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Collection comprises a photograph album in two sections, containing a total of 261 black-and-white prints that feature the athletic and social activities of young female campers. The photographs were taken by an unidentified teenage girl. The first section of the album comprises 51 photographs (with captions) taken during the summer of 1916, twenty-six of them at Camp Mascoma, in Enfield, N.H., including shots of the Shaker Bridge and scenes of campers canoeing and swimming, among other activities. There are also 8 photos taken at Lost River, near North Woodstock, N.H.; 6 photos of girls with other family members at Wollaston Beach in Quincy, Mass.; and 11 photos of Boston's Franklin Park, a children's May Party, and other activities. The second section of the album contains 210 photographs (of which only 35 have captions and 10 are loose) taken during the summer of 1917 at Camp Teconnet on China Lake in China, Me. These photographs picture campers swimming, canoeing, playing basketball, doing calisthenics, posing singly and in small groups, etc. There are also many photographs of campers dressed in elaborate costumes (of dowagers, gypsies, clowns, Native Americans, etc.), including several featuring campers in male attire, impersonating Charlie Chaplin, WWI soldiers, playboys, waiters, etc.

Collection of published clippings and journal/magazine excerpts related to the life and works of English writer Charles Lamb (1775-1834). Includes some of Lamb's writings, as well as literary criticism and biographical clippings.

The Edwin and Terry Murray Papers include a range of materials related to the comic book collecting, comic conventions, and science fiction fandom of Edwin L. and Terry A. Murray.

Collection includes 20 pieces of collected manuscript sheet music, circa 1830s-1900s. The scores, which cover multiple genres, were most likely copied by hand from other sources.

The Nazi Nuremberg Rally Newsreel, 1933, consists of one black-and-white, silent, 31-minute Agfa newsreel print documenting the Fifth Party Congress of the Nazi Party, Nuremberg, August 30-September 3, 1933.

Collection comprises an original, 7 x 9-inch, black-and-white New York City press photograph, showing judges of the National Fashion Promotion Contest accepting entries from Irene Fogel, national president of Gamma Alpha Chi, the National Professional Advertising Fraternity for Women and sponsor of the contest. Judges pictured include Jack Mintz, treasurer of the New York Dress Institute; Bernice Fitz-Gibbon, advertising director of Gimbel Brothers; and Abbott Kimball, president of Abbott Kimball Advertising Agency. Photographer unknown. The following stamps are on the back of the photo: "NEA;ACME.”

Ledger of an unknown merchant in New Bern, N.C. Transactions appear chronologically by account holder, and reflect the sale of general merchandise, such as cloth and clothing, food, rum, seed, pitch, tar, and turpentine. Accounts were settled with either cash or goods. Formerly known as Anonymous ledger C, 1767-1776.

North Carolina family active in education, law enforcement, farming, and slavery. The bulk of the papers relate to Nathan Carter Newbold and his relatives, including his father William A. Newbold and grandfather William Newbold (Sheriff of Pasquotank County, North Carolina), his first wife Mabel Wooten, and his second wife Eugenia Bradsher. Nathan Carter Newbold was the Director of the Division of Negro Education for the North Carolina State Department of Public Instruction from 1913-1950. The collection includes personal and professional correspondence, photographs, financial and property records dating from the 1840s, and recorded speeches given at Nathan Carter Newbold's retirement dinner. Some photographs have been identified as being of South Carolina during the late 19th century-early 20th century, which include portraits, street scenes (in Charleston), sail boats, as well as a few photographs of people of color, including photographs of "Lascar Sailors."Some photographs are of the U.S. Military Academy at West Point during the 1890s. Many of the legal and financial papers were generated by Nathan Carter Newbold's father and grandfather. The bulk of the correspondence relates to Nathan Carter Newbold's role as an administrator for North Carolina public schools and to his tenure as the Director of the Division of Negro Education during segregation and Jim Crow.

Life Savers are a brand of hard and soft candies first produced in 1912, currently owned by Mars. Collection consists of approximately 150 items: matted advertising, display and promotional designs; black and white photographs; and negatives that depict a variety of campaigns to market Life Savers in early and mid-century United States. Included are photographs of models in various poses; candy displays (including displays of competitors such as Curtiss's Baby Ruth/Butterfinger and Pine Bros. Glycerin Tablets); celebrities posing with the candy in endorsement or other promotional campaign; street vendors (Life Savers Sampler Girls); and images of placements of the candy in film productions. Celebrities include Ann Rutherford, Edgar Bergen, George McManus, George Raft, Jack Benny, Lou Costello, Maggie Jiggs and Virginia Mayo. Images produced by a number of prominent photographers and agencies, including Acme Newspictures, Ewing Galloway, General Outdoor, Guy Gillette, Hyman Fink, Keystone View, McArthur Advertising, Shigeta-Wright, and the Vacuum Candy Machinery Company. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection comprises 36 black-and-white photographs, varying in size from about 4x6 to 9.5x11, some with card-stock backing. The images mainly portray women at work, as textile and other industry workers; as scientists, medical professionals, and academics; and as participants in Communist Party education. There are also images that pertain to improvements in women's status, whether for minorities or workers in general. The majority of the photographs bear captions in both Chinese and English. Several have Hsinhua News Agency markings; beyond such markings, the photographer is unidentified. A few have sizing information for reproduction, and many were likely used in an exhibition on the status of women in modern China. Loosely organized according to amount within the following topics, based on the caption provided for the photograph: factory workers, professional women, Communist Party workers, commune and other workers, and minorities.