Search

The collection consists of film footage (sync reels, workprint reels, stock footage, research tapes, etc.) created in the making of the film Clear Pictures, a documentary on Reynolds Price by Charles Guggenheim. Interviews of friends and colleagues were recorded, as well as of Price himself, documenting his range of activity and long literary career. A few paper files and electronic data are also included. See the Reynolds Price Papers also in this repository. The addition (2 items; dated January 23, 1990) contains two 3/4" U-matic videocassette tapes.

The collection reflects Weinmann's extensive research in the history of Viennese music publishing and is a resource for study of publishing firms in Vienna as well as documenting Weinmann's bibliographical research. The Music Series includes title pages and parts of arrangements, focusing on Viennese publishers and composers, including Georg Druschetzky, Joseph Haydn, Johann Baptist Vanhal, Johann Josef Rösler, and Ferdinand Kauer, as well as Johann Sebastian Bach. Included in the Writings and Speeches Series are manuscript drafts of works related to Weinmann's bibliographies (published in the Beiträge zur Geschichte des Alt-Weiner Musikverlages) as well as bio-bibliographical and historical works. The series also documents Weinmann's study of 19th century Viennese publishing firms including Artaria and Company, Giovanni Cappi, Leopold Kozeluch, Franz Anton Hoffmeister, Carlo and Pietro Mechetti, Tranquillo Mollo, Ignaz Sauer, Johann Traeg, and Thaddäus Weigl. Series includes research by Weinmann's brother, Ignaz Weinmann, on Franz Schubert.

The records of the Harriet Wasserman Literary Agency span the dates 1948-1993, with most of the records dating after 1974. The records dated prior to 1981, when the agency was formed, are those of writers who were Wasserman's clients when she was employed at the Russell and Volkening agency and stayed with her when she formed her own agency. The collection documents the careers of individual writers and in doing so indicates the varied activities of a major literary agency: preparation and submission of manuscripts, negotiation of contracts, handling of foreign and reprint rights, publicity, and the differing ways affairs are handled for lesser known or beginning writers and for major authors. Among the more prominent American fiction writers included are Richard Bausch, Saul Bellow, Frederick Buechner, Oscar Hijuelos, Josephine Humphreys, Ruth Prawer Jhabvala, Alice McDermott, and Reynolds Price. In addition, records about historian George F. Kennan and philosopher and historian Allan Bloom are included. The correspondence is primarily about professional matters, although some sense of the personal relationships between the agent and the more prominent clients can be gleaned.

The Jane L. Berdes Collection (1525-1993) has as its focal points the four Venetian welfare institutions known as the Ospedali Grandi and their role as providers of musical training for girls and women. The inclusive dates for the collection begin with the dates of primary materials Berdes collected and extend through her lifetime. The collection consists primarily of Berdes's research notes and materials on the Ospedali Grandi, and photocopies or microfilms of primary sources, including musical scores in manuscript and printed editions. It also contains correspondence, photographs, recordings and printed materials. Berdes identified the maestri of the Ospedali Grandi, the music performed, and the names of over 800 women who were members of the cori , but relatively little is known about them individually with the exception of Maddalena Lombardini Sirmen. In addition, the collection features general materials pertaining to other women in music throughout history. The user is advised that some photocopies are unattributed and, where Berdes did not indicate composer or author, no attempt has been made to provide one. The archive contains very few of Berdes's personal papers.

The collection contains primarily correspondence and greeting cards, including correspondence with John Craig Wheeler (considered the father of "black holes") on parapsychology and its intersection with theoretical physics. Also includes news clippings and scrapbooks documenting McMahan's life; illustrations she made describing her travels aboard Pacific-traveling cargo ships; several of her self-published children's books; and compilations of her cartoons from "The Meadowlark, " a newsletter published by Carolina Meadows, a retirement community in Chapel Hill, N.C. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Accession 2002-0149 (778 items, 22.0 linear feet; dated 1971-2001) contains files of abortion, pregnancy, and hysterectomy malpractice cases in which Crist served as a consultant or codefendant along with the Crist Clinic. There is also printed material on reproductive topics. Also includes 2 VHS videocassettes; 6 color slides; 30 black-and-white and 2 color photographs. Addition 2003-007 (67 items, 7.3 linear ft.; undated) is composed of 16mm films used by "Crist Clinic Audio Visuals" in health education programs (undated). The clinic also offered the films for sale or rent to educators, students, doctors, parents, and others. The majority of the films focus on sex education for children and teenagers. Topics include puberty and menstruation, sex and sexuality, sexual orientation, lifestyle choices, and sexually transmitted diseases. Other topics include abortion; pregnancy and childbirth; infant care and nutrition; marriage and parenting; and drug and alcohol abuse.

The Edgar Hatcher Papers, 1952-1992, document Hatcher's career as a copywriter and creative director for several major advertising agencies, including G.M. Basford Co.; Benton and Bowles; Ogilvy, Benson, and Mather; Kenyon and Eckhardt; Batten, Barton, Durstine, and Osborn's San Francisco office; McCann-Erickson; and J. Walter Thompson Company. The collection provides an overview into oil company advertising and the development of advertising in several firms from the 1950s through the early 1990s. Materials include reports, correspondence, memoranda, scripts, storyboards, collateral literature, notes, photographs, audio and video tapes, films, and cassette recordings which document the creative development of print, radio and television advertising for various clients. Clients represented include General Electric, Air Reduction Co., Chemical Manufacturer's Association, IBM, Shell Oil, Maxim Freeze Dried Coffee, Ford and Lincoln Mercury, Chevron Oil, Exxon/Esso, Campbell's Soup, Advertising Council, National Council on Productivity and Quality of Working Life, Savings and Loan Foundation, Eastman Kodak, and Beechcraft.

Chiefly family and professional correspondence, but also printed material, writings and speeches, scrapbooks, diaries, clippings, and photographs. The collection primarily pertains to the Farrar family and to Preston C. Farrar. Much of the Correspondence Series (1801-1976, undated) consists of personal letters among family members, especially written to Preston C. Farrar; his wife Edna P. Farrar; brother Samuel Clark Farrar, Jr.; sister Josephine; father Samuel Clark Farrar; and mother Ettie Farrar. However, the series also documents the careers in education of Samuel Farrar, Sr., and Preston Farrar. Business letters from Samuel Farrar concern real estate investments in Pennsylvania and New York that father and son owned jointly.