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Collection of 143 stereographic images of areas in southeastern China, taken by an amateur photographer and American lighting engineer Frederick B. Nightingale from 1920 to 1921, while he traveled on business as a representative of General Electric. Nightingale's photographs are of value not only for the image content, which includes street scenes, vendors, modes of transportation, shrines, temples, pagodas, monasteries, towers, and landscapes, but also for his lengthy contextual commentary written on the back of each card. The majority of the images were taken in Hangzhou (referred to as Hangchow), Suzhou (Soochow), Mount Putuo island (Pu-tu), and Shanghai, China, but there are also a few images from other cities (Ningbo, Chang'an, and Harinen?), and a set of 11 images were taken in Japan. Acquired as part of the Archive of Documentary Arts at Duke University.

Professional golfer and celebrity spokesperson. Arnold Palmer advertisements and memorabilia collection consists of print advertisements featuring Palmer as spokesperson, celebrity figure or providing product endorsements, as well as print advertisements for Arnold Palmer's own companies. In addition, the collection includes trading and collector cards, telephone prepaid cards and photographs bearing Palmer's likeness. Companies represented include Beaunit, Chemstrand, Ford, Glaxo (Nicorette smoking cessation products), Haggar, Heinz, Munsingwear, Rayovac, Rockwell, Sears, United Air Lines and Wilson Sporting Goods. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection contains two single issues of New York City newspapers printed as hoaxes. Includes a New York Times issue from July 4 whose lead story is "Iraq War Ends." There is also a New York Post issue with lead stories "We're Screwed," on climate catastrophes and public health disasters, and "World Leaders Slip on UN Summit Slope."

Account of life in camp and traveling while stationed in North India and modern-day Pakistan by an unidentified wife of a British Army officer. The first entry begins in Meean Meer (or Mian Mir), a former large British cantonment in Pakistan. Officers and families traveled to locations including Islamabad, Kashmir, Aliabad, and Pindi Gheb. Illustrated with sketches.

The Picture File was created and maintained beginning in the 1950s by the Duke University Manuscript Department staff and its institutional successors as a vertical file of pictorial works separated from manuscript collections as well as acquired individually. The collection is large and diverse, with images dating from the 18th through the 20th centuries. Engravings feature prominently, with photographs a close second. The predominant genre is portraits of political and military leaders, authors, artists, physicians, scientists, and others. Members of the Duke family and others from Durham, N.C. are also present. In the Socialist Party Series there are numerous images of leader Eugene Debs. Topics range widely, with a focus on American history, including the Revolutionary and Civil Wars; history and culture of the southern U.S.; and U.S. and European politics. A significant number of individuals in the People Series are African Americans, ranging from individual studio portraits to groups of individuals and racist caricatures and cartoons; a smaller number are of Native Americans.

The Pilot Mills Company was a cotton textile mill based in Raleigh, North Carolina and founded in 1892. Files in the collection include correspondence (1892-1918), legal records (1892-1922), financial records (1890-1971), plans and blueprints (1890-1971), printed material (1906), and other records relating to the mill's construction and equipping, its ownership, and its financial operations. Persons represented include co-founder William Holt Williamson.

Collection comprises a contract, dated 1865 June 8, made with 28 male and female former slaves for the growing of cotton on the "Plains" plantation in Fayette, Jefferson County, Mississippi. The laborers committed to working every day "from sun to sun," except Sunday, with other possible days off. They were to be paid one quarter of the net proceeds for the crop. The contract was witnessed by O.H. McGinty[?] and signed by executors E.G. Woods and Stephen Ireland; the last name of the deceased owner is illegible. The document was recorded by the sub-commissioner for the Freedmen's Department in Jefferson County, A.M. Brobst[?], on 1865 August 28, with notes regarding the executors, the contract's attachment to a lien, and $45 taxes paid on 15 laborers on August 21.

Seventeen United States and British government-produced films on 15 reels, dealing with World War II and dating 1943 to 1946, primarily including films made explicitly to sell war bonds, as well as documentaries, training films, and anti-Japanese and anti-German propaganda.

Collection comprises 176 commercially-produced stereograph cards dating from 1898-1905, depicting scenes from the Philippine Islands during the Philippine-American War, with a few taken in the U.S. of the embarkation and return of troops. Almost all are in black-and-white, with a few in color. The large majority convey the preparations, armed conflicts, and aftermath of the war, with scenes of battlegrounds including Angeles, Luzon, Malabon, Pasay, Pasig,Taquig, Tarlac, and San Pedro Macati. Other war-related images feature military personnel, officers, troop movements, encampments, hospitals, ruins, dead soldiers, allied native troops, prisons and prisoners. In addition, there are two groups, Places and People, which feature views of ordinary citizens and their dwellings, and places such as markets, bridges, railway stations, rivers, and buildings in Dagupan, Manila, Malabon, Pasay, Pasig, and San Pedro Macati. Almost all the stereographs bear captions, dates, and the names of the publishers, chiefly Underwood & Underwood (New York), C.H. Graves (Philadelphia), Keystone View Company (Pa.), and George W. Griffith (Griffith & Griffith, Philadelphia). Some have the names of individuals, possibly the photographers.

Seven creative projects produced by students in Photographic Memory: Photo Albums, Photobooks, & Zines, taught by Lisa McCarty in Spring 2016 at Duke University. The one zine and six photobooks utilize photographs and ephemera from their personal archives, and document representations of women in art; a morning walk in Durham, N.C.; Duke students at a horse race in South Carolina; the Pan Mass bicycle charity event in Massachusetts; the rapid changes in downtown Durham, N.C.; a ferry service in Hong Kong; and U.S. war memorials. Through their work, the students explored aspects of the interplay of text and image, methods for sequential storytelling, basic layout and design techniques, as well as methods for production and distribution. Acquired as part of the Archive of Documentary Arts at Duke University.