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Collection consists of 25 gelatin silver prints of images taken in France by noted American photographer Todd Webb. The majority were taken from 1948 to 1951, with some from the 1970s, on the streets of Paris, particularly in the Latin Quarter, with other images from small towns and rural areas in Provence and one from Le Cannet, on the French Riviera. Subjects include streets, storefronts, squares, restaurants, outdoor advertising, doorways, and other city scenes, some with pedestrians and other figures. Acquired as part of the Archive of Documentary Arts at Duke University.

Medical receipt on a single sheet of paper in an anonymous hand for an ointment made with olive oil, green tobacco, white wine, turpentine, and bee's wax. Below this, a recipe for "Lucatellus Oyntment or Balsome." On the verso, in a different hand, is a receipt for "Dr. Meades emultion for the lungs." A note in a different hand states "out of an ancient book of prescriptions culinary & medical from circa 1650."

Collection contains original caricatures, original and drafts drawings, and select magazine issues that critique political decisions, parties, cultural and social issues, world affairs, economics, womens' rights, equality, foreign policies, World War II, and more in 20th century Turkey. Artists such as Ramiz Gökçe, Memduh, Olgaç, and many more are represented in this collection. There are also representative caricature journals, e.g., Mizah, Akbaba, Karikatür, and Amcabey.

The collection consists of printed materials and ephemera documenting the 2018 presidential election and 2019 municipality elections in Turkey. Represented in the collection are the major parties, including the Justice and Development Party (AKP), Peoples' Democratic Party (HDP), Republican People's Party (CHP), Nationalist Movement Party (MDP), Felicity Party (Saadet), Patriotic Party (Vatan), and Iyi Party (Iyi). Materials are in Turkish.

Collection comprises 176 Turkish political posters, including three duplicates. There are seven series of posters: Korean War, NATO, Historical significance, Commemoration of Ottoman historical figures, Republican-era historical figures, Leftist, and Presidency of the Turkish Republic. In the first, sixteen posters extoll the achievements of the Turkish Armed Forces command or Turkish Brigade in the Korean War between November 1950 and July 1953. In the second series, one poster represents Turkey's relationship to North Atlantic Treaty Organization (NATO), and another reflects the naval and air force maneuvers of NATO's Southern Command, Greece, and Turkey at Weld Fast in 1953. The third series includes 27 posters that celebrate events of historic national significance and depict international political figures together with Turkish leaders. The fourth series includes four posters that commemorate Ottoman historical figures, including admiral Barbaros Hayrettin, and sultans Mehmet V, Mehmed II, and Selim I. The fifth series includes 14 posters of Repulican-era historical figures, including portraits of World War II generals and political figures. The sixth series contains 63 leftist political posters with political slogans, as well as calls for meetings and demonstrations; most of them date from the second half of the 1970's. The seventh series contains 50 posters issued by the Presidency of the Turkish Republic regarding the failed coup attempt of 15 July 2016.

Roy C. Trimiar was an African-American U.S. Army veteran, who served as a private in the Q.M. Det. SC-CASC, Colored, and the Ser. Det. SC-4th, Colored, 1942-1943. He was born in Homer, Georgia and lived much of his life in Cooleemee, North Carolina. He was married to Lola Wood Trimiar (1909-1996). Collection primarily includes letters from Trimiar to his wife in Cooleemee and Mocksville, NC (89 items). The letters begin with their courtship (1939) in Cooleemee, but mainly date from Trimiar's service in the U.S. Army Colored Troops stationed at Fort Bragg, N.C., and Fort Oglethorpe, Ga.

Collection comprises a copy of the "Triumphant Whig Song," featuring verses about 8 states and their unwavering support for "Tyler and Tippecanoe." The song is followed by the statement "Samuel Hunt's Ballad," which may denote the tune for the song. The page is also signed by Samuel L. Hay.

Albumen photographic portrait on cabinet card featuring full-length image of Sojourner Truth; facing front but turned slightly to her left; in a dark dress with light collar, cap, and shawl; holding her knitting while seated; with her left arm resting on a small table that has a decorative table cloth and holds a notebook and vase of flowers. The room has a patterned rug. There are five spatters of ink or another substance on the surface of the photograph, along with a few spatters on the mount.

Trade catalogs of jewelry prepared for individual local retail stores.

John Willis created these six composite color images to articulate and consider the connections between photographic portraits taken by the Khmer Rouge of young people in Tuol Sleng prison in Phnom Penh, where an estimated 14,000-20,000 victims were executed from about 1975-1979, and images of deteriorating mural frescoes at the Emperor's Palace, also in Phnom Penh. The portraits are said to be of prison workers, and were exhibited in 2008 at the prison, now a genocide museum. Five of the historical photographs are portraits; the sixth shows a group of what appears to be Khmer Rouge soldiers in uniform. The photographer's images show that the original photographs on exhibit were defaced with graffiti and other marks by visitors to the museum. The neglected Emperor's Palace frescoes, whose images flank the victim's portraits in Willis' work, depict scenes from the Cambodian epic poem, the Reamker, which speaks to human issues of love, revenge, loyalty, and trust. The color inkjet prints were created from 2009 to 2011. Acquired as part of the Archive of Documentary Arts at Duke University.