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Abraham Joshua Heschel was an internationally known scholar, author, activist, and theologian. He was born in Warsaw, Poland into a distinguished family of Hasidic rebbes, and studied philosophy in Berlin, Germany. In 1938 he was deported from Frankfurt to Warsaw where he escaped to London just before the Nazi invasion. After a brief time in London he immigrated to the United States, first teaching at the Hebrew Union College and then at the Jewish Theological Seminary of America where he taught as Professor of Ethics and Mysticism until his death in 1972. In addition to his active participation in social justice issues and his interfaith work, Heschel was also a scholar and religious thinker who made significant contributions to Jewish studies. As a philosopher of religion, his goal was to make the spiritual insights of Judaism understandable and over the course of his lifetime influenced generations of Jews and non-Jews. The Abraham Joshua Heschel Papers span the years 1880 to 1998 and document Abraham Joshua Heschel's personal, academic, and public life. Items in this collection include correspondence, writings by and about Heschel, typescripts, clippings, printed material, and a small amount of photographs and artifacts. The materials in the collection provide insight to Heschel's identity as a spiritual leader and how this role was inextricably connected to his personal and professional life. The collection is organized into the following series: Audio, Correspondence, Personal and Family Materials, Public Activity, Restricted, and Writings.

Collection consists of Japanese books, periodicals and other printed materials relating to the Japanese student movement of the 1960s and later. The materials derive from the first confrontations of 1960 provoked by the Anpo treaty, through the protest movement's years of crisis and decay in the 1970s, but there are more recent materials as well. They are arranged as originally ordered, by formats. Items of interest include radical left-wing student newspapers, large flyers and smaller protest handouts, special issues from mainstream media outlets, clippings, and North Korean and former Soviet Union Communist propaganda. Notably, the collection includes a full 12-month run of the Japanese magazine, Kisetsu. Protest movement ephemera also includes original writings, chiefly mimeographed essays and manuscript submissions for publication. The collection is strong in material relating to the BUND movement (Kyôsan Shugisha Dômei), the rise of Zengakuren radicalism, and the birth of the Japanese Red Army Faction (Sekigun-Ha). Materials and this collection guide are in the Japanese language. Romanized titles are given for books and serials. The collection is part of a larger gift pertaining to the radicalization of the student movement in Japan, including books, a video, and other items which are now available as part of the holdings of the East Asian Collection in Duke University's Perkins Library.

Produced mostly by the Central Newsreel and Documentary Film Studio of China, documentary films and newsreels were two of the major mass media and communication channels in China from the 1950s through 1970s. This collection consists mainly of film advertisements and transcripts of Chinese documentary films from 1946(?)-1985. Other materials include printed advertisements and other publicity for Chinese and foreign films and theatre productions. Topics represented in the collection include industry, agriculture, the economy, military matters, education, public health care, medicine and science, political movements, foreign relations, cultural and sporting events.

English professor, Duke University, folklorist of Durham, N.C., and founder in 1913 of the North Carolina Folklore Society. Collection centers around Frank Clyde Brown's lifelong exploration and collecting of North Carolina and Appalachian folklore, which resulted in this vast archival collection of original folklore materials and editorial records for the seven-volume Frank C. Brown Collection of North Carolina Folklore (published 1952-1964). Collection is comprised of field recordings on wax cylinders and phonodiscs; tens of thousands of field notes, transcriptions of original songs, stories, and traditional expressions; musical scores; and numerous journal articles, student theses, books, and lists. Also included are the papers of Charles Bond, a Duke graduate student who studied and expanded the collection in 1970. The vast majority of the folklore sources originated in North Carolina, but there are some materials from other regions. Subjects include: African American traditions; ballads and songs (music as well as lyrics); European roots of North American folklore; folk music; folk poetry; games and parties; oral traditions and storytelling; sayings, names, and superstitions; social conditions in the Southern States; work songs; and North American folklore in general. In addition, one can find rich resources on the study and teaching of folklore, and attitudes during the 1920s to 1950s about Southern customs and communities.

Consumer Reports is a product testing and consumer advocacy nonprofit organization based in Yonkers, N.Y., founded in 1936. The Consumer Reports Advocacy records collection assembles materials relating to Consumer Reports' efforts at influencing public policy and addressing a variety of social issues. Materials originated at Consumer Reports main headquarters as well as at regional offices (Southwest Region, West Coast, Washington) more closely focused on advocacy activities. Materials include correspondence, press and publicity releases, clippings, research reports, policy papers, transcripts of testimony given before government and institutional agencies and committees, and other printed material. Social issues represented include antitrust investigations, automobile safety and rollover standards, child car seats, consumer credit, dairy products and food safety, household appliance safety, housing, insurance, lead poisoning, medical care, manufactured and mobile homes, mortgage bank practices, moving industry, pesticides, poverty, product liability, school lunch programs, steel and petroleum industry actions, telecommunications, and toy safety. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

The Russian Posters Collection is divided into three series spanning the years 1919 to 1989: 30 posters emphasizing the benefits of communism and the first "Five Year Plan" for workers, the achievements of the USSR under communism, religion as an enemy of the people, and the struggle against and decline of capitalism; 14 placards from the 22nd Congress of the Communist Party of the USSR describing and depicting the strength of the country in industrial development, consumer goods, agricultural production, electrification, and the national welfare; and the collapse of the colonial system of imperialism and the problems facing capitalism; and last, ten posters from the "perestroika" period of the 1980s, most of which were exhibited in Moscow in 1988. In addition, the collection houses nine facsimiles of Russian posters from the 1920s-1930s. The posters have been digitized and are available online.

Duke Photography, formerly called Duke University Photography, was the official photographic service of Duke University. The Duke Photography Records include many of the original photographs taken by the service from the 1960s through the 2010s.

Henry Horenstein is an American photographer, author, teacher, and filmmaker based in Massachusetts. The collection comprises 247 black-and-white and color photographic prints selected from his projects, a large series of about 2500 contact sheets, and a few other related materials. Subjects in the project prints series include Horenstein's family and friends; beachgoers in Havana, Cuba; blues and country musicians, the venues where they play, and their fans; the human body in extreme close-ups; horse and stock car racing; burlesque and drag performers; and historic tri-racial communities in Maryland. Together, the prints and contact sheets offer landscapes, street scenes, storefronts, theaters, highways, museums, concerts, bars, nightlife, fairs, and people and animals in Cuba, Dubai, Germany, Los Angeles, Louisiana, Maryland, Massachusetts and all of New England, Missouri, New York, Paris, Tennessee, Texas, Venezuela, and other places. The dominant format is gelatin silver, with some chromogenic and digital work; print sizes range from 8x10 to 20x24 inches. Acquired as part of the Archive of Documentary Arts at Duke University.

The Office of Licensing and Ventures serves Duke University and its Medical Center and is responsible for commercially-sponsored research, patents and licenses, new venture activity, corporate gifts, and corporate vending relationships. Contains the case files, correspondence, and records of medical, chemical, and engineering patents submitted by Duke University personnel from 1957 to 1988.

The non-profit agency International Monitor Institute (IMI) operated between 1993 and 2003, primarily to assist international war-crimes tribunals by collecting, indexing and organizing visual evidence of violations of international human rights law. The International Monitor Institute Records span the dates 1986-2006, and primarily comprise audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations around the world. Countries represented include: Burma (Myanmar), Bosnia and Hercegovina, Cambodia, Kuwait, Rwanda, Sierra Leone, and Thailand. Includes master and use copies of approximately 6000 videocassettes and 100 audio tapes and audiocassettes. The video and audio material is indexed by an extensive database developed by IMI which includes keywords, air dates, segment producer, segment title, and in some cases, transcripts and stills from the video. There are also many photographs and slides taken in the same regions, depicting destruction in areas of conflict, forced labor, refugees and refugee camps, and protests. The majority of the photos were taken on the Burma/Thai border, in Bosnia and Hercegovina, and refugee camps in Rwanda. Finally, there are extensive organizational records, including an extensive database of the audiovisual components. Acquired as part of the Human Rights Archive.