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Poet, essayist, translator, publisher, activist, and performing artist; owner and editor of New Native Press in Cullowhee (Jackson Co.), N.C. Crowe's collection contains correspondence with other writers, friends, and relatives; manuscript and printed versions of works by Crowe and others; poetry notebooks; publicity materials; photographs; audio cassettes and other media; New Native Press records; and other items. Other poets represented include Wendell Berry, Robert Bly, Lawrence Ferlinghetti, Allen Ginsberg, Joy Harjo, David Meltzer, Philip Daughtry, Neeli Cherkovski, Gary Snyder, Bobi Jones (Welsh), Jack Hirschman, Ken Wainio, Dianna Henning, John Lane, and Joe Napora. There is documentation regarding Crowe's music, including collaborations with Nan Watkins. There is also material regarding San Francisco intellectual circles and the International Poetry Festival held there, as well as correspondence concerning activism regarding a wide range of political and social issues. Acquired as part of the George Washington Flowers Collection of Southern Americana.

Collection contains records of the Duke University Union (est. 1954), a student-run organization at Duke University, concerning all manner of operations and events sponsored by the Union. Within the collection are records related to student life at Duke, symposia put on by the Union, and social and academic events sponsored by the Union. The collection also contains numerous scrapbooks documenting Union events, members, and history from the 1950s through the mid-2000s.

Major Attractions is a committee of Duke University Union. Its purpose is to present major events of contemporary entertainment with an emphasis on popular music. The collection contains files about attractions and artists brought to the Duke Campus by the Major Attraction committee. Materials present include administrative documents including annual reports, budgets, and policy notices, correspondence, committee minutes, performance contracts, hospitality/technical riders, publicity materials, and clippings. Dates in the collection range from 1957-1995.

The Acme Advertising Collection is one of the collections created by Professor Richard Pollay in the History of Advertising Archives (Faculty of Commerce, Sauder School of Business, University of British Columbia). The collection was motivated by the observation that Acme named enterprises are characteristically small ventures that represent the grass roots of local and regional economies. At the same time, the ubiquity of the Acme brand name has made its way into popular culture, where it has become an icon for independent business in general, featured in print cartoons from artists such as Gary Larson (The Far Side) and G.B. Trudeau (Doonesbury), and in the Warner Bros. animated Road Runner features. Items in the Acme Collection come from a variety of sources. Many items were donated to Dr. Pollay, but the majority were acquired by Dr. Pollay himself over several decades. In earlier years items were found in shops, flea markets, and antique stores across North America. However, in recent years most items were acquired through the internet auction site, eBay (www.eBay.com). The Acme Advertising Collection dates from the 1850s through 2006 and consists of approximately 3000 items from over 900 distinct companies and producers, primarily of U.S. or Canadian origin, all bearing the brand name Acme. The collection contains a diverse array of items, both three-dimensional and printed materials, including: promotional items and memorabilia; trade cards; business cards; magazine tear sheets; catalogs; newspaper clippings; signs; displays; writing instruments; rulers; clothing; toys and games; school and office stationery supplies; photographs and slides. A number of corporations are represented in the collection, including: Acme Bail Bonds; Acme Boots; Acme Brick Company; Acme Harvester; Acme Markets; Acme Motor Truck Company; Acme White Lead and Color Works; Duane H. Nash, Inc.; Lautz Bros. and Company; and Warner Bros.

Cipe Pineles was an Austrian-born Jewish artist noted for innovations in magazine design, illustration and typography, based primarily in New York. Collection includes correspondence, photographs, drawings and illustrations and other design work, paintings, advertising and promotional materials, drafts of manuscripts, recipes, financial records and other printed materials that document Pineles's professional and private life, including correspondence and service orders during World War II. Collection also includes materials relating to a number of individuals: Ben Shahn, Carol Burton Fripp, Edward Sorel, Jay Leyda, John Alcorn, Mehemed Fehmy Agha, Sidney Meyers, Will Burtin and William Golden. Institutions represented in the collection include Alliance graphique internationale, American Institute of Graphic Arts, Art Directors Club, Harvard Graduate School of Design, Lincoln Center, Parsons School of Design and the Pratt Institute. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection comprises the entirety of William Gedney's photographic career, beginning with his student years at Pratt Institute in the 1950s to his early death in 1989. The materials reveal Gedney's intense and meticulous dedication to his work, and his interest in street photography, portraiture, night photography, and the study of human nature. His earliest serious project was undertaken in Kentucky, where he stayed with a coal-miner's family for several weeks in 1964 and again in 1972. His work took him across the U.S. several times, with extensive photographic projects in Chicago, Detroit, Pennsylvania, South Dakota - particularly the Rosebud Sioux Indian Reservation, and southern and northern California. During these trips, as well as in New York City, he also photographed well-known composers. Fascinated by human group dynamics, he photographed parades, hippies and other street people, and crowds. He also traveled to Kolkata (Calcutta) and Varanasi (Benares), India, England, Ireland, Paris, and Amsterdam. The collection offers roughly 76,000 unique images represented by the over 2000 contact sheets, with over 19,000 selected images in the form of work prints and 1466 exhibit-quality large prints. Other formats include slides, a complete set of master negatives, and personal snapshots. The breadth of these materials offers deep insights into Gedney's editorial process and artistic vision. Additional perspectives on his life and work can be found in his many notebooks and journals; artwork; handmade books; correspondence files; financial, legal and medical records; memorabilia; audiocassettes; and teaching materials. Acquired as part of the Archive of Documentary Arts at Duke University.

The Gotham Inc. advertising agency was established by the Interpublic Group in 1994 as an independent agency of the global marketing services holding company. Gotham Inc. is one of New York's leading integrated communication agencies. The Gotham Inc. Records contain primarily video and print advertisements created for clients by Gotham's predecessor companies Daniel & Charles and Laurence, and Charles, Free & Lawson. The materials span 1967-1997 and include videocassettes, slides, magazine and newspaper advertisements, and memorabilia as well as agency brochures and limited general information. Clients represented in the collection include: Bristol-Myers (Ban, Bufferin, Comtrex); Clairol (Herbal Essence, Infusium); Dial; Drackett (Endust, Renuzit, Vanish); GAF Corporation; Ross Laboratories (Ensure, Selsun Blue); Thompson Medical (Cortizone, Dexatrim); and American Home Food Products. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Anne and Frank Warner were folklorists and folk song musicians. The Frank and Anne Warner collection documents the Warners' collecting, recording, and producing music and publications associated with traditional American folk music culture, primarily from along the eastern seaboard areas, in the Appalachian Mountains of western North Carolina, and as far as New Hampshire to the north. Also includes items relating to the Warners' work for the YMCA. Materials include correspondence, subject files, folk music materials, sound and moving image recordings, articles and other writings, posters. Includes several hundred photographs and some negatives with images of the Warners and folk musicians, particularly the Hicks and Profitt families at their homes in N.C. Significant correspondents comes from the American Folklore Society, the Library of Congress, YMCA, and individuals William Rose Benet, Carl Carmer, Wayland Hand, Alan Lomax, Carl Sandburg, Pete Seeger, and folk musicians.

The German broadsides collection spans the years 1870-1990, with the majority of items dating from the 1920s. Broadsides (single-sided announcements and texts) predominate, but there are also several diplomas, leaflets, handbills, campaign publications, political brochures, propaganda posters, and other ephemera documenting the political, economic, and social conditions in Germany, Eastern Europe, Russia, and China, particularly during the Weimar Republic. Many of the broadsides relate to elections during the 1920s and the legacy of World War I as well as the political implications of women's suffrage during that time. Political parties represented include the Socialist Party, the Communist Party, the German Democratic Party, and the German National People's Party, as well as several smaller parties. The majority come from cities across Germany, with Leipzig and Berlin strongly represented. Additional materials include Allied propaganda leaflets and Holocaust exhibition posters, as well as materials relating to the assassination of German Foreign Minister Walther Rathenau in 1922, and several diplomas, 1870-1924 relating to the Von Baudissin family. Closely related to the German Newspaper Clippings Collection.

Ben Alper is an artist based in North Carolina. His series, An Index of Walking, won the 2015 Archive of Documentary Arts Award for Documentarians Working in North Carolina. An Index of Walking is a yearlong photographic project that explores the enigmatic intersection of memory, place, geography, and perception. Taken along the same daily walk in his neighborhood, the photographs depict the commonplace objects and spaces that comprise what could be any typical suburban area. Alper writes that "My walks have been a vehicle for exploration, contemplation, and looking; they have provided a structure in which to engage with the place in which I currently live." Collection acquired as part of the Archive of Documentary Arts (Duke University).