collection. Other series include the Non-Frankfurt JWT Offices; Correspondence; Memoranda/Haus-Mitteilungen; Clients; Media; Other JWT Frankfurt Departments; Euuropean Media Manager; and Organizations Series. The majority of items in the collection, approximately 80 percent, are in the German language, with the remainder in English.

The papers of George Black, former advertising executive of the J. Walter Thompson Company, span the years 1968 to 1989, with the bulk of the material dating from 1972 to 1988. The papers document Black's activities during his tenure as Creative Department Head in the 1970's and then as Chairman of JWT-Frankfurt from 1976 to 1988. During the 1980's, Black presided over an expansion of business in the German Speaking Area (GSA) which included the opening of new offices in Hamburg and Düsseldorf; the establishment of JWT divisions for pharmaceutical advertising (Deltakos) and direct marketing (JWT-Direkt); and the British WPP Group's leveraged buyout of JWT in 1987. General trends and events reflected in the papers include the increasing globalization of clients and markets, the world energy and financial crises of the 1970's, JWT's international expansion and business management worldwide. Specific topics documented include ethical and legal issues surrounding children and advertising in Germany; the production of film and print advertisements for current and prospective clients; Black's membership in professional organizations such as European Association of Advertising Agencies (EAAA) and the Art Directors Club of Germany; Black's participation in JWT international strategic planning groups, with emphasis on Europe and the GSA; promotions and management changes within JWT; and special events and seminars for JWT international staff and clients. The collection consists of correspondence, memoranda, manuscripts, reports, photographs, press releases, speeches, overhead transparencies, agendas, invoices and receipts, contracts, newsletters, articles, advertisements, and collateral literature. Correspondents in the collection include media and management consultants, artists and producers, current and prospective clients, persons affiliated with various agencies, publications, and organizations, and JWT executives such as David Campbell-Harris (JWT-Milan), Jack Cronin (JWT-New York), Peter Horak (JWT-Zürich), Don Johnston (JWT-New York), Denis Lanigan (JWT-London), Eilika Schmidt-Roessler (JWT-Brussels), Alfred Tiefenbrunner (JWT-Vienna), and Hakan Verner-Carlsson (JWT-Stockholm). Clients well-documented in the collection include Braun, Campari, DeBeers, Elida Gibbs, Ford, Jacobs, Kellogg, Kraft, Lever-Sunlicht (Unilever), Nestle, Singer, Pepsi, Warner-Lambert, and Wick.

The papers of Wendell Holmes Stephenson span the years 1820-1968, but the bulk of the materials date from 1922 to 1968. They consist of correspondence, writings and speeches, research and teaching material, and subject files. The collection primarily concerns Stephenson's career as a university professor, historian and author, and editor of historical journals. His field was Southern history but included American history, and his interests spanned the colonial period to the 20th century.

The collection consists of film footage (sync reels, workprint reels, stock footage, research tapes, etc.) created in the making of the film Clear Pictures, a documentary on Reynolds Price by Charles Guggenheim. Interviews of friends and colleagues were recorded, as well as of Price himself, documenting his range of activity and long literary career. A few paper files and electronic data are also included. See the Reynolds Price Papers also in this repository. The addition (2 items; dated January 23, 1990) contains two 3/4" U-matic videocassette tapes.

The Parapsychology Laboratory records span the years 1919-1984, with the exception of an 1893 letter written by Richard Hodgson, Secretary of the American Society for Psychical Research, to William James. Included are personal papers of J. B. Rhine, J. G. Pratt, L. E. Rhine and other Laboratory staff, as well as professional correspondence, research records, legal and financial papers, clippings, and photographs. Over half the collection is represented by correspondence, and about a third of it by research files. Included are editorial files (1942-1959) of Dorothy Pope, Managing Editor of the Journal of Parapsychology, and papers (1957-1963) relating to the tenures of Rhea White and J. G. Pratt as officers of the Parapsychological Association.