Search Results

Nicole Di Bona Peterson Collection of Advertising Cookbooks, 1850s-2000s

126.75 Linear Feet
Abstract Or Scope
Joseph Di Bona is Associate Professor Emeritus in the Program in Education at Duke University. The collection is named in honor of his daughter Nicole Di Bona Peterson. Collection spans the years 1851-2005 and includes hang tags, inserts, recipe cards and guides, cookbooks, operating instructions, owner's manuals and other promotional materials addressed to cooking and kitchen arts. Materials in the collection were used to educate consumers and promote the use of a variety of foods (meat; fish and poultry; dairy; soups; fruits and vegetables; beverages); condiments and spices (sauces, bouillon and broths, chocolate and cocoa, baking soda and baking powder); canning jars; small appliances (cookware, blenders, mixers, microwave ovens); and large appliances (stoves and refrigerators). In addition cookbooks were produced to promote various institutions and trade organizations representing various agricultural cooperatives, insurance and utility companies, churches and government bureaus. Included in the cookbooks are articles addressing health and nutrition, home economics, entertaining at home, along with information on first aid, food science (safe handline of meat and dairy, how leavening ingredients work, etc.). Companies represented in the collection include A.E. Staley, Armour, Best Foods, Borden, Campbell's, Carnation, Del Monte, Duke Power, Fleischmann's, French's, General Electric, General Foods, General Mills, Heinz, Hershey, Jell-O, Kellogg's, Kraft, Land O'Lakes, Lever Brothers, Lipton, Metropolitan Life, Nestlé, Oster, Pet Milk, Pillsbury, Procter & Gamble, Purina, Quaker Oat, Sealtest, Swift, Walter Baker and West Bend. Acquired as part of the John W. Hartman Center for Sales, Advertising and Marketing History.
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Jazz Loft Project records, 1950-2012 and undated, bulk 2002-2009

20 Linear Feet
Abstract Or Scope
The Jazz Loft Project Records consist of the research and administrative records of author Sam Stephenson's Jazz Loft Project, which documented the events and inhabitants -- including W. Eugene Smith, Hall Overton, and David X. Young -- of 821 6th Avenue, New York City, in the late 1950s and early 1960s. The records include the tapes of an extensive oral history project conducted by Stephenson from 1998 to 2010, general research and administrative notes, logs describing the content of the audio recordings W. Eugene Smith made at the loft, and original audio recordings of Hall Overton's compositions.

Thomas Rain Crowe papers, 1950s-2022

112.5 Linear Feet 36.2 Gigabytes
Abstract Or Scope
Poet, essayist, translator, publisher, activist, and performing artist; owner and editor of New Native Press in Cullowhee (Jackson Co.), N.C. Crowe's collection contains correspondence with other writers, friends, and relatives; manuscript and printed versions of works by Crowe and others; poetry notebooks; publicity materials; photographs; audio cassettes and other media; New Native Press records; and other items. Other poets represented include Wendell Berry, Robert Bly, Lawrence Ferlinghetti, Allen Ginsberg, Joy Harjo, David Meltzer, Philip Daughtry, Neeli Cherkovski, Gary Snyder, Bobi Jones (Welsh), Jack Hirschman, Ken Wainio, Dianna Henning, John Lane, and Joe Napora. There is documentation regarding Crowe's music, including collaborations with Nan Watkins. There is also material regarding San Francisco intellectual circles and the International Poetry Festival held there, as well as correspondence concerning activism regarding a wide range of political and social issues. Acquired as part of the George Washington Flowers Collection of Southern Americana.
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Whirley family papers, 1853-1998 and undated

25.4 Linear Feet
Abstract Or Scope
Carl and Enid Whirley were Southern Baptist missionaries in Nigeria from 1947 to 1980. The Whirley Family Papers includes material from throughout their lives, beginning with Carl's studies at Howard College, now Samford University, in the 1940s and ending with his and Enid's retirement into the 1990s. Their papers include correspondence, documents and photographs from the Whirleys' time in multiple regions of Nigeria, as well as Carl's sermon notes and teaching materials. Also includes printed materials from their time as missionaries, including Nigerian newspapers and clippings, church bulletins, and other articles, books, serials, pamphlets, and newsletters.
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Wendell Holmes Stephenson papers, 1820-1968

34.6 Linear Feet
Abstract Or Scope

The papers of Wendell Holmes Stephenson span the years 1820-1968, but the bulk of the materials date from 1922 to 1968. They consist of correspondence, writings and speeches, research and teaching material, and subject files. The collection primarily concerns Stephenson's career as a university professor, historian and author, and editor of historical journals. His field was Southern history but included American history, and his interests spanned the colonial period to the 20th century.

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J. Walter Thompson Company Personnel records, 1900-1975

58 Linear Feet
Abstract Or Scope
Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States.
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Office of Student Activities and Facilities records, 1936-ongoing

65.5 Linear Feet 23 Megabytes
Abstract Or Scope
The Duke University Office of Student Activities and Facilities (OSAF) serves as a liaison between the university administration and student groups, clubs, and organizations. The Office of Student Activities and Facilities Records, 1936-ongoing, contain correspondence, charters, directories, annual reports, financial statements, and other information on Duke University student organizations, including Duke Student Government, Associated Students of Duke University, the Undergraduate Publications board, the Duke University Union, and the Office of University Life. The OSAF Records also document Duke University student life more generally, including their social life, customs, and political activity.
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Wendel White photographs, 2009-2019

4.0 Linear Feet (4 boxes)
Abstract Or Scope
Wendel White is a photographer and Distinguished Professor of Art at Stockton University in New Jersey. This photograph collection comprises two bodies of work by White that explore aspects of African American history through artifacts, archives, and 21st century landscapes. The first, "Manifest," comprises 45 24x30 inch color inkjet photographs of single objects relating to African American material culture and history, taken by White in various public and private collections throughout the U.S. Subjects in these stark images include a diary, printed notices, slavery narratives, a lock of Frederick Douglass's hair, a drum, a slave collar, a tobacco pouch, a tintype photograph, and other objects. "Manifest" is the 2015 winner of the Archive of Documentary Arts Collection Award for Documentarians of Color. The second portfolio, "Red Summer," refers to race-related violence against African Americans that took place from 1912 to 1923, with the majority occurring during the summer of 1919. It consists of 30 24x42 inch color photographs, taken by White from 2017 to 2018, at sites across the United States where violence against African Americans - assaults, riots, and lynchings - took place, paired with contemporaneous newspaper accounts of the events. Acquired as part of the Archive of Documentary Arts at Duke University.
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Clear Pictures Film Footage collection, 1991-1996

50 Linear Feet 150 Items
Abstract Or Scope

The collection consists of film footage (sync reels, workprint reels, stock footage, research tapes, etc.) created in the making of the film Clear Pictures, a documentary on Reynolds Price by Charles Guggenheim. Interviews of friends and colleagues were recorded, as well as of Price himself, documenting his range of activity and long literary career. A few paper files and electronic data are also included. See the Reynolds Price Papers also in this repository. The addition (2 items; dated January 23, 1990) contains two 3/4" U-matic videocassette tapes.

Barbaralee Diamonstein-Spielvogel Audiovisual Materials, 1956-2022

100 Linear Feet (1,339 analogue and digital audiovisual resources)
Abstract Or Scope
Barbaralee Diamonstein-Spielvogel is an advocate for the arts, interviewer, documentarian, teacher, political organizer, and resident of New York City. The Barbaralee Diamonstein-Spielvogel Audiovisual Collection is primarily comprised of audio and video recordings of programs and interviews produced by Barbaralee Diamonstein-Spielvogel for television and print, centering on the arts, architecture, and historic preservation, particularly in New York, from the mid-1970s to the present.
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Barbaralee Diamonstein-Spielvogel collection, 1876-2023 and undated, bulk 1950-2023

666 boxes (666 boxes; 9 oversize folders; 2 tubes; 2 frames.)
Abstract Or Scope
Barbaralee Diamonstein-Spielvogel is an advocate for the arts, interviewer, documentarian, teacher, political organizer, and resident of New York City. Her collection comprises research files, correspondence, printed materials such as articles and clippings, photographs, scrapbooks, artifacts, and artwork, all deriving from Barbaralee Diamonstein-Spielvogel's books, educational programming, interviews, public art installations, and exhibits centering on the arts and architecture and historic preservation in the United States. The materials highlight her work with many arts and political organizations and appointments to committees such as the Commission for Cultural Affairs, the New York State Council on the Arts, and the New York Landmarks Preservation Commission. Also includes materials from her work as columnist and author for publications like Ms. Magazine, Harper's Bazaar, and Saturday Review, and as television producer for CBS and A and E. Topics include: art and architecture in the 20th century; artists' biographies and interviews; gender and society; historic preservation from the 1960s to the present; the history of New York City, particularly through art, architecture, and public space; media and society; social conditions in Slovakia during her husband's ambassadorship there; U.S. politics and public policy; arts programs affiliated with the White House; women and the arts; women's rights; and many others.

J. Walter Thompson Company. Legal Department microfilmed entertainment contracts, 1924-1957

3.0 Linear Feet
Abstract Or Scope
Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. The JWT Legal Department microfilmed entertainment contracts include contracts for appearances on radio and television broadcasts; correspondence; folios (typically collections of documents relating to an actor's career, or casting for a broadcast program); letters of terms; notices of cancellations of contracts; photographs; talent releases and other printed documents. Talent featured in the sponsored programming include journalists, motion picture actors, musicians, politicians (such as Wendell Willkie), sports announcers, vaudeville blackface and dance performers, writers and other celebrities. Talent-based and variety shows drew from American and international performers, including African Americans and women. Sponsoring firms include Ballantine, Elgin, Ford, General Cigar, Kodak, Kraft, Lever Brothers, Lorillard, Nash Motors, Nestle, Owens-Illinois, RCA, Seven-Up, Shell, Standard Brands, Swift, Textron, Ward Baking and Wrigley. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Zora J. Murff photographs, 2013-2015

1.0 Linear Feet (1 box)
Abstract Or Scope
Collection comprises twenty-five color inkjet prints from "Corrections," a documentary project by photographer Zora J. Murff. Taken in Iowa, these portraits of male and female teenage offenders on probation, parole, or charged again as adults are further contextualized by images of electronic tracking bracelets, jumpsuits, cells and detention centers, and intake paperwork. Images are accompanied by detailed captions written by the photographer. The prints measure 17 x 22 inches (image size 16 x 20 inches). As a whole, the collection documents the administration and human context of the 21st century juvenile justice system in the U.S. and Iowa. This work received the 2018 ADA Award for Emerging Documentarians. Acquired as part of the Archive of Documentary Arts at Duke University.
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Zora J. Murff photographs, 2013-2015 1.0 Linear Feet (1 box)

Duke Endowment Archives, 1902-2020 and undated, bulk 1925-2006

332 Linear Feet
Abstract Or Scope
The Duke Endowment was established by James Buchanan Duke as a perpetual charitable trust in 1924, with the following types of beneficiaries, mainly residing in North Carolina and South Carolina: non-profit hospitals and child care institutions; educational institutions; and rural churches of the Conference of the Methodist Episcopal Church, South (now the United Methodist Church). The Duke Endowment Archives span the years 1902 to 2006, with the bulk of the material dating from 1925 through 2006. The collection documents the administration of the corpus of the trust and the charitable contributions made to the categories of recipients named in the Indenture and Deed of Trust establishing The Endowment. The majority of the records are arranged into series that reflect the organization of the institution, including the Board of Trustees, Treasurer's Office, Controller's Office, Investment Office, Education Division and Committee on Communications, Health Care and Child Care Divisions, and Rural Church Division. Smaller series, documenting such other activities as record-keeping, publications, and history of The Endowment, include: Central Files, Oral History Project, Trust Under Will, Publications, Miscellaneous, Photographic Materials, and Audiovisual Materials. The collection consists of the following types of materials: correspondence; minutes of meetings; financial records; applications for assistance from hospitals, child care institutions, and churches; statistics; publications; oral history tapes and transcripts; architectural drawings and blueprints; photographs; audio cassettes; and miscellaneous records and papers. The geographic focus is primarily North Carolina and South Carolina.

Parapsychology Laboratory records, 1893-1984

340 Linear Feet 250,000 Items
Abstract Or Scope

The Parapsychology Laboratory records span the years 1919-1984, with the exception of an 1893 letter written by Richard Hodgson, Secretary of the American Society for Psychical Research, to William James. Included are personal papers of J. B. Rhine, J. G. Pratt, L. E. Rhine and other Laboratory staff, as well as professional correspondence, research records, legal and financial papers, clippings, and photographs. Over half the collection is represented by correspondence, and about a third of it by research files. Included are editorial files (1942-1959) of Dorothy Pope, Managing Editor of the Journal of Parapsychology, and papers (1957-1963) relating to the tenures of Rhea White and J. G. Pratt as officers of the Parapsychological Association.

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Cable 13 videotapes and records, 1976-2009

154 Linear Feet
Abstract Or Scope
Duke Union Community Television (Cable 13), Duke's student-run television station, grew out of Freewater Films' video programming group, following the purchase of a television camera. Cable 13 was the first student-owned and student-run television station in the country. Cable 13 became an official committee of the Duke University Union in 1976. It broadcasts on the Duke campus cable system. The collection consists of videocassettes and videotapes of events recorded at and around Duke between 1976 and 2009. It includes such figures as William S. Burroughs, Allen Ginsberg, Nikki Giovanni, Juanita Kreps, Terry Sanford, Ralph Nader, and Elie Wiesel, as well as performances from Dance Black, the Duke Symphony Orchestra, the Duke Wind Symphony, the Firesign Theatre, Jerry Garcia, and Hoof'n'Horn. Other events include men's and women's basketball, women's crew, football, soccer, men's and women's volleyball, and Joe College Weekend, as well as news and talk shows.
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Duke Players records, 1930-1986

10 Linear Feet
Abstract Or Scope
Duke University's Duke Players was founded in February 1931, with the intention of providing students with the opportunity to participate in all aspects of theater. Records include production files, news clippings, press releases, newsletters, posters, and scrapbooks.
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J. Walter Thompson Company. Information Center Vertical Files, 1916-1999

79 Linear Feet 56,000 Items
Abstract Or Scope
Established in 1864, the J. Walter Thompson Company is one of the oldest and largest enduring advertising agencies in the United States. The Information Center served as a corporate research library and reference center for the agency. Collection spans the years 1916-1999 and consists of subject files containing clippings, published articles, internal documentation, memoranda, research reports and other materials. The bulk of materials originated at the Chicago Office; the Justin White Files arrived from the New York Office. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
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Marine Laboratory records, 1931-2017

124.25 Linear Feet 14.8 Gigabytes
Abstract Or Scope
The Duke University Marine Laboratory, founded in 1938, educates undergraduate and graduate students in the marine sciences. Part of the Nicholas School of the Environment, the Beaufort, North Carolina laboratory is also a renowned center of scientific research. The Marine Laboratory Records include photographs, correspondence, memoranda, minutes, recommendations, and reports documenting the Laboratory's work and administration. Major subjects include marine biology, oceanography, and zoology; research and study of the marine sciences; the Marine Biomedical Center; oceanic research vessels including the Monitor; and John D. Costlow, the director of the Laboratory for many years.
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Trinity College of Arts and Sciences, Office of the Dean records, 1911-2022

259 Linear Feet 24.93 Gigabytes
Abstract Or Scope
The Dean of Trinity College of Arts and Sciences is the University's principal spokesperson for the needs of undergraduate education. The Dean is involved in the processes of academic budgeting and in the appointment, promotion and retention of faculty. The collection contains correspondence, reports, brochures, pamphlets, booklets, meeting minutes and meeting agendas, in addition to Course Synopsis Handbooks. There are also clippings and articles that relate to broad topics such as trends in faculty salaries and student populations. Dates range from 1911-2022.
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