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The University Archives Photograph Collection was compiled by University Archives staff from a variety of sources for use in research and teaching. The University Archives Photograph Collection consists of photographic prints, negatives, slides, illustrations, and a few daguerreotypes. The majority of the collection was generated by Duke University Photography, student publications, and university publications. Subjects include Duke University administrators, faculty, staff, students, alumni, and visitors; Duke University athletics, academic programs, events, student life, reunions, commencements, and other activities; and scenes of Duke University's West and East campuses, the Trinity College campuses (Durham, N.C. and Randolph County, N.C.), campus facilities, campus architecture, Durham, Randolph County, and other related buildings and locations. Also included are photographs separated from other University Archives collections.

Arthur Hollis Edens (1901-1968) had a long career as an educator and administrator. He served as president of Duke University from 1949 to 1960. During that time, Edens focused on fund-raising and long range planning, and oversaw the implementation of a new student union and a University Council for faculty members. The A. Hollis Edens records include correspondence, memoranda, reports, minutes, and other documents related to Edens's career at Duke. Among the major subjects of the collection focused on Duke University are its administration and development, the Board of Trustees, the Duke Endowment, Annual Reports from major divisions of the university, segregation, and Edens's inauguration in 1949. Prominent people in the collection include faculty member Paul M. Gross and presidential assistant Earl W. Potter. The collection also includes documents related to Edens's membership in organizations such as the U.S. State Department's Advisory Commission on Educational Exchange, the National Commission on Accrediting, the Southern Association of Colleges and Secondary Schools, the Southern University Conference, the Methodist Church, and the President's Committee on Education Beyond the High School. English.

Formed in 1952, the Undergraduate Faculty Council (UFC) was responsible for the governance of undergraduate education at Duke University. The Undergraduate Faculty Council of Arts and Sciences succeeded the UFC in October 1971, when undergraduate education in engineering and nursing formed separate governing bodies. Collection includes minutes, memoranda, correspondence, questionnaires, reports of standing and ad hoc committees, and other papers pertaining to faculty oversight of undergraduate education. The bulk of the material consists of the records of the Subcommittee on Curriculum, a part of the Committee on Undergraduate Instruction. Other committees include Honors, Program II, the Faculty Advisory System, Residential Life, Study Abroad, Undergraduate Admissions, Financial Aid, and Academic Standards. One of the major accomplishments of the UFC was a report called "Varieties of Learning Experience," or the Krueger Report (1968), which led to major changes in the undergraduate course of study known as the "new curriculum." English.

Daniel A. Livingstone is the James B. Duke Professor Emeritus of Biology at Duke University, with longstanding research interests in biology, limnology, paleolimnology, zoology, and other subjects. The Daniel A. Livingstone papers include the extensive correspondence of Dr. Livingstone from the 1980s to 2001 as well as other materials related to his research and teaching at Duke University.

The mission of the Duke News Service is to inform the public and the university community about research, programs, and events at Duke; to increase public understanding and appreciation of scholarly contributions made by Duke's faculty and the work of its other employees and students; and to provide media relations and consultative services to faculty and administrators. Subject-related files created by the Duke University News Service containing clippings, speeches, photographs and reference material.

Douglas M. Knight, born in 1921, served as president of Duke University from 1963 to 1969. Knight was educated at Yale and served as president of Lawrence University prior to becoming president of Duke. After leaving Duke in 1969, he worked as an industry executive at several firms. Records include correspondence, memoranda, proposals, surveys, reports, writings and speeches, minutes, audio-visual media, honorary citations, clippings, and printed matter. Major subjects include the administration of Duke University, the planning of a new art museum, university development, Duke's Fifth Decade Campaign and fundraising, the Duke Board of Trustees, Knight's inauguration, the School of Engineering, the School of Law, the School of Forestry, the Graduate School of Business, student protest, African-American students at Duke, the takeover of the Allen Building by members of the Afro-American Society, and student rights. Major correspondents include R. Taylor Cole, E.R. Latty, Lath Meriam, Mary Duke Biddle Trent Semans, R. Philip Hanes, Nancy Hanks, R. Patrick Ransom, George V. Allen, Charles B. Wade, Henry Rauch, Edwin L. Jones, Wright Tisdale, Les Brown, Ellen Huckabee Gobbel, Mark Pinsky, Graddon Rowlands, and Floyd B. McKissick.

Braxton Craven (1822-1882) served as an administrator and educator during the nineteenth century evolution of Trinity College (Randolph County, N.C.). Craven was Principal of Union Institute (1842-1851), President of Normal College (1851-1859), and President of Trinity College (1859-1863, 1866-1882). In addition, Craven actively participated in the Methodist Episcopal Church, South and the Order of the Masons in North Carolina. Collection includes correspondence, sermons and addresses, diaries, legal and financial papers, teaching materials, subject files, and photographs and portraits of Braxton Craven. Correspondents include John Wesley Alspaugh, Charles Force Deems, David Lowry Swain, David Settle Reid, Henry Toole Clark, and Calvin H. Wiley. Subjects include the Methodist Episcopal Church, college financial affairs, and the activities of the Trinity Guard, a unit of student-soldiers that Craven formed during the Civil War. English.

Collection consists of 19th century albumen photographs taken by commercial photographer Samuel Bourne and other partners as they traveled to sites in modern-day India, Bangladesh, Pakistan, and Burma. Of the 646 prints in the collection, 200 are mounted in three large bound commercial photograph albums, while the remaining 446 are single, loose prints; all were published by the firm Bourne & Shepherd. The majority of the prints range in size from roughly 6x9 to 10x12 inches. Subjects include the vast landscapes of nothern India; landmarks such as temples, rivers and canals, monuments, mountain hostels, and European-built cathedrals and civic structures; rural scenes from villages and tea plantations; and scenes from the cities of Delhi, Bombay (Mumbai), and Calcutta (Kolkata). There are also several dozen ethnic portraits of native inhabitants and group portraits of English officials and Indian counterparts. A number of images have been attributed to Bourne's partners Charles Shepherd and Colin Murray.

The photographs of Cedric N. Chatterley span the years 1983-2013, and were created throughout his career as a documentary photographer, beginning with his MFA thesis project on religious experience in the U.S. The photographs are primarily black-and-white prints ranging in size from 8x10 to 18x24 inches. The most prominent themes in Chatterley's work are labor, community, and religious expression. He has photographed chicken slaughterhouse workers in Maine; Cambodian immigrants in North Carolina; David "Honeyboy" Edwards and other Southern blues musicians in Mississippi and on tour; a substance abusers' rehabilitation community in Durham, N.C.; tornado survivors in South Dakota; an abandoned religious theme park in Connecticut; and sheep rancher Judith Fae "Pachy" Burns in Montana. Some of his documentary work also includes oral history interviews. There are also several recordings of interviews with Chatterley, where he speaks about his work as a documentary photographer, and a book by Barbara Lau containing his photographs of Cambodian immigrants. Acquired as part of the Archive of Documentary Arts at Duke University.

Outdoor advertising firm founded as Naegele Outdoor Advertising in 1935 in Minneapolis, Minn. Renamed Fairway Outdoor 1991 and currently headquartered in Duncan, S.C. Includes billboard, painted display and poster designs, slides, photographs, printed materials and VHS videocassettes that document billboard locations, work in progress, corporate events, hurricane and storm damage and other aspects of the outdoor advertising industry. Many poster designs depict advertising for local North Carolina businesses. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The JWT 35mm Microfilm Proofs collection spans the years 1906-1960 and consists primarily of images of print advertisements and proofs taken from proof books and portfolios of domestic and foreign JWT offices. Clients include Ballantine's, B.F. Goodrich, Butterick, Corning, Crowell Publishing, Davey Tree Surgeons, General Cigar, General Motors, Guinness, Horlicks, J.B. Williams, Jergens, Johns-Manville, Nash, Northam Warren, Pennsylvania RR, RCA, Sharp & Dohme, Shell, Standard Brands, Sun Maid, Swift, Sylvania, United Airlines, Ward Baking, and Welch's Grape Juice. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Allan Troxler (1947-2025) was an artist, author, and dance instructor from Durham, N.C. Troxler's collection consists of his artwork, family history, and writings, as well as the archives of his lifelong partner, Carl Wittman. Carl Wittman's archives include his diaries, letters, and writings on civil rights and gay liberation. The collection also contains materials documenting the Durham (N.C.) arts scene, English country dance, AIDS in the gay community, and Troxler's collection of materials from Catherine Nicholson.

The J. Walter Thompson Company (JWT), founded in 1864, is one of the oldest and largest enduring advertising agencies in the world. It opened its first international office in London in 1899, and by 1930 the agency had established offices in some 30 countries. At present, JWT manages offices or partnership arrangements in approximately 90 countries. The J. Walter Thompson Company (JWT) International Advertisements Collection spans the years 1900-2004 and consists primarily of print advertisements, along with some transparencies, photocopies of advertising, and other collateral material that document some of JWT's international advertising campaigns through the 20th century. Clients include a variety of local, national and multinational commercial firms, as well as government institutions and public service organizations. The holdings of the collection are uneven, with the bulk of the advertisements dating from the mid-1960s up to about 1990. There are limited early advertisements from Chesebrough-Pond's, General Motors, and other clients dating from the late 1920s and early 1930s in print and on microfilm from the various offices established during those years. There are almost no international advertisements from roughly 1933 to the middle of the 1950s. The United Kingdom, the British Commonwealth countries, and Latin America account for most of the advertisements from the mid-1950s to the late 1970s. While the holdings since about 1980 are much larger than earlier holdings, they are by no means complete, and vary substantially from office to office. Key multinational clients represented in the collection include Chesebrough-Pond's, Eastman Kodak, Ford, General Motors, Kraft, IBM, Pepsi, R.J. Reynolds, and Unilever. English translations of foreign-language advertisements are often provided by JWT's Asian and Pacific Offices. European and Latin American Offices provided translations far less frequently. Advertisements for members of the British Commonwealth are generally available in English only or in both English and the local language. Spanish-language advertisements produced by JWT offices in the United States, intended for the domestic Spanish-speaking population as well as for Latin America, may be found in the J. Walter Thompson Company Domestic Advertisements Collection.

The American Association of Advertising Agencies, founded in 1917, is the primary advertising industry trade organization. Collection includes correspondence, annual corporate and stockholder reports for member agencies, meeting minutes and speeches, biographical summaries, a subject file, and videotapes that document selected activities and functions of the organization. The collection has been compiled from a number of accessions received over time, and so does not represent a comprehensive archive of the AAAA. Certain aspects of AAAA activities, however, are well represented, including a set of card files that document the professional careers of AAAA members over a 50-year period, and subject files that focus on Federal Trade Commission (FTC), Federal Communications Commission (FCC) and the Food and Drug Administration (FDA) investigations into complaints lodged against advertisers and advertising claims produced in a variety of media, with a particular emphasis on the ways that products were advertised during and in conjunction with children's television programming. Other topics touched on include advertising self-regulation, antitrust issues, advertising laws, and deceptive and ethical practices in marketing and advertising. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Reproductive Health Ephemera Collection consists of pamphlets, flyers, brochures, booklets, bumper stickers and other items that document the work of organizations concerned with women's reproductive health and reproductive rights, largely in the United States and United Kingdom, from early birth control efforts by Margaret Sanger through mid-century abortion-rights groups like NARAL and Planned Parenthood. Collection contains items from both pro-choice and pro-life organizations. Also includes advertisements and information about products related to birth control, family planning, and ideas of vaginal hygiene (such as diaphragms, suppositories, and douching products). Acquired as part of the Sallie Bingham Center for Women's History and Culture, the History of Medicine Collections, and the John W. Hartman Center for Sales, Advertising & Marketing History.

Susan Hill is a North Carolina native, social worker, activist for female reproductive rights, and founder of the National Women's Health Organization. Collection includes newspaper clippings related to abortion and women's health issues, records from the National Women's Health Organization, and audiovisual material. Acquired as part of the Sallie Bingham Center for Women's History and Culture.

Outdoor advertising company founded in 1912 in the Champaign-Urbana, Illinois environs.

African American civic leader during the period following the Brown decision of 1954 and the Civil Rights Movement. Harris was the first African American city councilman in Durham, N.C., and the first black man to sit on the Durham County Board of Education. The Rencher Nicholas Harris Papers span the years from 1851 to 1980, with the bulk dating from 1926 to 1965. The collection consists mainly of clippings, correspondence, legal papers, photographs, printed materials, journals and diaries, scrapbooks, oversize maps, and reports relating to Harris' work in political and educational affairs in Durham, North Carolina in the 1950s and early 1960s as a member of the City Council and the School Board, with emphasis on school desegregation, civil rights, and race relations in Durham. Also represented is Harris' business career in banking, insurance, and real estate, his role as an official of the Bankers' Fire Insurance Company, and his civic activities, including leadership roles in the NAACP, Lincoln Hospital, and North Carolina Mutual Insurance, and Mechanics and Farmers Bank, all serving African Americans in Durham. Some biographical materials, family papers, and correspondence also relate to his wife, Plassie Williams Harris. Part of the John Hope Franklin Research Center for African and African American History and Culture at Duke University.

In 1968, Doris Duke established the Newport Restoration Foundation (NRF) with the express purpose of preserving, interpreting, and maintaining landscape and objects reflecting the 18th- and 19th-century architectural culture of Aquidneck Island (Newport, R.I.). In creating the foundation, Doris Duke had a simple plan: to purchase dilapidated 18th century homes and meticulously restore them so that every detail was as historically accurate as possible. During the next three decades, preservation remained a major focus among her many charitable endeavors. Saving eighty-three properties was an undertaking on a scale and scope that has never been repeated. Doris Duke gave $21.9 million to the Newport Restoration Foundation, the largest philanthropic gift she made to a single organization during her lifetime. The collection documents the daily business activities of the Newport Restoration Foundation (NRF), including purchases, renovations, and renting of various NRF homes, photo inventories of the furniture and other household items at each restored NRF home, weekly progress reports, and other routine matters. The architectural records in this collection are related to the renovation of several of the NRF homes. The materials in this collection are arranged chronologically and alphabetically thereunder.

Duke Farms, a 2,700 acre estate located in Hillsborough, New Jersey, was developed by James Buchanan (J.B.) Duke beginning in 1893. After J.B. Duke's death in 1925, Doris Duke inherited the property. Over the course of nearly seven decades she worked to continue the legacy of Duke Farms and introduced environmentally-friendly and innovative farming methods into the operations of Duke Farms and purchased and restored farms and farmstead structures in order to forestall the rapid loss of farmland to urban development. When she died she left the majority of her estate to the Doris Duke Charitable Foundation with her expressed wish that Duke Farms be used to drive positive change on a number of key issues regarding the stewardship of the natural environment. The collection is arranged into four series: Administrative Records, Duke Business Office Records, Duke Farms Main Residence Records, and Architectural Records. It spans the years 1859 to 2004, beginning with the early vision and evolution of the estate by James Buchanan (J.B.) Duke, the enhancement and management of the estate by Doris Duke after she inherited control of it upon her father's death, and ending with the general upkeep of the estate after Doris Duke's death in 1993. The collection primarily documents the daily operations of running, renovating, and maintaining the Duke Farms estate, and includes daily activity reports, correspondence, notes, and specifications for various architectural projects at Duke Farms, invoices and vouchers for repairs at different buildings on the estate, cattle inventories and cow registrations, financial ledgers and cashbooks, and security ledgers and reports. The architectural records are further arranged into seven sub series and contain a wide assortment of records, including blueprints, diazo prints, site plans, schedules, and maps. The materials document a variety of design, construction, and farm-related activities at Duke Farms.