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Eighty-seven betacam videocassettes containing interviews and production footage for the 2003 documentary February One: The Story of the Greensboro Four, directed by Steven Channing and Rebecca Cerese.

The collection includes papers and volumes created by John McIntosh Kell (1823-1900) of the U.S. Navy and his family. Family correspondence includes letters from John McIntosh Kell's period of service in the U.S. Navy, family and buisness papers from the Kell, Nathan Campbell Munroe, and Tabitha Easter (Napier) Munroe families discussing Georgia policitcs and other local events. Volumes in the collection include logs of the U.S. frigate Savannah, the U.S.S. Falmouth, and Shark. There is also an unpublished manuscript by Kell's wife and scrapbooks she maintained. Includes family legal papers, genealogical materials, writings, and miscellaneous papers.

Collection consists of the personal and professional correspondence of James Hinton Pou, Sr., lawyer, politician, and land developer of Raleigh, North Carolina. Topics cover late 19th and early 20th century North Carolina politics and legal system, business and land development in North Carolina, the history of Raleigh, N.C. and Wake County, and the Pou-Bailey families.

Solomon, Ambrose, and Socrates Henkel were prominent Lutherant churchmen active in Virginia, Tennessee, and North Carolina. Correspondence (1812-1894), account books, and notes for sermons, articles and lectures, belonging to the Henkel family. The primary authors are Solomon and Ambrose Henkel, and their nephew, Socrates Henkel, prominent Lutheran churchmen. Includes information on the Lutheran Church in Virginia, Tennessee, and North Carolina, and on the publishing house Henkel Press, Inc., at New Market, Virginia. Some of the material is in German. The correspondence touches on many subjects, chiefly church matters, but there is a small group of Civil War letters from Henkel family members recounting battles (Fort Sumter; Mine Run, Va.), Union occupation, and camp life. One letter from 1860 mentions the hanging of an abolitionist. Also included is a diary begun in 1802, written by Paul Henkel, with a transcription; there are also miscellaneous writings, items relating to religious music, and advertisements.

Materials from the branch of the Hypes family that descended from Henry Hypes of Xenia, Ohio: Samuel Henry Hypes (1826-1917); his son, William Findlay Hypes; his grandson, Samuel Loomis Hypes; and his great-grandson, William P. Hypes. Collection includes a wide range of material from the Hypes family, particularly William Findlay Hypes, Samuel Loomis Hypes, and William P. Hypes. William Findlay Hypes' materials highlight his career at Marshall Fields and Co. of Chicago and his service as President of the Y.M.C.A. of Chicago, with emphasis on his family's world tour on behalf of the Y.M.C.A. in 1924-1925. Hundreds of postcards and photographs collected by the family are contained in the papers, including images from India, Ceylon (Sri Lanka), China, Europe, Egypt, and many more places, most unlabeled. Some material from Samuel Loomis Hypes' army service during World War I is also included, the most noteworthy being 24 black and white photographs featuring crowds awaiting the signing of the Treaty of Versailles and the shipping of troops back to the United States, including photographs of African American soldiers. Materials from William P. Hypes relate to his work with the Y.M.C.A. in the mid-twentieth century. The family's research into their genealogy and family history, unidentified family photographs, and smaller amounts of correspondence and material from other family members are also included.

Earl Dotter is a documentarian, photojournalist, and labor activist based in Maryland. Dotter's great-grandfather, Charles G. A. Thamm, also worked as a photographer in Pennsylvania and was employed by the Landreth Seed Catalog Company. This collection contains photographs in various formats - including negatives and prints - created by Thamm and his family in the 1890s and early 1900s. It also contains digital surrogate images of Thamm's work, adjusted by Dotter.

Lithography company founded in Cincinnati, Ohio, in about 1847. The Strobridge Lithographing Company Advertisements span the years 1910 through 1954, documenting much of the company's printed poster advertising work from that era. All images are black and white. The core of the collection, the Image Files Series, consists of around 1000 8x10 photographs ("A" images) of advertising designs, and a similar number of smaller printed cards (approx. 5x7 to 5x8, "B" images) of outdoor advertisement designs. The images are accompanied by three different Access Files to be used to browse the collection. These files are in the form of image photocopies ( "job tickets" ) and catalog cards. Most images are of poster (billboard or transit card) designs, but there are also some photographs of tabletop display advertising, window cards and other point-of-purchase displays. The collection documents advertising during a time when transportation was changing in America, and the automobile was gaining in popularity. Billboards began to replace smaller posters, accommodating a more mobile public. It was then that Strobridge turned from its emphasis on circus and theater posters (not represented in the collection) to billboard ads for mass-produced products. Many different products are featured, but perhaps the two most prominent and well-represented campaigns are those for Camel cigarettes and Palmolive soaps. The images form a valuable reference collection of advertising designs, relevant for researchers from a variety of disciplines including commercial artwork, advertising history and design, and popular culture. The collection documents outdoor advertising design during the first part of the twentieth century for what were mostly national brands. Numerous examples are from the era of hand-drawn and painted designs, often signed by artists including Norman Rockwell, Howard Scott, and Dr. Seuss (see his designs for the product Flit). Rarely, an artist is listed on the back of the image. Later designs from the 1940s and 1950s include photographic images, often peppered with celebrity likenesses including John Wayne, Maureen O'Hara, and Charlton Heston. Many of the celebrity advertisements promoted tobacco products. Some designs are clearly war-era, such as advertisements depicting a 1943 female factory worker, or one from Schlitz (1942) mentioning war bonds.

President of North Carolina Mutual Life Insurance Company, 1923-1952. NC Mutual is the oldest currently active African American-owned insurance company in the United States, founded in 1898 and headquartered in Durham, North Carolina. The collection contains photographs, miscellaneous business papers, programs, speeches, clippings related to C. C. Spaulding, black civil rights, and to African American life more generally, in addition to administrative materials and various publications created by and related to North Carolina Mutual Life Insurance Company. These papers document the growth of North Carolina Mutual Life Insurance Company in the mid-twentieth century, Spaulding's and the company's connection to the community, and their involvement in African American issues (local and beyond) and livelihood. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Alvin T. Parnell was a commercial photographer based in Durham, N.C. Collection chiefly consists of 167 black-and-white photographs of the city and people of Durham, North Carolina. The majority, chiefly taken by Parnell from 1920 through the 1950s, are views of downtown streets, commercial and industrial buildings, churches, and infrastructure, especially transportation. Many sites are related to the tobacco manufacturing businesses based in Durham. A few are of African American tobacco workers posed in the field and female factory workers ending their shift. Other images range widely and include a Trinity College (later Duke University) reunion, war veterans at gatherings, a minstrel band, a cart advertising Bull Durham tobacco, and tobacco fields with posed workers, white and African American. In addition, there are portraits of prominent Durham individuals and families. Formats include 85 vintage and modern gelatin silver prints, chiefly 8x10 inches, 82 contact prints, and 12 safety negatives. Includes an information folder with 1986 obituary and collection information.