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Kenneth Hubbard (1942- ) is an avid collector of United States campaign memorabilia and is also a Duke alumnus (T. 1965) and former Duke University trustee. The Kenneth Hubbard Collection of Presidential Campaign Ephemera consists of printed and artifactural memorabilia from assorted presidential campaigns, dating largely from the late nineteenth century through the present. Items are chiefly relating to the Democratic and Republican political parties, with some materials from the U.S. Socialist Party and the Prohibitionist Party. The majority of the collection consists of buttons, pins, and campaign literature such as pamphlets, newsletters, flyers, and platforms. Arranged by year and candidate name.

Terence Mitchell is a collector and expert on collectible cigarette cards. This collection contains a wide assortment of trading cards, collectible silks and fabrics, pins, and tobacco cartons and packs acquired by Mitchell. Most date to the early twentieth century.

Re-Imagining was an ecumenical, radical, Christian movement focused on creating ways of understanding Womanist, Feminist, Mujerista, and Asian Feminist theologies, and opening spaces for dialogue with the church, diverse religious communities, and the world. Eighty-two audio files comprise an oral history project by Sherry E. Jordon with 70 participants in the Re-Imagining conferences, including the first gathering in 1993, Re-Imagining: A Global Theological Conference By Women: For Men and Women. Additionally, 127 mp3 files and 79 audiocassettes comprising Re-Imagining conference sessions and rituals from gatherings in 1993, 1994, 1995, 1996, 1998, 2000 and 2003, as well as papers documenting the organization's work, including Jordan, Mary Kay Sauter, and Rev. Katherine Austin Mahle's administration files.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The JWT 16mm Microfilm Investigations span the years 1913-1950 and consist of research reports, market studies, account histories, office overviews, campaign studies and other investigative documents. Clients include Andrew Jergens, Ballantine, Corning, Kodak, Emerson Drug, General Cigar, J&J Colman, J.B. Williams, J.P. Stevens, Johns-Manville, Lehn & Fink, Lever Brothers (Unilever), Lorillard, Northam Warren, Penick & Ford, Pond's, R.T. French, Scott Paper, Standard Brands and the U.S. Marine Corps. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Advertising executive with several agencies including Leo Burnett and Campbell-Ewald, and a professor of advertising at Michigan State University. The collection documents Jones's primary career as an executive for several major advertising agencies, including Leo Burnett Company, Campbell-Ewald Company, D.P. Brother and Company, Wilding Advertising, and William R.Biggs/Gilmore Associates; and his second career as a professor of advertising at Michigan State University. Materials consist primarily of correspondence, memoranda, notes, reports, scripts, and audiovisual (including videocassettes) materials that document the development of print, radio, and television advertising campaigns for a wide variety of clients. The history and management of advertising companies in Chicago and Detroit, in Australia, and in Singapore is also represented. Major clients and campaigns documented include Chevrolet, the Florida Citrus Commission, General Motors Corporation, and Oldsmobile.

This collection of print materials, many of them rare and ephemeral, was assembled over many decades by Guido Mazzoni, an Italian Senator, Dante scholar, professor, and bibliophile. The approximately 49,648 pieces span the years 1572 through 1946, with the bulk dating from the mid-18th to the early 20th centuries. Topics range widely and include Italian politics, particularly the rise of Socialism and Fascism; Italian humanities, especially poetry, theater, and opera; Dante studies; patriotic writings, including some by Mussolini and others in his regime; and the history and context of both World Wars. Popular literary and cultural serials abound, many with writings by noted authors, including women writers. Given Mazzoni's background in academics, his friendships with publishers, and his residence in Padova and Firenze, many of the authors are Jewish. Many of the pieces were sent to Mazzoni from former students or colleagues and are inscribed to him. Mazzoni collected many rare pieces from the 17th, 18th, and 19th centuries; broadsides from Napoleonic, Medicean, and Borbonic Italian regions are numerous. Formats represented in the collection include: pamphlets, offprints, clippings, full-issue newspapers (many from the Piedmont), libretti, scores, manuscript items, small cards, periodicals, small volumes, political broadsides, epithalamia (pieces produced on the occasion of a wedding), and one handmade photo album. There are many illustrated publications, fine engravings, woodcuts, and items with map inserts. About 80 percent of the material is in the Italian language: other common languages include Latin, French, English, German. There are also some publications in Greek, Spanish, Catalan, Portuguese, and Eastern European languages.

Born on November 22, 1912, Doris Duke was the only child of James Buchanan (J.B.) Duke, a founder of the American Tobacco Company and Duke Energy Company and a benefactor of Duke University, and Nanaline Holt Duke. Inheriting a bulk of her father's estate in 1925, which included Duke Farms in New Jersey, Rough Point in Newport, R.I., and a mansion in New York City, Doris was soon dubbed by the press as "the richest girl in the world." Although Doris did her best to live a private life, she contributed to a number of public causes and was an active supporter of the arts, historic preservation, and the environment. Doris Duke died in October 1993 at the age of 80. In her will she left the majority of her estate to the Doris Duke Charitable Foundation. The Doris Duke Papers were created by combining materials maintained by staff at the Duke Business Office and/or household staff of the Main Residence, on Doris Duke's behalf. It mostly contains the personal papers generated by or about Doris Duke throughout her lifetime. The collection covers the period 1798 to 2003, although the majority of the collection is concentrated in the 1930s to 1993. The collection is organized into 9 series limited to Doris Duke's personal relationships, dealings, and interests: Administrative Records, Personal Correspondence, Financial Records, Legal Records, Reports and Summaries, Subject Files, and Duke Business Office Safe.

Theater Three Collaborative is a live theater production company creating plays about pressing social issues.

Sidney Ralph Bernstein (1907-1993) was an editor and publisher who worked in a number of positions with Crain Communications, serving as President in the 1960s and 1970s. The collection represents a commemorative history project for the J. Walter Thompson Company's centennial anniversary in 1964. The history was not published. The collection consists of research files created or compiled by Sidney Ralph Bernstein and his research assistant Marianne Keating and include transcripts of interviews; notes and excerpts copied from publications, facsimile copies, correspondence, and printed material; correspondence and memoranda; manuscripts; speeches; indexes; clippings; lists; and chronologies. The collection documents the history of J. Walter Thompson Company through printed materials as well as personal reminiscences, recollections, and evaluations of the company by its executives and other employees. Topics include agency management; agency activities during World War II; and women in the advertising industry. Executives represented in the collection include: James Walter Thompson, founder of the company; Stanley Resor, Thompson's successor as president; Denis Lanigan; Howard Henderson; Norman Strouse; Ruth Waldo; and Sam Meek. Client companies featured in the files include Chesebrough-Pond's; Kodak; Kraft; Pan Am; and Scott Paper. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

In 1942, Duke University created the Department of Aesthetics, Art and Music. In 1960, the Department of Music formed as a separate department. Allan H. Bone, Duke professor from 1940 to 1983 and conductor of the Duke Symphony, was instrumental in the formation of the department. British composer Iain Hamilton was a faculty member for seventeen years. The Dept. of Music audiovisual materials collection contains audio and video resources made between 1951 and 1996, primarily on open reel audio and video tape, of the Duke Symphony Orchestra, the Duke Wind Symphony, the Duke Glee Club, the Ciompi Quartet, and the Duke Collegium Musicum, as well as other recordings related to the faculty and students of the Duke University Department of Music. There are also audiocassettes and a few videotapes. Faculty members represented include Jane Hawkins, Penelope Jensen, Randall Love, Robert Parkins, Fred Raimi, Claudia Warburg, Mary Lou Williams, and Ruth Friedburg. Other featured musicians are Milton Babbitt, Barbara Lister-Sink, Claudia Bloom, Boaz Sharon, and Bruce Berg. English.

Feminist activist organization that works nationally to support young women and transgender youth. Collection includes administrative files, fundraising materials, grant partner information, photographs, clippings, and conference materials in physical and digital formats. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Collection consists of 8mm and 16mm films, videocassettes, compact discs, and audiocassettes, deriving from artist David X. Young's work in New York City, Cape Cod, and Haiti. His New York work includes films of W. Eugene Smith working in his loft studio in 1971, as well as experimental films dating from the 1950s to the 1980s. Homemade audiocassette mix tapes document Young's interest in jazz as well as his piano playing. Videocassettes consist of reference copies of several films and television programs on W. Eugene Smith. This collection is part of the Archive of Documentary Arts. Original recordings are closed to research access pending reformatting.

Eighty-seven betacam videocassettes containing interviews and production footage for the 2003 documentary February One: The Story of the Greensboro Four, directed by Steven Channing and Rebecca Cerese.

The Duke University Marine Laboratory, founded in 1938, educates undergraduate and graduate students in the marine sciences. Part of the Nicholas School of the Environment, the Beaufort, North Carolina laboratory is also a renowned center of scientific research. The Marine Laboratory Records include photographs, correspondence, memoranda, minutes, recommendations, and reports documenting the Laboratory's work and administration. Major subjects include marine biology, oceanography, and zoology; research and study of the marine sciences; the Marine Biomedical Center; oceanic research vessels including the Monitor; and John D. Costlow, the director of the Laboratory for many years.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The J. Walter Thompson Company (JWT) 16mm Microfilm As-Broadcast Scripts span the years 1928-1958 and contain transcripts of radio and television dramas and variety shows, news programs, commercials, and sports programming. Companies featured include Andrew Jergens, Ballantine, Brillo, Ciba-Geigy, Fannie Farmer, Ford, General Cigar, J.B. Williams, Kodak, Kraft, Lamont-Corliss (Pond's), the New York Yankees, Penick & Ford (Br'er Rabbit), Standard Brands, the U.S. Marine Corps, and Wrigley. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Collection is made up of three commercial sets of instructional black-and-white glass lantern slides (3 1/4 by 3 1/4 inches) that accompanied lectures on human anatomy for general audiences. They were produced sometime between 1888 and 1900. The first set (17 slides of about 50 in the original set) is titled "Human physiology, popularly explained," and illustrates aspects of the neurological, cardiovascular, muscular, and skeletal systems. The second series (18 slides of about 40) has as its title "The heart and its action." The third set (3 slides) offers microscopic views of liver and bone cells, and tooth structure. The images in the first set are based on illustrations by English author, scientist, and teacher William S. Furneaux. The sets were produced by York & Son, London, and distributed by a Glasgow optician, J. Lizars. Acquired as part of the History of Medicine Collections at Duke University.

Gwendolyn M. Parker is an author and memoirist and former lawyer and business executive whose writings chronicle the experience of the Black middle class in America. This collection spans the years 1967-1998 and primarily documents her writing career, including work on her 1994 novel These Same Long Bones and her 1997 memoir Trespassing: My Sojourn in the Halls of Privilege. Materials include diaries, correspondence, clippings, writings, and other miscellaneous printed and manuscript materials.