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Media Services (also referred to as Duke Studios) provided broadcast quality media production services to all parts of the Duke University community. Its services included video and audio production and post-production (including event documentation), project design, production equipment rentals, tape duplication, custom CDs and DVDs, and computer graphics and animation. Collection includes audio and video recordings of campus events, programming produced for various university offices and departments, and musical recordings. Campus events include basketball, football, the inaugurations of presidents Richard Brodhead, Keith Brodie, and Nannerl Keohane, dedication of the Doris Duke Memorial, the retirement and funeral of Terry Sanford, events related to September 11, 2001, a remembrance of Benjamin N. Duke, and commencement ceremonies. Authors, scholars, and other notable people represented include John Hope Franklin, Jesse Jackson, Reynolds Price, Ronald Reagan, Elie Wiesel, Billy Graham, C. D. Wright, Gerald Barrax, Elizabeth Cox, Tim McLaurin, Eric Meyers, Orrin Pilkey, and Alex Roland. Musical recordings include the Duke University Concert Band, Dan Locklair, and 1980s rock band the X-Teens.

Duke Photography, formerly called Duke University Photography, was the official photographic service of Duke University. The Duke Photography Records include many of the original photographs taken by the service from the 1960s through the 2010s.

Collection consists of photography created by Celeste and Reggie Hodges while living in Sembehu and Shenge, Sierra Leone, as Peace Corps volunteers in the 1960s and 1970s. Formats include negatives, prints, slides, and digital scans; all image titles and subjects have been applied by the Hodges. Images depict village life, social and religious customs, agriculture and fishing practices, medical care and treatment, textiles and art, schooling and children's life, and portraits of people. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.

Edwin L. and Terry A. Murray, brothers residing in Durham, North Carolina, have been collectors of comic books and other pulp culture for forty years. Collection includes role-playing game boxed sets, miniatures, card sets, role-play game magazines and literature, campaign guides, modules, and rule books.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Collection includes correspondence, track listings, transcriptions, and other printed materials, audio and video cassettes (Betacam SP, VHS and Umatic), DAT, optical media (CDs, DVDs. etc.), 16mm film reels, phonograph records, and computer media. JWT management events documented in the collection include Cannes and Effies Awards submissions, Epcot, Executive Committee, Worldwide Creative Council, speeches and presentations by top managers as well as interviews undertaken as part of an oral history project at JWT. Offices represented include North America, Europe, Great Britain, India, Asia and Latin America. Main companies include California Lottery, Chase & Sanborn, Chevron, Del Taco, Diageo, Diamond Trading Company (DeBeers), Domino's, Ford, HSBC, Jenny Craig, JetBlue, Kaiser Permanente, Kimberly-Clark, Kodak, Kraft, Lipton, Macy's, Mexicana Airlines, Standard Brands, Trailways, Warner-Lambert, Weight Watchers and Wyeth. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Jesse Pyrant Andrews is an American photographer based in rural southern Virginia. Collection comprises 310 black-and-white photographs and 50 oral history interviews by photographer Jesse Pyrant Andrews, documenting rural and small-town life in the Piedmont region of Virginia and North Carolina. Major themes center on the landscapes and people of the region; tobacco cultivation; the lives of farmers, war veterans, small business owners, and laid-off workers; local architecture and historic sites; traditional crafts and music; and new patterns of economics and society in rural Virginia. Andrews's Veterans Project has become a larger focus over the years; it now comprises over 30 portraits and associated audio interviews, chiefly with veterans of the Vietnam and Gulf Wars. Additional projects include materials related to the Carter-Wooding families of southern Virginia; views from an Amtrak train; views of an historic plantation home, Mountainview; and street scenes and portraits taken in New York City, California, and Massachusetts. Acquired as part of the Archive of Documentary Arts at Duke University.

Collection contains audio of sermons delivered at religious and ceremonial services in the Duke University Chapel by various ministers, professors, and guests of the University. Notable speakers include Howard Wilkinson, James Cleland, Waldo Beach, Thor Hall, Charlene Kammerer, Jon Laidlaw, Will Willimon, Robert Young and others. The collection consists of 7" reel-to-reel audio tapes, audiocassette tapes, VHS tapes, and digital audio tapes of sermons, programs and Lenten meditations delivered in Duke Chapel from 1954 to ongoing.

John Hope Franklin was an African American historian specializing in Southern and African American history. The papers document his entire career as well as his personal life and political interests: his prolific writings on African American and Southern history; his role as a mentor and colleague, including his time as professor at Duke University; his role in associations such as Phi Beta Kappa, the American Historical Association, the Association for the Study of African American Life and History, and others; his participation in the civil rights movement, including his work with the NAACP Legal and Educational Defense Fund, the U.S. Commission on Civil Rights, and Justice Thurgood Marshall; and his engagement with numerous civic, community, and educational organizations such as the Board of Foreign Scholarships and Fisk University's Board of Trustees. There is also a significant amount of material from Franklin's work on President Clinton's Advisory Board for the President's Initiative on Race in 1997 and 1998. Items in the collection include files of correspondence in original order; research sources and notes; writings by and about Franklin; materials relating to family history; papers and diaries of other family members, including his father, and wife, Aurelia; printed material; event folders; many informal and publicity photographs; video and sound recordings; and awards and other memorabilia.

Youth Document Durham and Durham Works were programs sponsored by Duke University and the Center for Documentary Studies that brought together young people ages 12–16 from diverse Durham communities to document their lives, local history, and contemporary social issues through photography, oral history, and narrative writing. The Youth Document Durham and Durham Works project records span the years 1995-2008 and document the process of training young people in Durham, North Carolina schools to use photography and other arts, oral histories, and writing to record the history and members of their communities and the local issues affecting the students' lives. Many of the students are African American or Hispanic and their topics often highlight social conditions and race relations in African American and Hispanic communities in Durham neighborhoods and in a few other locations, including South Carolina. Topics explored by participants, both interviewers and interviewees, include crime, food cultures, jobs and education, music, racism, technology, teen violence, work cultures, and tobacco cultivation and its social context. The bulk of the collection is made up of hundreds of oral interviews conducted by junior high and high school students with community members, documented through audiocassette recordings, photographs, writings, and some transcripts, but there are also many program publications, project curricula, and administrative records for the program from its beginnings through 2008. There is also a database created by Center for Documentary Studies staff that records the complete information for each interview, including descriptive notes on certain interviews. This data also contains restricted information. For access to this database, please consult with a reference archivist. Acquired as part of the Archive of Documentary Arts at Duke University.

The Latino/a Studies in the Global South program at Duke University was formally created in 2008. The program offers an undergraduate certificate and promotes interdisciplinary research, teaching, and study related to Latino and Latina communities, particularly in the U.S. South and the Global South. The Latino/a Studies in the Global South Records include the files of the Executive Director of the program from 2008-2016.

The photographs and papers of documentarian Rob Amberg span the years 1975-2009. The gelatin silver prints and pigmented inkjet color prints in the collection represent three bodies of work: The New Road: I-26 and the Footprints of Progress; The Sodom Laurel Album; and The Vanishing Culture of Agriculture. Amberg focuses primarily on the social life and customs of the rural South, especially in the mountains of his home state of North Carolina. Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century. Amberg's papers account for the rest of the collection and are organized into five series: Correspondence, Printed Materials, Subject Files, and Writings and Research, and Audio. Acquired as part of the Archives of Documentary Arts at Duke University.

The Center for Multicultural Affairs began as the Office of Black Affairs in 1969 to address the needs of the African American student population at Duke University. As the Center for Multicultural Affairs, the department's mission is to foster a welcoming environment, support all students in becoming engaged members of the Duke community, and to promote community engagement. The collection contains a variety of administrative materials, including reports, correspondence, minutes and programs, documenting the directives and activities of the Office of Black Affairs, the Office of Minority Affairs, the Office of Intercultural Affairs, and the Center for Multicultural Affairs. Also included are materials pertaining to the Summer Transitional Program, which was established in 1969 and managed by the Office of Minority Affairs.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936 as Consumers Union. The International Organization of Consumers' Unions (IOCU) is a consumer protection and rights advocacy organization founded in the Hague in 1960; it renamed as Consumers International in 1995. Collection includes audiovisual materials; clippings; correspondence; financial reports; meeting minutes; membership applications; policy statements; press releases; proceedings and planning documents for conferences, seminars, and workshops; texts of speeches and articles; and other printed materials that document Consumers Union's membership and participation in the organization. Organizations and individuals represented in the collection include: Anwar Fazal; Charles Medawar; Florence Mason; Foo Gaik Sim; Health Action International; International Air Transport Association; International Baby Food Action Network; Lars Broch; Organisation for Economic Co-operation and Development; Pesticide Action Network; United Nations. Topics addressed in the collection include: Bhopal disaster; consumer product testing and safety; environmental justice; food safety, security and nutrition; founding of the organization; international businesses; medical care and pharmaceutical policies; pesticide use, environmental and health concerns; sustainable agriculture; and women's health. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Falcon Lair residence was purchased by Doris Duke in April, 1953 primarily for use on her occasional visits to California and for use while she was in transit to or from her residence in Honolulu. Compared to her other estates, the residence was not large, however, being located in the hills above Benedict Canyon overlooking Beverly Hills, it served as a retreat from public life. Soon after the home was purchased, Doris Duke hired Tony Duquette to supervise the entire redecoration and remodeling of Falcon Lair. The home was renovated again in the mid-1970s. Miss Duke lived at Falcon Lair until her death in 1993, and in 1998 the property was sold by the Doris Duke Charitable Foundation. The collection is arranged into two series: Administrative Records and Architectural Records. It spans the years 1937 to 1999, beginning with the purchase and interior renovation of the home and ending with maintenance and general upkeep of the home after Doris Duke's death in 1993. The collection primarily documents the expenses and daily operations of renovating, running, and maintaining the Falcon Lair residence, and includes invoices and receipts for services and repairs, correspondence, memoranda, and telegrams relating to routine matters of the residence, expenses, and photo inventories of furniture, fixtures, and other household items. A majority of the architectural records detail alterations and additions to the Falcon Lair residence.

The Gardens were a gift from Mary Duke Biddle in honor of her mother, Sarah P. Duke (Mrs. Benjamin N.). Construction began in 1932 and the site was open to the public in 1934. Ellen Shipman (1869-1950) designed the plans for both the construction and the plantings for the new gardens. Collection contains materials pertaining to the origins and activities of the Sarah P. Duke Gardens including planting plans, calendars, correspondence, feasibility studies, annual reports, a card catalog of plantings, and publicity. Materials in the collection date from 1926-2012.

The Behind the Veil: Documenting African-American Life in the Jim Crow South project was undertaken by Duke University's Center for Documentary Studies from 1990-2005. Its goal was to record and preserve African American experiences in the American South from the 1890s to the 1950s. Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The collection comprises over 1200 oral history interviews with associated transcripts and administrative files, several thousand historic and contemporary photographs, and project records, which include paper and electronic administrative files and audiovisual recordings. Oral histories were conducted in 19 locations, chiefly in the South; topics represented in these recordings include childhood, religion, education, politics, celebrations and other events, family histories, work histories and military service, and details about segregation and the effects of racism in the South. Acquired as part of the John Hope Franklin Research Center for African American History and Culture at Duke University.

Advertising copy writer and artist who managed his own agency, Jean W. Yeager, Inc. based in Dallas, Tex. Later taught at several Waldorf Method institutions; director of the Anthroposophical Society in America. Collection spans the years 1959-2012 and includes correspondence, direct marketing printed materials, print advertisements and recordings of radio and television broadcast commercials and public service messages that document Yeager's career producing advertising primarily for companies based in Texas. Examples of Yeager's original art are also included. Formats include audio- and videocassettes, audio reels and 16mm films. Companies represented include 7-Eleven, Coca-Cola, Frito-Lay, Radio Shack, Republic Health Corporation, Schenley, Southland Corporation, and Sterling Optical. The collection also touches on Yeager's involvement with the Anthroposophical Society and related enterprises, including Waldorf Method schools such as the Kimberton Waldorf School in Detroit. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Elaine Katz is a collector of books and ephemera. This collection was created by Katz and contains more than 800 cards documenting numerous women's businesses and professions during the late nineteenth and early twentieth centuries including millinery, dressmaking, and fancy work, as well as many other types of businesses and work. Acquired as part of the Sallie Bingham Center for Women's History and Culture and the John W. Hartman Center for Sales, Advertising & Marketing History.

Advertising executive and former Chairman of D'Arcy Masius Benton & Bowles agency, headquartered in New York. Collection includes correspondence, corporate reports, clippings, speeches and videocassettes. Companies represented include Benton & Bowles, D'Arcy MacManus Masius, D'Arcy Masius Benton & Bowles, Burger King, Duke University, Fuqua School of Business, General Motors, Hardee's, Kal Kan and Procter & Gamble. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.