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Will Grossman photographs of Durham, North Carolina, 1969-1979, 2006

6 Linear Feet (8 boxes; 1 oversize folder; 585 items) 585 Items
Abstract Or Scope
Will Grossman was a 20th century documentary photographer based in Durham, North Carolina. The 80 black-and-white images in the collection chiefly document Durham County and the city of Durham in the 1970s. There are also 488 negatives, as well as a set of 16 inkjet exhibition prints and an exhibit poster from 2006. Grossman's subjects include barns and rural landscapes; houses and churches; tobacco warehouses, a cigarette factory, and other industrial buildings; tobacco workers and other portraits of individuals, including many African Americans; scenes along the Eno River; and the Durham County Fair. A few images are from Orange County, N.C. Acquired as part of the Archive of Documentary Arts at Duke University.
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Full Frame Archive collection, 1998-2017

55.5 Linear Feet
Abstract Or Scope
The Full Frame Documentary Film Festival is the largest film festival in the United States entirely devoted to documentary film. Originally the DoubleTake Documentary Film Festival, it is an international event dedicated to the theatrical exhibition of non-fiction cinema, held annually since 1998 in downtown Durham, North Carolina. Typically, more than 100 films are screened, along with discussions, panels, and workshops fostering conversation between filmmakers, film professionals and the public. The Full Frame Archive was created in 2007, as a partnership between Duke University and Full Frame. The Full Frame Archive Film Collection comprises preservation masters of documentary films that won awards at the Full Frame Film Festival between 1998 and 2012. Formats include 35mm film, 16mm film, Digital Betacam cassette, HDCAM cassette, Betacam SP cassette, and DVD. In addition, there is a complete set of festival program books. The films vary widely in topic and style, with a predominant emphasis on human rights issues; all of the films deal with social issues in one way or another. The collection is organized chronologically, by festival year, and acquisitions are ongoing.
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Sir! No Sir! (2005)

Workingman's Death (2005)

The Devil Came on Horseback (2007)

Stephen C. Harward papers, 1949-1975 and undated, bulk 1963-1975

10.5 Linear Feet Circa 4000 Items
Abstract Or Scope
Stephen Cannada Harward served on the Durham City School Board for 12 years in the 1960s and 1970s. During this time, the Durham city and county school districts were desegregated following a series of court mandates beginning in 1963. The collection contains memos, bulletins, reports, evaluations, minutes, agendas, educational and administrative guides and handbooks, court documents, financial statements and budgets, correspondence, clippings, printed materials, and maps pertaining to the activity of the Durham City School Board. The papers span the years 1949-1975 and document the daily workings of the Durham City School Board chiefly between the years 1963 and 1975, with a special focus on the process of desegregation during that time. It contains no personal papers of Stephen C. Harward.
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Leroy T. Walker Africa News Service Archive, 1952-1998 and undated

606.6 Linear Feet 439,500 Items
Abstract Or Scope

The LeRoy T. Walker Africa News Service Archive is an extensive resource file assembled by Africa News Service (ANS) over the course of two decades in support of its news gathering efforts about Africa-related issues and U. S. foreign policy towards Africa. The collection spans the years from approximately 1960 to 1995, with the bulk of the materials dating from 1978 through 1994. Newspaper clippings, magazine articles, press releases, newsletters, brochures, and reports comprise the collection. Much of the material is gathered from mainstream media sources and government documentation in the United States, Europe, Africa, and other parts of the world. In addition, the collection includes significant resources from alternative, minority, and special interest presses world-wide that may be difficult to locate elsewhere. The archive contains scarce and difficult-to-locate materials such as numerous publications produced by non-governmental organizations and grass-roots/community groups that are/were involved in efforts related to independence movements, economic development, and human rights issues in Africa.

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Rob Amberg photographs and papers, 1975-2009

15 Linear Feet 457 Items
Abstract Or Scope
The photographs and papers of documentarian Rob Amberg span the years 1975-2009. The gelatin silver prints and pigmented inkjet color prints in the collection represent three bodies of work: The New Road: I-26 and the Footprints of Progress; The Sodom Laurel Album; and The Vanishing Culture of Agriculture. Amberg focuses primarily on the social life and customs of the rural South, especially in the mountains of his home state of North Carolina. Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century. Amberg's papers account for the rest of the collection and are organized into five series: Correspondence, Printed Materials, Subject Files, and Writings and Research, and Audio. Acquired as part of the Archives of Documentary Arts at Duke University.
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Josiah William Bailey papers, 1833-1967, bulk 1900-1946

270 Linear Feet (539 boxes) Approximately 422,400 itemss
Abstract Or Scope
The collection houses the personal and professional papers of Josiah William Bailey (1873-1946), Baptist layman, Raleigh attorney, and United States Senator. Chiefly consists of correspondence and print material, as well as smaller amounts of financial records, clippings, volumes, broadsides, photographs, and memorabilia dating from 1833 through 1967, with most items dating from 1900 through 1946. The collection documents Bailey's family, personal, religious, and professional life. Generally, papers prior to Bailey's election to the U.S. Senate in 1931 reflect North Carolina's legal, political, religious, agricultural, social, and economic issues. After 1931, material chiefly pertains to national affairs. Significant topics include: state and national elections and campaigns in the 1920s and 1930s; national defense and the military; veterans; the effects of the Depression on southern states and the U.S. economy and society in general; labor issues; Prohibition; the court system; taxation; the development of the Blue Ridge Parkway and other parks; agriculture in the Southern States; and the New Deal of the Roosevelt Administration. Legal papers offer a sample of case files from Bailey's law office, including a 1920s case involving W.V. Guerard of the Klu Klux Klan. Outgoing personal correspondence contains many references to national and regional issues as well as personal exchanges.
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Agricultural Correspondence Subseries, 1930-1946

Harry L. and Mary K. Dalton collection, 1695-1955 and undated

80.5 Linear Feet approx. 11,160 Items
Abstract Or Scope
Harry L. and Mary K. Dalton collected art, rare books, and manuscripts, and made many contributions to art museums and libraries, most notably the Duke University Library, the Mint Museum, and the library of the University of North Carolina at Charlotte. The Dalton Collection is comprised of sub-collections acquired by Harry L. and Mary K. Dalton.
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Pickens, Andrew papers, 1801-1827

Duplex Advertising Company. Billboard Images and records, circa 1964-1993 and undated

7.5 Linear Feet 5300 Items
Abstract Or Scope

The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

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International Monitor Institute records, 1986-2011

530 Linear Feet 8.3 Gigabytes
Abstract Or Scope
The non-profit agency International Monitor Institute (IMI) operated between 1993 and 2003, primarily to assist international war-crimes tribunals by collecting, indexing and organizing visual evidence of violations of international human rights law. The International Monitor Institute Records span the dates 1986-2006, and primarily comprise audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations around the world. Countries represented include: Burma (Myanmar), Bosnia and Hercegovina, Cambodia, Kuwait, Rwanda, Sierra Leone, and Thailand. Includes master and use copies of approximately 6000 videocassettes and 100 audio tapes and audiocassettes. The video and audio material is indexed by an extensive database developed by IMI which includes keywords, air dates, segment producer, segment title, and in some cases, transcripts and stills from the video. There are also many photographs and slides taken in the same regions, depicting destruction in areas of conflict, forced labor, refugees and refugee camps, and protests. The majority of the photos were taken on the Burma/Thai border, in Bosnia and Hercegovina, and refugee camps in Rwanda. Finally, there are extensive organizational records, including an extensive database of the audiovisual components. Acquired as part of the Human Rights Archive.
1 result in this collection

RTLM 50 Sony HF 60 (1 copy of Side A and 1 copy of Side B

Sallie Bingham papers, 1900-2023

93.75 Linear Feet
Abstract Or Scope
Feminist and author. The Sallie Bingham Papers provide rich documentation of the personal life, literary development, and philanthropic activities of Sallie Bingham, feminist and writer. The papers, dated 1900-2011, with the bulk of the materials dating from the 1940s to 2011, are comprised of correspondence, speeches, writings, subject files, personal papers, diaries and notebooks, legal and financial papers, audiovisual recordings, and photographic media. Included also are some records of The Kentucky Foundation for Women, a philanthropic organization founded by Bingham; The American Voice, a literary journal founded by Bingham and published under the auspices of The Kentucky Foundation for Women; and Santa Fe Stages, a regional theater founded by Bingham. Arranged into the following series: Audiovisual Materials, Correspondence, Diaries and Notebooks, Kentucky Foundation for Women, Legal and Financial, Miscellaneous, Photographs, Poetry, Santa Fe Stages, Speeches, Subject Files, Writings, and Oversize Material, with the Writings, Diaries and Notebooks, and Correspondence Series composing the bulk of the collection. Multiple additions have been added since the collection was processed; these are represented at the end of this finding aid.
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Diaries and Notebooks Series, 1945-1990s