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Doris Duke papers on the Falcon Lair residence, 1937-1999

4.6 Linear Feet 3,285 Items
Abstract Or Scope
The Falcon Lair residence was purchased by Doris Duke in April, 1953 primarily for use on her occasional visits to California and for use while she was in transit to or from her residence in Honolulu. Compared to her other estates, the residence was not large, however, being located in the hills above Benedict Canyon overlooking Beverly Hills, it served as a retreat from public life. Soon after the home was purchased, Doris Duke hired Tony Duquette to supervise the entire redecoration and remodeling of Falcon Lair. The home was renovated again in the mid-1970s. Miss Duke lived at Falcon Lair until her death in 1993, and in 1998 the property was sold by the Doris Duke Charitable Foundation. The collection is arranged into two series: Administrative Records and Architectural Records. It spans the years 1937 to 1999, beginning with the purchase and interior renovation of the home and ending with maintenance and general upkeep of the home after Doris Duke's death in 1993. The collection primarily documents the expenses and daily operations of renovating, running, and maintaining the Falcon Lair residence, and includes invoices and receipts for services and repairs, correspondence, memoranda, and telegrams relating to routine matters of the residence, expenses, and photo inventories of furniture, fixtures, and other household items. A majority of the architectural records detail alterations and additions to the Falcon Lair residence.

Duke Gardens Foundation records, 1912-2002 and undated

96.8 Linear Feet 28,000 Items
Abstract Or Scope
On October 15, 1958 the Duke Gardens Foundation was incorporated with the purpose of "developing thereon agricultural, botanical & horticultural exhibits for the purpose of scientific experiments and of public inspection, instruction, education & enjoyment." Over the period of six years, Doris Duke was personally involved in the physical design of the Indoor Display Gardens, in which various gardens were carefully designed, planned, and developed from the point of view of authenticity. The gardens were opened to the public in 1964, and included 11 unique gardens for visitors to enjoy. Doris Duke continued her involvement with her gardens throughout her life, bringing designers with her to modify them during the summer season when they were closed to tourists. The Duke Gardens Foundation was officially dissolved November 13, 2001 and the gardens closed to the public in 2008. The collection documents the lifecycle of the Duke Gardens Foundation, beginning with the inception of the Duke Gardens Foundation and the design and creation of the various indoor display gardens that comprised Duke Gardens, including the associated purchases of plants and bulbs. The materials follow the daily operations of Duke Gardens, including modifications and general upkeep of the gardens, visitor and tour information, and operations of the Foundation itself. The materials end with the general management of Duke Gardens after Doris Duke's death in 1993 and the final dissolution of the Foundation in 2001. Materials include correspondence, inventories, specifications for various architectural projects at Duke Gardens, invoices and vouchers for repairs and reconstruction to the greenhouses, surveys and reports, financial ledgers, and a multitude of both black and white and color photographs and slides of the different gardens.
2 results in this collection

Frank C. Brown papers, 1899-1943

30 Linear Feet
Abstract Or Scope
Frank Clyde Brown (1870-1943) served as Professor of English at Trinity College and Duke University, and as Comptroller and University Marshall of Duke University. He oversaw the initial construction of Duke University's West Campus and the renovation of East Campus. Brown also founded the North Carolina Folklore Society. The Frank C. Brown Papers contain correspondence, logs, diaries, reports, lantern slides, notebooks, clippings, a scrapbook, and other materials. While some papers relate to teaching and English department activities, the bulk of the collection concerns the construction of Duke University, including correspondence with the Horace Trumbauer architectural firm, builder and manufacturer information, construction progress reports, travel diaries of visits to other campuses, and records of James B. Duke's views on architecture and involvement in campus planning. English.
3 results in this collection

Center for Documentary Studies student projects collection, 1980-2011 and undated

40 Linear Feet
Abstract Or Scope
The Center for Documentary Studies at Duke University teaches, engages in, and presents documentary work grounded in collaborative partnerships and extended fieldwork that uses photography, film/video, audio, and narrative writing to capture and convey contemporary memory, life, and culture. The collection includes work created by students enrolled in documentary studies courses at Duke University in Durham, North Carolina, and the University of North Carolina at Chapel Hill (UNC), sponsored by the Center for Documentary Studies at Duke. Acquired as part of the Archive of Documentary Arts at Duke University.
1 result in this collection

Stone Circles records, 1995-2012

11.4 Linear Feet (19 boxes)
Abstract Or Scope
The Stone Circles records contain materials documenting the history of the organization. These include press clippings, board meeting minutes. staff and financial information, program files, newsletters, event information, and correspondence.
1 result in this collection

Tobacco collection, 1828-1996

5.4 Linear Feet
Abstract Or Scope
The Tobacco Collection contains material assembled by library staff related to the manufacturing, sale, and use of tobacco in the United States, particularly in North Carolina and Virginia. There are also items referring to tobacco cultivation and processing. Printed advertising predominates, but the contents also include items that are not paper products. Typical paper-based items include cigarette and cigar advertising trade cards of W. Duke, Sons & Co., Lorillard, Liggett and Myers, John Player and Sons, and various other American and British companies; tobacco advertisements by Krueger and Brown of N.Y.; and souvenir tobacco albums published by Allen & Ginter. Other forms of advertising in the collection include broadsides, pamphlets, books, leaflets, letters, envelopes, cigar and cigarette boxes and labels, cans, a plate, wrappers, labels, and catalogs. Images include birds, animals, battle scenes, and persons, including a series on "African Types."
1 result in this collection

Jean Yeager papers, 1959-2012

15 Linear Feet 7,000 Items
Abstract Or Scope
Advertising copy writer and artist who managed his own agency, Jean W. Yeager, Inc. based in Dallas, Tex. Later taught at several Waldorf Method institutions; director of the Anthroposophical Society in America. Collection spans the years 1959-2012 and includes correspondence, direct marketing printed materials, print advertisements and recordings of radio and television broadcast commercials and public service messages that document Yeager's career producing advertising primarily for companies based in Texas. Examples of Yeager's original art are also included. Formats include audio- and videocassettes, audio reels and 16mm films. Companies represented include 7-Eleven, Coca-Cola, Frito-Lay, Radio Shack, Republic Health Corporation, Schenley, Southland Corporation, and Sterling Optical. The collection also touches on Yeager's involvement with the Anthroposophical Society and related enterprises, including Waldorf Method schools such as the Kimberton Waldorf School in Detroit. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Youth Document Durham and Durham Works Project records, 1995-2008 and undated

45.5 Linear Feet (75 boxes; 1 oversize folder) Approximately 10,085 Items
Abstract Or Scope
Youth Document Durham and Durham Works were programs sponsored by Duke University and the Center for Documentary Studies that brought together young people ages 12–16 from diverse Durham communities to document their lives, local history, and contemporary social issues through photography, oral history, and narrative writing. The Youth Document Durham and Durham Works project records span the years 1995-2008 and document the process of training young people in Durham, North Carolina schools to use photography and other arts, oral histories, and writing to record the history and members of their communities and the local issues affecting the students' lives. Many of the students are African American or Hispanic and their topics often highlight social conditions and race relations in African American and Hispanic communities in Durham neighborhoods and in a few other locations, including South Carolina. Topics explored by participants, both interviewers and interviewees, include crime, food cultures, jobs and education, music, racism, technology, teen violence, work cultures, and tobacco cultivation and its social context. The bulk of the collection is made up of hundreds of oral interviews conducted by junior high and high school students with community members, documented through audiocassette recordings, photographs, writings, and some transcripts, but there are also many program publications, project curricula, and administrative records for the program from its beginnings through 2008. There is also a database created by Center for Documentary Studies staff that records the complete information for each interview, including descriptive notes on certain interviews. This data also contains restricted information. For access to this database, please consult with a reference archivist. Acquired as part of the Archive of Documentary Arts at Duke University.
1 result in this collection

Nicholas School Master's Projects, 1933-2007

82.5 Linear Feet 2400 Items
Abstract Or Scope
As of 2005, the Nicholas School of the Environment and Earth Sciences at Duke University offers two master's degree programs: Master of Environmental Management (MEM) and Master of Forestry (MF). Both degree programs require students complete a master's project that presents an in-depth or quantitative analysis of a problem related to the students' particular focus area. Collection contains printed, bound master's projects. Materials range in date 1933-2005. Master's Projects for 2005 are held in the Nicholas School office. English.
2 results in this collection

Methodist Student Center records, 1947-2000 (bulk 1954-1966)

0.5 Linear Feet 500 Items
Abstract Or Scope
The Methodist Student Center was constructed in 1957 to serve the spiritual and social life of the then 1,250 Methodist students attending Duke. The materials in the collection include two serials The Crusader and Methodist Student Movement, as well as, clippings, programs, brochures, reports and other printed material. The collection ranges in date from 1947-2000 with the bulk items dating 1954-1966.
1 result in this collection

Kristine Stiles collection, 1936-2025

233 Linear Feet 0.83 Gigabytes
Abstract Or Scope
Kristine Stiles is the France Family Professor of Art, Art History & Visual Studies at Duke University. Her main field of research is contemporary art with a focus on experimental practices, as well as representations of destruction, violence, and trauma in art. The collection includes Stiles' personal and family papers; materials documenting her study of art and artists, particularly contemporary and modern artists; writings, talks, projects, and teaching files; and other materials including correspondence, photographs, and audiovisual items. Together, the materials in this collection document Stiles' study and teaching of art and art history; her scholarly interests in violence, destruction, and trauma in art; her relationships with artists around the world; and her personal life. Artists represented in this collection include Chris Burden, Lynn Hershman, Allan Kaprow, Gustav Metzger, John Latham, Jean-Jacques Lebel, Yoko Ono, Raphael Montañez Ortiz, Dan and Lia Perjovschi, Carolee Schneemann, Wolf Vostell, and many more.
1 result in this collection

Sallie Bingham papers, 1900-2023

93.75 Linear Feet
Abstract Or Scope
Feminist and author. The Sallie Bingham Papers provide rich documentation of the personal life, literary development, and philanthropic activities of Sallie Bingham, feminist and writer. The papers, dated 1900-2011, with the bulk of the materials dating from the 1940s to 2011, are comprised of correspondence, speeches, writings, subject files, personal papers, diaries and notebooks, legal and financial papers, audiovisual recordings, and photographic media. Included also are some records of The Kentucky Foundation for Women, a philanthropic organization founded by Bingham; The American Voice, a literary journal founded by Bingham and published under the auspices of The Kentucky Foundation for Women; and Santa Fe Stages, a regional theater founded by Bingham. Arranged into the following series: Audiovisual Materials, Correspondence, Diaries and Notebooks, Kentucky Foundation for Women, Legal and Financial, Miscellaneous, Photographs, Poetry, Santa Fe Stages, Speeches, Subject Files, Writings, and Oversize Material, with the Writings, Diaries and Notebooks, and Correspondence Series composing the bulk of the collection. Multiple additions have been added since the collection was processed; these are represented at the end of this finding aid.
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Diaries and Notebooks Series, 1945-1990s

Will Grossman photographs of Durham, North Carolina, 1969-1979, 2006

6 Linear Feet (8 boxes; 1 oversize folder; 585 items) 585 Items
Abstract Or Scope
Will Grossman was a 20th century documentary photographer based in Durham, North Carolina. The 80 black-and-white images in the collection chiefly document Durham County and the city of Durham in the 1970s. There are also 488 negatives, as well as a set of 16 inkjet exhibition prints and an exhibit poster from 2006. Grossman's subjects include barns and rural landscapes; houses and churches; tobacco warehouses, a cigarette factory, and other industrial buildings; tobacco workers and other portraits of individuals, including many African Americans; scenes along the Eno River; and the Durham County Fair. A few images are from Orange County, N.C. Acquired as part of the Archive of Documentary Arts at Duke University.
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Full Frame Archive collection, 1998-2017

55.5 Linear Feet
Abstract Or Scope
The Full Frame Documentary Film Festival is the largest film festival in the United States entirely devoted to documentary film. Originally the DoubleTake Documentary Film Festival, it is an international event dedicated to the theatrical exhibition of non-fiction cinema, held annually since 1998 in downtown Durham, North Carolina. Typically, more than 100 films are screened, along with discussions, panels, and workshops fostering conversation between filmmakers, film professionals and the public. The Full Frame Archive was created in 2007, as a partnership between Duke University and Full Frame. The Full Frame Archive Film Collection comprises preservation masters of documentary films that won awards at the Full Frame Film Festival between 1998 and 2012. Formats include 35mm film, 16mm film, Digital Betacam cassette, HDCAM cassette, Betacam SP cassette, and DVD. In addition, there is a complete set of festival program books. The films vary widely in topic and style, with a predominant emphasis on human rights issues; all of the films deal with social issues in one way or another. The collection is organized chronologically, by festival year, and acquisitions are ongoing.
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Sir! No Sir! (2005)

Workingman's Death (2005)

The Devil Came on Horseback (2007)

Stephen C. Harward papers, 1949-1975 and undated, bulk 1963-1975

10.5 Linear Feet Circa 4000 Items
Abstract Or Scope
Stephen Cannada Harward served on the Durham City School Board for 12 years in the 1960s and 1970s. During this time, the Durham city and county school districts were desegregated following a series of court mandates beginning in 1963. The collection contains memos, bulletins, reports, evaluations, minutes, agendas, educational and administrative guides and handbooks, court documents, financial statements and budgets, correspondence, clippings, printed materials, and maps pertaining to the activity of the Durham City School Board. The papers span the years 1949-1975 and document the daily workings of the Durham City School Board chiefly between the years 1963 and 1975, with a special focus on the process of desegregation during that time. It contains no personal papers of Stephen C. Harward.
1 result in this collection

Leroy T. Walker Africa News Service Archive, 1952-1998 and undated

606.6 Linear Feet 439,500 Items
Abstract Or Scope

The LeRoy T. Walker Africa News Service Archive is an extensive resource file assembled by Africa News Service (ANS) over the course of two decades in support of its news gathering efforts about Africa-related issues and U. S. foreign policy towards Africa. The collection spans the years from approximately 1960 to 1995, with the bulk of the materials dating from 1978 through 1994. Newspaper clippings, magazine articles, press releases, newsletters, brochures, and reports comprise the collection. Much of the material is gathered from mainstream media sources and government documentation in the United States, Europe, Africa, and other parts of the world. In addition, the collection includes significant resources from alternative, minority, and special interest presses world-wide that may be difficult to locate elsewhere. The archive contains scarce and difficult-to-locate materials such as numerous publications produced by non-governmental organizations and grass-roots/community groups that are/were involved in efforts related to independence movements, economic development, and human rights issues in Africa.

1 result in this collection

Rob Amberg photographs and papers, 1975-2009

15 Linear Feet 457 Items
Abstract Or Scope
The photographs and papers of documentarian Rob Amberg span the years 1975-2009. The gelatin silver prints and pigmented inkjet color prints in the collection represent three bodies of work: The New Road: I-26 and the Footprints of Progress; The Sodom Laurel Album; and The Vanishing Culture of Agriculture. Amberg focuses primarily on the social life and customs of the rural South, especially in the mountains of his home state of North Carolina. Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century. Amberg's papers account for the rest of the collection and are organized into five series: Correspondence, Printed Materials, Subject Files, and Writings and Research, and Audio. Acquired as part of the Archives of Documentary Arts at Duke University.
1 result in this collection

Josiah William Bailey papers, 1833-1967, bulk 1900-1946

270 Linear Feet (539 boxes) Approximately 422,400 itemss
Abstract Or Scope
The collection houses the personal and professional papers of Josiah William Bailey (1873-1946), Baptist layman, Raleigh attorney, and United States Senator. Chiefly consists of correspondence and print material, as well as smaller amounts of financial records, clippings, volumes, broadsides, photographs, and memorabilia dating from 1833 through 1967, with most items dating from 1900 through 1946. The collection documents Bailey's family, personal, religious, and professional life. Generally, papers prior to Bailey's election to the U.S. Senate in 1931 reflect North Carolina's legal, political, religious, agricultural, social, and economic issues. After 1931, material chiefly pertains to national affairs. Significant topics include: state and national elections and campaigns in the 1920s and 1930s; national defense and the military; veterans; the effects of the Depression on southern states and the U.S. economy and society in general; labor issues; Prohibition; the court system; taxation; the development of the Blue Ridge Parkway and other parks; agriculture in the Southern States; and the New Deal of the Roosevelt Administration. Legal papers offer a sample of case files from Bailey's law office, including a 1920s case involving W.V. Guerard of the Klu Klux Klan. Outgoing personal correspondence contains many references to national and regional issues as well as personal exchanges.
1 result in this collection

Agricultural Correspondence Subseries, 1930-1946

Harry L. and Mary K. Dalton collection, 1695-1955 and undated

80.5 Linear Feet approx. 11,160 Items
Abstract Or Scope
Harry L. and Mary K. Dalton collected art, rare books, and manuscripts, and made many contributions to art museums and libraries, most notably the Duke University Library, the Mint Museum, and the library of the University of North Carolina at Charlotte. The Dalton Collection is comprised of sub-collections acquired by Harry L. and Mary K. Dalton.
1 result in this collection

Pickens, Andrew papers, 1801-1827

Duplex Advertising Company. Billboard Images and records, circa 1964-1993 and undated

7.5 Linear Feet 5300 Items
Abstract Or Scope

The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

1 result in this collection