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John Gutmann (1905-1998) was a photojournalist, professor of photography at San Francisco State University, and fine art photographer, whose work has been collected by many museums. Originally from Germany, Gutmann moved to the United States in the 1930s and became known for his work in photographing diverse groups, modern environments, with distinctive angles in black-and-white photographs. During World War II, Gutmann enlisted and stationed with the U.S. Office of War Information and U.S. Army 164th Signal Photo Company taking photographs and making motion pictures for the less known China-Burma-India (CBI) Theater in which the U.S. Army and Chinese Nationalist Army, allies, and civilians in various support operations such as transporting supplies, particularly the construction of the Ledo Road (also known as the Stilwell Road) and the journey of the First Convoy. Collection includes approximately 1000 photographs taken by Gutmann in black-and-white between 1942-1945, with most sized 3.5x5.5 inches and many include some notation on the reverse side including stamps for the Signal Corps. Materials depict various wartime activities such as construction, the First Convoy's journey, training, recreation, war injuries, office work, etc., in various locations in China, Burma, and India, with many identified in Kunming, China. Gutmann's photographs showcase notable figures such as General Joseph Stilwell, Colonel Lewis Pick, and additional military officials from the United States; General Ho Ying-Chin (He Yingqin); T. V. Soong; the Chinese Nationalist Army; Japanese POWs; Burmese nurses; Indian dock workers; African Americans serving in the United States Army; and civilians. Acquired by the Archive of Documentary Arts.

Collection consists of seventeen glossy 8x10 inch black-and-white photographs of tourist destinations and activities in Haiti, marked on the versos with the associated name of the Haiti Tourist Bureau in New York City, established sometime around 1950. These images served as visual components for the island's 1950s tourism campaigns, and show white tourists in various posed scenes, visiting handicraft shops and outdoor markets, riding donkeys, enjoying the beach, and watching folkloric dances. There are also several views of the capital, Port-au-Prince, and smaller towns such as Cap-Haïtien, as well as resorts, beaches, town streets, and mountainsides. Noted Haitian photographer Edouard Peloux's name appears on a print signed "Ed. Peloux, 19-7-53." The rest are unsigned and undated. Several of the photographs appear in a 1955 publication, "A Guide to Haiti, Star of the Caribbean," also by the Haiti Tourist Bureau.

Collection comprises a letter from the 19th century writer and editor Sarah J. Hale to the prominent Philadelphia publisher Mathew Carey thanking him for his contribution to Hale's charity benefiting Boston seamen.

Anne Halley was a fiction writer and poet. Collection includes typescripts for four works (approximately 700 pages) and typesetting instructions for the opening pages of Rumors of the Turning Wheel, which was published by Lisa Unger Baskin's Aee Press in 2003.

Medical doctor and anthropologist George Way Harley (1894-1966) and botanist Winifred Jewell Harley (1895-1979) founded the Ganta United Methodist Mission in Ganta, Liberia, in 1926 and worked there until retiring to Lancaster, Va. in 1960. Collection includes awards, clippings, correspondence, diaries, diplomas and certificates, maps, notes, photographs, scrapbooks, writings, and other printed materials that document George and Winifred Harley's careers as anthropologists, botanists, and medical missionaries in Ganta, Liberia, as well as their retirement in Lancaster, Va. Persons and institutions represented in the collection include: American Foundation for Tropical Medicine; Duke University; Earnest Hooton; Edward Hume; Elbert Mathews; Farlow Herbarium; Firestone Plantations Company; Ganta United Methodist Mission; George Schwab; Jean Curran; Methodist Board of Foreign Missions; Nya Kwiawon Taryor; Peabody Museum; Thomas Donohugh; U.S. Foreign Economic Administration; and William V.S. Tubman. Topics about Liberia include: Art; economy; Ganta; history; indigenous religion; Mano language and people; medical practice; missionary work; ritual masks; Sanniquellie District; secret societies (Poro, Sande); slavery and emancipation; snake mythology; traditional medicine; travel; and the effects of World War II on Liberia. Tropical diseases discussed include Leprosy; Schistosomiasis; sleeping sickness (Trypanosomiasis) and control of the Tsetse-fly; Smallpox; and Yaws.

Elizabeth Hargrave is an Episcopal lay woman and multi-issue activist who served as the Chair of the Davidson County (N.C.) Commissioners, the N.C. Council of Churches Committee for Equal Rights, and Episcopal Diocese of N.C. Collection contains religious and activist conference and workshop materials, printed materials, clippings, a campaign T-shirt, one audiocassette, photographs, Davidson County (N. C.) Commissioner campaign materials, Charlotte Women's Political Caucus materials, and files related to public education in North Carolina. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection contains correspondence, account books, receipts, statements, and other papers, chiefly relating to David Bullock Harris's training at West Point (1829-1833), his military career, and his tobacco business in Virginia, Kentucky, and England. Includes Civil War military papers and maps, accounts of the sale of slaves, and accounts of trade with Brazil. Also present are letters from Frederick Overton Harris, David's father, while in the Virginia House of Delegates, and from Nathaniel W. Harris, his brother and business partner. Other correspondents include P. G. T. Beauregard, D. H. Mahan, and Sylvanus Thayer.

Collection consists of photocopies and original of a bound handwritten memoir (85 p.) by an African American woman from Summerville and Augusta, Georgia, Elizabeth Johnson Harris (1867-1942). Begun in September, 1922, the memoir describes Harris' childhood in Augusta, Georgia, race relations in Boston, Massachusetts and in Augusta, Georgia, her ambivalence about her place in society as an African American, and the history of her church activities and schooling from childhood through adulthood. She conveys anecdotes and histories about her ancestors during Reconstruction, including her grandfather's grant of land in Summerville (Augusta) from a former enslaver, James W. Bones. She includes details about her courtship and marriage, as well as descriptions of the adult lives of several of her children. There are also tipped-in photographs and newsclippings. The appendix (12 p.) contains poetry and news stories by Harris, folk tales, and two obituaries about Harris, 1942. Acquired as part of the Sallie Bingham Center for Women's History and Culture and the John Hope Franklin Research Center for African and African American History and Culture.

Donald Harris is a SNCC veteran and civil rights movement activist. This collection contains materials from his participation in SNCC including clippings, writings and articles, some ephemera, and other printed materials about SNCC.

Elisabeth Baldwin Wiley Harris was a resident of a large plantation near Sparta, Hancock County, Georgia. The bulk of the collection consists of six volumes and fragments of a manuscript diary with daily entries from 1862 to 1893, written by Elizabeth Harris. Although there is a fragment of the diary dated 1858, the daily entries begin Jan. 4, 1862, and continue, with brief interruptions for illnesses and family crises, until Oct. 26, 1893. Harris occasionally mentions local and national politics, events connected with the Civil War, and slavery, but most of the entries concern the weather, family matters, births, deaths, illnesses, the state of her soul, and daily activities. The collection also contains one letter dated 1860, two letters dated 1957 and 1958, and a genealogy from the donor which gives background information about the author and her family.

Outdoor advertising executive, manager of family billposting company Harold Outdoor Advertising that operated in Indiana and surrounding states.

Alex Harris is a documentary photographer, author, and professor emeritus at the Center for Documentary Studies in Durham, North Carolina. The over 700 black-and-white and color photographs in the collection span his career, and include projects exploring the landscapes and peoples of Alaska, the American South, New Mexico, and Cuba; portraits of older reading volunteers and students in Philadelphia; students on strike at Yale University; counter-culture people at a Rainbow Gathering in Arizona; the artist's son tethered to his game device; elderly people living on their own in North Carolina; the interior of author Reynolds Price's home; and movie production sets in the South. The gelatin silver and inkjet prints range in size from 8x10 inch reference prints to 24x36 inch exhibit prints. Harris's professional papers document his collaborations with other photographers and writers on books and exhibitions, including anthropologist Gertrude Duby Blom, naturalist E.O. Wilson, and South African photographers; they also cover his long career at Duke University, as teacher, author, and co-founder of the Center for Documentary Studies and its publication, DoubleTake. In addition to the paper records, there are many recorded oral histories and interviews. Acquired as part of the Archive of Documentary Arts at Duke University.

African American civic leader during the period following the Brown decision of 1954 and the Civil Rights Movement. Harris was the first African American city councilman in Durham, N.C., and the first black man to sit on the Durham County Board of Education. The Rencher Nicholas Harris Papers span the years from 1851 to 1980, with the bulk dating from 1926 to 1965. The collection consists mainly of clippings, correspondence, legal papers, photographs, printed materials, journals and diaries, scrapbooks, oversize maps, and reports relating to Harris' work in political and educational affairs in Durham, North Carolina in the 1950s and early 1960s as a member of the City Council and the School Board, with emphasis on school desegregation, civil rights, and race relations in Durham. Also represented is Harris' business career in banking, insurance, and real estate, his role as an official of the Bankers' Fire Insurance Company, and his civic activities, including leadership roles in the NAACP, Lincoln Hospital, and North Carolina Mutual Insurance, and Mechanics and Farmers Bank, all serving African Americans in Durham. Some biographical materials, family papers, and correspondence also relate to his wife, Plassie Williams Harris. Part of the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

John Benjamin Harris is Professor Emeritus of Management and Marketing at Virginia State University. He pioneered governmental and commercial awareness of African American advertising markets and, in the 1970s, became the Director of the Virginia State Office of Minority Business Enterprise and Special Assistant to the Governor for Minority Enterprise. The John Benjamin Harris Papers span the years 1955-1991 and include scholarly articles, corporate reports and proposals, product labels, 16mm film reels, and audio tapes. Materials represent Harris' academic and professional work at New York University and Virginia State University as well as his work for the Virginia State Office of Minority Business Enterprise. Topics touched on in the collection include minority business enterprises; minority markets and minorities (especially African Americans) as consumers; and African American mass media. In addition, the collection reflects Harris' work for the advertising industry with employers including Cunningham & Walsh, Inc., the Leo Burnett Company, Inc., and the Ted Bates Company. Brands represented include Alka-Seltzer (Miles Laboratories), Campbell Soup, Coca-Cola, Cleveland Electric, Eastman Kodak, Pillsbury, and Schlitz.

Robert Preston Harriss was a white journalist, arts critic, and author based in Baltimore, Maryland. Collection spans the years 1913-1989 and includes correspondence; autobiographical information on Harriss; clippings (including Harriss' writings); printed material (menus, programs, press releases, travel brochures, itineraries, and maps); biographical sketches of associates and artists; photographs and slides; ledgers containing articles and reviews on music, ballet, opera and the stage; tear sheets; and audiovisual material. Individuals sending letters or referred to in the materials include Gerald W. Johnson, Sara Mayfield, Lizette Woods Reese, August Mencken, H. L. Mencken, Robert Minford, Eugene Ormandy, Art Buchwald, and Harriss's sister, Ruth Tyson, among others.

Lawyer, of Clarke Co., Va. Correspondence, daybooks, and family, business, and other papers. The bulk of the collection consists of cancelled checks, bills and receipts, legal papers, newspaper clippings, and advertisements. The papers deal with Civil War destruction in Virginia, social life in Virginia after the war, American interest in Cuba (1869-1870), agriculture and land in Florida (1880s), social, political, and economic activities in Clarke Co., the genealogy of the Harrison family, and other matters. Correspondents include Thomas R. Dew and Harry F. Byrd.

Chicago, Ill. based manufacturer of mens clothing. Collection includes Advertising Service packages of promotional and advertising designs and campaign suggestions by season; summaries of promotional campaigns; mounted logos including one by Robert Reinhardt von Liski and other materials that document marketing efforts by Hart Schaffner & Marx. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.