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The Memory Project Oral History collection | 民间记忆计划口述史, 2009-2016

3799 Gigabytes
Abstract Or Scope
The Memory Project Oral History collection comprises digital video recordings and written supporting documentation of interviews spanning 2009 to 2016. The interviews were conducted by filmmakers associated with the Work Station, a film studio run by Wu Wenguang in Caochangdi, Beijing, China. Memory Project interviews were conducted with Chinese people about mid-20th century rural life, primarily experiences during the Great Famine (1958-1961), but also the Land Reform and Collectivization (1949-1953), the Great Leap Forward (1958-1960), the Four Cleanups Movement (1964), and the Cultural Revolution (1966-1976). Wu's studio in suburban Beijing, known as the Work Station, is the home for this project. More than 150 young filmmakers have joined the project, and since 2010 they have visited 246 villages in 20 provinces and interviewed more than 1,100 elderly villagers. These filmmakers, many of whom returned to their families' rural hometowns, developed new intergenerational relationships with elderly relatives. During the process of interviewing the villagers, they reconciled the official history taught in schools with each family's experiences.
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Ye Yaolang | 叶耀浪, 2012

Zeng Man | 曾漫, 2011

Huang Yujiao | 黄玉娇, 2011

Elliott Crayton McCants papers, 1886-1950

2.5 Linear Feet 163 Items
Abstract Or Scope
Superintendent of schools in Anderson, S.C.; author. The collection contains largely correspondence concerning the publication of McCants' writings.
1 result in this collection

Steve Roden collection, 2015

2.0 Linear Feet (1 flat box; 11 prints; 2 USB keys)
Abstract Or Scope
Steve Roden is an American sound and visual artist, and was the 2014 Barbaralee Diamonstein-Spielvogel Visiting Artist in Residency at the Rubenstein Library. His collection contains prints, video, and sound files created as a result of his residency.
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variation 1, 2015 Box 1

Ben Rosen papers, 1936-2006 and undated, bulk 1945-1991

65 Linear Feet 7500 Items
Abstract Or Scope
Ben Rosen is an American graphic designer and visual communications consultant. Rosen worked as a designer for J. Gordon Carr and Associates and the Blaine Thompson Company before founding his own firm, Ben Rosen Associates, in 1952, which specialized in corporate identity programs. Rosen is the author of three books on on graphic design and typography: Type and Typography (1963); The Corporate Search for Visual Identity (1970); and Digital Type Specimens (1991). The Ben Rosen Papers span the years 1936 to 2006, with the bulk of the collection dating from 1945 through 1991, and document Rosen's sixty-year career in graphic design and visual communications consulting. The collection contains materials in a variety of formats, including correspondence, writings, graphic design and printed materials, sketches, presentation boards, photographs, and slides, that document design concepts and programs (corporate logos, letterhead, packaging, industrial design, promotion) Rosen developed, through his firm, Ben Rosen Associates, for clients including American Loose Leaf, CCMI McGraw-Hill, Equitable Life Assurance, Exxon/Esso, Food Fair Stores, IBM, Memorial Sloan-Kettering Cancer Center, North American Reinsurance, Philip Morris, Richardson-Vicks, Russ Berrie, and Tishman Realty and Construction. The collection also includes manuscripts and published editions of Rosen's books on graphic design and typography, and touches on several of Rosen's commmemorative projects, including a President Kennedy memorial, a United Nations 20th Anniversary book, and Rosen's submission to the World Trade Center Memorial design competition.

Behind the Veil: Documenting African American Life in the Jim Crow South interviews, photographs, and project records, circa 1864-2011, bulk 1990-2004

87 Linear Feet (122 boxes; 4 oversize folders)
Abstract Or Scope
The Behind the Veil: Documenting African-American Life in the Jim Crow South project was undertaken by Duke University's Center for Documentary Studies from 1990-2005. Its goal was to record and preserve African American experiences in the American South from the 1890s to the 1950s. Materials in the Behind the Veil project collection date from about 1864 to 2011, with the bulk dating from the 1990s; earlier dates represent original image content rather than the reproduction date. The collection comprises over 1200 oral history interviews with associated transcripts and administrative files, several thousand historic and contemporary photographs, and project records, which include paper and electronic administrative files and audiovisual recordings. Oral histories were conducted in 19 locations, chiefly in the South; topics represented in these recordings include childhood, religion, education, politics, celebrations and other events, family histories, work histories and military service, and details about segregation and the effects of racism in the South. Acquired as part of the John Hope Franklin Research Center for African American History and Culture at Duke University.
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Rob Amberg photographs and papers, 1975-2009

15 Linear Feet 457 Items
Abstract Or Scope
The photographs and papers of documentarian Rob Amberg span the years 1975-2009. The gelatin silver prints and pigmented inkjet color prints in the collection represent three bodies of work: The New Road: I-26 and the Footprints of Progress; The Sodom Laurel Album; and The Vanishing Culture of Agriculture. Amberg focuses primarily on the social life and customs of the rural South, especially in the mountains of his home state of North Carolina. Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century. Amberg's papers account for the rest of the collection and are organized into five series: Correspondence, Printed Materials, Subject Files, and Writings and Research, and Audio. Acquired as part of the Archives of Documentary Arts at Duke University.
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Roy J. Bostock papers, 1976-2002 and undated

1.5 Linear Feet
Abstract Or Scope
Advertising executive and former Chairman of D'Arcy Masius Benton & Bowles agency, headquartered in New York. Collection includes correspondence, corporate reports, clippings, speeches and videocassettes. Companies represented include Benton & Bowles, D'Arcy MacManus Masius, D'Arcy Masius Benton & Bowles, Burger King, Duke University, Fuqua School of Business, General Motors, Hardee's, Kal Kan and Procter & Gamble. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
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Mars presentation, 1996 Box 3, Video-cassette RL11621-Umatic-003

Advertising ephemera collection, 1832-2004

38.0 Linear Feet
Abstract Or Scope
The collection documents short-term, time-sensitive and event-specific aspects of marketing and sales promotion. Advertising campaigns ordinarily seek to promote sales, increase market share, and strive to maintain the enduring integrity of a brand name. Ephemeral marketing products work within a more limited frame that terminates at the end of an event or with the issue of a superseding edition: a dated catalog of products; new book announcements; festival programs; an advertisement for an auction or sales event; limited-time premiums such as silverware or collector cards included with a purchase. The collection includes articles; broadsides; brochures; business and trade cards; catalogs; circulars; clippings; direct-to-consumer mailings; event programs; manuals; maps; memoranda to sales agents; premium offers; price lists; religious literature; sales bulletins and announcements; souvenirs; travel and tourism literature; and other materials. Topical areas include: Agricultural and industrial machinery; banking and finance; building materials; business, correspondence, and other schools; clothing and footwear; death care (cemeteries, funeral supplies, gravestones, etc.); fairs and festivals; food; furniture; hair care; hardware; household appliances and furnishings; insurance; livestock; musical instruments; real estate; sewing goods; sporting goods; textiles; toiletries; transportation (airlines, automobiles, buggies and carriages, railroads, steam and cruise ships). Throughout the collection, images and artwork depict caricatures of Asians, Black and Indigenous people, women, occupations, and social classes that reflect racist, sexist, and classist attitudes and prejudices of the periods represented in the collection. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
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Martha O. Adams papers, 1960-2016

16 Linear Feet
Abstract Or Scope
Martha Olds Adams is an American writer and poet. Her works center primarily on the areas of feminist theology, female spirituality and social justice. The Martha O. Adams papers contain her poetry collections and other writings; correspondence and ephemera related to her publications, workshops and speaking engagements, as well as documentation of her research and activist work.
3 results in this collection

Martha O. Adams papers, 1960-2016 16 Linear Feet

Leroy T. Walker Africa News Service Archive, 1952-1998 and undated

606.6 Linear Feet 439,500 Items
Abstract Or Scope

The LeRoy T. Walker Africa News Service Archive is an extensive resource file assembled by ANS over the course of two decades in support of its news gathering efforts about Africa-related issues and U. S. foreign policy towards Africa. The collection spans the years from approximately 1960 to 1995, with the bulk of the materials dating from 1978 through 1994. Newspaper clippings, magazine articles, press releases, newsletters, brochures, and reports comprise the collection. Much of the material is gathered from mainstream media sources and government documentation in the United States, Europe, Africa, and other parts of the world. In addition, the collection includes significant resources from alternative, minority, and special interest presses world-wide that may be difficult to locate elsewhere. The archive contains scarce and difficult-to-locate materials such as numerous publications produced by non-governmental organizations and grass-roots/community groups that are/were involved in efforts related to independence movements, economic development, and human rights issues in Africa.

1 result in this collection