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David M. Rubenstein Rare Book & Manuscript Library

Michael Itkoff photographs, 2006-2008

1 Linear Feet (3 boxes)
The thirty 20x24 inch exhibition-quality color photographs in this collection form a body of work, entitled "Wrecked," that explores the world of American stock car racing and demolition derbies, as well as the drivers, mechanics, pit crews, and spectators who prepare for and take part in the events. The images were taken by photographer Michael Itkoff from 2006 to 2008 at speedways, fairgrounds, and garages in New York State, New Jersey, and Pennsylvania. The prints are accompanied by a video of a demolition derby, a demolition derby team t-shirt, and a safety vest. Acquired as part of the Archive of Documentary Arts at Duke University.
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Michael Itkoff photographs, 2006-2008 1 Linear Feet (3 boxes)

The thirty 20x24 inch exhibition-quality color photographs in this collection form a body of work, entitled "Wrecked," that explores the world of American stock car racing and demolition derbies, as well as the drivers, mechanics, pit crews, and spectators who prepare for and take part in the events. The images were taken by photographer Michael Itkoff from 2006 to 2008 at speedways, fairgrounds, and garages in New York State, New Jersey, and Pennsylvania. The prints are accompanied by a video of a demolition derby, a demolition derby team t-shirt, and a safety vest. Acquired as part of the Archive of Documentary Arts at Duke University.

Derby, 2009 May 31 63 minutes 3.67 Gigabytes (Quicktime MOV on DVD)

Video of demolition derby, part of Michael Itkoff's "Wrecked" series.

  1. Audiovisual resources
David M. Rubenstein Rare Book & Manuscript Library

Justin Kimball photographs, 2007-2016

2.0 Linear Feet (2 boxes)
Collection comprises 80 color inkjet prints selected from photographer Justin Kimball's projects, "Elegy" and "Pieces of String." The images were taken between 2007 and 2016 in small towns in Massachusetts, New York State, and Pennsylvania, places whose cultural fabric and economic livelihood have been deeply affected by 20th century deindustrialization. The images in the "Elegy" series depict working class neighborhoods, abandoned buildings and industrial sites, and people gathered on streets and porches, leaning out of windows, and playing ball games. The images in "Pieces of String" are of the interiors of abandoned houses and other buildings, taken as the photographer accompanied his brother, an auctioneer, to these properties; all that is left, as revealed in the images, are the artifacts of the former residents' lives, and the decay of the building and the contents within. All prints measure 13x19 inches. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

Abortion Care Network records, 2007-2012 and undated

0.3 Linear Feet 195 Items
Network of independent abortion providers, allies, and individuals; founded through the merge of the National Coalition of Abortion Providers and the Abortion Conversation Project. Collection includes founding documents, newsletters, and promotional and printed materials from the Abortion Care Network. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
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Abortion Care Network records, 2007-2012 and undated 0.3 Linear Feet 195 Items

Network of independent abortion providers, allies, and individuals; founded through the merge of the National Coalition of Abortion Providers and the Abortion Conversation Project. Collection includes founding documents, newsletters, and promotional and printed materials from the Abortion Care Network. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
David M. Rubenstein Rare Book & Manuscript Library

Richard H.L. Fowler papers, 2008-2020

0.2 Linear Feet
Richard Fowler was an advertising executive and creative director who worked at several offices of Ogilvy & Mather. Collection includes a memoir, presentation and tribute to Norman Berry, which reflect on Fowler's advertising career at Ogilvy & Mather in England. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
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Richard H.L. Fowler papers, 2008-2020 0.2 Linear Feet

Richard Fowler was an advertising executive and creative director who worked at several offices of Ogilvy & Mather. Collection includes a memoir, presentation and tribute to Norman Berry, which reflect on Fowler's advertising career at Ogilvy & Mather in England. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
David M. Rubenstein Rare Book & Manuscript Library

Nadia Sablin photographs, 2008-2014

1.5 Linear Feet (39 13x19 photographs in one box.)
This collection includes 39 photographic prints comprising the series Aunties, by Nadia Sablin, the 2014 CDS/Honickman First Book Prize in Photography Award Winner. Aunties is a series of photographs detailing the lives of two unmarried sisters living in a Russian village.
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Duke University Archives

Duke Civic Engagement records, 2008-2023

409 Megabytes 0.1 Linear Feet
The Center for Civic Engagement, currently Duke Civic Engagement, opened in 2007 as part of DukeEngage. Duke Civic Engagement coordinates and supports civic engagement activities across campus and within communities. The collection consists of reports such as the Civic Engagement inventory, Duke Civic Action Plan, and Engaging Excellence: A Report Concerning Civic Engagement at Duke University as well as promotional materials for events.
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Duke Civic Engagement records, 2008-2023 409 Megabytes 0.1 Linear Feet

The Center for Civic Engagement, currently Duke Civic Engagement, opened in 2007 as part of DukeEngage. Duke Civic Engagement coordinates and supports civic engagement activities across campus and within communities. The collection consists of reports such as the Civic Engagement inventory, Duke Civic Action Plan, and Engaging Excellence: A Report Concerning Civic Engagement at Duke University as well as promotional materials for events.
David M. Rubenstein Rare Book & Manuscript Library

Five Farms: Stories From American Farm Families photographs and oral histories, 2008-2011

1.0 Linear Feet (2 boxes; 50 color photographic prints) 61.8 Gigabytes 50 prints; 940 electronic files
The Center for Documentary Studies is a center at Duke University established for the study of the documentary process. The color photographs and oral histories in the Five Farms: Stories From American Farm Families collection form part of a multimedia project carried out under the auspices of the Center for Documentary Studies. Beginning in March 2008, photographers Alix Lowrey Blair, Andrew Lewis, Tom Rankin, Elena Rue, and Steve Schapiro, along with audio specialists Ben Adler, Rob Dillard, Camille Lacapa, Susannah Lee, and John Biewen, each visited an American farm and documented the farm families' experiences over the course of a year. The locations for the Five Farms series are: a family farm on the Hopi Reservation in northeastern Arizona; an organic farm in California's Capay Valley; a dairy farm in western Massachusetts; a diversified farm in central Iowa; and an African American-owned hog farm in eastern North Carolina. Details on each farm are found in the series descriptions in this collection guide. Acquired by the Archive of Documentary Arts at Duke University.
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Photographs, 2008-2009 2 boxes

Contains the work of five photographers whose images explore the unique environment, context, and people associated with five small family farms in Arizona, California, Iowa, Massachusetts, and North Carolina. Arranged by state, each body of work consists of one set of five 13x16" color digital prints printed on Epson Professional paper, and another set of prints in various sizes, for a total of 50 prints. Captions supplied by photographers; descriptive narratives supplied by Center for Documentary Studies exhibit staff.

Digital Sound Files, 2008-2011

These digital sound files form part of the Five Farms documentary project and total over 100 hours of recordings. They capture the thoughts, experiences, and narratives of the five families, as well as the ambient sounds and environments of their farms and other locations such as a farmer's market. Other sound files include theme music composed by Wesley Horner, and closing credits for the 2009 Public Media radio broadcast.

Five Farms: Stories From American Farm Families photographs and oral histories, 2008-2011 1.0 Linear Feet (2 boxes; 50 color photographic prints) 61.8 Gigabytes 50 prints; 940 electronic files

The Center for Documentary Studies is a center at Duke University established for the study of the documentary process. The color photographs and oral histories in the Five Farms: Stories From American Farm Families collection form part of a multimedia project carried out under the auspices of the Center for Documentary Studies. Beginning in March 2008, photographers Alix Lowrey Blair, Andrew Lewis, Tom Rankin, Elena Rue, and Steve Schapiro, along with audio specialists Ben Adler, Rob Dillard, Camille Lacapa, Susannah Lee, and John Biewen, each visited an American farm and documented the farm families' experiences over the course of a year. The locations for the Five Farms series are: a family farm on the Hopi Reservation in northeastern Arizona; an organic farm in California's Capay Valley; a dairy farm in western Massachusetts; a diversified farm in central Iowa; and an African American-owned hog farm in eastern North Carolina. Details on each farm are found in the series descriptions in this collection guide. Acquired by the Archive of Documentary Arts at Duke University.
Duke University Archives

Duke Association for Business Oriented Women records, 2008-2023

4.3 Gigabytes
The Duke Association for Business Oriented Women (Duke BOW) was founded about 2007 and is a professional and social community of female undergraduates and alumnae of Duke University which promotes education, experience, and exchange between industry professionals and students interested in business leadership. Duke BOW records include executive meeting agendas and minutes; General Body Meeting materials; event planning documents; photographs of executive board members, general members, and events; alumni correspondence; mentorship programs; the BOW Constitution; newsletters; PowerPoint presentations; resume and interview workshops; and recruitment events.
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Duke Association for Business Oriented Women records, 2008-2023 4.3 Gigabytes

The Duke Association for Business Oriented Women (Duke BOW) was founded about 2007 and is a professional and social community of female undergraduates and alumnae of Duke University which promotes education, experience, and exchange between industry professionals and students interested in business leadership. Duke BOW records include executive meeting agendas and minutes; General Body Meeting materials; event planning documents; photographs of executive board members, general members, and events; alumni correspondence; mentorship programs; the BOW Constitution; newsletters; PowerPoint presentations; resume and interview workshops; and recruitment events.

Administrative Documents, 2009-2018 0.12 Gigabytes
Digital-materials UA31100006-SET-0001

Includes Duke BOW constitution; contact lists; newsletters, Also includes event planning documents for the 2014 Google Roundtable Discussion; 2015 Nestle Brand Boot Camp; Martha Reeves Personal Finance Discussion; Bookbagging; Goldman Sachs Webinar Series; Sociology of Entrepreneurship; Dining Etiquette 101; and Networking 101. Also includes planning documents for events with Kimberly Jenkins, and Hadley Nixon.

Duke University Archives

Gente Aprendiendo para Nuevas Oportunidades (GANO) records, 2008-2023

0.25 Linear Feet 3 Megabytes
Gente Aprendiendo para Nuevas Oportunidades (GANO) is a volunteer student organization that offers free English as a Second Language (ESL) classes to Spanish-speaking adults in the Durham area, and organizes social and educational events for the Latinx community in Durham. The Gente Aprendiendo para Nuevas Oportunidades (GANO) records include annual printed and digital scrapbooks, which detail the group's activities for the previous year and include testimonials for the group's work by the student tutors and the tutees, as well as captures of the group's website from 2014-2015 and materials related to events budgets and funding.
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Gente Aprendiendo para Nuevas Oportunidades (GANO) records, 2008-2023 0.25 Linear Feet 3 Megabytes

Gente Aprendiendo para Nuevas Oportunidades (GANO) is a volunteer student organization that offers free English as a Second Language (ESL) classes to Spanish-speaking adults in the Durham area, and organizes social and educational events for the Latinx community in Durham. The Gente Aprendiendo para Nuevas Oportunidades (GANO) records include annual printed and digital scrapbooks, which detail the group's activities for the previous year and include testimonials for the group's work by the student tutors and the tutees, as well as captures of the group's website from 2014-2015 and materials related to events budgets and funding.
David M. Rubenstein Rare Book & Manuscript Library

SNCC Legacy Project records, 2010-2023

1.8 Gigabytes 0.5 Linear Feet
The SNCC Legacy Project (SLP) was founded in 2010 to preserve and extend the legacy of SNCC (Student Nonviolent Coordinating Committee). The SNCC Legacy Project records have administrative files, budget and program materials, and correspondence between board members, including Courtland Cox and Larry Rubin, documenting the activities of the SLP.
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David M. Rubenstein Rare Book & Manuscript Library

New York City newspaper daily issue hoaxes, 2009

1 Linear Feet
Collection contains two single issues of New York City newspapers printed as hoaxes. Includes a New York Times issue from July 4 whose lead story is "Iraq War Ends." There is also a New York Post issue with lead stories "We're Screwed," on climate catastrophes and public health disasters, and "World Leaders Slip on UN Summit Slope."
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New York City newspaper daily issue hoaxes, 2009 1 Linear Feet

Collection contains two single issues of New York City newspapers printed as hoaxes. Includes a New York Times issue from July 4 whose lead story is "Iraq War Ends." There is also a New York Post issue with lead stories "We're Screwed," on climate catastrophes and public health disasters, and "World Leaders Slip on UN Summit Slope."
David M. Rubenstein Rare Book & Manuscript Library

The Memory Project Oral History collection | 民间记忆计划口述史, 2009-2016

3799 Gigabytes
The Memory Project Oral History collection comprises digital video recordings and written supporting documentation of interviews spanning 2009 to 2016. The interviews were conducted by filmmakers associated with the Work Station, a film studio run by Wu Wenguang in Caochangdi, Beijing, China. Memory Project interviews were conducted with Chinese people about mid-20th century rural life, primarily experiences during the Great Famine (1958-1961), but also the Land Reform and Collectivization (1949-1953), the Great Leap Forward (1958-1960), the Four Cleanups Movement (1964), and the Cultural Revolution (1966-1976). Wu's studio in suburban Beijing, known as the Work Station, is the home for this project. More than 150 young filmmakers have joined the project, and since 2010 they have visited 246 villages in 20 provinces and interviewed more than 1,100 elderly villagers. These filmmakers, many of whom returned to their families' rural hometowns, developed new intergenerational relationships with elderly relatives. During the process of interviewing the villagers, they reconciled the official history taught in schools with each family's experiences.
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Zhang Nianhe | 张年和, 2009

Zhang Nianhe (b. 1948) a resident of Jimingqiao Village, Baiyun Town, Shimen County, Hunan Province. In this interview, Zhang recalls his experience during the Cultural Revolution. He was labeled as a counter-revolutionary and was sent to the countryside when working in the People's Hospital of Shimen County, for supporting the hospital head, Peng, who had been labeled as a capitalist roader. Later Peng became the head of the Police Department of the county, and revoked Zhang's counter-revolutionary record. The filmmaker's description of this interview has been translated into English.

  1. Hunan province | 湖南省, 2009-2016
  2. Jimingqiao Village | 常德市石门县白云乡鸡鸣桥村, 2009-2010
David M. Rubenstein Rare Book & Manuscript Library

Wendel White photographs, 2009-2019

4.0 Linear Feet (4 boxes)
Wendel White is a photographer and Distinguished Professor of Art at Stockton University in New Jersey. This photograph collection comprises two bodies of work by White that explore aspects of African American history through artifacts, archives, and 21st century landscapes. The first, "Manifest," comprises 45 24x30 inch color inkjet photographs of single objects relating to African American material culture and history, taken by White in various public and private collections throughout the U.S. Subjects in these stark images include a diary, printed notices, slavery narratives, a lock of Frederick Douglass's hair, a drum, a slave collar, a tobacco pouch, a tintype photograph, and other objects. "Manifest" is the 2015 winner of the Archive of Documentary Arts Collection Award for Documentarians of Color. The second portfolio, "Red Summer," refers to race-related violence against African Americans that took place from 1912 to 1923, with the majority occurring during the summer of 1919. It consists of 30 24x42 inch color photographs, taken by White from 2017 to 2018, at sites across the United States where violence against African Americans - assaults, riots, and lynchings - took place, paired with contemporaneous newspaper accounts of the events. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

Witness to Guantanamo Video Collection, 2009-2017

10 Terabytes (High (ProRes) and low (MP4) resolution Apple MOV files.)
One hundred fifty-three video files of interviews with 149 former detainees and others -- attornies, chaplains, guards, government officials, human rights advocates, journalists -- who witnessed the impact of the Guantanamo Bay detention center in the post-911 years. An additional 346 files, short clips extracted from the interviews featured on the Witness to Guantanamo site, are also included.
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Adil, Ahmed, 2009-08-04

Ahmed Adil, male, age 33, a Uyghur from the Xinjiang autonomous region, was detained in Guantanamo from early 2002 to May 5, 2006, when he was released to Albania. In May 2005, his Combatant Status Review Tribunal determined he was not an enemy combatant, but he was not relased until the following year.

  1. Interviews, 2009-2017

Basil, Akhtar Qasem, 2009-08-04

Akhtar Qasem Basil, male, age 34, a Uyghur from the Xinjiang autonomous region, was detained in Guantanamo from June 10, 2002 until May 5, 2006, when he was released to Albania. In 2004-2005, his Combatant Status Review Tribunal determined he was not an enemy combatant, but he was not released until the following year.

  1. Interviews, 2009-2017

Qasem, Abubakir, 2009-08-04

Abubakir Qasem, male, age 40, a Uyghur from the Xinjiang autonomous region, was detained in Guantanamo from June 8, 2002 until May 5, 2006, when he was released to Albania.

  1. Interviews, 2009-2017
David M. Rubenstein Rare Book & Manuscript Library

Eliot Dudik photographs, 2009-2010

2.0 Linear Feet (1 box)
Collection comprises 39 digitally printed color photographs selected from a project by photographer Eliot Dudik, "Road Ends in Water," which documents the expansion of U.S. Route 17 in South Carolina and the landscapes, buildings, inhabitants, and way of life in the areas affected by this highway project. Images include house interiors, churches, abandoned buildings, remains of Confederate breastworks, hunting and fishing camps, natural areas, a "hanging tree," old rice fields, and portraits of local people. The prints are sized 15x19 inches. Dudik's work received the 2015 Archive of Documentary Arts Award for Emerging Documentarians and has been published as a photobook in 2010. Acquired as part of the Archive of Documentary Arts at Duke University.
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Eliot Dudik photographs, 2009-2010 2.0 Linear Feet (1 box)

Collection comprises 39 digitally printed color photographs selected from a project by photographer Eliot Dudik, "Road Ends in Water," which documents the expansion of U.S. Route 17 in South Carolina and the landscapes, buildings, inhabitants, and way of life in the areas affected by this highway project. Images include house interiors, churches, abandoned buildings, remains of Confederate breastworks, hunting and fishing camps, natural areas, a "hanging tree," old rice fields, and portraits of local people. The prints are sized 15x19 inches. Dudik's work received the 2015 Archive of Documentary Arts Award for Emerging Documentarians and has been published as a photobook in 2010. Acquired as part of the Archive of Documentary Arts at Duke University.
David M. Rubenstein Rare Book & Manuscript Library

John Willis photographs, 2009-2011

0.5 Linear Feet (1 box)
John Willis created these six composite color images to articulate and consider the connections between photographic portraits taken by the Khmer Rouge of young people in Tuol Sleng prison in Phnom Penh, where an estimated 14,000-20,000 victims were executed from about 1975-1979, and images of deteriorating mural frescoes at the Emperor's Palace, also in Phnom Penh. The portraits are said to be of prison workers, and were exhibited in 2008 at the prison, now a genocide museum. Five of the historical photographs are portraits; the sixth shows a group of what appears to be Khmer Rouge soldiers in uniform. The photographer's images show that the original photographs on exhibit were defaced with graffiti and other marks by visitors to the museum. The neglected Emperor's Palace frescoes, whose images flank the victim's portraits in Willis' work, depict scenes from the Cambodian epic poem, the Reamker, which speaks to human issues of love, revenge, loyalty, and trust. The color inkjet prints were created from 2009 to 2011. Acquired as part of the Archive of Documentary Arts at Duke University.
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John Willis photographs, 2009-2011 0.5 Linear Feet (1 box)

John Willis created these six composite color images to articulate and consider the connections between photographic portraits taken by the Khmer Rouge of young people in Tuol Sleng prison in Phnom Penh, where an estimated 14,000-20,000 victims were executed from about 1975-1979, and images of deteriorating mural frescoes at the Emperor's Palace, also in Phnom Penh. The portraits are said to be of prison workers, and were exhibited in 2008 at the prison, now a genocide museum. Five of the historical photographs are portraits; the sixth shows a group of what appears to be Khmer Rouge soldiers in uniform. The photographer's images show that the original photographs on exhibit were defaced with graffiti and other marks by visitors to the museum. The neglected Emperor's Palace frescoes, whose images flank the victim's portraits in Willis' work, depict scenes from the Cambodian epic poem, the Reamker, which speaks to human issues of love, revenge, loyalty, and trust. The color inkjet prints were created from 2009 to 2011. Acquired as part of the Archive of Documentary Arts at Duke University.
Duke University Archives

Environmental Alliance records, 2009-ongoing

1.6 Gigabytes
The Environmental Alliance is an undergraduate student organization committed to promoting the implementation of sustainable practices at Duke University. Records consist of documents related to planned events, meeting attendance, and organization administration. Materials related to events include planning documents, photographs, and digital video.
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Environmental Alliance records, 2009-ongoing 1.6 Gigabytes

The Environmental Alliance is an undergraduate student organization committed to promoting the implementation of sustainable practices at Duke University. Records consist of documents related to planned events, meeting attendance, and organization administration. Materials related to events include planning documents, photographs, and digital video.
Duke University Archives

Duke Learning Innovation and Lifetime Education records, 2009-2024

2.3 Gigabytes (Approximately 2300 files)
Duke Learning Innovation and Lifetime Education is a source for teaching support and consulting on campus as well as continuing and online education. The Duke Learning Innovation and Lifetime Education records consist of administrative records transferred by Shawn Miller, covering 2009-2023.
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Duke University Archives

University Archives Web Archive collection, 2010-ongoing

5427.2 Gigabytes
The University Archives Web Archives Collection was compiled by University Archives staff beginning in 2010. The majority of the collection are Duke University-affiliated sites, either built on domains owned by the University or on external platforms by affiliated offices, departments, or organizations. Website snapshots include those of administrative offices, academic departments, athletic teams, public relations offices, publications, and student organizations. Also included are some websites related to individual faculty, controversies involving Duke community members, and web content related to student activism.
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David M. Rubenstein Rare Book & Manuscript Library

David Gatten film and ephemera, 2010-2012

0.2 Linear Feet (1 film; 1 pam binder)
David Edward Gatten is an American experimental filmmaker and moving image artist. Collection consists of one film reel: "Film for Invisible Ink case no. 323: ONCE UPON A TIME IN THE WEST" (dated 2010; 20 minutes, black-and-white, sound, 16mm). Also includes two copies of the catalog from Gatten's 2012 travelling retrospective of his career: "Ex Libris: Texts of Light," as well as an announcement for the 2012 premiere of his first digital film "The Extravagant Shadows". Acquired as part of the Archive of Documentary Arts at Duke University.
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David Gatten film and ephemera, 2010-2012 0.2 Linear Feet (1 film; 1 pam binder)

David Edward Gatten is an American experimental filmmaker and moving image artist. Collection consists of one film reel: "Film for Invisible Ink case no. 323: ONCE UPON A TIME IN THE WEST" (dated 2010; 20 minutes, black-and-white, sound, 16mm). Also includes two copies of the catalog from Gatten's 2012 travelling retrospective of his career: "Ex Libris: Texts of Light," as well as an announcement for the 2012 premiere of his first digital film "The Extravagant Shadows". Acquired as part of the Archive of Documentary Arts at Duke University.
David M. Rubenstein Rare Book & Manuscript Library

Frank Hunter photographs, 2010

4 Linear Feet 4 Megabytes 34 Items
Frank Hunter is a documentary photographer and instructor known for his work in platinum/palladium photography. 34 platinum prints, sized from 20x24 to 24x30 inches, from Hunter's exhibit Still Point of the Turning World, which was displayed in 2010 in the Allen Building at Duke University. Hunter made the photographs with an 8x10 view camera in Ohio, Kentucky, Georgia, North Carolina, South Carolina, and West Virginia.
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Frank Hunter photographs, 2010 4 Linear Feet 4 Megabytes 34 Items

Frank Hunter is a documentary photographer and instructor known for his work in platinum/palladium photography. 34 platinum prints, sized from 20x24 to 24x30 inches, from Hunter's exhibit Still Point of the Turning World, which was displayed in 2010 in the Allen Building at Duke University. Hunter made the photographs with an 8x10 view camera in Ohio, Kentucky, Georgia, North Carolina, South Carolina, and West Virginia.
David M. Rubenstein Rare Book & Manuscript Library

Lane Pryce letter to Joan Harris, 2010

3 items
Joan Harris and Lane Pryce are fictitious characters in the television drama Mad Men (2007-2015), set in a New York advertising agency during the 1960s. Consists of a letter from Pryce to Harris, dated October 7, 1965, promoting Harris to the position of Director of Agency Operations. The letter was a prop used in Season 4, Episode 13, "Tomorrowland" that originally aired on 2010 October 17. Included are an envelope bearing the Sterling Cooper Draper Pryce logo and an certificate of authenticity. Acquired as part the John W. Hartman Center for Sales, Advertising & Marketing History.
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Lane Pryce letter to Joan Harris, 2010 3 items

Joan Harris and Lane Pryce are fictitious characters in the television drama Mad Men (2007-2015), set in a New York advertising agency during the 1960s. Consists of a letter from Pryce to Harris, dated October 7, 1965, promoting Harris to the position of Director of Agency Operations. The letter was a prop used in Season 4, Episode 13, "Tomorrowland" that originally aired on 2010 October 17. Included are an envelope bearing the Sterling Cooper Draper Pryce logo and an certificate of authenticity. Acquired as part the John W. Hartman Center for Sales, Advertising & Marketing History.
David M. Rubenstein Rare Book & Manuscript Library

Tim Smith "The Hutterites" project collection, 2010-2024

1.75 Linear Feet (1 oversize box) 854 Megabytes (1 file)
Tim Smith (born 1978) is an award-winning photographer based in Manitoba, Canada. "The Hutterites" is part of an ongoing project by Tim Smith, entitled "In The World But Not Of It", documenting the Hutterites, Anabaptists who live communally in colonies in Canada and the United States, largely removed from broader society. Materials span 2010-2024 and include 25 color prints sized 18x24 inches featuring various Hutterite colonies particularly the Deerboine Hutterite Colony in Manitoba, Canada; a directory; a Christmas program; a tiechel (headscarf); journal notes written by Smith; postcards and small ephemera related to Smith's exhibitions; and one video file showcasing cattle branding at Forty Mile Hutterite Colony in Montana, United States. Topics include family life; marriages; communal living; farmwork, ranching, and livestock; depictions of women and youth; adoption of new technology; and religious practices. Acquired by the Archive of Documentary Arts.
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Duke University Archives

DukeMakers, 2013-2017

1.5 Linear Feet
DukeMakers is a student maker's group focused on 3D printing, founded in 2014. The DukeMakers records include 3D printed objects created by members of the club as well as some administrative records and other materials.
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DukeMakers, 2013-2017 1.5 Linear Feet

DukeMakers is a student maker's group focused on 3D printing, founded in 2014. The DukeMakers records include 3D printed objects created by members of the club as well as some administrative records and other materials.
David M. Rubenstein Rare Book & Manuscript Library

SNCC 50th Anniversary Conference records, 2010

2.0 Linear Feet
The SNCC 50th Anniversary Conference records are documents related to the convening of Student Nonviolent Coordinating Committee (SNCC) veterans, scholars, and community members to commemorate the organization's 50th anniversary in April 2010. The event took place at Shaw University in Raleigh, North Carolina. Collection acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
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Duke University Archives

Rhythm & Blue records, 2010, 2015

0.1 Linear Feet
Rhythm & Blue was founded in 1992 and is Duke's oldest co-ed a cappella group.The collection consists of two of Rhythm & Blue's CDs- House on Fire and Fresh Poison.
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Rhythm & Blue records, 2010, 2015 0.1 Linear Feet

Rhythm & Blue was founded in 1992 and is Duke's oldest co-ed a cappella group.The collection consists of two of Rhythm & Blue's CDs- House on Fire and Fresh Poison.
David M. Rubenstein Rare Book & Manuscript Library

Shane Lavalette photographs, 2010-2011

1.5 Linear Feet (1 flat box)
The 25 photographs in this collection belong to a body of work entitled "One Sun, One Shadow", which was commissioned by the High Museum of Art in Atlanta for the 2012 exhibition "Picturing the South". They were all taken in the American South from 2010 to 2011, and explore Lavalette's connection to the South through landscapes, people, and music traditions. Though the majority of the 20x24 inch inkjet prints are in color, there are also five black-and-white prints. Titles for each print were assigned by the photographer. Acquired as part of the Archive of Documentary Arts at Duke University.
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One Sun, One Shadow, 2010-2011 25 prints (1 box)

Prints are arranged in the original order as assigned by the photographer. Each one has the print number, title, and date written on the back.

Shane Lavalette photographs, 2010-2011 1.5 Linear Feet (1 flat box)

The 25 photographs in this collection belong to a body of work entitled "One Sun, One Shadow", which was commissioned by the High Museum of Art in Atlanta for the 2012 exhibition "Picturing the South". They were all taken in the American South from 2010 to 2011, and explore Lavalette's connection to the South through landscapes, people, and music traditions. Though the majority of the 20x24 inch inkjet prints are in color, there are also five black-and-white prints. Titles for each print were assigned by the photographer. Acquired as part of the Archive of Documentary Arts at Duke University.
Duke University Archives

Duke Chinese Dance records, 2010-ongoing

41 Gigabytes
The Duke Chinese Dance Troupe (DCD) was established at Duke University in the 1990s as an organization of students presenting Chinese dance and Chinese/Chinese-American culture to the Duke, Durham, and surrounding North Carolinian communities. DCD records contain the website, and materials used for planning, performing and documenting annual performances including the Duke Chinese Dance Showcase also known as the LNY (Lunar New Year), and the Fallcase.
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Duke Chinese Dance records, 2010-ongoing 41 Gigabytes

The Duke Chinese Dance Troupe (DCD) was established at Duke University in the 1990s as an organization of students presenting Chinese dance and Chinese/Chinese-American culture to the Duke, Durham, and surrounding North Carolinian communities. DCD records contain the website, and materials used for planning, performing and documenting annual performances including the Duke Chinese Dance Showcase also known as the LNY (Lunar New Year), and the Fallcase.
David M. Rubenstein Rare Book & Manuscript Library

Witness Seminar on Experimental Economics records, 2010-2019

13.3 Gigabytes (One set.)
Andrej Svorenčik and Harro Maas organized the "Witness Seminar on Experimental Economics" at the Netherlands Academy of Arts and Sciences in 2010. This collection documents the planning and execution of the event, and the subsequent publication of corresponding book, The Making of Experimental Economics: Witness Seminar on the Emergence of a Field. It was acquired as part of the Economists' Papers Archive.
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Transcripts, 2010-2014
Digital-materials RL11848-SET-0001

Files in DOC, DOCX, PDF, JPG, RTF, and WMA formats. Includes drafts of transcripts with comments from contributors, correspondence about the transcription, notes about editorial choices, and group photographs of participants.

Witness Seminar prep documents, 2010-2019
Digital-materials RL11848-SET-0001

Files in DOC, DOCX, PDF, and XLSX formats. Includes budgets, seating plan, permission and authorization forms, timelines, bios, rules, description of what is a "witness seminar," and other documents about the planning, logistics, and organization of the event.

Witness Seminar on Experimental Economics records, 2010-2019 13.3 Gigabytes (One set.)

Andrej Svorenčik and Harro Maas organized the "Witness Seminar on Experimental Economics" at the Netherlands Academy of Arts and Sciences in 2010. This collection documents the planning and execution of the event, and the subsequent publication of corresponding book, The Making of Experimental Economics: Witness Seminar on the Emergence of a Field. It was acquired as part of the Economists' Papers Archive.
Duke University Archives

Mi Gente records, 2010-2024

1 Linear Feet 5 Gigabytes
Mi Gente is the largest Latinx student organization at Duke University. The group has the goals of serving the Latinx population at Duke and bringing Latinx culture to the larger Duke population. The Mi Gente records include meeting minutes, captures of the organization's website and Twitter feed, events and promotional materials, photographs, and advocacy documents. Contents of the collection span 2010-2017.
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Mi Gente records, 2010-2024 1 Linear Feet 5 Gigabytes

Mi Gente is the largest Latinx student organization at Duke University. The group has the goals of serving the Latinx population at Duke and bringing Latinx culture to the larger Duke population. The Mi Gente records include meeting minutes, captures of the organization's website and Twitter feed, events and promotional materials, photographs, and advocacy documents. Contents of the collection span 2010-2017.
Duke University Archives

Duke Water Network records, 2013-2022

5 Gigabytes
Established in 2013, Duke Water Network is a student organization that connects students interested in the field of water resource management with alumni and professionals. The collection consists of events planning materials, administrative and financial records, photographs, and materials related to publicity and outreach. Contents in the collection span 2013 to 2022.
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David M. Rubenstein Rare Book & Manuscript Library

Jay Turner Frey Seawell Photographs, 2011-2015

3.0 Linear Feet
Collection contains 45 color and black-and-white photographs from Jay Turner Frey Seawell's projects "National Trust" and "The Mall." The two series document Washington, D.C. from 2011-2015. The series "National Trust" "explores the careful manufacturing of appearances in relation to power, politics, and media in the United States." "The Mall" is Seawell's response to "the mainstream narrative of American history that dots the landscape" of Washington, D.C. Seawell is a photographer based in Washington, D.C. Seawell was the winner of the 2016 ADA Award for Innovation in the Documentary Arts.
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David M. Rubenstein Rare Book & Manuscript Library

Veronica Melendez photographs, 2011-2012

1.0 Linear Feet (1 box)
Twenty 17x22-inch color inkjet prints from the body of work "Le pido a Dios que no me olviden," or "I ask God that you not forget me," by photographer Veronica Melendez document the Latin American community in the Washington, D.C. metro area, primarily in Maryland and Virginia. The images are of people, cultural events, religious scenes, and symbols that recall faraway countries of origin as well as contemporary realities in these Latin American communities. Melendez's work received the 2018 ADA Collection Award for Documentarians of the American South. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

Rebecca Sittler photographs, 2011-2013

2.0 Linear Feet (1 flat box)
Collection contains 30 color prints from Sittler's project All the Presidents' Men. This project combines photographs made in presidential museums and historic sites across the United States with images from Sittler's father and grandfather's homes.
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Up, 2011
Box 1 > Folder 3

Captioned on the print as "Atomic, 2012." Detail of museum display narrating the American postwar boom, Harry S. Truman Presidential Museum (Independence, MO)

  1. All the Presidents' Men, 2011-2013
David M. Rubenstein Rare Book & Manuscript Library

Lauren Pond photographs, 2011-2016

.5 Linear Feet (2 boxes; 49 prints)
Collection consists of 49 color inkjet prints from the documentary project "Test of Faith" by photographer Lauren Pond. The images are approximately 20x14 inches in size and are unmatted. Between 2011 and 2016, Pond documented the life, death, and West Virginian family of Pentecostal pastor and serpent handler, Mack Wolford, of the Full Gospel Apostolic House of the Lord Jesus in Matoaka, West Virginia. The series includes images of Wolford's death in his family home after he was bitten by the venomous snake. Acquired as part of the Archive of Documentary Arts at Duke University.
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Duke University Archives

Divinity Student Council records, 2011-2015 and undated

0.4 Linear Feet
The Divinity Student Council (DSC) is a student organization within the Divinity School that coordinates and assists students and other student organizations within the school by approving the creation or affiliation of groups as official DSC student gourps, assisting in the planning and communication of events and activities, representing the needs and concerns of the student body to the administration of the Divinity School, discovering and responding to the needs of the student body, and collecting dues and other monies for these purposes. The Divinity Student Council Records consist of materials related to the functions of the Divinity School Council, especially in the planning of events and activities, the election of representatives, and its work with affiliated groups.
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David M. Rubenstein Rare Book & Manuscript Library

Master of Fine Arts in Experimental and Documentary Arts collection, 2012-2025

46 Linear Feet 1029 Gigabytes
The Master of Fine Arts in Experimental and Documentary Art degree program at Duke University has been awarded since 2013. This collection houses MFA/EDA theses submitted by graduates of the program, in the form of typescripts; handmade books; digital video, audio, and image files; three-dimensional artwork; photobooks; photographic prints; and film of multimedia performances. Subjects range widely and include: U.S. and Southern cultures; world cultures; street photography; childhood and family relationships; health; environmental narratives and documentaries; city and rural communities; themes of social justice, memory, and identity; women and spirituality; and abstract constructs. Loctions include but are not limted to China, Poland, Vietnam, and the Middle East. Acquired as part of the Archive of Documentary Arts.
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Duke University Archives

Me Too Monologues records, 2011-ongoing

10 Megabytes (33 document files and 24 image files.)
Me Too Monologues is a testimonial theatre production featuring monologues about race, ethnicity, culture, gender, sexuality, and identity markers. Records include scripts, publicity, and production materials.
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Administrative records, 2011-2014

Includes meeting agendas, meeting minutes, budgets, rehearsal schedules, application forms, proposals, guest list, and alumni list.

Me Too Monologues records, 2011-ongoing 10 Megabytes (33 document files and 24 image files.)

Me Too Monologues is a testimonial theatre production featuring monologues about race, ethnicity, culture, gender, sexuality, and identity markers. Records include scripts, publicity, and production materials.
David M. Rubenstein Rare Book & Manuscript Library

"Phone Home Durham" exhibit prints, 2012-2015 and undated

2 Linear Feet (3 boxes; 85 13x19 inch inkjue prints; 43 manuscript items)
Collection comprises 85 13x19 inch photographic prints and other documents related to the exhibit, "Phone Home Durham, 2015." The images were all taken by 50 residents of Durham County, North Carolina, chiefly with mobile phones but also with handheld cameras, and are mostly color digital prints, with a few black-and-white prints. The photographers focused on urban settings, although there are a few rural images taken in Durham County. The images reflect society and customs in 21st century Durham, with subject content including protests relating to race issues, street scenes, graffiti, abandoned houses, local shops and businesses, industrial buildings, and a few landscapes with trees and sunsets. The exhibit prints are accompanied by exhibit guides and other publicity related to the 2015 exhibition, several photographers' statements, and the original exhibit proposal by Duke University professor and photographer Tom Rankin. The exhibit was co-curated by Aaron Canipe, Alexa Dilworth, Jeremy Lange, and Jim Lee. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

McNair Evans photographs, 2012-2013, 2017

6 Linear Feet (4 boxes)
Shot during fifteen-day Amtrak train excursions, "In Search of Great Men" by photographer McNair Evans combines original photography with first-person, passenger-written accounts in an exploration of contemporary American culture and the people traveling on the Amtrak trains that criss-cross the United States. The photographic body of work consists of 30 large color digital prints, all sized 24x29 inches, featuring portraits of travelers and settings in train stations and passenger cars. The color prints are accompanied by a reproduction of a handmade photonarrative journal of 156 pages with 76 4x5 inch inkjet photographs, paired with comments and journal entries by the photographer, and reproductions of handwritten commentary by the passengers, who reflect on their lives and circumstances, including long-distance family relationships and problems with drug abuse. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

Palestinian Student Films, 2012-2020

61 items 37 Gigabytes
43 films by 44 Palestinian student filmmakers created between 2012-2020, documenting or portraying the political context and lived experience in the West Bank and Gaza. Acquired as part of the Human Rights Archive.
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Moving Dream (الحلم المتحرك), 2012
Digital-materials RL11839-SET-0009 > Video-file Moving Dream.mp4

Fiction. Nader dreams of going back to work (نادر يحلم بالعودة إلى العمل); Keywords: Gaza, employment, dreams, disability (غزة، عمل، أحلام، إعاقة / عجز); Associated university/location: Birzeit University's program in Gaza (جامعة بيرزيت), Gaza.

  1. Films shown at the 2017-2019 Duke University Festival of Student Films From Palestine, 2012-2019
  2. Alaa Alaloul

Private Number (رقم خاص), 2012
Digital-materials RL11839-SET-0017 > Video-file Private Number.mp4

Fiction. An unexpected warning in Gaza (تحذير غير مُتَوَقَّع في غزة); Keywords: Gaza, political commentary (غزة، تعليق سياسي); Associated university/location: Al-Aqsa University (جامعة الأقصى), Gaza.

  1. Films shown at the 2017-2019 Duke University Festival of Student Films From Palestine, 2012-2019
  2. Omar Elemawi
David M. Rubenstein Rare Book & Manuscript Library

Paccarik Orue Photographs, 2012-2014

1.0 Linear Feet
San Francisco-based photographer Paccarik Orue was born and raised in Lima, Peru. His series "El Muqui" won the 2016 ADA Collection Award for Documentarians of Color. "El Muqui" comprises 40 color photographs taken between 2012 and 2014 in the Peruvian mining city Cerro de Pasco. The photographs document life in the city, which "due to economic interests and expansion of the mine, [is] doomed to disappear." He writes "it was essential to find myself and reconnect with my Peruvian roots and heritage...and gives me the opportunity to continue making work of social relevance."
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David M. Rubenstein Rare Book & Manuscript Library

Roderico Yool Díaz papers, 2012-2015

69.6 Gigabytes (Approximately 1,150 files. Cerca de 1,150 archivos.)
Roderico Yool Díaz is a Kaqchikel Maya photojournalist born in Guatemala and based in North Carolina. The Roderico Yool Díaz papers include photographs and audiovisual materials documenting legal proceedings (2012-2015) against former Guatemalan military dictator Efraín Ríos Montt and his head of military intelligence José Mauricio Rodríguez Sánchez on charges of genocide and crimes against humanity targeting Guatemala's Ixil Maya people, linked to their actions during Ríos Montt's rule from 1982 to 1983. Acquired as part of the Human Rights Archive and the Archive of Documentary Arts.
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Roderico Yool Díaz papers, 2012-2015 69.6 Gigabytes (Approximately 1,150 files. Cerca de 1,150 archivos.)

Roderico Yool Díaz is a Kaqchikel Maya photojournalist born in Guatemala and based in North Carolina. The Roderico Yool Díaz papers include photographs and audiovisual materials documenting legal proceedings (2012-2015) against former Guatemalan military dictator Efraín Ríos Montt and his head of military intelligence José Mauricio Rodríguez Sánchez on charges of genocide and crimes against humanity targeting Guatemala's Ixil Maya people, linked to their actions during Ríos Montt's rule from 1982 to 1983. Acquired as part of the Human Rights Archive and the Archive of Documentary Arts.
Duke University Archives

Commemorating 50 Years of Black Students at Duke Records, 2012-2013

1 Linear Feet
Duke admitted the first five African American undergraduates in September, 1963. In 2013, the University held a year-long celebration called Commemorating 50 Years of Black Students at Duke with a variety of academic, artistic, and service-oriented events. The collection includes programs, brochures, clippings, materials kept by Staff Director of the commemoration Keith Daniel, reflections written by alumni, and interviews with some of the first black undergraduate students recorded in 2012.
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David M. Rubenstein Rare Book & Manuscript Library

Charlie Cobb Interviews, 2012-2014

98 Files (85 audio files (MP3), 13 document files (Microsoft Word)) 3.04 Gigabytes
Audio interviews and programs recorded by Charles E. Cobb, Jr., from 2012 to 2014, with members of the Student Nonviolent Coordinating Committee (SNCC) and others around the 50th anniversary of Freedom Summer and for research for Cobb's book, THIS NONVIOLENT STUFF'LL GET YOU KILLED: HOW GUNS MADE THE CIVIL RIGHTS MOVEMENT POSSIBLE.
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David M. Rubenstein Rare Book & Manuscript Library

Inside-Outside Alliance records, 2012-2019 and undated

2.25 Linear Feet 0.08 Gigabytes
Collection includes zines, newsletters, flyers, posters, banners, and a petition which document Inside-Outside Alliance's activism concerning the Durham County Jail and policing in Durham, North Carolina. This collection also documents the stories of Durham County Jail detainees and community members.
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Printed Materials, 2012-2018 and undated

Includes zines, physical and digital (PDF format) newsletters, fliers, and a petition that document the organization's activism concerning the Durham County Jail and policing in Durham, North Carolina. These materials also document the stories of Durham County community members and jail detainees. Additionally, this series documents the deaths of Jesus Chuy Huerte and Matthew McCain, who died while in police custody.

Inside-Outside Alliance records, 2012-2019 and undated 2.25 Linear Feet 0.08 Gigabytes

Collection includes zines, newsletters, flyers, posters, banners, and a petition which document Inside-Outside Alliance's activism concerning the Durham County Jail and policing in Durham, North Carolina. This collection also documents the stories of Durham County Jail detainees and community members.
David M. Rubenstein Rare Book & Manuscript Library

Sarah Christianson photographs, 2012-2015

1.0 Linear Feet (1 flat box) 1.2 Gigabytes (1 optical disc containing 30 digital images in TIFF format.)
Sarah Christianson is a photographer originally from North Dakota. This portfolio of 30 11x14 inch color chromogenic prints is from her project, "When the Landscape is Quiet Again: North Dakota's Oil Boom," which won the 2015 Archives of Documentary Art Award for Women Documentarians. Since 2012, Christianson has been documenting through her photographs the legacy of oil booms and busts in North Dakota and how the region's agrarian landscape and environment is changing again today, due to horizontal drilling and hydraulic fracturing. Acquired by the Archive of Documentary Arts at Duke University.
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Sarah Christianson photographs, 2012-2015 1.0 Linear Feet (1 flat box) 1.2 Gigabytes (1 optical disc containing 30 digital images in TIFF format.)

Sarah Christianson is a photographer originally from North Dakota. This portfolio of 30 11x14 inch color chromogenic prints is from her project, "When the Landscape is Quiet Again: North Dakota's Oil Boom," which won the 2015 Archives of Documentary Art Award for Women Documentarians. Since 2012, Christianson has been documenting through her photographs the legacy of oil booms and busts in North Dakota and how the region's agrarian landscape and environment is changing again today, due to horizontal drilling and hydraulic fracturing. Acquired by the Archive of Documentary Arts at Duke University.
Duke University Archives

Duke Disability Alliance Records, 2012-2022

1.5 Linear Feet 0.7 Gigabytes
The Duke Disability Alliance is a student organization dedicated to making Duke more inclusive and accessible. The Duke Disability Alliance Records include materials from a 2017 exhibit for Disability Pride Week on NeuroDIVERSITY and Inclusion, created by students in a Writing 101 class, as well as the DDA's blog. Also includes a digital copy of the (In)Visible:COVID-19 at Duke booklet with audio descriptions.
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Duke Disability Alliance Records, 2012-2022 1.5 Linear Feet 0.7 Gigabytes

The Duke Disability Alliance is a student organization dedicated to making Duke more inclusive and accessible. The Duke Disability Alliance Records include materials from a 2017 exhibit for Disability Pride Week on NeuroDIVERSITY and Inclusion, created by students in a Writing 101 class, as well as the DDA's blog. Also includes a digital copy of the (In)Visible:COVID-19 at Duke booklet with audio descriptions.
Duke University Archives

Who Needs Feminism Records, 2012-2016

0.25 Linear Feet
Who Needs Feminism started as a class project for Women in the Public Sphere: History, Theory, and Practice in Spring 2012. The project began a campaign of posters and photographs on social media depicting people of varying gender and ethnicity holding white board signs with the text "I need feminism because ...". The Who Needs Feminism records include captures of the campaign's Tumblr and Facebook pages, print-outs of social media campaign activity, news articles on the campaign, and reflection essays written by the 16 students who originally created the campaign.
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David M. Rubenstein Rare Book & Manuscript Library

Melanie Dornier photographs, 2013-2016

1.0 Linear Feet (2 boxes)
Collection consists of two documentary photography series taken in India by Melanie Dornier. "Mahila Thana: All Women Police Station" is comprised of 56 color digital photographs, taken in 2016, recording daily life inside the walls of the All Women Police Station of Gurugram, Haryana. The images convey the human impacts of woman-specific crimes and social justice, and the role of the police station and its female officers as a safe haven for distressed and abused women. The 54 color digital prints in "Punch My Face: Women's Boxing in India" document the daily life and experiences of Meena Kumari, a wife, mother, daughter, police officer, and boxer, 2013-2016. All prints measure 11 3/4 x 8 inches. Acquired as part of the Archive of Documentary Arts and the Sallie Bingham Center for Women's History and Culture at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

"From Fallujah" exhibit photographs and supporting materials, 2013, 2018-2021

2.5 Linear Feet (4 boxes) 11.8 Gigabytes (1 video file (mp4 format))
"From Fallujah" was a group photography exhibit held in Durham, N.C. in October 2021; it was curated by artist and documentarian John Bechtold. Collection consists of 58 inkjet color exhibit prints, 74 proof prints, one digital video of a photographers' panel discussion, and related materials such as correspondence between the curator, translator Noor Ghazi, and the photographers; two exhibit panels; a comment book; and a publicity card. The exhibited images explore the city of Fallūjah, Iraq (ٱلْفَلُّوجَة, al-Fallūjah) from the perspective of four emerging photographers - three men and one woman - from Fallūjah: Harith Khaleel Ali / حارث خليل علي, Mohammed Jamal Ali / محمد جمال, Mohamed Al-Ani (also listed as Mohamed Mahmoud Kazem) / محمد محمود كاظم, and Sura Abbas Jasim / سرى عباس جاسم. Images are chiefly of the city's street life during the day and at night, children in the city, the Euphrates River, and green spaces just outside the city. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

Sheila Pree Bright collection, 2013-2023

15 Linear Feet 21 Gigabytes (572 files)
Sheila Pree Bright is an award-winning photographic artist based in Atlanta, Georgia. The collection contains 50 digital archival prints and gelatin silver prints, each approximately 32x32 inches, for the #1960Now project that were later published in a book with the same name. The project includes associated materials such as a copy of the book and model version; event flyers; personal notes; digital files; a t-shirt with a button; and other assorted material. Also included are images of the wheat-pasted murals created by Bright depicting activists and other materials from the related project 1960What; images of George Floyd protests; materials for the project Mothers March On featuring mothers whose children were killed by police; and images related to the fiftieth anniversary of the Voting Rights Act. Materials depict portraits of various activists, community organizations, Black Lives Matter, and people participating in protests and other events in several cities across the United States between 2013-2023. They cover subjects such as social justice and activism, civil rights, police brutality, racism and discrimination, protest, and grassroots organizing. Acquired by the Archive of Documentary Arts.
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David M. Rubenstein Rare Book & Manuscript Library

Jasmine Clark photographs, 2013-2017

1.5 Linear Feet (1 flat box)
Titled "After Eisenhower" in reference to the outgoing President's speech about military power, this body of work by photographer Jasmine Clark consists of 36 16x20 inch color inkjet photographs of signs, symbols, slogans, and advertising that permeate the streets and outdoor spaces of military-based towns. The images convey complex themes of patriotism, Christianity, masculinity and feminity, and other iconographic expressions of "Middle America" culture. Acquired by the Archive of Documentary Arts at Duke University.
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After Eisenhower, 2013-2017 36 prints (1 box)

Body of work consisting of 36 color inkjet prints by photographer Jasmine Clark. Arranged in original order as received, with original titles.

David M. Rubenstein Rare Book & Manuscript Library

Zora J. Murff photographs, 2013-2015

1.0 Linear Feet (1 box)
Collection comprises twenty-five color inkjet prints from "Corrections," a documentary project by photographer Zora J. Murff. Taken in Iowa, these portraits of male and female teenage offenders on probation, parole, or charged again as adults are further contextualized by images of electronic tracking bracelets, jumpsuits, cells and detention centers, and intake paperwork. Images are accompanied by detailed captions written by the photographer. The prints measure 17 x 22 inches (image size 16 x 20 inches). As a whole, the collection documents the administration and human context of the 21st century juvenile justice system in the U.S. and Iowa. This work received the 2018 ADA Award for Emerging Documentarians. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

Jeanine Michna-Bales photographs, 2013-2015

7 Linear Feet
Jeanine Michna-Bales is a conceptual documentary photographer based in Dallas, Texas. Her series "Through Darkness to Light: Seeking Freedom on the Underground Railroad" won the 2016 ADA Collection Award for Documentarians of the American South. The project comprises 40 color photographs of a route taken by travelers on the Underground Railroad between 1800 and the end of the Civil War. Michna-Bales researched the route over a decade and photographed the locations between 2012 and 2015.
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David M. Rubenstein Rare Book & Manuscript Library

Adam Reynolds photographs, 2013-2015

2.0 Linear Feet
Adam Reynolds is a conceptual documentary photographer whose work explores contemporary political conflict, primarily in the Middle East. His series "Architecture of an Existential Threat" was the 2016 winner of the ADA Collection Award for an Emerging Documentarian. Taken in Israel between 2013 and 2015, the photographs document bomb shelters and sealable rooms to which residents of the State of Israel are required to have access. There are over 10,000 of these public and private bomb shelters in Israel and the Occupied Territories. The photographs show the way these spaces are normalized in Israeli life, using them as community centers, places of worship, or bars. Reynolds writes that "these shelters are the architecture of an existential threat--both real and perceived."
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David M. Rubenstein Rare Book & Manuscript Library

Ben Alper photographs, 2013-2014

4.0 Linear Feet (4 flat boxes (309 color photographs))
Ben Alper is an artist based in North Carolina. His series, An Index of Walking, won the 2015 Archive of Documentary Arts Award for Documentarians Working in North Carolina. An Index of Walking is a yearlong photographic project that explores the enigmatic intersection of memory, place, geography, and perception. Taken along the same daily walk in his neighborhood, the photographs depict the commonplace objects and spaces that comprise what could be any typical suburban area. Alper writes that "My walks have been a vehicle for exploration, contemplation, and looking; they have provided a structure in which to engage with the place in which I currently live." Collection acquired as part of the Archive of Documentary Arts (Duke University).
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Ben Alper photographs, 2013-2014 4.0 Linear Feet (4 flat boxes (309 color photographs))

Ben Alper is an artist based in North Carolina. His series, An Index of Walking, won the 2015 Archive of Documentary Arts Award for Documentarians Working in North Carolina. An Index of Walking is a yearlong photographic project that explores the enigmatic intersection of memory, place, geography, and perception. Taken along the same daily walk in his neighborhood, the photographs depict the commonplace objects and spaces that comprise what could be any typical suburban area. Alper writes that "My walks have been a vehicle for exploration, contemplation, and looking; they have provided a structure in which to engage with the place in which I currently live." Collection acquired as part of the Archive of Documentary Arts (Duke University).
Duke University Archives

Students of the Caribbean Association records, 2013-2017

81.5 Megabytes
The Students of the Caribbean Association (SOCA) began in 1991 and was reorganized after a two-year break in 2003. The mission of the group is to provide a space for the Duke community to celebrate and learn about Caribbean culture. This collection contains photographs of the events hosted by the Students of the Caribbean Association.
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Students of the Caribbean Association records, 2013-2017 81.5 Megabytes

The Students of the Caribbean Association (SOCA) began in 1991 and was reorganized after a two-year break in 2003. The mission of the group is to provide a space for the Duke community to celebrate and learn about Caribbean culture. This collection contains photographs of the events hosted by the Students of the Caribbean Association.
Duke University Archives

Duke Graduate Students Union Records, 2013-2018 (bulk 2016-2017)

2 Gigabytes .1 Linear Feet
The Duke Graduate Students Union is a student organization partnered with the Service Employees International Union (SEIU) to create a labor union representing graduate student workers at Duke University. Records cover the campaign to form a collective bargaining union as well as subsequent efforts to organize as a direct-action, direct-join union.
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Duke Graduate Students Union Records, 2013-2018 (bulk 2016-2017) 2 Gigabytes .1 Linear Feet

The Duke Graduate Students Union is a student organization partnered with the Service Employees International Union (SEIU) to create a labor union representing graduate student workers at Duke University. Records cover the campaign to form a collective bargaining union as well as subsequent efforts to organize as a direct-action, direct-join union.
David M. Rubenstein Rare Book & Manuscript Library

Leah Dyjak photographs, 2014-2018

1.0 Linear Feet (1 box)
Collection comprises twenty-five 16x20 inch color inkjet prints from a body of work titled "New Beach" by artist Leah Dyjak. The images, taken by Dyjak on the Atlantic coast, show ocean and sand encroaching on and destroying human-made barriers and boundaries - roads, jetties, and groins - with people looking on, stretching out, and strolling the beaches, evoking the nature of human existence at the liminal boundaries of water and land. This work received the 2018 ADA Collection Award for Documentarians of Environmental Change. Acquired as part of the Archive of Documentary Arts at Duke University.
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Leah Dyjak photographs, 2014-2018 1.0 Linear Feet (1 box)

Collection comprises twenty-five 16x20 inch color inkjet prints from a body of work titled "New Beach" by artist Leah Dyjak. The images, taken by Dyjak on the Atlantic coast, show ocean and sand encroaching on and destroying human-made barriers and boundaries - roads, jetties, and groins - with people looking on, stretching out, and strolling the beaches, evoking the nature of human existence at the liminal boundaries of water and land. This work received the 2018 ADA Collection Award for Documentarians of Environmental Change. Acquired as part of the Archive of Documentary Arts at Duke University.
David M. Rubenstein Rare Book & Manuscript Library

Rachel Boillot photographs, 2014-2018

6.5 Linear Feet (4 boxes)
Collection comprises two portfolios by documentary photographer Rachel Boillot: "Después del dia: Migrant Farmworkers in North Carolina," portraits of farmworkers from across the state of North Carolina, their families, and their residences, and a few shots of workers in the field; and "Moon Shine," portraits of traditional musicians and their families from the eastern Tennessee Cumberland Mountains region, along with images of their residences, interior settings, towns, and natural landscapes. The "Después del dia" work forms part of the multi-artist project "Where we live: a North Carolina portrait." There are 116 color pigment inkjet prints in the collection as a whole, ranging in size from 23x27 to 14x19 inches. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

J. Kirk Felsman Fellowship collection, 2014

0.5 Linear Feet
The J. Kirk Felsman Fellowship Collection contains 97 digital photographic prints from the series "Waves of Childhood: Photographs taken by Syrian Girls in Za'atari Refugee Camp" facilitated by 2014 Felsman Fellow Laura Doggett. Acquired as part of the Archive of Documentary Arts at Duke University.
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J. Kirk Felsman Fellowship collection, 2014 0.5 Linear Feet

The J. Kirk Felsman Fellowship Collection contains 97 digital photographic prints from the series "Waves of Childhood: Photographs taken by Syrian Girls in Za'atari Refugee Camp" facilitated by 2014 Felsman Fellow Laura Doggett. Acquired as part of the Archive of Documentary Arts at Duke University.
David M. Rubenstein Rare Book & Manuscript Library

Debi Cornwall photographs, 2014-2016

1.0 Linear Feet
Collection contains 28 color prints from Debi Cornwall's project "Gitmo at Home, Gitmo at Play/Beyond Gitmo." The project pairs images from two series. The first, "Gitmo at Home, Gitmo at Play" was made during three visits to the base in 2014-2015. The series "Beyond Gitmo" consists of environmental portraits of 10 men once held at Gitmo who have since been cleared of charges and freed.
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David M. Rubenstein Rare Book & Manuscript Library

Looking at Appalachia photographs collection, 2014

3 Linear Feet (2 oversize boxes)
These 75 black-and-white (11) and color (64) exhibit photographs were selected from 297 images collected online from the crowdsourced project, "Looking at Appalachia," directed by documentarian Roger May. They were taken by 51 photographers from a wide range of backgrounds and aesthetics, from a hobbyist retired coal miner to a young photojournalist working regularly for The New York Times. States represented include: Alabama, Georgia, Kentucky, Maryland, Mississippi, North Carolina, New York, Ohio, Pennsylvania, South Carolina, Tennessee, Virginia, and West Virginia. Subjects include portraits of people, rural landscapes, and farm and town life, with social events predominating. Sizes range from 14x23 to 16x20 inches, along with several 3.25 x 4.25 inch prints. Acquired by the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

John Tully photographs, 2014-2018

2.0 Linear Feet (2 boxes)
Collection consists of thirty color inkjet prints from a body of work titled "Shifting Sands" by photographer John Tully. The images were taken at the North Carolina coast, and include natural areas such as beaches along the Outer Banks and coastal forests in the Alligator River National Wildlife Refuge, and human environments such as coastal highways, piers, abandoned beachfront properties. There are also some portraits of people. The photographs are accompanied by captions written by the photographer and by the artist's statement. Together, photographs and text call out the environmental, economic, and social consequences brought on by natural changes as well as by human-created climate change. The prints measure 17x22 (20) and 11x17 (10) inches. This work received the 2018 ADA Award for Documentarians of Environmental Change. Acquired as part of the Archive of Documentary Arts at Duke University.
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Oyster worker, 2014
Box 2 > Image RL.11694-P-0004

The small fishing community at Stumpy Point hosts an annual oyster feast for residents and visitors. Around 243 live in Stumpy Point, which borders the wetlands, swamps, and maritime forest found in the Alligator River National Wildlife Refuge.

  1. Shifting Sands, 2014-2018
David M. Rubenstein Rare Book & Manuscript Library

Video for Social Change Oral History collection, 2014

177.9 Gigabytes (24 files)
Video for Social Change was a documentary film course taught by Bruce Orenstein at the Center for Documentary Studies in the spring of 2014. The collection includes eight interviews, with North Carolina social justice activists James Andrews, Rukiya Dillahunt, Anita Earls, Angaza Laughinghouse, Dani Moore, Allison Riggs, Melinda Wiggins, and Mel Williams. The materials in the collection include camera footage in AVCHD format, edited master videos in MP4 format, and transcripts for eight interviews.
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Video for Social Change Oral History collection, 2014 177.9 Gigabytes (24 files)

Video for Social Change was a documentary film course taught by Bruce Orenstein at the Center for Documentary Studies in the spring of 2014. The collection includes eight interviews, with North Carolina social justice activists James Andrews, Rukiya Dillahunt, Anita Earls, Angaza Laughinghouse, Dani Moore, Allison Riggs, Melinda Wiggins, and Mel Williams. The materials in the collection include camera footage in AVCHD format, edited master videos in MP4 format, and transcripts for eight interviews.
Duke University Archives

Blue Devils United records, 2014-2017

1.5 Linear Feet 93 Megabytes
The undergraduate student group, Blue Devils United, advocates for the needs of members of the LGBTQ+ community and works to create social opportunities and a supportive environment for Duke's LGBTQ+ community. This collection contains exhibit panels, meeting minutes and agenda, photographs, and materials related to project and events planning and promotion. Contents of the collection span 2014 to 2017.
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Blue Devils United records, 2014-2017 1.5 Linear Feet 93 Megabytes

The undergraduate student group, Blue Devils United, advocates for the needs of members of the LGBTQ+ community and works to create social opportunities and a supportive environment for Duke's LGBTQ+ community. This collection contains exhibit panels, meeting minutes and agenda, photographs, and materials related to project and events planning and promotion. Contents of the collection span 2014 to 2017.
Duke University Archives

Duke Inquiries into Social Relations records, 2014

2 items
A report and presentation slideshow regarding social and gender relations among undergraduates. The report was released in April 2014.
2 results in this collection
David M. Rubenstein Rare Book & Manuscript Library

Amanda Berg photographs, 2014-2015

1.0 Linear Feet (7 items; 17 x 34.5 inches)
Collection comprises seven panoramic color photographs measuring 17 x 34.5 inches, whose central panels portray older women who worked in manufacturing and are now retired or laid off; images set along each side of the portraits feature the sites where they once worked. The images were taken by documentary journalist Amanda Berg in five North Carolina locations - Banner Elk, Fayetteville, Lumberton, Massey Hill, and Newland - in 2014 and 2015. They form part of the multi-artist project "Where we live: a North Carolina portrait." Acquired as part of the Archive of Documentary Arts at Duke University.
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Amanda Berg photographs, 2014-2015 1.0 Linear Feet (7 items; 17 x 34.5 inches)

Collection comprises seven panoramic color photographs measuring 17 x 34.5 inches, whose central panels portray older women who worked in manufacturing and are now retired or laid off; images set along each side of the portraits feature the sites where they once worked. The images were taken by documentary journalist Amanda Berg in five North Carolina locations - Banner Elk, Fayetteville, Lumberton, Massey Hill, and Newland - in 2014 and 2015. They form part of the multi-artist project "Where we live: a North Carolina portrait." Acquired as part of the Archive of Documentary Arts at Duke University.
David M. Rubenstein Rare Book & Manuscript Library

Jennifer Stratton photographs, 2014-2015

23 item (1 box, 1 oversize folder)
This collection includes 23 photographic prints comprising the series Where We Live: A North Carolina Portrait. Photographs taken by Jennifer Jacklin Stratton throughout the state of North Carolina in 2014-2015.
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Jennifer Stratton photographs, 2014-2015 23 item (1 box, 1 oversize folder)

This collection includes 23 photographic prints comprising the series Where We Live: A North Carolina Portrait. Photographs taken by Jennifer Jacklin Stratton throughout the state of North Carolina in 2014-2015.
Duke University Archives

Desarrolla Records, 2014-2016

0.14 Gigabytes (Electronic files shared via Google Drive)
Desarrolla is a student organization whose goal is to promote Latin America by encouraging partnerships between members of the Duke community and communities within Latin America. The Desarrolla Records span 2014-2016 and include founding documents, organization information, records of the marketing and networking teams, and brand image materials.
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David M. Rubenstein Rare Book & Manuscript Library

Abortion Clinic Worker Oral History Project, 2014-2017

31 items (Digital audio recordings)
Oral histories with 29 abortion clinic workers.
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Duke University Archives

Duke Student Association of Wetland Scientists (SAWS) records, 2014-2022

2.12 Gigabytes
The Duke Student Association of Wetland Scientists (SAWS) is an organization of undergraduate and graduate students. Duke SAWS advocates for the conservation and study of wetlands, development of wetland science, and the promotion of public education on wetland resources. Collection consists of financial records, publicity materials, photographs, video recordings of events, meeting notes, and materials related to events planning.
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Duke Student Association of Wetland Scientists (SAWS) records, 2014-2022 2.12 Gigabytes

The Duke Student Association of Wetland Scientists (SAWS) is an organization of undergraduate and graduate students. Duke SAWS advocates for the conservation and study of wetlands, development of wetland science, and the promotion of public education on wetland resources. Collection consists of financial records, publicity materials, photographs, video recordings of events, meeting notes, and materials related to events planning.
David M. Rubenstein Rare Book & Manuscript Library

Mississippi Freedom Summer 50th Anniversary Conference DVDs, 2014 June 25 - 2014 June 29

9 DVDs
The Mississippi Freedom Summer 50th Anniversary conference was held June 25-29, 2014 at Tougaloo College in Jackson, Mississippi, to commemorate the Freedom Summer of 1964. Collection contains 9 DVDs of conference sessions. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
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Mississippi Freedom Summer 50th Anniversary Conference DVDs, 2014 June 25 - 2014 June 29 9 DVDs

The Mississippi Freedom Summer 50th Anniversary conference was held June 25-29, 2014 at Tougaloo College in Jackson, Mississippi, to commemorate the Freedom Summer of 1964. Collection contains 9 DVDs of conference sessions. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
David M. Rubenstein Rare Book & Manuscript Library

Activating the Archive student projects collection, 2015

0.5 Linear Feet (1 box; 7 computer files; 10.6 Gigabytes)
Creative projects produced by students in Activating the Archive: Archival Research as Documentary Practice, DOCST 316-01 / 716-01 / ARTVIS 316-01 / VMS 314S-01, taught by Lisa McCarty in the Rubenstein Library in the Fall of 2015. Acquired as part of the Archive of Documentary Art (Duke University).
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Hopkins, Kelsey, 2015

Hopkins' abstract: "This work explores the practice of extra-illustration, or grangerization: the act of supplementing the illustrative content of a book with additional images, prints, drawings, ect. not found in the original work. For my project I have extra-illustrated the 1961 edition of William Faulkner's Selected Short Stories which I discovered in a used book store in downtown Durham. The book has been extra-illustrated with 7 images from various collections related to Faulkner housed in the Rubenstein Library as well as one original illustration on the title page."

  1. Fall 2015 Student Projects, 2015

Lin, Katherine Amy, 2015

Lin's abstract: "Inner View is a zine which opens up a dialogue between the Phyllis Chesler papers, women's prescriptive literature, and writings about mental illness in feminist zines from the Sarah Dyer and Amy Markaiaskin Collections in the Rubenstein Library. The title is aligned with the purpose of the work: through a condensation and organization of zine material, placed in context with the materials of the Chesler papers on women and psychiatric treatment, to give a clear voice to those who have faced sexism in their mental health journeys, and to tell a broader feminist story."

  1. Fall 2015 Student Projects, 2015
David M. Rubenstein Rare Book & Manuscript Library

Lauren Henkin photographs, 2015 May

1.5 Linear Feet (1 box; 47 items)
The forty color inkjet photographs in this collection were taken by Lauren Henkin in May 2015 in and around Hale County, Alabama, part of the Alabama and Mississippi "Black Belt." The prints (17x22 inches) form part of a body of work titled "What's Lost is Found." Subjects include rural inhabitants, white and black; residences of all kinds, including many interiors; church exteriors and interiors; and rural and wooded landscapes, As part of the photographer's intent to capture the spirituality she perceived in the place and its people, captions for each image are taken from biblical verses. Collection includes five sheets with detailed captions and locations for each image. The Black Belt region is noted for its black topsoil, cotton plantations, the legacy of slavery, civil rights history, and photographic history: Walker Evans, Gordon Parks, and William Christenberry both produced some of their most well-known work in these same places. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

Steve Roden collection, 2015

2.0 Linear Feet (1 flat box; 11 prints; 2 USB keys)
Steve Roden is an American sound and visual artist, and was the 2014 Barbaralee Diamonstein-Spielvogel Visiting Artist in Residency at the Rubenstein Library. His collection contains prints, video, and sound files created as a result of his residency.
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David M. Rubenstein Rare Book & Manuscript Library

Nate Larson photographs, 2015

1 Linear Feet (2 boxes; 63 items; 13 x 19 inches)
Collection comprises a set of 48 color photographs, 13 reproductions of historic postcards, and several introductory panels, from a project by photographer and artist Nate Larson entitled "Map of All the Railroads," inspired by H.V. Poor's "Map of All the Railroads in the United States in Operation and Progress" (1854). The 13x19 inch digital color photographs, taken in 2015, explore social and economic aspects of thirteen railroad-centered cities and towns identified in Poor's publication, and their progress and potential future. Images feature cityscapes, railroad tracks, buildings and businesses, abandoned sites, monuments, several portraits of people, and other subjects. Acquired as part of the Archive of Documentary Arts at Duke University.
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Nate Larson photographs, 2015 1 Linear Feet (2 boxes; 63 items; 13 x 19 inches)

Collection comprises a set of 48 color photographs, 13 reproductions of historic postcards, and several introductory panels, from a project by photographer and artist Nate Larson entitled "Map of All the Railroads," inspired by H.V. Poor's "Map of All the Railroads in the United States in Operation and Progress" (1854). The 13x19 inch digital color photographs, taken in 2015, explore social and economic aspects of thirteen railroad-centered cities and towns identified in Poor's publication, and their progress and potential future. Images feature cityscapes, railroad tracks, buildings and businesses, abandoned sites, monuments, several portraits of people, and other subjects. Acquired as part of the Archive of Documentary Arts at Duke University.
David M. Rubenstein Rare Book & Manuscript Library

Joshua Rashaad McFadden photographs, 2015-2016

0.5 Linear Feet (1 box)
Collection consists of 20 13x19 inch color inkjet photographic collages featuring portraits of young African American men, taken by McFadden, paired with reproduction color portraits of their fathers when they were younger, and a handwritten personal narrative by each youth about what it means to be an African American man in the 21st century. There is also a print with McFadden and his father. Many of the fathers appear in military uniforms. Topics expressed in the personal narratives include stereotypes as well as new definitions of black masculinity; the construction of and attitudes towards race, gender, and sexuality; generational issues; and relationships with fathers. Acquired as part of the Archive of Documentary Arts at Duke University.
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Jamel Jones left, and his father, James Jones, 2015
Box 1 > Image RL.11527-P-0001

Wow. It'd probably be a combination of people and traits I find impressive. My dad's super diligent, loving and one of the most intelligent people I know. My uncle Pete's always involved in the community as a leader. And my granddad Albert loved life and lived it to the fullest. He had this uncanny sharp memory, able to pick up a conversation at the exact point you left it. It's surprising when he had seven kids and loads of grandchildren that he could give them all individual attention. I do have to thank my family for giving me a clearer picture of being a man.

  1. Come to Selfhood, 2015-2016

Brittonius Lyle left, and his grandfather, Thomas E. Lyle, 2015
Box 1 > Image RL.11527-P-0002

As a black nerd, super heroes were my ideal figures that represent black male masculinity. Given there were and still so few it really made it easier for me to choose, specifically, John Stewart as the Green Lantern, Virgil Hawkins as static. Both these men possess excellent qualities for young black males to look up to strong, bold, brave, resourceful, level-headed, talented and role models for their community. The fact that Static looked up to Green Lantern as a role model for black super heroes was inspiring. These characters helped shape me as a young black male today.

  1. Come to Selfhood, 2015-2016

Come to Selfhood, 2015-2016

Series of 20 13x19 inch color inkjet prints by Joshua McFadden, organized in original order as received by print number.

David M. Rubenstein Rare Book & Manuscript Library

Refugee Lives Oral History Project, 2015-2022

834 Files (Electronic documents, including Microsoft Word files, JPG files, MP3 files, Apple MOV files, MP4 files, M4A files, and Adobe PDF files.) 31 Gigabytes
Oral histories, transcriptions, videos, and fieldnotes created by students in Doc Studies 321S-01/ AMES 320S at Duke University/Center for Documentary Studies, 2015-2022. The courses were facilitated by CDS Faculty member Nancy Kalow, AMES faculty member miriam cooke, and AMES faculty member Maha Houssami.
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Duke University Archives

Duke Lesbian, Gay, Bisexual, Transgender, and Queer Alumni oral histories, 2015-2016

7.8 Gigabytes
Collection consists of computer files comprising oral histories conducted by students with Lesbian, Gay, Bisexual, Transexual, or Queer (LGBTQ) Duke alumni. The oral histories document the inviduduals' experiences as members of the LGBTQ community before, during, and after their time at Duke. The alumni attended Duke between the mid-1970s and 2000s and describe experiences at and around Duke and Durham, North Carolina from a variety of perspectives and time periods. The oral histories were collected as part of the Spring 2015 class LGBTQ History and Activism: Duke, Durham, and Beyond. Computer files include audio files (WAV and MP3), field notes and tape logs (DOC and DOCX), and the occasional supporting document file.
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David Anderson, 2015 Approximately 1.3 gigabytes
Digital-materials UA01150016-SET-0001

David Anderson was raised in Raleigh, North Carolina. He attended Duke between 1985 and 1989 as an Angier B. Duke (AB) Scholar. He co-founded the reconstituted Duke Gay and Lesbian Association (DGLA, later Duke Gay, Lesbian, and Bisexual Association, Gothic Queers, Alliance of Queer Undergraduates [AQUADuke], and Blue Devils United). He also participated in Hoof 'n' Horn and Duke Chapel Choir. He currently runs a music business in Raleigh. Anderson is interviewed twice by different interviewers. In multiple interviews, Anderson talks about his family background. Anderson also discusses discovering his sexuality during his first year at Duke, and the prolonged process of coming out. Of note is his discussion about his isolation and the lack of resources for gay students at Duke at the time. Although the DGLA existed at the time, Anderson discusses its secretive nature during his first years at Duke and how this and other events factored into making rechartering the organization as an open and visible presence in 1988. He further describes the fears around openness and some of DGLA's public activities. He describes casual homophobia he experienced at Duke. Also discussed are the differences between Duke and Durham's environment for LGBTQ people, the importance of mentorship to LGBTQ young people in the late 1980s, and how the Duke community reacted to the HIV/AIDS crisis. Also included are a formal paper by Anderson describing his experience at the first Blue Jeans Day in 1988 as well as his personal notes created in preparation for the oral history interview.

  1. Oral Histories, 2015-2016

Christopher Bragg, 2015 Approximately 0.7 gigabytes
Digital-materials UA01150016-SET-0001

Christopher Bragg was born in Elon, North Carolina. He studied psychology at Duke University, graduating in 1990. During his undergraduate years at Duke, Bragg worked in research labs at Duke Medicine and served as a peer counselor. Bragg continued his education at UNC-Chapel Hill where he attained a Ph. D. in neuroscience. In 2000, Bragg moved to Boston to complete a post doctorate at Harvard. As of 2016, Bragg runs a laboratory at Massachusetts General Hospital. In this oral history, Bragg describes on his early family life. He discusses LGBTQ progress at Duke during the late 1980s, comparing, throughout, the environment at Duke to that at Yale, as well as to Durham and Chapel Hill, and finally to Boston and Harvard. Bragg also describes the creation and fostering of community during this time by the Duke Gay and Lesbian Association (DGLA). Bragg also mentions the pushback from some to the increasing visibility of LGBTQ people at Duke. Also described is the differences in experience between the men and women in DGLA. Bragg talks about sexual expression as an undergraduate and how it was affected by the HIV/AIDS crisis.

  1. Oral Histories, 2015-2016

Daniel Ellison, 2015 Approximately 0.6 gigabytes
Digital-materials UA01150016-SET-0001

Daniel Ellison grew up in New York and Miami before attending college at Duke University, from where he graduated in 1977. He later received graduate degrees in both folklore and law from the University of North Carolina. Ellison founded the Durham Arts Place after graduating and became involved in activism. Over the years, Dan has become involved in the Duke LGTBQ Network, and as of 2016 teaches classes as an adjunct professor at Duke on Non-Profit Cultural Institutions and the intersection of law, identity, and the performing arts. In this oral history, Ellison describes the broader culture at Duke in the mid-1970s. Ellison talks about his own sexual identity as one of ambivalence during his years at Duke. Ellison discusses the differences between LGBTQ life during his student years at Duke and the LGBTQ life he observes as an adjunct professor and involved faculty member. Also discusses is activism around LGBTQ rights in Durham and the surrounding area.

  1. Oral Histories, 2015-2016
Duke University Archives

Native American Student Alliance records, 2015-2020

.01 Gigabytes
The Duke University Native American/Indigenous Student Alliance (NAISA) was chartered as the Native American Student Alliance (NASA) in 1992 and serves as the primary cultural organization for Native American/Indigenous students on campus. The collection includes photographs of members at events, a PowerPoint presentation explaining cultural appropriation, NASA's constitution, general board meeting minutes, and newsletters.
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Native American Student Alliance records, 2015-2020 .01 Gigabytes

The Duke University Native American/Indigenous Student Alliance (NAISA) was chartered as the Native American Student Alliance (NASA) in 1992 and serves as the primary cultural organization for Native American/Indigenous students on campus. The collection includes photographs of members at events, a PowerPoint presentation explaining cultural appropriation, NASA's constitution, general board meeting minutes, and newsletters.
David M. Rubenstein Rare Book & Manuscript Library

One Person, One Vote: Learning from the Past, Organizing for the Future, Voting Rights Conference collection, 2015 September 18-20

0.2 Linear Feet
Collection comprises items related to the One Person, One Vote: Learning from the Past, Organizing for the Future Voting Rights Conference held September 18-20, 2015 in Durham, N.C. Materials include video of the proceedings, the conference program, contents of a participant notebook, feedback from attendees, and a mailing card for a related multimedia website.
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David M. Rubenstein Rare Book & Manuscript Library

Strange Fire Collective records, 2015-2023

1.25 Linear Feet (2 boxes) 15.4 Gigabytes (9701 files)
The Strange Fire Collective was a group of interdisciplinary artists, curators, and writers founded in 2015 by Jess T. Dugan, Rafael Soldi, Hamidah Glasgow, and Zora J. Murff to support the work of women, people of color, and queer and trans artists. Materials include physical and digital records such as printed ephemera, poster reproductions and sheets, exhibition guides and catalogs, social media files, administrative materials, and other files collected by Strange Fire Collective's website spanning 2015-2023. Topics explored in the collection include expressions of identity, gender and sexuality, racism, and current political and social issues. Acquired as part of the Sallie Bingham Center for Women's History and Culture and the Archive of Documentary Arts.
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Admin Folder, 2015-2022 60.7 Megabytes (101 files)
Digital-materials RL13026-SET-0001

Contains doucment and image files related to administrative activities of Strange Fire Collective including information on contributors, guidelines, group photos, internship searches, meeting logs, and other assorted materials.

  1. Digital Materials
Duke University Archives

Office of New Student Programs records, 2015-2021

42.4 Gigabytes
The Office of New Student Programs provides programs and resources to new student populations at Duke University. Collection includes files relating to the First-Year Advisory Counselor (FAC) program.
2 results in this collection

First-Year Advisory Counselor (FAC) Program files, 2015-2021
Digital-materials UA09220001-SET-0001
Digital-materials UA09220001-SET-0002

Includes folders organized by year. For each year, starting in 2015, there are materials related to the organization and implementation of the First-Year Advisory Counselor (FAC) Program. There are folders regarding the FAC board, orientation week (called "O-week"), meeting slides and notes, training materials, and rosters of students. There are also photographs taken at events and videos created by the advisory counselors. Also included are resource materials for new students. There are a variety of file formats, including still image files (JPEG, PNG, and Camera RAW formats), document files (MS Word, PDF, MS Excel, and PS Powerpoint formats), and video files (MPEG-4 and Apple QuickTime formats).

Office of New Student Programs records, 2015-2021 42.4 Gigabytes

The Office of New Student Programs provides programs and resources to new student populations at Duke University. Collection includes files relating to the First-Year Advisory Counselor (FAC) program.
David M. Rubenstein Rare Book & Manuscript Library

Akea Brionne Brown photographs, 2016-2018

2.5 Linear Feet (2 boxes)
These thirty-three color inkjet portraits are from the body of work "Black Picket Fences" by Akea Brionne Brown, and explore the life of middle-class African Americans in the suburbs of Baltimore, Maryland. Taken in part to confront stereotypes of African American neighborhoods and majority black American cities as dangerous and violent, the images chiefly portray family groups and individuals in interiors of homes and in outside environments such as front yards. The majority of the prints measure 19 3/8 x 24 inches. This work received the 2018 ADA Award for Documentarians of Color. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

Photographic Memory student projects, 2016

.5 Linear Feet (1 box)
Seven creative projects produced by students in Photographic Memory: Photo Albums, Photobooks, & Zines, taught by Lisa McCarty in Spring 2016 at Duke University. The one zine and six photobooks utilize photographs and ephemera from their personal archives, and document representations of women in art; a morning walk in Durham, N.C.; Duke students at a horse race in South Carolina; the Pan Mass bicycle charity event in Massachusetts; the rapid changes in downtown Durham, N.C.; a ferry service in Hong Kong; and U.S. war memorials. Through their work, the students explored aspects of the interplay of text and image, methods for sequential storytelling, basic layout and design techniques, as well as methods for production and distribution. Acquired as part of the Archive of Documentary Arts at Duke University.
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David M. Rubenstein Rare Book & Manuscript Library

Turkish political posters collection, circa 1914, 1943-2016 and undated

23 Linear Feet
Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic. In the first, sixteen posters extoll the achievements of the Turkish Armed Forces command or Turkish Brigade in the Korean War between November 1950 and July 1953. In the second series, one poster represents Turkey's relationship to North Atlantic Treaty Organization (NATO), and another reflects the naval and air force maneuvers of NATO's Southern Command, Greece, and Turkey at Weld Fast in 1953. The third series includes 27 posters that celebrate events of historic national significance and depict international political figures together with Turkish leaders. The fourth series includes four posters that commemorate Ottoman historical figures, including admiral Barbaros Hayrettin, and sultans Mehmet V, Mehmed II, and Selim I. The fifth series includes 14 posters of Repulican-era historical figures, including portraits of World War II generals and political figures. The sixth series contains 63 leftist political posters with political slogans, as well as calls for meetings and demonstrations; most of them date from the second half of the 1970's. The seventh series contains 50 posters issued by the Presidency of the Turkish Republic regarding the failed coup attempt of 15 July 2016.
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Presidency of the Turkish Republic Series, 2016

50 posters issued by the Presidency of the Turkish Republic regarding 15 Temmuz, the failed coup d'etat attempt of 15 July 2016. The posters all feature the same theme, "respect our destiny and our soldiers," and feature two sizes, 39 x 22.5-inches (but untrimmed) and 28 x 39-inches. One is extra large at 39 x 78-inches.

Republican-era Historical Figures Series, bulk undated

Fourteen posters of Repulican-era historical figures, including portraits of World War II generals, Greek war, and political figures such as Atatürk (five posters), İnönü (five posters), Fevzi Çakmak (three posters), Salih Omurtag, and Kazim Orbay. Within this series, 11 posters are signed by artist Mehmet Bakı (some M. Bakı); the others are not signed.

David M. Rubenstein Rare Book & Manuscript Library

Lawrence Sumulong photographs, 2016-2017

3 Linear Feet (2 oversize folders)
Lawrence Sumulong is a Filipino-American photographer based in Brooklyn, New York. Collection consists of 15 black-and-white oversize inkjet images printed on banana-fiber paper, documenting the lived experiences and memories of Marshallese and Bikinian survivors who were forced to leave their Pacific island homes because of the nuclear bomb tests carried out in the late 1940s by the U.S. military. The Marshallese and Bikinian diaspora explored in these photographs is based in Springdale, Arkansas. Acquired by the Archive of Documentary Arts at Duke University.
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Duke University Archives

Duke Amandla Chorus records, 2016-2017

973 Megabytes
The Duke Amandla Chorus is a student chorale organization that performs traditional music from various countries in Africa in the respective languages. The records span 2016-2017 and include images, moving image recordings, photographs, lyrics, and organizational records.
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David M. Rubenstein Rare Book & Manuscript Library

Global Student Health Projects collection, 2017-2018

2 Linear Feet
Collection consists of student projects created through the Duke University course GLHLTH 302: Narratives of Living with HIV/AIDS, taught by Professor Kearsley Stewart in 2016 and 2017.
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David M. Rubenstein Rare Book & Manuscript Library

Center for Documentary Studies, SNCC Legacy Project Critical Oral Histories Conference Interviews, 2016-2018, 2016-2018

260 Files (MP4 video files, JPEG image files, MP3 audio files, PDF text files, and plain text files.) 75 Gigabytes
Digital videos, photographs, and transcripts documenting critical oral history conferences in 2016 and 2018, with Student Non-violent Coordinating Committee veterans, hosted by the Center for Documentary Studies at Duke University. The 2016 Critical Oral Histories Conference focused on "The Emergence of Black Power, 1964-1967," while the 2018 Critical Oral Histories Conference focused on the efforts directly leading to the Voting Rights Act of 1965.
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Center for Documentary Studies, SNCC Legacy Project Critical Oral Histories Conference Interviews, 2016-2018, 2016-2018 260 Files (MP4 video files, JPEG image files, MP3 audio files, PDF text files, and plain text files.) 75 Gigabytes

Digital videos, photographs, and transcripts documenting critical oral history conferences in 2016 and 2018, with Student Non-violent Coordinating Committee veterans, hosted by the Center for Documentary Studies at Duke University. The 2016 Critical Oral Histories Conference focused on "The Emergence of Black Power, 1964-1967," while the 2018 Critical Oral Histories Conference focused on the efforts directly leading to the Voting Rights Act of 1965.
Duke University Archives

Peer Advocacy for Sexual Health (PASH) records, 2016-2018

0.98 Gigabytes
Founded in 2016, PASH (Peer Advocacy for Sexual Health) is a student-run resource center that supplies sexual health resources, products, and information to students at Duke. The collection consists of administrative records, materials related to marketing and publicity, meeting minutes and agenda, and House Course materials. Collection spans 2016-2018.
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Duke University Archives

Marion Quirici papers, 2016-2022

6.57 Gigabytes 0.1 Linear Feet
Marion Quirici was a Lecturing Fellow of the Thompson Writing Program from 2016-2022 and is an advocate for disability rights. She served as co-director for the Duke faculty working group, Disability and Access Initiative, and was the faculty advisor for the student organization, Duke Disability Alliance. The collection consists of materials relating to Marion Quirici's work with the Duke Disability Alliance, Disability Access and Initiative, and advocacy. This includes photographs, reports, proposals, presentations, and promotional materials.
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Marion Quirici papers, 2016-2022 6.57 Gigabytes 0.1 Linear Feet

Marion Quirici was a Lecturing Fellow of the Thompson Writing Program from 2016-2022 and is an advocate for disability rights. She served as co-director for the Duke faculty working group, Disability and Access Initiative, and was the faculty advisor for the student organization, Duke Disability Alliance. The collection consists of materials relating to Marion Quirici's work with the Duke Disability Alliance, Disability Access and Initiative, and advocacy. This includes photographs, reports, proposals, presentations, and promotional materials.
David M. Rubenstein Rare Book & Manuscript Library

Emilio Nasser photographs and video on La Cornuda de Tlacotalpan, 2016-2022

.5 Linear Feet (1 box) 789 Megabytes (1 mp4 video file)
Emilio Nasser (1980- ) is a documentary photographer and multimedia artist of Argentinian origin who is currently based in Switzerland. Collection consists of 24 inket color photographs, one six-minute digital video, and a reproduction of a field notebook, all part of Nasser's project to document a local legend about a river creature called "La Cornuda de Tlacotalpan" and the social aspects of legends, mythologies, and collective memory. Images include views of the river and its waterside town, Tlacotalpan, in the state of Veracruz, Mexico, and portraits of individuals wearing a large headdress representing the creature. Acquired as part of the Archive of Documentary Arts Awards collections at Duke University.
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Emilio Nasser photographs and video on La Cornuda de Tlacotalpan, 2016-2022 .5 Linear Feet (1 box) 789 Megabytes (1 mp4 video file)

Emilio Nasser (1980- ) is a documentary photographer and multimedia artist of Argentinian origin who is currently based in Switzerland. Collection consists of 24 inket color photographs, one six-minute digital video, and a reproduction of a field notebook, all part of Nasser's project to document a local legend about a river creature called "La Cornuda de Tlacotalpan" and the social aspects of legends, mythologies, and collective memory. Images include views of the river and its waterside town, Tlacotalpan, in the state of Veracruz, Mexico, and portraits of individuals wearing a large headdress representing the creature. Acquired as part of the Archive of Documentary Arts Awards collections at Duke University.
David M. Rubenstein Rare Book & Manuscript Library

Sergio Sánchez Santamaría Art Prints collection, 2016 and undated

3.4 Linear Feet (37 items)
Sergio Sánchez Santamaría was born in Tlayacapan, Morelos, Mexico, in 1976. A muralist, illustrator, and printmaker, Sánchez Santamaría is the heir of the Taller de Gráfica Popular (TGP) print collective. Collection includes 37 works of art created by Sergio Sánchez Santamaría, including 16 linocuts, 4 lithographs, 4 etchings, 3 scratch board, 8 ink drawings, 1 digital print, and 1 copper engraving. Themes explored include Mexican traditional topics such as the Mexican Revolution, folktales, indigeneity and myth, urban and rural landscaping, Calaveras (social and political commentary), and the Day of the Dead.
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Sergio Sánchez Santamaría Art Prints collection, 2016 and undated 3.4 Linear Feet (37 items)

Sergio Sánchez Santamaría was born in Tlayacapan, Morelos, Mexico, in 1976. A muralist, illustrator, and printmaker, Sánchez Santamaría is the heir of the Taller de Gráfica Popular (TGP) print collective. Collection includes 37 works of art created by Sergio Sánchez Santamaría, including 16 linocuts, 4 lithographs, 4 etchings, 3 scratch board, 8 ink drawings, 1 digital print, and 1 copper engraving. Themes explored include Mexican traditional topics such as the Mexican Revolution, folktales, indigeneity and myth, urban and rural landscaping, Calaveras (social and political commentary), and the Day of the Dead.
David M. Rubenstein Rare Book & Manuscript Library

Holly Lynton photographs, 2017-2023

1.5 Linear Feet
Holly Lynton is a Massachusetts-based documentary photographer and artist. Collection consists of 27 chromogenic prints from Lynton's Meeting Tonight project, which portrays contemporary (2017-2023) religious camp meetings in Dorchester County, South Carolina. The photographs depict people and social activities, labor, environment, and structures at the camp meetings. Acquired as part of the Archive of Documentary Arts.
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David M. Rubenstein Rare Book & Manuscript Library

Stacy Kranitz photographs, 2017

.5 Linear Feet (1 box)
Stacy Kranitz is a documentary photographer and author based in Tennessee. Collection consists of 15 color inkjet prints and a 100-page handmade illustrated book fom a project titled Fulcrum of Malice, which documents the connections between conditions in African American neighborhoods and the siting and management of hazardous industries and waste sites around Baton Rouge, Louisiana. The photographs show African American families at home and in their neighborhoods, people in church and at meetings about the hazardous waste sites, biodegraded landscapes, and the industrial sites themselves. The book also includes text, maps, charts that narrate the community histories, government policies which led to the current situation, and the decades-long struggle for environmental and health justice for the inhabitants. Acquired as part of the Archive of Documentary Arts at Duke University.
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Fulcrum of Malice, 2017 .5 Linear Feet

Series consists of a selection of 15 images from the Fulcrum of Malice project by photographer Stacy Kranitz. The images document the area in and around Baton Rouge, Louisiana where toxic and unhealthy sites have been sited side-by-side with low-income neighborhoods whose residents are primarily people of color. The photographs measure 11x14 inches and are accompanied by an illustrated handmade book outlining the connections between systemic racism and the siting of toxic industrial sites, dependence on petroleum, and the environmental and health dangers of chemical contaminants.

David M. Rubenstein Rare Book & Manuscript Library

Picturing Activism student projects, 2017

1.0 Linear Feet (2 boxes; 2 optical disks)
Collection consists of seven creative projects produced by students in the class "Picturing Activism," taught by Lisa McCarty in Fall 2017 at Duke University. The projects utilize archival and contemporary photographs, narrative, poetry, illustrations, digital documents, posters, and oral history interviews in digital audio format to explore themes related to activism, cultural experiences, and visual culture. Subjects include murals in Durham, N.C.; activism in Alamance County, N.C.; African American women, racism, and political activism; environmental crises and activism through photography; pit bull rescues and animal rights; and Chinese cooking as cultural expression. Some of the archival photographs are from the Rubenstein Library's collections. Aquired as part of the Archive of Documentary Arts at Duke University.
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Duke University Archives

Duke Taekwondo records, 2017-2019

0.05 Gigabytes
Duke Taekwondo is a Sport Club training in the World Taekwondo style of Taekwondo. The Duke Taekwondo records cover 2017-2019 and include of background documents and photographs, among other administrative material.
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Duke Taekwondo records, 2017-2019 0.05 Gigabytes

Duke Taekwondo is a Sport Club training in the World Taekwondo style of Taekwondo. The Duke Taekwondo records cover 2017-2019 and include of background documents and photographs, among other administrative material.

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