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David E. Price is a professor emeritus of political science at Duke University and was a Democratic congressman from North Carolina's Fourth District from 1987-1995 and 1997-2023. Collection documents the scholarly and political career of Price, including his days as a graduate student in the 1960s, his tenure as a political science professor and Democratic Party staff member, and, finally, his years as a Democratic congressman from North Carolina's Fourth District. Records from Price's political headquarters contain thousands of original documents, handwritten and computer-generated; printed materials such as legislative bills and campaign publicity; and a variety of audiovisual materials, including photographs, some slides, many videos, and audio recordings. The collection is especially rich for researchers interested in the American political party system, the work and life of legislators, North Carolina history and government, the North Carolina Democratic and Republican parties, the U.S. Congress, its committee structure, the Hunt Committee, and the broader legislative process. Other materials document political campaigns, notably David Price's own congressional campaigns and Al Gore's senatorial campaign of 1970-1971.

New York-based advertising agency formed in 1985 by the merger of the Benton & Bowles and D'Arcy-MacManus and Masius advertising agencies. In 2002 the agency closed upon acquisition by French company Publicis. Collection includes memoranda; correspondence; reports; corporate publications; marketing research reports; manuals; employee reference material; press releases; a press book; speeches; clippings; photographs and negatives in color and black-and-white; films, video and sound recordings, and DVDs; book manuscripts; financial papers; and a scrapbook. The collection documents the history of Benton & Bowles advertising; the merger of the D'Arcy MacManus Masius and Benton & Bowles companies; the early careers of William Benton and Atherton W. Hobler; employee training, recruitment, and management; corporate publications; and marketing research. Clients represented include the Procter & Gamble Company, General Foods Corporation, Allied Chemical Corporation, Avco Corporation, Colgate Palmolive Co., Florida Citrus Commission, International Business Machines Corporation, and West Point Pepperell. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Seventeen United States and British government-produced films on 15 reels, dealing with World War II and dating 1943 to 1946, primarily including films made explicitly to sell war bonds, as well as documentaries, training films, and anti-Japanese and anti-German propaganda.

Robert L. Lawrence (1919-2004) was an American film and television producer during the second half of the twentieth century. He was primarily based in New York City with offices and studios in Hollywood, Toronto, and Paris. Collection includes correspondence, memos, press releases, newspaper and magazine clippings, legal agreements, financial documents and statements, scripts, production documentation, audiovisual material (audio and film reels, videocassettes), black-and-white and color photographs and slides, and other materials that document Lawrence's career as a producer in the American, Canadian, and international motion picture and television industries. Papers include Lawrence's work on documentaries, newsreels, commercials, animated films, and domestic and international motion films. Included are materials related to Lawrence's direct marketing concept called Cable Catalogue and his foray into the food industry with La Vie Products, Inc., a company created for the manufacture and distribution of sourdough bread and other foodstuff. Collection documents Lawrence's education at the United States Military Academy at West Point and military service in the Fifth Army during World War II, as well as his service to the Directors Guild of America as chair of several committees, West Point Assembly of Graduates, and West Point Society of New York. Companies and individuals represented include RKO Pathé (a division of RKO Pictures), Jerry Fairbanks Productions, National Association of Investment Companies, Marvel, Stan Lee, Jim Henson, and Frederick, I. Ordway. Advertising agencies represented include D'Arcy Advertising Company, Foote, Cone & Belding, Inc, Campbell-Ewald, Young & Rubicam, Batton, Barton, Durstine & Osborn, Inc. Other companies represented include General Electric, RCA Records, General Motors, General Foods Corporation, Colgate-Palmolive-Peat, Noxzema, Revlon, Inc. and Clairol. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

In response to Robin Morgan's book, Sisterhood is Global, the Sisterhood is Global Institute was founded in 1984 with Karen Berry as its first director. Its purpose was to mobilize international support on women's rights issues and educate various communities around the world on women's rights and human rights issues. The records of the Sisterhood is Global Institute (SIGI) span the years from 1965 to 2005, with the bulk of the material ranging from 1980 to 2002. Materials such as correspondence, administrative files, publications drafts, manuals, newsletters, flyers, photographs, videos, and sound recordings provide a record of the work and the organizational structure of SIGI from its inception to its present activities at the beginning of the 21st century. The documents in the collection illustrate SIGI's efforts to discuss, debate, and act on a variety of women's issues around the world, including voting rights and political representation; reproductive rights; violence against women; education for women; and the socio-economic status of women.

Roy Lightner was an advertising and marketing executive, primarily with N.W. Ayer & Son agency, from which he retired in 1980, and with Carden & Cherry Advertising of Nashville, Tenn. The Roy Lightner Collection of Antique Advertisements spans the years 1871-2009 and includes primarily print advertisements clipped from U.S. magazines. Also present are proofs of print advertisements and 16mm reels of television commercials, much of which was produced by the N.W. Ayer & Son agency during Lightner's career there. Advertisements predominantly focus on automobiles, railroads, insurance companies and manufacturers of brand name consumer goods. Over 300 companies are represented in the collection, including AT&T, Buick, Cadillac, Campbell's, Chevrolet, Chrysler, Coca-Cola, Dodge, Du Pont, Kodak, Ford, General Electric, General Mills, General Motors, Lincoln-Mercury, Metropolitan Life, Oldsmobile, Packard, Plymouth, Pontiac, RCA, and Studebaker.Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Consists of correspondence, office files, memoranda, notes, client files and some advertisements, reports, charts, reprints, schedules, scripts, printed material, and calendars. The collection documents advertising history, especially television and the management of client accounts; the development of television shows and other aspects of television programming, including the selection of actors and audience profiles; advertising clients' account histories; the corporate administration of the J. Walter Thompson Company; and the career of Dan Seymour. There is limited material about Seymour prior to his employment by the J. Walter Thompson Company in 1955 or after his retirement from it in 1974. Clients of the company represented in the collection include Eastman Kodak Company, Ford Motor Company, Kraft Foods Company, Lever Brothers Company, and Liggett & Myers Tobacco Company. There is considerable overlap in the content of the series in this collection.

Collection consists of photographs by Peter Goin on the theme of the interactions and the connections between people and the natural world, and the way people manage, perceive, and represent "nature." The images depict altered and artificial landscapes featuring beaches, canals, farm fields, rivers, prescribed burns and reforestation sites, zoos, an abandoned town, and other places. They were shot in various locations, predominantly in North and South Carolina and Virginia, but also in Alabama, Georgia, central Florida, Arizona, California, Tennessee, and Nevada. The project resulted in a book, Humanature (1996) and an exhibit. Image formats include 16x20 inch exhibit-quality color prints, accompanied by negatives, black-and-white work prints, and book illustration prints. Research, correspondence, and other publication materials are also included in the collection. Acquired as part of the Archive of Documentary Arts, Duke University.

The Stone Circles records contain materials documenting the history of the organization. These include press clippings, board meeting minutes. staff and financial information, program files, newsletters, event information, and correspondence.