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Will Grossman photographs of Durham, North Carolina, 1969-1979, 2006

6 Linear Feet (8 boxes; 1 oversize folder; 585 items) 585 Items
Abstract Or Scope
Will Grossman was a 20th century documentary photographer based in Durham, North Carolina. The 80 black-and-white images in the collection chiefly document Durham County and the city of Durham in the 1970s. There are also 488 negatives, as well as a set of 16 inkjet exhibition prints and an exhibit poster from 2006. Grossman's subjects include barns and rural landscapes; houses and churches; tobacco warehouses, a cigarette factory, and other industrial buildings; tobacco workers and other portraits of individuals, including many African Americans; scenes along the Eno River; and the Durham County Fair. A few images are from Orange County, N.C. Acquired as part of the Archive of Documentary Arts at Duke University.
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Jim Dow photographs, 1966-2025

140 Linear Feet (173 boxes; 1 oversize folder) 1.3 Terabytes
Abstract Or Scope
Jim Dow (1942- ) is an American photographer and educator based in Massachusetts. The core of the collection consists of over 1900 single-image photographs, 232 multi-image panoramic prints, and approximately 2300 film negatives, representing black-and-white and color images taken by Dow from 1966 to 2023. It also includes raw and adjusted digital image files that Dow created from his photographic negatives. Subjects include: U.S. vernacular culture and landscapes, including roadside architecture, courthouses and jails, and small business interiors; eateries, including diners, bars, drive-in restaurants, and food trucks; stadiums and athletic fields around the world; and interiors and exteriors of private clubs, libraries, and churches and museums in cities around the world. Photographs often include cultural expressions such as advertising, murals, bar decor, and graffiti. Dow's U.S. work focuses mainly on New England, the South, and the West, with a single-state project on North Dakota. Other images were taken by Dow in Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay, with a few images from Wales. Also included is a series of commissioned work. Dow's professional papers comprise teaching slides, course readers, syllabi, and digital files, as well as art gallery ephemera. Acquired as part of the Archive of Documentary Arts at Duke University.
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Richard Feldman collection of extremist literature, 1970s-2002

1 Linear Feet (2 boxes)
Abstract Or Scope
Richard Feldman is a self-described amateur historian of the NSDAP/AO and other American neo-Nazi groups. This collection consists of printed extremist literature he acquired in the late 1990s and early 2000s, largely produced by American Nazi groups, right-wing white supremacists, and Christian nationalist publishers. The collection's content is largely anti-Semitic, racist, Christian nationalist, and pro-Nazi, dating from the 1970s through the late 1990s. Some exceptions include a small number of pamphlets printed by the Revolutionary Communist Party or Nation of Islam-affiliated groups. Acquired as part of the Human Rights Archive (Duke University).
1 result in this collection

Tobacco collection, 1828-1996

5.4 Linear Feet
Abstract Or Scope
The Tobacco Collection contains material assembled by library staff related to the manufacturing, sale, and use of tobacco in the United States, particularly in North Carolina and Virginia. There are also items referring to tobacco cultivation and processing. Printed advertising predominates, but the contents also include items that are not paper products. Typical paper-based items include cigarette and cigar advertising trade cards of W. Duke, Sons & Co., Lorillard, Liggett and Myers, John Player and Sons, and various other American and British companies; tobacco advertisements by Krueger and Brown of N.Y.; and souvenir tobacco albums published by Allen & Ginter. Other forms of advertising in the collection include broadsides, pamphlets, books, leaflets, letters, envelopes, cigar and cigarette boxes and labels, cans, a plate, wrappers, labels, and catalogs. Images include birds, animals, battle scenes, and persons, including a series on "African Types."
1 result in this collection

William Mahone papers, 1853-1895

110.9 Linear Feet 100,000 items
Abstract Or Scope

The papers of William Mahone span the period 1853 to 1895, with the bulk of the material dating from 1876 to 1892. The collection consists of copies of letters written by Mahone to others, incoming letters to Mahone, subject files on a variety of topics, clippings, and scrapbooks, but primarily focuses on Mahone's railroad and political interests. There is a great deal of overlap of topics between the different series in the collection; thus information concerning Mahone's political and railroad interests is repeated in the different series.

1 result in this collection

Gene Federico papers, 1918-2003 and undated bulk 1951-1991

20.5 Linear Feet 3800 Items
Abstract Or Scope

The Gene Federico Papers span the years 1918-2003, with the bulk of the collection dating 1951-1991. The collection documents Federico's sixty years as a pioneering leader in advertising and graphic design, and contains materials from a variety of formats, including correspondence, writings, advertisements proofs and clippings, graphic design and printed materials, posters, sketches/sketchbooks, photographs, negatives, and videotapes. In addition to limited personal and biographical material, the collection primarily documents Federico's creative output as a graphic designer, art director, and advertising executive at agencies including Grey Advertising, Doyle Dane Bernbach, Douglas D. Simon, Benton & Bowles, Warwick & Legler, and as a principal at Lord Geller Federico Einstein; the collection has limited material relating to the specific agencies for which he worked. The collection also documents Federico's extensive freelance and exhibition work throughout his career (most notably the "Love of Apples" and "24-Page Book" designs), in addition to his later consulting work for Brouillard Communications. Client advertisements and graphic design materials compose the majority of the collection. Significant clients represented include: Christian Dior; Elektra Records; Elizabeth Arden; Goldman Sachs; IBM; L'Aiglon Apparel; Lady Pepperell; Napier; The New Yorker; and Woman's Day. Though an art director throughout most of his career, Federico contributed significantly to the graphic design and typographical components of advertising. Through clear and innovative integration of design and typographical components, Federico pioneered the use of visual puns in advertisements, and emphasized clarity of message over design complexity. The collection will be of particular value to researchers interested in developments in print advertising and typographical design since World War II. The collection is organized into six series which focus on Federico's contributions to advertising and graphic design: Professional Files, Personal Files, Graphic Design, Advertising Campaigns, Photographs and Negatives, and Videocassettes.

3 results in this collection

Rob Amberg Sodom Laurel Album Exhibit photographs, 1975-1994 and undated

3 Linear Feet 16 Items
Abstract Or Scope
Documentary photographer and writer based in western North Carolina. Collection contains 16 gelatin silver prints from Amberg's Sodom Laurel Album book that the Center for Documentary Studies turned into a traveling exhibit. Also includes 32 prints displayed in the Allen Building exhibition. Acquired as part of the Archive for Documentary Arts.
1 result in this collection

J. Alfred Smith papers, 1902-2022

32.25 Linear Feet
Abstract Or Scope
Reverend Dr. J. Alfred Smith, Sr. is a Black minister who served as Senior Pastor at Allen Temple Baptist Church in Oakland, CA for several decades. He also taught for many years at the American Baptist Seminary of the West (now Berkeley School of Theology). This collection contains recorded and written sermons, teaching materials, event files, and other papers that document Smith's pastoral and teaching career. Materials in the collection document Smith's work to bridge denominational, ethnic, racial, and socioeconomic divides in California and throughout the United States. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
1 result in this collection

Frank Baker collection of Wesleyana and British Methodism, 1536-1996

50 Linear Feet (approximately 18,000 items)
Abstract Or Scope
Frank Baker (1910-1999) was a faculty member at Duke University in history, an expert on Wesleyan Methodism, and a rare book and manuscripts collector. The Frank Baker Collection of Wesleyana and British Methodism, 1536-1996 and undated, comprises correspondence, writings, local histories, printed items, engravings, and many other manuscript materials that date from the earliest years of Methodism to its worldwide expansion up to the 20th century. The collection includes the correspondence of two of the most important founders of Methodism, John and Charles Wesley, as well as correspondence from members of the Wesley family. Collection also includes correspondence from many of the key figures in 18th and 19th century history of British Methodism: Joseph Benson, Jabez Bunting, Adam Clarke, Thomas Coke, James Everett, John Fletcher, Mary (Bosanquet) Fletcher, Selina Hastings, Countess of Huntingdon, Elizabeth (Ritchie) Mortimer, George Osborn, Hester Ann Rogers, Richard Tabraham, and Thomas Wride. Other materials include church records and registers, account books, autograph albums, broadsides (notices), circular letters, engravings, maps, sermons, scrapbooks, photographs, and memorabilia. Topics covered by the materials include the life and training of Methodist clergy; the religious life of women; biography and portraiture of Methodists; spirituality; Protestantism in art; and the debate between Arminianism and Calvinism in the early church. Organizational history in the collection covers several branches of the 18th and 19th century church, including Wesleyan Methodism, Primitive Methodism, missions, and missionary societies.

Richard Pollay Acme Advertising collection, 1850s-2006 and undated

75 Linear Feet 3000 Items
Abstract Or Scope
The Acme Advertising Collection is one of the collections created by Professor Richard Pollay in the History of Advertising Archives (Faculty of Commerce, Sauder School of Business, University of British Columbia). The collection was motivated by the observation that Acme named enterprises are characteristically small ventures that represent the grass roots of local and regional economies. At the same time, the ubiquity of the Acme brand name has made its way into popular culture, where it has become an icon for independent business in general, featured in print cartoons from artists such as Gary Larson (The Far Side) and G.B. Trudeau (Doonesbury), and in the Warner Bros. animated Road Runner features. Items in the Acme Collection come from a variety of sources. Many items were donated to Dr. Pollay, but the majority were acquired by Dr. Pollay himself over several decades. In earlier years items were found in shops, flea markets, and antique stores across North America. However, in recent years most items were acquired through the internet auction site, eBay (www.eBay.com). The Acme Advertising Collection dates from the 1850s through 2006 and consists of approximately 3000 items from over 900 distinct companies and producers, primarily of U.S. or Canadian origin, all bearing the brand name Acme. The collection contains a diverse array of items, both three-dimensional and printed materials, including: promotional items and memorabilia; trade cards; business cards; magazine tear sheets; catalogs; newspaper clippings; signs; displays; writing instruments; rulers; clothing; toys and games; school and office stationery supplies; photographs and slides. A number of corporations are represented in the collection, including: Acme Bail Bonds; Acme Boots; Acme Brick Company; Acme Harvester; Acme Markets; Acme Motor Truck Company; Acme White Lead and Color Works; Duane H. Nash, Inc.; Lautz Bros. and Company; and Warner Bros.
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100-06-002. McCullough's Garden Seed sack, undated

100-04-110. Acme Feed, Seed and Fertilizer Company. Oversized ruler, undated

100-13-047. Acme Mills. Business correspondence, 1934