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Keystone View Company educational lantern slides set, 1904-circa 1919

0.2 Linear Feet (2 boxes)
Abstract Or Scope
Set of 96 black-and-white glass lantern slides used in the United States for the teaching of history and geography. All of the slides except one were published by the Keystone View Company of Meadville, Pennsylvania. The 97th slide is a clear film transparency of a map of Germany following World War I, published by the Excelsior Illustration Company. Images include well-known United States historic sites; landmarks in colonial cities such as Williamsburg and Boston; views and cultural scenes from the Middle East, Japan, Hawaii, Korea, and the Philippines; a U.S. suffragists' parade in 1913; a set of Japanese and Western wedding scenes; and a few images of U.S. troops taken during the Mexican, Cuban and Philippine conflicts and in World War I. One slide shows the ruins of Belleau, France, circa 1918. Another features a memorial portrait of Secretary of State John Hay (d. 1905). The slides all measure 4 x 3.25 inches. They are accompanied by two booklets with detailed narrative entries for most of the slides. Acquired as part of the Archive of Documentary Arts at Duke University.
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Keystone View Company educational lantern slides set, 1904-circa 1919 0.2 Linear Feet (2 boxes)

André Kertész photographs, 1919-1984

1.0 Linear Feet (2 boxes)
Abstract Or Scope
Collection of 31 black-and-white photographs by André Kertész provides a sampling of his compositional styles and topical interests. Taken from 1919 through 1984, the images chiefly feature street scenes from Paris (1920-1984), and several each from Budapest and New York City. There are also two female nude studies from his 1930s series "Distortions," two still lifes, and several landscapes. The majority of the gelatin silver prints are sized 8x10 inches, with four measuring 11x14 inches. On the backs are various markings, including dates and identifying marks by Kertész and others, with many bearing a Kertész estate stamp. Acquired as part of the Archive of Documentary Arts at Duke University.
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André Kertész photographs, 1919-1984 1.0 Linear Feet (2 boxes)

R. B. Holmes photographs, 1910-1926 and undated

7.6 Linear Feet (208 items)
Abstract Or Scope
The images in the collection were taken by British photographer R. B. (Randolph Bezzant) Holmes and possibly others from his studio who traveled with him. Holmes was the owner of the R. B. Holmes & Co. photography studio in Peshawar, Pakistan. Of the 208 prints in the collection, one hundred two are loose, 11.5 x 9.5" black-and-white photographic prints of Afghanistan, India, and Pakistan. The remaining 106 prints are mounted in three commercial albums whose subjects range widely, from Afghan War-period images of the Khyber Pass, Landi Khana, Ali Musjid, and the Kabul River; to pastoral scenes around Nowshera, street scenes in Peshawar city, and panoramic views of the Peshawar Valley, to views from India, including the Jhelum and Liddar valleys, Srinagar, lower Himals, Harabal waterfall, Shalimar, and the Taj Mahal in Agra, to images of Waziristan and the Khyber railway. The sizes of the mounted prints range from 8.25"x5.75" to 11.25"x9", along with some panoramic prints. Acquired as part of the Archive of Documentary Arts.
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R. B. Holmes photographs, 1910-1926 and undated 7.6 Linear Feet (208 items)

Gerard Gaskin photographs, 1995-2012

2.5 Linear Feet (33 Inkjet Prints: 19 black and white, and 14 color.)
Abstract Or Scope
This collection includes 33 photographic prints comprising the series, Legendary: Inside the House Ballroom Scene by Gerard H. Gaskin, 2012 CDS/ Honickman First Book Prize in Photography Award Winner. Prints were exhibited at the Center for Documentary Studies at Duke University from November 4 2013-February 22 2014.
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Gerard Gaskin photographs, 1995-2012 2.5 Linear Feet (33 Inkjet Prints: 19 black and white, and 14 color.)

DoubleTake records, 1908-1999, bulk 1994-1999

53.1 Linear Feet Approximately 58,872 Items
Abstract Or Scope
The DoubleTake magazine records contain story manuscripts with editor's markings, correspondence, photographs and slides, and production files for issue numbers 1-16, 1994-1999. Files of editors Jay Woodruff, Rob Odom, and other editors contain correspondence with writers whose work they were interested in publishing and editing. There are postcards and transparencies used in various issues; and a complete run of the magazine through spring 1999. There are two unidentified files. Acquired as part of the Archive of Documentary Arts at Duke University.
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DoubleTake records, 1908-1999, bulk 1994-1999 53.1 Linear Feet Approximately 58,872 Items

Center for Documentary Studies DoubleTake exhibition collection, 1906-1996, bulk 1990-1996

5 Linear Feet (8 boxes; 51 items) 51 Items
Abstract Or Scope
The Center for Documentary Studies was established at Duke University in Durham, N.C. for the study of the documentary process. The collection contains 51 black-and-white and color photographs, chiefly 11x14 and 16x20 inches, that were selected by CDS staff from portfolios published in DoubleTake magazine or by DoubleTake books from 1995 to 1997, and were exhibited at the CDS galleries. Many of the images were taken in the southern United States, but there are also scenes from California, Illinois, Massachusetts, and Pennsylvania, and from countries such as Mexico, Vietnam and Ireland. Some images are dated as early as 1906 and 1940. Acquired as part of the Archive of Documentary Arts at Duke University.
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Center for Documentary Studies DoubleTake exhibition collection, 1906-1996, bulk 1990-1996 5 Linear Feet (8 boxes; 51 items) 51 Items

Jess T. Dugan photographs, 2006-2021

4.5 Linear Feet (3 boxes)
Abstract Or Scope
Collection comprises three bodies of color and black-and-white work by photographer Jess T. Dugan: To Survive on this Shore: Photographs of Transgender and Gender Non-Conforming Older Adults (2013-2017); A Moment Collected: Photographs at the Harvard Art Museum (2006-2008); and Look At Me Like You Love Me (2020-2021). Nearly all the images are portraits ranging from staff at the Harvard Art Museum, one of Dugan's earliest projects, to gender non-conforming people, gay men and women, and transgender people. The 120 prints are signed, dated, and titled by the artist. Acquired as part of the Archive of Documentary Arts at Duke Unviversity.
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Jess T. Dugan photographs, 2006-2021 4.5 Linear Feet (3 boxes)

Melanie Dornier photographs, 2013-2016

1.0 Linear Feet (2 boxes)
Abstract Or Scope
Collection consists of two documentary photography series taken in India by Melanie Dornier. "Mahila Thana: All Women Police Station" is comprised of 56 color digital photographs, taken in 2016, recording daily life inside the walls of the All Women Police Station of Gurugram, Haryana. The images convey the human impacts of woman-specific crimes and social justice, and the role of the police station and its female officers as a safe haven for distressed and abused women. The 54 color digital prints in "Punch My Face: Women's Boxing in India" document the daily life and experiences of Meena Kumari, a wife, mother, daughter, police officer, and boxer, 2013-2016. All prints measure 11 3/4 x 8 inches. Acquired as part of the Archive of Documentary Arts and the Sallie Bingham Center for Women's History and Culture at Duke University.
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Melanie Dornier photographs, 2013-2016 1.0 Linear Feet (2 boxes)

Photographs by Iraqi civilians collection, 2004 April-May

4.0 Linear Feet (3 boxes; 1 oversize folder)
Abstract Or Scope
Collection comprises 464 original 4x6 inch color snapshots, 23 13x19 inch color inkjet exhibit prints; roll negatives; and text panels for the exhibit, "Photographs by Iraqi Civilians, 2004." The images are a result of a project, "Iraq From Within," coordinated by the North Carolina-based Daylight Community Arts Foundation, which encouraged Iraqi civilians to document through photographs and captions a point of view unavailable to the foreign press. The original color snapshots, taken by men and women chiefly in Baghdad and Fallujah, show families at home and in their neighborhoods, various workplaces, and scenes of wartime destruction. Taken as a whole, the collection conveys the impacts on men, women, and children of the 2003 U.S. invasion and occupation of Iraq. Acquired as part of the Archive of Documentary Arts at Duke University.
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Photographs by Iraqi civilians collection, 2004 April-May 4.0 Linear Feet (3 boxes; 1 oversize folder)

Vincent Cianni photographs, 1983-2019

25.25 Linear Feet (34 boxes) 4.2 Gigabytes
Abstract Or Scope
Vincent Cianni is a documentary photographer and educator based in New York State. Project themes and subjects in this collection range widely: views of the city of Berlin, the destruction of the Berlin Wall and the reunification of Germany in 1990; mall culture and the social impacts of urban decay in Poughkeepsie, New York State, 1980s; wedding ceremonies and rituals of straight and transgender people, mid-1980s; Latino youth and in-line skating culture in the Williamsburg neighborhood of Brooklyn, New York, mid-1990s-2017; Cambodian kickboxing culture, 2004; the relationship between human story-telling, memory, and landscapes, 2000-2002; and gay pride marches and demonstrations in New York City, 1985-2019. An additional series offers a large set of oral histories of gay individuals in the U.S. military, 2010-2012. Acquired as part of the Archive of Documentary Arts at Duke University.
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Vincent Cianni photographs, 1983-2019 25.25 Linear Feet (34 boxes) 4.2 Gigabytes

Berlin, 1990 65 prints 4 boxes

Rachel Boillot photographs, 2014-2018

6.5 Linear Feet (4 boxes)
Abstract Or Scope
Collection comprises two portfolios by documentary photographer Rachel Boillot: "Después del dia: Migrant Farmworkers in North Carolina," portraits of farmworkers from across the state of North Carolina, their families, and their residences, and a few shots of workers in the field; and "Moon Shine," portraits of traditional musicians and their families from the eastern Tennessee Cumberland Mountains region, along with images of their residences, interior settings, towns, and natural landscapes. The "Después del dia" work forms part of the multi-artist project "Where we live: a North Carolina portrait." There are 116 color pigment inkjet prints in the collection as a whole, ranging in size from 23x27 to 14x19 inches. Acquired as part of the Archive of Documentary Arts at Duke University.
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Rachel Boillot photographs, 2014-2018 6.5 Linear Feet (4 boxes)

Amanda Berg photographs, 2014-2015

1.0 Linear Feet (7 items; 17 x 34.5 inches)
Abstract Or Scope
Collection comprises seven panoramic color photographs measuring 17 x 34.5 inches, whose central panels portray older women who worked in manufacturing and are now retired or laid off; images set along each side of the portraits feature the sites where they once worked. The images were taken by documentary journalist Amanda Berg in five North Carolina locations - Banner Elk, Fayetteville, Lumberton, Massey Hill, and Newland - in 2014 and 2015. They form part of the multi-artist project "Where we live: a North Carolina portrait." Acquired as part of the Archive of Documentary Arts at Duke University.
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Amanda Berg photographs, 2014-2015 1.0 Linear Feet (7 items; 17 x 34.5 inches)

Full Frame Archive collection, 1998-2017

55.5 Linear Feet
Abstract Or Scope
The Full Frame Documentary Film Festival is the largest film festival in the United States entirely devoted to documentary film. Originally the DoubleTake Documentary Film Festival, it is an international event dedicated to the theatrical exhibition of non-fiction cinema, held annually since 1998 in downtown Durham, North Carolina. Typically, more than 100 films are screened, along with discussions, panels, and workshops fostering conversation between filmmakers, film professionals and the public. The Full Frame Archive was created in 2007, as a partnership between Duke University and Full Frame. The Full Frame Archive Film Collection comprises preservation masters of documentary films that won awards at the Full Frame Film Festival between 1998 and 2012. Formats include 35mm film, 16mm film, Digital Betacam cassette, HDCAM cassette, Betacam SP cassette, and DVD. In addition, there is a complete set of festival program books. The films vary widely in topic and style, with a predominant emphasis on human rights issues; all of the films deal with social issues in one way or another. The collection is organized chronologically, by festival year, and acquisitions are ongoing.
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Full Frame Archive collection, 1998-2017 55.5 Linear Feet

McNair Evans photographs, 2012-2013, 2017

6 Linear Feet (4 boxes)
Abstract Or Scope
Shot during fifteen-day Amtrak train excursions, "In Search of Great Men" by photographer McNair Evans combines original photography with first-person, passenger-written accounts in an exploration of contemporary American culture and the people traveling on the Amtrak trains that criss-cross the United States. The photographic body of work consists of 30 large color digital prints, all sized 24x29 inches, featuring portraits of travelers and settings in train stations and passenger cars. The color prints are accompanied by a reproduction of a handmade photonarrative journal of 156 pages with 76 4x5 inch inkjet photographs, paired with comments and journal entries by the photographer, and reproductions of handwritten commentary by the passengers, who reflect on their lives and circumstances, including long-distance family relationships and problems with drug abuse. Acquired as part of the Archive of Documentary Arts at Duke University.
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McNair Evans photographs, 2012-2013, 2017 6 Linear Feet (4 boxes)

J. Kirk Felsman Fellowship collection, 2014

0.5 Linear Feet
Abstract Or Scope
The J. Kirk Felsman Fellowship Collection contains 97 digital photographic prints from the series "Waves of Childhood: Photographs taken by Syrian Girls in Za'atari Refugee Camp" facilitated by 2014 Felsman Fellow Laura Doggett. Acquired as part of the Archive of Documentary Arts at Duke University.
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J. Kirk Felsman Fellowship collection, 2014 0.5 Linear Feet

Picturing Activism student projects, 2017

1.0 Linear Feet (2 boxes; 2 optical disks)
Abstract Or Scope
Collection consists of seven creative projects produced by students in the class "Picturing Activism," taught by Lisa McCarty in Fall 2017 at Duke University. The projects utilize archival and contemporary photographs, narrative, poetry, illustrations, digital documents, posters, and oral history interviews in digital audio format to explore themes related to activism, cultural experiences, and visual culture. Subjects include murals in Durham, N.C.; activism in Alamance County, N.C.; African American women, racism, and political activism; environmental crises and activism through photography; pit bull rescues and animal rights; and Chinese cooking as cultural expression. Some of the archival photographs are from the Rubenstein Library's collections. Aquired as part of the Archive of Documentary Arts at Duke University.
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Picturing Activism student projects, 2017 1.0 Linear Feet (2 boxes; 2 optical disks)

Alen MacWeeney photographs, 1962-1986, bulk 1965

.5 Linear Feet (1 box)
Abstract Or Scope
Collection comprises fourteen black-and-white inkjet prints of photographs taken in Ireland by Alen MacWeeney, chiefly in 1965. Locations include counties Donegal, Galway, Kerry, Limerick, and Sligo, and the city of Dublin. Portraits of individuals and families, as well as some of animals, coexist with depopulated, dramatic landscapes. The prints measure 13x18 inches. A photobook titled UNDER THE INFLUENCE (2011) which includes these images along with others, accompanied by excerpts of poetry by William B. Yeats, is also held by the Rubenstein Library. Acquired as part of the Archive of Documentary Arts at Duke University.
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Alen MacWeeney photographs, 1962-1986, bulk 1965 .5 Linear Feet (1 box)

Debi Cornwall photographs, 2014-2016

1.0 Linear Feet
Abstract Or Scope
Collection contains 28 color prints from Debi Cornwall's project "Gitmo at Home, Gitmo at Play/Beyond Gitmo." The project pairs images from two series. The first, "Gitmo at Home, Gitmo at Play" was made during three visits to the base in 2014-2015. The series "Beyond Gitmo" consists of environmental portraits of 10 men once held at Gitmo who have since been cleared of charges and freed.
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Debi Cornwall photographs, 2014-2016 1.0 Linear Feet

Niku Arbabi Zine collection, 1999-2007 and undated

0.5 Linear Feet 34 Items
Abstract Or Scope
Arbabi is an artist, DJ, writer, filmmaker, and zinester from Durham, NC and Austin, TX. She is the author of several craft and activist zines, including Radical South, Chicks Rock, and Polaroid-Celluloid. The collection consists of 34 zines (27 titles, produced between 1999 and 2007) collected by Arbabi. Eight of the zine titles in the collection were written or co-written by Arbabi. The majority of zines in the collection focus on either craftmaking and the do-it-yourself lifestyle or women's personal stories, including stories of abuse. Acquired as part of the Sallie Bingham Center for Women's History and Culture.
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Niku Arbabi Zine collection, 1999-2007 and undated 0.5 Linear Feet 34 Items

Aubergine, undated Box 1

James Applewhite papers, 1963-2010

13 Linear Feet 9825 Items
Abstract Or Scope
James Applewhite is a poet and professor emeritus of English at Duke University. The collection is comprised of manuscripts, drafts, and proofs of poems, as well as notes, correspondence, clippings, and printed materials (including serials and anthologies). The collection documents Applewhite's work as a poet and professor of English at Duke University, including his research about Wordsworth. Manuscripts in the collection include Lessons in Soaring: Poems, A History of the River: Poems, and River Writing: An Eno Journal.
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James Applewhite papers, 1963-2010 13 Linear Feet 9825 Items

Accession (1993-0285), 1964-1992 5 boxes

Dilmus J. Appleberry papers, 1810-1927, bulk 1850-1896

2.5 Linear Feet (5 boxes, 1,750 items)
Abstract Or Scope
Business, family, and legal correspondence, accounts, bills, invoices, indentures, land surveys, and other papers. Correspondents whose names appear most often are Pettit and Leake, a legal firm of Goochland Court House, Va., Altantic and Virginia Fertilizing Co. of Richmond, Va., and Appleberry's nephew, Thomas A. Bledsoe.
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Dilmus J. Appleberry papers, 1810-1927, bulk 1850-1896 2.5 Linear Feet (5 boxes, 1,750 items)

Appalachian Society of American Foresters records, 1921-1999 and undated

9 Linear Feet Approximately 5209 Items
Abstract Or Scope

Newsletters, executive meeting minutes, directories, correspondence, election information, meeting critiques, and other printed matter document the activities of the Appalachian Society of American Foresters between 1921-1994. Records found in the collection include position descriptions, committee charters, by-laws, and copies of the organization's journal, Trail Blazer. There is also a report on the recovery from Hurricane Hugo (1989).

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Appalachian Society of American Foresters records, 1921-1999 and undated 9 Linear Feet Approximately 5209 Items

Georges Apostoli letter, Paris, undated

1 items
Abstract Or Scope
Letter (ALS) informs recipient that Apostoli will send a recent published thesis on his electrical treatment of fibromata.
1 result in this collection

Georges Apostoli letter, Paris, undated 1 items

Masahiko Aoki papers, 1945-2016

13.75 Linear Feet (Eight record cartons, one half document box, one flat box, and one custom box.) 1.49 Gigabytes
Abstract Or Scope
Masahiko Aoki (1938-2015) was the Henri and Tomoye Takahashi Professor of Japanese Studies and Professor of Economics, Emeritus, at Stanford University. This collection documents his professional life through his correspondence, writings, and professional activities. It was acquired as part of the Economists' Papers Archive.
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Masahiko Aoki papers, 1945-2016 13.75 Linear Feet (Eight record cartons, one half document box, one flat box, and one custom box.) 1.49 Gigabytes

Thomas Antisell letter, 1849 Jan. 26

1 items
Abstract Or Scope
Letter (ALS) acknowledges the receipt of $4.12 as balance of the proceeds arising from the delivery of lectures. Expresses gratitude for the opportunity to speak before a New York audience.
1 result in this collection

Thomas Antisell letter, 1849 Jan. 26 1 items

Susan B. Anthony collection, 1870-1900

0.1 Linear Feet (13 items)
Abstract Or Scope
Collection comprises seven letters from Susan B. Anthony to various correspondents, one postcard written to her, a printed item, and a letter by S. J. S. Holden that mentions Anthony, Stanton, and the 1874 National Woman Suffrage Association (N.W.S.A.) convention.
2 results in this collection

Susan B. Anthony collection, 1870-1900 0.1 Linear Feet (13 items)

Susan B. Anthony letters to Minnie C. Rodey, 1905

0.1 Linear Feet (2 items)
Abstract Or Scope
Collection contains two letters Susan B. Anthony wrote on National American Woman Suffrage Association letterhead in February 1905 to Minnie C. Rodey, who was chair of the "Women's Club" in Albuquerque, New Mexico. In the letters, Anthony described informational material she will be sending Rodey, including a history of woman suffrage. In addition, she recommended a process by which the territory would vote on the issue of woman's suffrage before it acquiring statehood, since she considered the legislature and governor more likely to pass it than the general male voters in the state. She added, "... I read yesterday of the number of Indians and Mexicans and negroes that were in the territories. It is amazing that people want to make a state out of a territory composed of a majority of what we should term 'incompetents' Voting should be confined to intelligent beings." She also inquired of mutual friends and recommends her relatives who are visiting Albuquerque.
2 results in this collection

Susan B. Anthony letters to Minnie C. Rodey, 1905 0.1 Linear Feet (2 items)

Letters Folder 1

Susan B. Anthony letter to Friend Campbell, 1868 September 2

0.1 Linear Feet (1 item)
Abstract Or Scope
Collection comprises a letter Susan B. Anthony composed to "Friend Campbell" (Cornelius Bowman Campbell), discussing arrangements for her and Elizabeth Cady Stanton to meet with him and outlining potential discussion of "our political proclivities." Written on letterhead for THE REVOLUTION.
2 results in this collection

Susan B. Anthony letter to Friend Campbell, 1868 September 2 0.1 Linear Feet (1 item)

Letter Folder 1

Anthony and Newlin family papers, 1861-1974 and undated

0.4 Linear Feet
Abstract Or Scope
Anthony family of Burlington (Guilford Co.), N.C. Collection primarily comprises 32 albumen photographs and one tintype (circa 1861-1954 and undated), most of which are accompanied by identifying information and feature formal portraits. Nineteen of the photographs represent Newlin or Anthony family members. Among the other thirteen, five are images of the Letterboat, Perry, and Holt families; four are unidentified images of World War I soldiers, possibly associates of Joseph Jonathan Newlin; and one is a print of evangelist "Cyclone Mac." The tintype is of an unidentified Confederate soldier, possibly James Rieh, whose letter of 12 May 1861 is in the collection. Other materials include John Anthony's bank account book (1906-1907); his personal account book (1892-1922), with entries for housekeeping and farm expenses and income; and a commonplace book for M. G. Newell (1938?). In addition, there are a few letters (1910-1958), clippings (1950-1974), and printed materials (1922-1961).
2 results in this collection

Anthony and Newlin family papers, 1861-1974 and undated 0.4 Linear Feet

Anspach Travel Bureau collection of tourism literature, 1936-2014 and undated

60 Linear Feet (50,000 items)
Abstract Or Scope
Real estate and travel company founded in 1932 by brothers Herman and Robert Anspach in Highland Park, Ill. Currently part of Valerie Wilson Travel, Inc. Collection spans 1936-2014 with the bulk of materials dating from the 1960s-1980s. Primarily brochures, leaflets and other take-away direct marketing materials advertising resorts, hotels, airlines, cruise lines, and other services and destinations comprising the travel and tourism industry. Also includes newsletters, itineraries, and some correspondence. All continents and ocean regions are represented. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
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Anspach Travel Bureau collection of tourism literature, 1936-2014 and undated 60 Linear Feet (50,000 items)

Afghan Wars photographs, circa 1897

1.5 Linear Feet 45 Items
Abstract Or Scope
Collection of black and white glossy photographic prints of Afghanistan, taken by an anonymous photographer during the Anglo-Afghan War most likely during the Mamund Valley hostilities of 1897. Prints are mounted on cardstock, and collection includes the portfolio in which they were originally housed. Most have captions with location or subject, either typed or hand-written; a few are dated 1897. Images feature British Army military camps, landscapes, and groups of officers. Acquired as part of the Archive of Documentary Arts.
3 results in this collection

Afghan Wars photographs, circa 1897 1.5 Linear Feet 45 Items

Angier B. Duke Memorial, Inc. records, 1923-1999

14 Linear Feet (18 boxes.)
Abstract Or Scope
The Angier B. Duke Memorial was established in 1925 by Benjamin N. Duke to honor his son Angier Buchanan Duke (1884-1923; Trinity, 1905). The program was reworked in 1946-1947 when the Memorial Scholarship became the University's premier undergraduate award. This collection contains annual reports of various committees, correspondence and memoranda, studies, proposals, and financial records. A majority pertains to loans, awards, and scholarships funded by the Angier B. Duke Memorial.
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Angier B. Duke Memorial, Inc. records, 1923-1999 14 Linear Feet (18 boxes.)

Christian Boehmer Anfinsen note, 1972 Nov. 13

1 items
Abstract Or Scope
A note (ANS) witten on the letterhead of the Department of Health, Education, and Welfare.
1 result in this collection

Jesse Pyrant Andrews photographs and oral histories, 1973-2024

16 Linear Feet (20 boxes) 63.9 Gigabytes (262 audio files)
Abstract Or Scope
Jesse Pyrant Andrews is an American photographer based in rural southern Virginia. Collection comprises 310 black-and-white photographs and 50 oral history interviews by photographer Jesse Pyrant Andrews, documenting rural and small-town life in the Piedmont region of Virginia and North Carolina. Major themes center on the landscapes and people of the region; tobacco cultivation; the lives of farmers, war veterans, small business owners, and laid-off workers; local architecture and historic sites; traditional crafts and music; and new patterns of economics and society in rural Virginia. Andrews's Veterans Project has become a larger focus over the years; it now comprises over 30 portraits and associated audio interviews, chiefly with veterans of the Vietnam and Gulf Wars. Additional projects include materials related to the Carter-Wooding families of southern Virginia; views from an Amtrak train; views of an historic plantation home, Mountainview; and street scenes and portraits taken in New York City, California, and Massachusetts. Acquired as part of the Archive of Documentary Arts at Duke University.
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Jesse Pyrant Andrews photographs and oral histories, 1973-2024 16 Linear Feet (20 boxes) 63.9 Gigabytes (262 audio files)

Charles Wesley Andrews papers, 1808-1901

6 Linear Feet (14 boxes) 3,640 Items
Abstract Or Scope
Protestant Episcopal clergyman, Shepherdstown, W. Va. Correspondence, journal (in letter form) of travels in Europe and the Near East in the 1840s, and other papers relating to church affairs, to the American Colonization Society, to conditions in Virginia before, during, and after the Civil War, and to such schools as the Episcopal High School and the Theological Seminary at Alexandria, Va., Woodberry Forest School, Orange, Va., Washington College (now Washington and Lee), Va., Kenyon College, Gambier, Ohio, and others. Includes genealogical material on the Meade, Page, Custis, Fitzhugh, Robinson, Mines, and Boteler familes of Virginia.
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Charles Wesley Andrews papers, 1808-1901 6 Linear Feet (14 boxes) 3,640 Items

Robespierre. Dramma in 5 quadri. Epoca dal 1789 al 1793, about 1893

0.9 Linear Feet (1 item)
Abstract Or Scope
Vincenzo Andrei was a professor at the Royal Institute of Music in Florence. Collection comprises a manuscript volume (133 pages) containing Vincenzo Andrei's "Robespierre. Dramma in 5 quadri. Epoca dal 1789 al 1793," handwritten in Italian. The volume is dedicated to (Costantino?) Ressman, an Italian ambassador.
2 results in this collection

Robespierre. Dramma in 5 quadri. Epoca dal 1789 al 1793, about 1893 0.9 Linear Feet (1 item)

Gabriel Andral letter, Paris, 1827 Jul. 10

2 items
Abstract Or Scope
Letter (ALS) reports that upon examination a patient was diagnosed with dyspepsia. Describes an appropriate course of treatment. Includes translation.
1 result in this collection

Gabriel Andral letter, Paris, 1827 Jul. 10 2 items

Parker Anderson collection of conspiracy theory research, 1956-2024, bulk 1987-2001

12 Linear Feet
Abstract Or Scope
Parker Anderson (1964-) is an author of nonfiction and dramatic works on Arizona history. The Parker Anderson collection of conspiracy theory research consists of materials documenting the diffusion of conspiracy theories by right-wing populist publishers and personalities in the United States since the 1960s, with emphasis on the period between the late 1980s and the early 2000s. The dominant focus is on "new world order" conspiracy theories informed by strands of evangelicalism, antisemitism, white supremacy, Catholicism, constitutionalism, and libertarianism. The majority of the collection consists of conspiracy theory literature produced in varied formats: books; booklets; pamphlets; serial publications; mail catalogs and promotional ephemera; films and other video recordings on VHS and DVD; audio recordings of lectures and speeches on cassette and CD; and web publications. The remainder of the collection is composed mainly of articles drawn from newspapers, magazines, and websites.
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Parker Anderson collection of conspiracy theory research, 1956-2024, bulk 1987-2001 12 Linear Feet

Jay C. Anderson papers, 1976-2013

19 Linear Feet
Abstract Or Scope
Jay C. Anderson (1956-2013) was the photographer for the American Dance Festival from 1978 to 1994. This collection contains documents, slides, negatives, and prints pertaining to ADF performances and student classes during Jay Anderson's tenure as photographer for the American Dance Festival.
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Jay C. Anderson papers, 1976-2013 19 Linear Feet

Jay Carl Anderson Photographs and Papers, 1974-2001

15 Linear Feet
Abstract Or Scope
Jay Carl Anderson was a Duke University student from 1974 to 1978 and freelance photographer who photographed Duke scenes and athletic events as well as politicians and scenes around Durham and North Carolina. He also served as the editor of the 1978 Chanticleer (Duke University's yearbook). The Jay Carl Anderson Photographs and Papers include images of Anderson's time at Duke, particularly images of East and West campus, athletic events (particularly Duke men's basketball), and Duke students. The collection also includes images of United States Presidents and Presidential Campaigns (particularly Jimmy Carter and the 1976 Democratic National Convention), as well as scenes around Durham, and locations inside and outside of North Carolina.
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Jay Carl Anderson Photographs and Papers, 1974-2001 15 Linear Feet

James W. Anderson papers, 1959-1992

5.0 Linear Feet
Abstract Or Scope
James W. Anderson (1931-2019) was a professor of public relations at the University of Florida's College of Journalism and Communications. Collection includes manuals on corporate identity, graphic design, image management, and public relations policies and standards; audiocassettes; printed materials on issues in public relations, corporate image and trademarks; course materials; correspondence; slides and scripts of student presentations. Companies represented include Atlantic Richfield; Coca-Cola; CONOCO; Eaton; FMC Fiber; Goldsholl Associates; Jim Walter; Mobil; NBC; Nestlé; Rockwell; and Sherwin-Williams. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
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James W. Anderson papers, 1959-1992 5.0 Linear Feet

Desmond F. Anderson diaries,, 29 January 1927 - 31 December 1930

4 Linear Feet (4 volumes)
Abstract Or Scope
Desmond Frances Anderson was Lt. Col. of the 1st Battalion East Yorkshire Regiment in 1927, serving in China and India until 1930. The Desmond F. Anderson diaries comprise 4 volumes (approximately 650 pages) of corrected typescript, accompanied by maps, sketches, postcards, photo postcards, and a few printed items tipped in, all detailing Anderson's service in China and India between 1927 and 1930.
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Desmond F. Anderson diaries,, 29 January 1927 - 31 December 1930 4 Linear Feet (4 volumes)

1927 Box 1

1928 Box 2

Derek Anderson photographs, 2006-2008

1 Linear Feet 16 Items
Abstract Or Scope
Durham-based photographer specializing in editorial and documentary photography. Collection contains 16 11x14 color digital photographs produced by Derek Anderson for his project "When the Dust Settles: A photographic survey of the former Liggett & Myers tobacco factory in Durham, NC." Photographs include captions and range in date from 2006 to 2008.
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Derek Anderson photographs, 2006-2008 1 Linear Feet 16 Items

Pin Doffers, O'Brien Warehouse, Second Floor, 2006 Box 1

Board Room, New Cigarette Factory, First Floor, 2006 Box 1

Charles Roberts Anderson papers, 1806-1993 and undated

15.9 Linear Feet Approximately 10,200 Items
Abstract Or Scope
Author and professor of American literature at Duke University and Johns Hopkins University. The Charles Roberts Anderson Papers span the dates 1806-1993 and document his active career as professor of American literature at Duke University and Johns Hopkins University. Included are research materials on the intellectual life of Charleston, S.C., and on American literary figures such as Paul Hamilton Hayne, Emily Dickinson, Henry James, Sidney Lanier (to whom Anderson was related), Herman Melville, Henry David Thoreau, and others. Additional material includes correspondence and files on Anderson's publications; lectures and files related to teaching; travel diaries and keepsakes; and other papers related to his family history and academic career. Copies of correspondence and other documents by Anderson's research subjects, particularly Hayne, detail elements of life in the South in the nineteenth century. In addition, material in this collection chronicles the academic life of Anderson and provides insight into the state of literary scholarship and publishing in the mid-twentieth century. Early dates usually reflect the dates of the content of original material photocopied by Anderson in the course of his research. Acquired as part of the Jay B. Hubbell Center for American Literary Historiography.
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Charles Roberts Anderson papers, 1806-1993 and undated 15.9 Linear Feet Approximately 10,200 Items

Henry James Memorial Series, 1975-1984 and undated 32 folders

W. H. Amerine papers, 1956,1960 and undated

0.1 Linear Feet (13 items)
Abstract Or Scope
Collection comprises five brief essays Amerine wrote to attack advances in Civil Rights made during the 1950s, noting that members of the white race were becoming second-class citizens because of the legislative work of the federal government and the Supreme Court, along with 3 letters supporting his writing. Other topics include Christianity, Communism, and foreign aid. There are two versions of "An Essay on Crackpotism." The majority of the essays feature manuscript corrections made in ink. There are also three letters written to Amerine, dated 1960 and written by local officials who endorsed his manuscript, THE FORCES OF DARKNESS, including Judge Walter P. Jones of the 15th Judicial Circuit of Alabama; MacDonald Gallion, State Attorney General; and George Platt Waller, a retired U.S. Foreign Service officer. Copies of these three letters have been attached the longer version of "An Essay on Crackpotism." One essay has a mailing envelope attached. Several of the items have been stamped with messages such as "Remember Little Rock," or "Warning! This book should be left to our posterity. Thousands of children are even now being led astray. The Reds are back of it."
2 results in this collection

W. H. Amerine papers, 1956,1960 and undated 0.1 Linear Feet (13 items)

Papers Folder 1

American Women's Voluntary Services enamel pin, 1940s

0.1 Linear Feet (1 item)
Abstract Or Scope
Collection comprises an pin with the text "American Women's Voluntary Services" on a background of red, white, and blue enamel. The back of the pin is marked "Bastian Brothers Co, Rochester, N.Y."
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American Women's Voluntary Services enamel pin, 1940s 0.1 Linear Feet (1 item)

American Tobacco Company. Letter to Stockholders, Subject: Advertising, 1940 February 1

0.1 Linear Feet
Abstract Or Scope
Tobacco and cigarette manufacturing firm headquartered in New York, N.Y. Consists of 7-page annual letter from American Tobacco Company President George W. Hill to Stockholders. Letter summarizes success of Lucky Strike brand over the year and praises the value of advertising. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
2 results in this collection

American Tobacco Company. Letter to Stockholders, Subject: Advertising, 1940 February 1 0.1 Linear Feet

American Society of Papyrologists records, 1977-1993

7.5 Linear Feet
Abstract Or Scope
An organization dedicated to studying ancient Greek and Latin papyri. Collection houses archives of the American Society of Papyrologists, including the Society's constitution, financial papers, correspondence, Director's Office files, memoranda, and other administrative files, spanning the years 1977-1993.
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American Society of Papyrologists records, 1977-1993 7.5 Linear Feet

American Society of Civil Engineers, Duke University Chapter records, 1932-1983, bulk 1944-1970

2.5 Linear Feet 2,500 Items
Abstract Or Scope
The Duke University chapter of the American Society of Civil Engineers is an academic group for Engineering students at Duke University, formed in 1932. Records contain correspondence, annual reports, meeting announcements, planning materials for the Engineers Show, a newsletter, minutes, membership lists, membership certificates, photographs, and clippings. Major subjects include the American Society of Civil Engineers, Duke University, the School of Engineering, civil engineering study and teaching, professional development, student societies, and the history of civil engineering. Materials range in date from 1932 to 1983 (bulk 1944-1970). English.
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American Society of Civil Engineers, Duke University Chapter records, 1932-1983, bulk 1944-1970 2.5 Linear Feet 2,500 Items

American Revolution Bicentennial Administration records, 1976-1977

1.5 Linear Feet
Abstract Or Scope
The American Revolution Bicentennial Administrstion was created by Congress in 1974 to encourage and coordinate local events commemorating the 200th anniversary of the adoption of the Declaration of Independence. Collection includes copies of ARBA administrative materials.
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American Revolution Bicentennial Administration records, 1976-1977 1.5 Linear Feet