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J. Walter Thompson Company. Competitive Advertisements, 1955-1997

550.0 Linear Feet
Abstract Or Scope
Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States.
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Edwin and Terry Murray Collection of Role-Playing Games, 1972-2017

270 Linear Feet Approx. 13,000 Items
Abstract Or Scope
Edwin L. and Terry A. Murray, brothers residing in Durham, North Carolina, have been collectors of comic books and other pulp culture for forty years. Collection includes role-playing game boxed sets, miniatures, card sets, role-play game magazines and literature, campaign guides, modules, and rule books.
1 result in this collection

Richard Pollay Acme Advertising collection, 1850s-2006 and undated

75 Linear Feet 3000 Items
Abstract Or Scope
The Acme Advertising Collection is one of the collections created by Professor Richard Pollay in the History of Advertising Archives (Faculty of Commerce, Sauder School of Business, University of British Columbia). The collection was motivated by the observation that Acme named enterprises are characteristically small ventures that represent the grass roots of local and regional economies. At the same time, the ubiquity of the Acme brand name has made its way into popular culture, where it has become an icon for independent business in general, featured in print cartoons from artists such as Gary Larson (The Far Side) and G.B. Trudeau (Doonesbury), and in the Warner Bros. animated Road Runner features. Items in the Acme Collection come from a variety of sources. Many items were donated to Dr. Pollay, but the majority were acquired by Dr. Pollay himself over several decades. In earlier years items were found in shops, flea markets, and antique stores across North America. However, in recent years most items were acquired through the internet auction site, eBay (www.eBay.com). The Acme Advertising Collection dates from the 1850s through 2006 and consists of approximately 3000 items from over 900 distinct companies and producers, primarily of U.S. or Canadian origin, all bearing the brand name Acme. The collection contains a diverse array of items, both three-dimensional and printed materials, including: promotional items and memorabilia; trade cards; business cards; magazine tear sheets; catalogs; newspaper clippings; signs; displays; writing instruments; rulers; clothing; toys and games; school and office stationery supplies; photographs and slides. A number of corporations are represented in the collection, including: Acme Bail Bonds; Acme Boots; Acme Brick Company; Acme Harvester; Acme Markets; Acme Motor Truck Company; Acme White Lead and Color Works; Duane H. Nash, Inc.; Lautz Bros. and Company; and Warner Bros.
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100-04-110. Acme Feed, Seed and Fertilizer Company. Oversized ruler, undated

100-06-002. McCullough's Garden Seed sack, undated

100-13-047. Acme Mills. Business correspondence, 1934

Phil Weaver collection of World War II films, 1943-1946

2 Linear Feet (15 film cans in two records center boxes.)
Abstract Or Scope
Seventeen United States and British government-produced films on 15 reels, dealing with World War II and dating 1943 to 1946, primarily including films made explicitly to sell war bonds, as well as documentaries, training films, and anti-Japanese and anti-German propaganda.
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Olive Pierce photographs, 1960-2014

26.5 Linear Feet (13 boxes; 1 oversize folder)
Abstract Or Scope
Olive Pierce (1925-2016) was a documentary photographer based in Massachusetts and Maine. The collection comprises several hundred black-and-white photographic prints taken by Pierce over her long career. The earliest images (1960s) feature landscapes and individuals in Maine, a subject Pierce returned to throughout her life. Other subjects include: political protests in Cambridge, Massachusetts and life in the Jefferson Park neighborhood in Cambridge during the 1970s; high school students in Cambridge (1980s); the lives of Iraqi children in war zones in 1999 and 2003, and protests in the U.S. against that war. Also included are print publications featuring Pierce's photographs; publicity for exhibits and lectures; Pierce's 1987 guide to teaching photography; a video on DVD and audio lecture about her work; some correspondence; unpublished book mock-ups and a memoir/diary; a self-published illustrated partial memoir (2014); approximately 2557 film negatives; and about 40 slides featuring images of her early life and family. Acquired by the Archive of Documentary Arts at Duke University.
1 result in this collection

Nicole DiBona Peterson Collection of Advertising Cookbooks, 1851-2005

127.25 Linear Feet
Abstract Or Scope
Joseph DiBona is a cookbook collector and Associate Professor Emeritus in the Program in Education at Duke University. The collection is named in honor of his daughter Nicole DiBona Peterson. Collection spans the years 1851-2005 and includes cookbooks, hang tags, inserts, recipe cards and guides, operating instructions, owner's manuals and other promotional materials that address cooking and kitchen arts. Materials include recipes, guides, and information that educate consumers and promote the use of a variety of foods (meat; fish and poultry; dairy; soups; fruits and vegetables; beverages); condiments and spices (sauces, bouillon and broths, chocolate and cocoa, baking soda and baking powder); canning jars; small appliances (cookware, blenders, mixers, microwave ovens); and large appliances (stoves and refrigerators). Collection materials frequently promote the use of a particular brand or product, and they occasionally promote institutions or trade organizations. Acquired as part of the John W. Hartman Center for Sales, Advertising and Marketing History.
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South Asian Pamphlets collection, 1911, 1920-2005, bulk 1950-2000

200 Linear Feet
Abstract Or Scope
The South Asian Pamphlets Collection spans the years 1920-2005, with the bulk of the material dating from the 1950s to the 1990s, and with only a few items from the 1910s-1940s. It is arranged by country. Topics commonly covered in each country series include but are not limited to agriculture, arts, defense, economic development, education, ethnic or cultural conflict, industry and commerce, international relations, politics and government, population issues, religion and philosophy, rural development, tourism, and the status of women. While the majority of the pamphlets were published by organizations and agencies and do not list individual authors' names, there are also pamphlets with individual authors listed.
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Rob Amberg Sodom Laurel Album Exhibit photographs, 1975-1994 and undated

3 Linear Feet 16 Items
Abstract Or Scope
Documentary photographer and writer based in western North Carolina. Collection contains 16 gelatin silver prints from Amberg's Sodom Laurel Album book that the Center for Documentary Studies turned into a traveling exhibit. Also includes 32 prints displayed in the Allen Building exhibition. Acquired as part of the Archive for Documentary Arts.
1 result in this collection

J. Walter Thompson Company. New business records, 1924-2014

96.0 Linear Feet
Abstract Or Scope
Founded in 1864, the J. Walter Thompson Company (JWT) is one of the largest and oldest enduring advertising companies in the United States. The J. Walter Thompson Company (JWT) New Business Records span the years 1924-2006, with the bulk of materials spanning 1980-1989. The collection combines the records of the New Business Departments of JWT's major U.S. offices: New York, Chicago, Detroit, Atlanta, and San Francisco, and includes presentations, memoranda, case histories, market research, and profiles of companies, industries, market segments, products and product categories. Topics addressed include the youth market, financial services marketing, food and grocery marketing, feminine hygiene and other personal products, and product branding. The collection includes photographs, audiocassettes, videocassettes, DVDs. Over 300 companies are represented in the collection, including Alitalia, Baskin-Robbins, Bell Atlantic, Circuit City, Eastern Airlines, Eyelab, Frito-Lay, Goodyear, Häagen-Dazs, HBO, Hyatt Hotels, IBM, Johnson & Johnson, Kodak, Kraft, Miller Beer, Morgan Stanley, Nabisco, Nestlé, Prudential, Schering-Plough, and the U.S. Navy. Many of the companies represented in the collection subsequently became clients of JWT, so there is some correlation between this collection and the JWT Account Files collection. Acquired as part of the John W. Hartman Center for Sales, Advertising, & Marketing History.
2 results in this collection

Elaine Katz collection of women's trade cards, 1870s-1920s

0.75 Linear Feet
Abstract Or Scope
Elaine Katz is a collector of books and ephemera. This collection was created by Katz and contains more than 800 cards documenting numerous women's businesses and professions during the late nineteenth and early twentieth centuries including millinery, dressmaking, and fancy work, as well as many other types of businesses and work. Acquired as part of the Sallie Bingham Center for Women's History and Culture and the John W. Hartman Center for Sales, Advertising & Marketing History.
2 results in this collection

Mrs. E. B. Beals, circa 1870-1920

Philip Kapleau papers, 1952-2009 and undated

24 Linear Feet
Abstract Or Scope
Zen Buddhist teacher and author of "The Three Pillars of Zen." Born in New Haven, Connecticut, Kapleau was a chief court reporter for the Nuremberg Trials and also covered the Tokyo War Crimes Trials. While in Japan for the trials, he met and was influenced by D.T. Suzuki and other Zen practitioners, which led him to become a serious student of Zen in Japan. Eventually, he returned to the United States and founded the Rochester Zen Center (New York) in 1966. Most of the papers relate to Kapleau's role as a Zen teacher, to his writings, and to personal concerns such as his health and Parkinson's disease. Some of Kapleau's notes are written in shorthand, and there are some materials in Japanese. The recorded teishos (dharma talks) were mainly recorded during sesshin (retreats) and span 30 years. According to the tape labels, there are various speakers including Kapleau, Toni Packer, and Bodhin Kjolhede (all of whom led the Rochester Zen Center at different times).
2 results in this collection

J. Walter Thompson Company. New York Office. Media Center Audiovisual collection, 1953-2015 and undated

88.0 Linear Feet
Abstract Or Scope
Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. It is headquartered in New York. Collection includes correspondence, track listings, transcriptions, and other printed materials, audio and video cassettes (Betacam SP, VHS and Umatic), DAT, optical media (CDs, DVDs. etc.), 16mm film reels, phonograph records, and computer media. JWT management events documented in the collection include Cannes and Effies Awards submissions, Epcot, Executive Committee, Worldwide Creative Council, speeches and presentations by top managers as well as interviews undertaken as part of an oral history project at JWT. Offices represented include North America, Europe, Great Britain, India, Asia and Latin America. Main companies include California Lottery, Chase & Sanborn, Chevron, Del Taco, Diageo, Diamond Trading Company (DeBeers), Domino's, Ford, HSBC, Jenny Craig, JetBlue, Kaiser Permanente, Kimberly-Clark, Kodak, Kraft, Lipton, Macy's, Mexicana Airlines, Standard Brands, Trailways, Warner-Lambert, Weight Watchers and Wyeth. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
1 result in this collection

J. Walter Thompson Company. Dan Seymour papers, 1951-1974

21.5 Linear Feet 16,125 Items
Abstract Or Scope
Consists of correspondence, office files, memoranda, notes, client files and some advertisements, reports, charts, reprints, schedules, scripts, printed material, and calendars. The collection documents advertising history, especially television and the management of client accounts; the development of television shows and other aspects of television programming, including the selection of actors and audience profiles; advertising clients' account histories; the corporate administration of the J. Walter Thompson Company; and the career of Dan Seymour. There is limited material about Seymour prior to his employment by the J. Walter Thompson Company in 1955 or after his retirement from it in 1974. Clients of the company represented in the collection include Eastman Kodak Company, Ford Motor Company, Kraft Foods Company, Lever Brothers Company, and Liggett & Myers Tobacco Company. There is considerable overlap in the content of the series in this collection.

J. Walter Thompson Company. San Francisco Office records, 1948-1999 and undated

5.8 Linear Feet 1800 Items
Abstract Or Scope
Founded in 1864, the J. Walter Thompson Company (JWT) is one of the oldest and largest enduring advertising agencies in the United States. The JWT San Francisco office was opened in 1923. The JWT San Francisco Office Records span the years 1959-1999, and includes advertising proofs, commercial artwork, print schedules, marketing plans, manuals, company history materials, correspondence, Creative Library catalogs and audiovisual materials (audio cassettes, VHS video cassettes and videotapes). Also included are the papers of Harry A. Lee, a JWT executive involved in the development of JWT's Pacific Rim business during the 1960s. Companies represented in the collection include California Raisin Advisory Board, Dean Witter, Ferry-Morse Seed Company, Labatt's, Morris Plan, and Schlage. JWT offices touched on in the collection include New York, Manila (Philippines) and Tokyo (Japan). Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
2 results in this collection

J. Walter Thompson Company. San Francisco Office records, 1948-1999 and undated 5.8 Linear Feet 1800 Items

Duke Centennial Celebration records, 1946-2025, bulk 2024-2025

0.75 Linear Feet 145.7 Gigabytes
Abstract Or Scope
Duke University commemorated its hundredth anniversary in 2024. This collection contains photographs, video recordings, publications, programs, promotional material, ephemera, and reports related to Duke University centennial celebrations.
1 result in this collection

Brochures, programs, and flyers, 2024 2 folders

Sarah P. Duke Gardens records, 1926-2012

24.5 Linear Feet
Abstract Or Scope
The Gardens were a gift from Mary Duke Biddle in honor of her mother, Sarah P. Duke (Mrs. Benjamin N.). Construction began in 1932 and the site was open to the public in 1934. Ellen Shipman (1869-1950) designed the plans for both the construction and the plantings for the new gardens. Collection contains materials pertaining to the origins and activities of the Sarah P. Duke Gardens including planting plans, calendars, correspondence, feasibility studies, annual reports, a card catalog of plantings, and publicity. Materials in the collection date from 1926-2012.
1 result in this collection

Doris Duke papers on the Falcon Lair residence, 1937-1999

4.6 Linear Feet 3,285 Items
Abstract Or Scope
The Falcon Lair residence was purchased by Doris Duke in April, 1953 primarily for use on her occasional visits to California and for use while she was in transit to or from her residence in Honolulu. Compared to her other estates, the residence was not large, however, being located in the hills above Benedict Canyon overlooking Beverly Hills, it served as a retreat from public life. Soon after the home was purchased, Doris Duke hired Tony Duquette to supervise the entire redecoration and remodeling of Falcon Lair. The home was renovated again in the mid-1970s. Miss Duke lived at Falcon Lair until her death in 1993, and in 1998 the property was sold by the Doris Duke Charitable Foundation. The collection is arranged into two series: Administrative Records and Architectural Records. It spans the years 1937 to 1999, beginning with the purchase and interior renovation of the home and ending with maintenance and general upkeep of the home after Doris Duke's death in 1993. The collection primarily documents the expenses and daily operations of renovating, running, and maintaining the Falcon Lair residence, and includes invoices and receipts for services and repairs, correspondence, memoranda, and telegrams relating to routine matters of the residence, expenses, and photo inventories of furniture, fixtures, and other household items. A majority of the architectural records detail alterations and additions to the Falcon Lair residence.

Duke Gardens Foundation records, 1912-2002 and undated

96.8 Linear Feet 28,000 Items
Abstract Or Scope
On October 15, 1958 the Duke Gardens Foundation was incorporated with the purpose of "developing thereon agricultural, botanical & horticultural exhibits for the purpose of scientific experiments and of public inspection, instruction, education & enjoyment." Over the period of six years, Doris Duke was personally involved in the physical design of the Indoor Display Gardens, in which various gardens were carefully designed, planned, and developed from the point of view of authenticity. The gardens were opened to the public in 1964, and included 11 unique gardens for visitors to enjoy. Doris Duke continued her involvement with her gardens throughout her life, bringing designers with her to modify them during the summer season when they were closed to tourists. The Duke Gardens Foundation was officially dissolved November 13, 2001 and the gardens closed to the public in 2008. The collection documents the lifecycle of the Duke Gardens Foundation, beginning with the inception of the Duke Gardens Foundation and the design and creation of the various indoor display gardens that comprised Duke Gardens, including the associated purchases of plants and bulbs. The materials follow the daily operations of Duke Gardens, including modifications and general upkeep of the gardens, visitor and tour information, and operations of the Foundation itself. The materials end with the general management of Duke Gardens after Doris Duke's death in 1993 and the final dissolution of the Foundation in 2001. Materials include correspondence, inventories, specifications for various architectural projects at Duke Gardens, invoices and vouchers for repairs and reconstruction to the greenhouses, surveys and reports, financial ledgers, and a multitude of both black and white and color photographs and slides of the different gardens.
2 results in this collection

Frank C. Brown papers, 1899-1943

30 Linear Feet
Abstract Or Scope
Frank Clyde Brown (1870-1943) served as Professor of English at Trinity College and Duke University, and as Comptroller and University Marshall of Duke University. He oversaw the initial construction of Duke University's West Campus and the renovation of East Campus. Brown also founded the North Carolina Folklore Society. The Frank C. Brown Papers contain correspondence, logs, diaries, reports, lantern slides, notebooks, clippings, a scrapbook, and other materials. While some papers relate to teaching and English department activities, the bulk of the collection concerns the construction of Duke University, including correspondence with the Horace Trumbauer architectural firm, builder and manufacturer information, construction progress reports, travel diaries of visits to other campuses, and records of James B. Duke's views on architecture and involvement in campus planning. English.
3 results in this collection

Duke University Press records, 1812-2021

554.5 Linear Feet 2.98 Gigabytes
Abstract Or Scope
Duke University Press publishes both scholarly books and journals, primarily in the humanities and social sciences. In its early years, preference was given to works published by faculty, graduate students and alumni and to works focused on southern states. The records of Duke University Press span from 1812-2019 and consist of correspondence, annual catalogs, advertisements, annual reports, Board minutes, contracts and agreements, book and journal reviews, financial records, marketing files, the records of former director Steve Cohn, and facsimiles of the Carlyle letters.
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J. Alfred Smith papers, 1902-2022

32.25 Linear Feet
Abstract Or Scope
Reverend Dr. J. Alfred Smith, Sr. is a Black minister who served as Senior Pastor at Allen Temple Baptist Church in Oakland, CA for several decades. He also taught for many years at the American Baptist Seminary of the West (now Berkeley School of Theology). This collection contains recorded and written sermons, teaching materials, event files, and other papers that document Smith's pastoral and teaching career. Materials in the collection document Smith's work to bridge denominational, ethnic, racial, and socioeconomic divides in California and throughout the United States. Acquired as part of the John Hope Franklin Research Center for African and African American History and Culture.
1 result in this collection

Center for Documentary Studies student projects collection, 1980-2011 and undated

40 Linear Feet
Abstract Or Scope
The Center for Documentary Studies at Duke University teaches, engages in, and presents documentary work grounded in collaborative partnerships and extended fieldwork that uses photography, film/video, audio, and narrative writing to capture and convey contemporary memory, life, and culture. The collection includes work created by students enrolled in documentary studies courses at Duke University in Durham, North Carolina, and the University of North Carolina at Chapel Hill (UNC), sponsored by the Center for Documentary Studies at Duke. Acquired as part of the Archive of Documentary Arts at Duke University.
1 result in this collection

Spanish Advertising broadsides (Auca and Alelujas), 1938-1985 and undated

3 Linear Feet
Abstract Or Scope
An auca is a graphic format popular in Spain and especially in the region of Catalonia around Barcelona. The genre dates at least to the 17th century but was banned during the 18th century before experiencing a renewal during the 19th and later the 20th centuries as a uniquely Catalonian form of expression. It takes the form of a cartoon or a comic strip, typically with 48 blocks of image and text, although some may have less. An auca is generally produced as a single sheet, but occasionally a booklet form is used. The captions tend to have some sort of consistent rhyme to assist with the flow and storytelling. Many times the term "auca" appears in the title, but another term, "aleluya," is used, apparently interchangeably. Some sources indicate that the aleluya originated in Castile and originally included religious elements that were shed over time. The aucas found in this collection are focused primarily on advertising a range of products, businesses, services or entertainments such as films, but also present are public service announcements for topics such as safety, health or the National Lottery. A common format is to relate some sort of tangential or episodic story and end by directly promoting the product or company of choice. Narratives tend to focus on everyday events that most families would be able to at least partially relate to. Many involve nuclear families and the day-to-day trials that they may go through. Common themes involve food, gender roles, entertainment, education, family, race and hygiene. Companies represented in the materials include GAMA, Philips, Procter & Gamble, Puig, and Unilever. Items in this collection appear in both Spanish and Catalan. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
1 result in this collection

23. Tío Nelo. Historia de Tío Nelo--The story of Uncle Nelo, Undated

Stone Circles records, 1995-2012

11.4 Linear Feet (19 boxes)
Abstract Or Scope
The Stone Circles records contain materials documenting the history of the organization. These include press clippings, board meeting minutes. staff and financial information, program files, newsletters, event information, and correspondence.
1 result in this collection

Earl Dotter collection of Charles G. A. Thamm photographs, 1860s-2023

12 Gigabytes (approximately 1276 files) 5 Linear Feet (11 boxes)
Abstract Or Scope
Earl Dotter is a documentarian, photojournalist, and labor activist based in Maryland. Dotter's great-grandfather, Charles G. A. Thamm, also worked as a photographer in Pennsylvania and was employed by the Landreth Seed Catalog Company. This collection contains photographs in various formats - including negatives and prints - created by Thamm and his family in the 1890s and early 1900s. It also contains digital surrogate images of Thamm's work, adjusted by Dotter.

Tobacco collection, 1828-1996

5.4 Linear Feet
Abstract Or Scope
The Tobacco Collection contains material assembled by library staff related to the manufacturing, sale, and use of tobacco in the United States, particularly in North Carolina and Virginia. There are also items referring to tobacco cultivation and processing. Printed advertising predominates, but the contents also include items that are not paper products. Typical paper-based items include cigarette and cigar advertising trade cards of W. Duke, Sons & Co., Lorillard, Liggett and Myers, John Player and Sons, and various other American and British companies; tobacco advertisements by Krueger and Brown of N.Y.; and souvenir tobacco albums published by Allen & Ginter. Other forms of advertising in the collection include broadsides, pamphlets, books, leaflets, letters, envelopes, cigar and cigarette boxes and labels, cans, a plate, wrappers, labels, and catalogs. Images include birds, animals, battle scenes, and persons, including a series on "African Types."
1 result in this collection

Duke Photography, job number records, 1960-2018

129 Linear Feet 129.2 Gigabytes
Abstract Or Scope
Duke Photography, formerly called Duke University Photography, was the official photographic service of Duke University. The Duke Photography Records include many of the original photographs taken by the service from the 1960s through the 2010s.
1 result in this collection

Jean Yeager papers, 1959-2012

15 Linear Feet 7,000 Items
Abstract Or Scope
Advertising copy writer and artist who managed his own agency, Jean W. Yeager, Inc. based in Dallas, Tex. Later taught at several Waldorf Method institutions; director of the Anthroposophical Society in America. Collection spans the years 1959-2012 and includes correspondence, direct marketing printed materials, print advertisements and recordings of radio and television broadcast commercials and public service messages that document Yeager's career producing advertising primarily for companies based in Texas. Examples of Yeager's original art are also included. Formats include audio- and videocassettes, audio reels and 16mm films. Companies represented include 7-Eleven, Coca-Cola, Frito-Lay, Radio Shack, Republic Health Corporation, Schenley, Southland Corporation, and Sterling Optical. The collection also touches on Yeager's involvement with the Anthroposophical Society and related enterprises, including Waldorf Method schools such as the Kimberton Waldorf School in Detroit. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.

Youth Document Durham and Durham Works Project records, 1995-2008 and undated

45.5 Linear Feet (75 boxes; 1 oversize folder) Approximately 10,085 Items
Abstract Or Scope
Youth Document Durham and Durham Works were programs sponsored by Duke University and the Center for Documentary Studies that brought together young people ages 12–16 from diverse Durham communities to document their lives, local history, and contemporary social issues through photography, oral history, and narrative writing. The Youth Document Durham and Durham Works project records span the years 1995-2008 and document the process of training young people in Durham, North Carolina schools to use photography and other arts, oral histories, and writing to record the history and members of their communities and the local issues affecting the students' lives. Many of the students are African American or Hispanic and their topics often highlight social conditions and race relations in African American and Hispanic communities in Durham neighborhoods and in a few other locations, including South Carolina. Topics explored by participants, both interviewers and interviewees, include crime, food cultures, jobs and education, music, racism, technology, teen violence, work cultures, and tobacco cultivation and its social context. The bulk of the collection is made up of hundreds of oral interviews conducted by junior high and high school students with community members, documented through audiocassette recordings, photographs, writings, and some transcripts, but there are also many program publications, project curricula, and administrative records for the program from its beginnings through 2008. There is also a database created by Center for Documentary Studies staff that records the complete information for each interview, including descriptive notes on certain interviews. This data also contains restricted information. For access to this database, please consult with a reference archivist. Acquired as part of the Archive of Documentary Arts at Duke University.
1 result in this collection

Latino/a Studies in the Global South Records, 2001-2016

.75 Linear Feet
Abstract Or Scope
The Latino/a Studies in the Global South program at Duke University was formally created in 2008. The program offers an undergraduate certificate and promotes interdisciplinary research, teaching, and study related to Latino and Latina communities, particularly in the U.S. South and the Global South. The Latino/a Studies in the Global South Records include the files of the Executive Director of the program from 2008-2016.
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Latino/a Studies in the Global South Records, 2001-2016 .75 Linear Feet

Nicholas School Master's Projects, 1933-2007

82.5 Linear Feet 2400 Items
Abstract Or Scope
As of 2005, the Nicholas School of the Environment and Earth Sciences at Duke University offers two master's degree programs: Master of Environmental Management (MEM) and Master of Forestry (MF). Both degree programs require students complete a master's project that presents an in-depth or quantitative analysis of a problem related to the students' particular focus area. Collection contains printed, bound master's projects. Materials range in date 1933-2005. Master's Projects for 2005 are held in the Nicholas School office. English.
2 results in this collection

Methodist Student Center records, 1947-2000 (bulk 1954-1966)

0.5 Linear Feet 500 Items
Abstract Or Scope
The Methodist Student Center was constructed in 1957 to serve the spiritual and social life of the then 1,250 Methodist students attending Duke. The materials in the collection include two serials The Crusader and Methodist Student Movement, as well as, clippings, programs, brochures, reports and other printed material. The collection ranges in date from 1947-2000 with the bulk items dating 1954-1966.
1 result in this collection

Allan Troxler Papers, 1800s-2024, bulk 1960s-2010s

11 Linear Feet 4.3 Gigabytes
Abstract Or Scope
Allan Troxler (1947-2025) was an artist, author, and dance instructor from Durham, N.C. Troxler's collection consists of his artwork, family history, and writings, as well as the archives of his lifelong partner, Carl Wittman. Carl Wittman's archives include his diaries, letters, and writings on civil rights and gay liberation. The collection also contains materials documenting the Durham (N.C.) arts scene, English country dance, AIDS in the gay community, and Troxler's collection of materials from Catherine Nicholson.
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Center for Multicultural Affairs records, 1968-2025

23 Linear Feet 4.7 Gigabytes
Abstract Or Scope
The Center for Multicultural Affairs began as the Office of Black Affairs in 1969 to address the needs of the African American student population at Duke University. As the Center for Multicultural Affairs, the department's mission is to foster a welcoming environment, support all students in becoming engaged members of the Duke community, and to promote community engagement. The collection contains a variety of administrative materials, including reports, correspondence, minutes and programs, documenting the directives and activities of the Office of Black Affairs, the Office of Minority Affairs, the Office of Intercultural Affairs, and the Center for Multicultural Affairs. Also included are materials pertaining to the Summer Transitional Program, which was established in 1969 and managed by the Office of Minority Affairs.
1 result in this collection

Kristine Stiles collection, 1936-2025

233 Linear Feet 0.83 Gigabytes
Abstract Or Scope
Kristine Stiles is the France Family Professor of Art, Art History & Visual Studies at Duke University. Her main field of research is contemporary art with a focus on experimental practices, as well as representations of destruction, violence, and trauma in art. The collection includes Stiles' personal and family papers; materials documenting her study of art and artists, particularly contemporary and modern artists; writings, talks, projects, and teaching files; and other materials including correspondence, photographs, and audiovisual items. Together, the materials in this collection document Stiles' study and teaching of art and art history; her scholarly interests in violence, destruction, and trauma in art; her relationships with artists around the world; and her personal life. Artists represented in this collection include Chris Burden, Lynn Hershman, Allan Kaprow, Gustav Metzger, John Latham, Jean-Jacques Lebel, Yoko Ono, Raphael Montañez Ortiz, Dan and Lia Perjovschi, Carolee Schneemann, Wolf Vostell, and many more.
1 result in this collection

Sallie Bingham papers, 1900-2023

93.75 Linear Feet
Abstract Or Scope
Feminist and author. The Sallie Bingham Papers provide rich documentation of the personal life, literary development, and philanthropic activities of Sallie Bingham, feminist and writer. The papers, dated 1900-2011, with the bulk of the materials dating from the 1940s to 2011, are comprised of correspondence, speeches, writings, subject files, personal papers, diaries and notebooks, legal and financial papers, audiovisual recordings, and photographic media. Included also are some records of The Kentucky Foundation for Women, a philanthropic organization founded by Bingham; The American Voice, a literary journal founded by Bingham and published under the auspices of The Kentucky Foundation for Women; and Santa Fe Stages, a regional theater founded by Bingham. Arranged into the following series: Audiovisual Materials, Correspondence, Diaries and Notebooks, Kentucky Foundation for Women, Legal and Financial, Miscellaneous, Photographs, Poetry, Santa Fe Stages, Speeches, Subject Files, Writings, and Oversize Material, with the Writings, Diaries and Notebooks, and Correspondence Series composing the bulk of the collection. Multiple additions have been added since the collection was processed; these are represented at the end of this finding aid.
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Diaries and Notebooks Series, 1945-1990s

Will Grossman photographs of Durham, North Carolina, 1969-1979, 2006

6 Linear Feet (8 boxes; 1 oversize folder; 585 items) 585 Items
Abstract Or Scope
Will Grossman was a 20th century documentary photographer based in Durham, North Carolina. The 80 black-and-white images in the collection chiefly document Durham County and the city of Durham in the 1970s. There are also 488 negatives, as well as a set of 16 inkjet exhibition prints and an exhibit poster from 2006. Grossman's subjects include barns and rural landscapes; houses and churches; tobacco warehouses, a cigarette factory, and other industrial buildings; tobacco workers and other portraits of individuals, including many African Americans; scenes along the Eno River; and the Durham County Fair. A few images are from Orange County, N.C. Acquired as part of the Archive of Documentary Arts at Duke University.
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Full Frame Archive collection, 1998-2017

55.5 Linear Feet
Abstract Or Scope
The Full Frame Documentary Film Festival is the largest film festival in the United States entirely devoted to documentary film. Originally the DoubleTake Documentary Film Festival, it is an international event dedicated to the theatrical exhibition of non-fiction cinema, held annually since 1998 in downtown Durham, North Carolina. Typically, more than 100 films are screened, along with discussions, panels, and workshops fostering conversation between filmmakers, film professionals and the public. The Full Frame Archive was created in 2007, as a partnership between Duke University and Full Frame. The Full Frame Archive Film Collection comprises preservation masters of documentary films that won awards at the Full Frame Film Festival between 1998 and 2012. Formats include 35mm film, 16mm film, Digital Betacam cassette, HDCAM cassette, Betacam SP cassette, and DVD. In addition, there is a complete set of festival program books. The films vary widely in topic and style, with a predominant emphasis on human rights issues; all of the films deal with social issues in one way or another. The collection is organized chronologically, by festival year, and acquisitions are ongoing.
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Sir! No Sir! (2005)

Workingman's Death (2005)

The Devil Came on Horseback (2007)

Stephen C. Harward papers, 1949-1975 and undated, bulk 1963-1975

10.5 Linear Feet Circa 4000 Items
Abstract Or Scope
Stephen Cannada Harward served on the Durham City School Board for 12 years in the 1960s and 1970s. During this time, the Durham city and county school districts were desegregated following a series of court mandates beginning in 1963. The collection contains memos, bulletins, reports, evaluations, minutes, agendas, educational and administrative guides and handbooks, court documents, financial statements and budgets, correspondence, clippings, printed materials, and maps pertaining to the activity of the Durham City School Board. The papers span the years 1949-1975 and document the daily workings of the Durham City School Board chiefly between the years 1963 and 1975, with a special focus on the process of desegregation during that time. It contains no personal papers of Stephen C. Harward.
1 result in this collection

Leroy T. Walker Africa News Service Archive, 1952-1998 and undated

606.6 Linear Feet 439,500 Items
Abstract Or Scope

The LeRoy T. Walker Africa News Service Archive is an extensive resource file assembled by Africa News Service (ANS) over the course of two decades in support of its news gathering efforts about Africa-related issues and U. S. foreign policy towards Africa. The collection spans the years from approximately 1960 to 1995, with the bulk of the materials dating from 1978 through 1994. Newspaper clippings, magazine articles, press releases, newsletters, brochures, and reports comprise the collection. Much of the material is gathered from mainstream media sources and government documentation in the United States, Europe, Africa, and other parts of the world. In addition, the collection includes significant resources from alternative, minority, and special interest presses world-wide that may be difficult to locate elsewhere. The archive contains scarce and difficult-to-locate materials such as numerous publications produced by non-governmental organizations and grass-roots/community groups that are/were involved in efforts related to independence movements, economic development, and human rights issues in Africa.

1 result in this collection

Rob Amberg photographs and papers, 1975-2009

15 Linear Feet 457 Items
Abstract Or Scope
The photographs and papers of documentarian Rob Amberg span the years 1975-2009. The gelatin silver prints and pigmented inkjet color prints in the collection represent three bodies of work: The New Road: I-26 and the Footprints of Progress; The Sodom Laurel Album; and The Vanishing Culture of Agriculture. Amberg focuses primarily on the social life and customs of the rural South, especially in the mountains of his home state of North Carolina. Images range from landscape shots taken before and during construction of an interstate highway in the N.C. mountains, to portraits of individuals and families affected by the changes in rural culture. Images also depict agricultural activies such as tobacco cultivation and dairy cattle farming, as well as work in the poultry industry. He has a special concern for documenting the way in which industrial and economic progress seems to be erasing many aspects of rural culture at the turn of the twenty-first century. Amberg's papers account for the rest of the collection and are organized into five series: Correspondence, Printed Materials, Subject Files, and Writings and Research, and Audio. Acquired as part of the Archives of Documentary Arts at Duke University.
1 result in this collection

Jesse Pyrant Andrews photographs and oral histories, 1973-2024

16 Linear Feet (20 boxes) 63.9 Gigabytes (262 audio files)
Abstract Or Scope
Jesse Pyrant Andrews is an American photographer based in rural southern Virginia. Collection comprises 310 black-and-white photographs and 50 oral history interviews by photographer Jesse Pyrant Andrews, documenting rural and small-town life in the Piedmont region of Virginia and North Carolina. Major themes center on the landscapes and people of the region; tobacco cultivation; the lives of farmers, war veterans, small business owners, and laid-off workers; local architecture and historic sites; traditional crafts and music; and new patterns of economics and society in rural Virginia. Andrews's Veterans Project has become a larger focus over the years; it now comprises over 30 portraits and associated audio interviews, chiefly with veterans of the Vietnam and Gulf Wars. Additional projects include materials related to the Carter-Wooding families of southern Virginia; views from an Amtrak train; views of an historic plantation home, Mountainview; and street scenes and portraits taken in New York City, California, and Massachusetts. Acquired as part of the Archive of Documentary Arts at Duke University.
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Martha O. Adams papers, 1960-2016

16 Linear Feet
Abstract Or Scope
Martha Olds Adams is an American writer and poet. Her works center primarily on the areas of feminist theology, female spirituality and social justice. The Martha O. Adams papers contain her poetry collections and other writings; correspondence and ephemera related to her publications, workshops and speaking engagements, as well as documentation of her research and activist work.
3 results in this collection

Martha O. Adams papers, 1960-2016 16 Linear Feet

Kenneth J. Arrow papers, 1921-2017

142 Linear Feet (97 boxes) 13.2 Gigabytes
Abstract Or Scope
Kenneth Arrow (1921-2017) was a Nobel Prize winner and the Joan Kenney Professor of Economics and Professor of Operations Research, Emeritus at Stanford University. This collection consists of his correspondence, research, writings, and other materials documenting his political and personal interests, as well as his collaborations and professional affiliations across the fields of economics, mathematics, public policy, and international relations. It forms part of the Economists' Papers Archive.
1 result in this collection

Josiah William Bailey papers, 1833-1967, bulk 1900-1946

270 Linear Feet (539 boxes) Approximately 422,400 itemss
Abstract Or Scope
The collection houses the personal and professional papers of Josiah William Bailey (1873-1946), Baptist layman, Raleigh attorney, and United States Senator. Chiefly consists of correspondence and print material, as well as smaller amounts of financial records, clippings, volumes, broadsides, photographs, and memorabilia dating from 1833 through 1967, with most items dating from 1900 through 1946. The collection documents Bailey's family, personal, religious, and professional life. Generally, papers prior to Bailey's election to the U.S. Senate in 1931 reflect North Carolina's legal, political, religious, agricultural, social, and economic issues. After 1931, material chiefly pertains to national affairs. Significant topics include: state and national elections and campaigns in the 1920s and 1930s; national defense and the military; veterans; the effects of the Depression on southern states and the U.S. economy and society in general; labor issues; Prohibition; the court system; taxation; the development of the Blue Ridge Parkway and other parks; agriculture in the Southern States; and the New Deal of the Roosevelt Administration. Legal papers offer a sample of case files from Bailey's law office, including a 1920s case involving W.V. Guerard of the Klu Klux Klan. Outgoing personal correspondence contains many references to national and regional issues as well as personal exchanges.
1 result in this collection

Agricultural Correspondence Subseries, 1930-1946

D'Arcy Masius Benton & Bowles Archives, 1901, 1929-1999

162 Linear Feet
Abstract Or Scope
New York-based advertising agency formed in 1985 by the merger of the Benton & Bowles and D'Arcy-MacManus and Masius advertising agencies. In 2002 the agency closed upon acquisition by French company Publicis. Collection includes memoranda; correspondence; reports; corporate publications; marketing research reports; manuals; employee reference material; press releases; a press book; speeches; clippings; photographs and negatives in color and black-and-white; films, video and sound recordings, and DVDs; book manuscripts; financial papers; and a scrapbook. The collection documents the history of Benton & Bowles advertising; the merger of the D'Arcy MacManus Masius and Benton & Bowles companies; the early careers of William Benton and Atherton W. Hobler; employee training, recruitment, and management; corporate publications; and marketing research. Clients represented include the Procter & Gamble Company, General Foods Corporation, Allied Chemical Corporation, Avco Corporation, Colgate Palmolive Co., Florida Citrus Commission, International Business Machines Corporation, and West Point Pepperell. Acquired as part of the John W. Hartman Center for Sales, Advertising & Marketing History.
2 results in this collection

Harry L. and Mary K. Dalton collection, 1695-1955 and undated

80.5 Linear Feet approx. 11,160 Items
Abstract Or Scope
Harry L. and Mary K. Dalton collected art, rare books, and manuscripts, and made many contributions to art museums and libraries, most notably the Duke University Library, the Mint Museum, and the library of the University of North Carolina at Charlotte. The Dalton Collection is comprised of sub-collections acquired by Harry L. and Mary K. Dalton.
1 result in this collection

Pickens, Andrew papers, 1801-1827

Jim Dow photographs, 1966-2025

140 Linear Feet (173 boxes; 1 oversize folder) 1.3 Terabytes
Abstract Or Scope
Jim Dow (1942- ) is an American photographer and educator based in Massachusetts. The core of the collection consists of over 1900 single-image photographs, 232 multi-image panoramic prints, and approximately 2300 film negatives, representing black-and-white and color images taken by Dow from 1966 to 2023. It also includes raw and adjusted digital image files that Dow created from his photographic negatives. Subjects include: U.S. vernacular culture and landscapes, including roadside architecture, courthouses and jails, and small business interiors; eateries, including diners, bars, drive-in restaurants, and food trucks; stadiums and athletic fields around the world; and interiors and exteriors of private clubs, libraries, and churches and museums in cities around the world. Photographs often include cultural expressions such as advertising, murals, bar decor, and graffiti. Dow's U.S. work focuses mainly on New England, the South, and the West, with a single-state project on North Dakota. Other images were taken by Dow in Argentina, Canada, England, Mexico, Portugal, Scotland, and Uruguay, with a few images from Wales. Also included is a series of commissioned work. Dow's professional papers comprise teaching slides, course readers, syllabi, and digital files, as well as art gallery ephemera. Acquired as part of the Archive of Documentary Arts at Duke University.
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Duplex Advertising Company. Billboard Images and records, circa 1964-1993 and undated

7.5 Linear Feet 5300 Items
Abstract Or Scope

The Duplex Advertising Company. Billboard Images and Records spans the period 1964-1993 and documents the outdoor advertising work of this company in the central Texas area, primarily through photographs, negatives and slides of billboards. Many of the images are in color. A large number of the images are of national campaigns advertised in central Texas, as well as billboards, signs and posters of local Texas business services. In addition, a handful of articles written by R. V. Miller, Jr. for a number of publications, as well as other printed material and miscellaneous items from the Duplex Advertising Company, are present. Some of these articles, along with the images themselves, provide examples of commercial art and design in the outdoor advertising arena. The collection includes outdoor advertising images from national clients such as Kentucky Fried Chicken, Chevrolet, Coca Cola, Coors, Wendy's, Hardee's, and Taco Bell, and Texas clients such as Lone Star and Pearl beers.

1 result in this collection

International Monitor Institute records, 1986-2011

530 Linear Feet 8.3 Gigabytes
Abstract Or Scope
The non-profit agency International Monitor Institute (IMI) operated between 1993 and 2003, primarily to assist international war-crimes tribunals by collecting, indexing and organizing visual evidence of violations of international human rights law. The International Monitor Institute Records span the dates 1986-2006, and primarily comprise audiovisual materials related to IMI's documentation of contemporary conflicts and human rights violations around the world. Countries represented include: Burma (Myanmar), Bosnia and Hercegovina, Cambodia, Kuwait, Rwanda, Sierra Leone, and Thailand. Includes master and use copies of approximately 6000 videocassettes and 100 audio tapes and audiocassettes. The video and audio material is indexed by an extensive database developed by IMI which includes keywords, air dates, segment producer, segment title, and in some cases, transcripts and stills from the video. There are also many photographs and slides taken in the same regions, depicting destruction in areas of conflict, forced labor, refugees and refugee camps, and protests. The majority of the photos were taken on the Burma/Thai border, in Bosnia and Hercegovina, and refugee camps in Rwanda. Finally, there are extensive organizational records, including an extensive database of the audiovisual components. Acquired as part of the Human Rights Archive.
1 result in this collection

RTLM 50 Sony HF 60 (1 copy of Side A and 1 copy of Side B