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ARLIS/SE was founded in 1974 as a chapter within the Southern Region of the Art Libraries Society of North America. The collection includes chapter correspondence, bylaws, annual reports, membership lists, photographs, conference materials, LoPresti Awards (for excellence in art publication), and financial records. Scattered throughout are materials and correspondence related to the national organization. There are 20 electronic files on one floppy disk that have been migrated to the electronic records server. There are 20 black-and-white photographs and two transparencies.

The Duke University Office of Cultural Affairs was created in 1969 as part of the Division of Student Affairs and existed until 1993, when, as part of a reorganization of the Division, it was superceded by the Office of University Life. The Office of Cultural Affairs Records, 1931-2002 (bulk 1958-2002), consist of budgets and financial reports; calendars; contracts; correspondence; meeting minutes; printed materials; black-and-white, color, and 35mm photographs; and videocassettes, audiocassettes, and digital audio tapes. Materials primarily span the years of the OCA's official existence, 1969-1993, but also contain earlier materials about its first director, Ella Fountain Pratt, and later records created by the Office of University Life. Arranged in five series: Subject Files, which provide a broad overview of the OCA's activities, including early correspondence between Duke University and the American Dance Festival, which moved to Duke in 1977; the Chamber Arts Society, a group that promoted chamber music performance in Durham and surrounding areas; the Duke Artists Series, a concert series that began in 1930 and came under the oversight of OCA upon its creation in 1969; the Summer Session, programming for which also became one of the OCA's primary responsibilities; and the Triangle Dance Guild, a group independent of Duke that coordinated with the OCA to promote dance performance on campus and in Durham and surrounding areas from 1976-1984.

Duke University Press publishes both scholarly books and journals, primarily in the humanities and social sciences. In its early years, preference was given to works published by faculty, graduate students and alumni and to works focused on southern states. The records of Duke University Press span from 1812-2019 and consist of correspondence, annual catalogs, advertisements, annual reports, Board minutes, contracts and agreements, book and journal reviews, financial records, marketing files, the records of former director Steve Cohn, and facsimiles of the Carlyle letters.

Elizabeth McMahan (1924-2009) was an entomologist (termite biology), psychologist, cartoonist, writer of children's books, and ocean traveler. Collection contains materials documenting McMahan's personal and professional life, including correspondence, writings, and photographs. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

John K. Hillers was an important early American photographer and one of the first to photograph the Grand Canyon and the high plateaus of central and southern Utah. Collection contains albumen photographs spanning the years 1871-1889. Most of them are landscapes made in Utah, but there are also landscapes from California and several photographs of Native Americans made in New Mexico. The photographs are organized into six series.

Robert White is an Appalachian State University professor who studied and taught in China during the 1980s and 1990s. The collection contains pins, posters, objects, textiles, and printed material, largely produced for a Chinese audience, promoting the ideals and persona of Mao Zedong, the establishment of the People's Republic of China, and the Chinese Cultural Revolution (1966-1976).

Contains the personal and professional papers of Robert Hilliard Woody, a professor of history at Duke University from 1929 to 1970. Types of materials include correspondence, manuscripts, short writings, vitae, certificates, diplomas, committee reports, printed material, photographs, 8 mm films, and VHS tapes. Major subjects include Robert H. Woody, the Civil War, the South, South Carolina, North Carolina, reconstruction, republicans, southern newspapers, biographies, mountain culture, folklore, history instruction, Duke University, the Duke University history department, and the George Washington Flowers Collection of Southern Americana. Major correspondents appearing in the collection include: William Preston Few, Francis B. Simkins, William K. Boyd, William T. Laprade, Francis Warrenton Dawson, Stanly Godbold, Jr., Arthur Hollis Edens, Paul M. Gross, Stanley Godbold, the Southern Historical Association, and the Historical Society of North Carolina. Some materials are restricted. Materials range in date from 1927 to 1985. English.

Batya Weinbaum is a Jewish American artist, musician, poet, author, editor and professor. In addition to founding and editing the interdisciplinary feminist journal Femspec, she has published 17 books and more than 250 articles, poems, essays and reviews. She has made contributions to the fields of multiculturalism, women's studies, sexuality studies and education. The collection documents her personal and professional history, containing materials related to Weinbaum's writing and research, including drafts of her books, materials related to the journal Femspec, and several decades of journals and sketchbooks.

The Radical and Labor Pamphlets Collection (1896-1977) includes pamphlets and other ephemeral publications relating to communism, socialism and other left-wing movements, labor organizations, trade unions, feminism and the women's movement, and Black power. There are some additional pamphlets related to anti-communist movements and some examples of Soviet propaganda.

Collection of color slides and black-and-white negatives with images taken by an unidentified photographer during travels in Europe and the United States, with a focus on cities and historical sites in Greece, London, Paris, and Italy. Almost all the slides are of landscapes or tourist sites, but there are a few images with people in them. The black-and-white nitrate negatives contain many images of individuals, both adults and children, perhaps family members, chiefly taken in the United States in the 1930s; there are also shots taken in Florence, Torcello, and Venice, Italy. Original captions are in German.