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David M. Rubenstein Rare Book & Manuscript Library

Barbaralee Diamonstein-Spielvogel Audiovisual Materials, 1956-2025

100 Linear Feet (1,339 analogue and digital audiovisual resources)
Barbaralee Diamonstein-Spielvogel is an advocate for the arts, interviewer, documentarian, teacher, political organizer, and resident of New York City. The Barbaralee Diamonstein-Spielvogel Audiovisual Collection is primarily comprised of audio and video recordings of programs and interviews produced by Barbaralee Diamonstein-Spielvogel for television and print, centering on the arts, architecture, and historic preservation, particularly in New York, from the mid-1970s to the present.
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David M. Rubenstein Rare Book & Manuscript Library

Anti-Civil Rights ephemera collection, 1945-1971 and undated

0.2 Linear Feet
Assorted racist flyers, printed materials, and some manuscript ephemera produced by groups, particularly white supremacist and states' rights groups, intent on opposing civil rights legislation and desegregation efforts in the Southern United States.
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Flyers and circulars promoting states' rights or white Southern rights, 1945-1971 Box 1

Includes general states' rights ephemera as well as transcripts of three speeches: "The Brotherhood of Man Racket," by W. H. Amerine; an untitled speech by Hugh Morrow delivered to the Alabama legislature; and "Civil Rights Bill Denies Trial by Jury-Our Greatest Constitutional Right," by John J. Sparkman, reprinted in the Congressional Record in 1957. Some materials are photocopied clippings about Martin Luther King; other document the presence of The Southerners and Ku Klux Klan units.

    Duke University Archives

    Duke Chinese Dance records, 2010-ongoing

    41 Gigabytes
    The Duke Chinese Dance Troupe (DCD) was established at Duke University in the 1990s as an organization of students presenting Chinese dance and Chinese/Chinese-American culture to the Duke, Durham, and surrounding North Carolinian communities. DCD records contain the website, and materials used for planning, performing and documenting annual performances including the Duke Chinese Dance Showcase also known as the LNY (Lunar New Year), and the Fallcase.
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    DCD performance planning, documents, and media, 2015-2016 Digital-materials UA.31.07.0018-SET-0001

    Includes planning questions; elements for an introduction video; program; recorded music; and performance photographs for the Duke Chinese Dance Showcase, Dimensions, on April 14, 2016. This event is also known as the LNY_16 (Lunar New Year).

    1. Performance records, 2015-2019

    DCD performance planning, documents, and media, 2016-2017 Digital-materials UA.31.07.0018-SET-0002

    Includes planning scripts; lighting cues; costume inventory; recorded music; SOFC and CEF grant audits; list of DCD members; promotional fliers; backstage and performance photographs; and videos of the performance and cast interviews for the DCD Showcase, Synergy, on April 14, 2017.

    1. Performance records, 2015-2019

    DCD performance planning, documents, and media, 2017-2018 Digital-materials UA.31.07.0018-SET-0001

    Includes planning choreography notes; rosters; schedules; costume inventory; meeting agendas and notes; social media; photographs of dancers; publicity materials; and performance audio and video media for the DCD Showcase, Entwined, on April 13, 2018. Also included are event schedules, and an introductory slide presentation.

    1. Performance records, 2015-2019
    Duke University Archives

    Duke Ballroom Dance Club records, 2017-2020

    2.04 Gigabytes
    Duke Ballroom Dance Club (DBDC) is a student organization specializing in the American style of Rhythm and Smooth ballroom dances including cha-cha; foxtrot; rumba; swing; tango; waltz; Viennese waltz; and more. Duke Ballroom Dance Club records are administrative documents including the constitution; leadership position lists; waivers; and DanceSport rulebooks.In 2020, the group officially became a part of Duke Sport Clubs, changing its name to Duke Club Ballroom Dance (DCBD).
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    DBDC - Year 1, 2017-2018 .6 Gigabytes Digital-materials UA.31.11.0004-SET-0001

    Includes club records of competition registration sheets; logistics, meeting agendas; member lists; surveys; Fred Astaire dance class documents; planning documents for the Triangle Open; Duke venue schedules; and lighting cues and performance videos for WorlDuke 2017.

      DBDC - Year 2, 2018-2019 1.2 Gigabytes Digital-materials UA.31.11.0004-SET-0001

      Includes club records of competition registration sheets; logistics; meeting agendas; member lists; surveys; Fred Astaire Master Dance class documents; planning documents for Cackalacky, Carolina Ballroom Brawl, National Collegiate DanceSport Championships, and the Triangle Open; Duke venue schedules; and lighting cues and performance videos for WorlDuke.

        DBDC - Year 3, 2019-2020 .2 Gigabytes Digital-materials UA.31.11.0004-SET-0001

        Includes club records of budgets; competition registration sheets; COVID-19 planning; logistics, meeting agendas; member lists; surveys; Fred Astaire Master Dance class documents; planning documents for Cackalacky, DC DanceSport Inferno, LNY Showcase; National Collegiate DanceSport Championships, and the Triangle Open; Duke venue schedules; and lighting cues and performance videos. Due to COVID-19 restrictions, also included are slides used for the Blue Devil's Day virtual tabling for recruiting club members.

          David M. Rubenstein Rare Book & Manuscript Library

          Caribbean Sea Migration collection, 1959-2014

          3 Linear Feet 166 Megabytes 600 Items
          Materials from (or related to) the migration by sea of Cubans, Dominicans, and Haitians, including the refugee camp for Cuban and Haitian rafters that existed in Guantanamo Bay, Cuba, largely dating from 1991-1996. Collection includes camp newspapers and artwork created by refugees held at Guantánamo Bay, Cuba; materials from the U.S. Coast Guard and other military sources, such as newspapers written in Haitian Creole, photocopies of camp rules and refugee intake procedures, and a transcript from an introductory video shown to refugees arriving at the camps; magazines and media coverage of refugee situations, including some material on Elián González; photographs and slides of refugees, Coast Guard personnel, and conditions in the camps in Cuba. Refugees arriving in Miami are included as are photographs of the work of the Guantanámo Refugee Assistance and Services Program in Miami and in the camps in Guantánamo Bay.
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          David M. Rubenstein Rare Book & Manuscript Library

          Christopher Sims photographs, 2005-2025

          3 Linear Feet (3 boxes)
          Christopher Sims is a documentary photographer from Atlanta, Georgia, currently on the faculty at Duke University, Durham, N.C. The 71 color digital photographs in this collection appear in his book, The Pretend Village: Inside the U.S. Military Training Grounds (2021). The photographs were taken by Sims from 2005-2018 at fictitious Iraqi and Afghan villages constructed on U.S. Army bases in remote areas of North Carolina and Louisiana, and in Death Valley, California. Images taken between military training exercises show actors, many of them real-life immigrant Afghans and Iraqis, playing police officers, doctors, craftspeople, farmers, and café owners. Images taken during training include American soldiers in motion or at rest, fictional civilians and insurgents, and simulations of dead or wounded soldiers and civilians. Other images are of buildings, streets, fake interiors, props, rubble, and graffiti and murals. The inkjet prints measure 17x22 inches. Acquired as part of the Archive of Documentary Arts at Duke University.
          3 results in this collection

          Christopher Sims photographs, 2005-2025 3 Linear Feet (3 boxes)

          Christopher Sims is a documentary photographer from Atlanta, Georgia, currently on the faculty at Duke University, Durham, N.C. The 71 color digital photographs in this collection appear in his book, The Pretend Village: Inside the U.S. Military Training Grounds (2021). The photographs were taken by Sims from 2005-2018 at fictitious Iraqi and Afghan villages constructed on U.S. Army bases in remote areas of North Carolina and Louisiana, and in Death Valley, California. Images taken between military training exercises show actors, many of them real-life immigrant Afghans and Iraqis, playing police officers, doctors, craftspeople, farmers, and café owners. Images taken during training include American soldiers in motion or at rest, fictional civilians and insurgents, and simulations of dead or wounded soldiers and civilians. Other images are of buildings, streets, fake interiors, props, rubble, and graffiti and murals. The inkjet prints measure 17x22 inches. Acquired as part of the Archive of Documentary Arts at Duke University.

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